LETTER IV.

Thus much is certain. It is only when a third character, as previously

suggested, has preponderance that a revolution in a state according to

moral principles can be free from injurious consequences; nor can

anything else secure its endurance. In proposing or setting up a moral

state, the moral law is relied upon as a real power, and free-will is

drawn into the realm of causes, where all hangs together mutually with

stringent necessity and rigidity. But we know that the condition of the

human will always remains contingent, and that only in the Absolute Being

physical coexists with moral necessity. Accordingly, if it is wished to

depend on the moral conduct of man as on natural results, this conduct

must become nature, and he must be led by natural impulse to such a

course of action as can only and invariably have moral results. But the

will of man is perfectly free between inclination and duty, and no

physical necessity ought to enter as a sharer in this magisterial

personality. If, therefore, he is to retain this power of solution, and

yet become a reliable link in the causal concatenation of forces, this

can only be effected when the operations of both these impulses are

presented quite equally in the world of appearances. It is only possible

when, with every difference of form, the matter of man's volition remains

the same, when all his impulses agreeing with his reason are sufficient

to have the value of a universal legislation.

It may be urged that every individual man carries within himself, at

least in his adaptation and destination, a purely ideal man. The great

problem of his existence is to bring all the incessant changes of his

outer life into conformity with the unchanging unity of this ideal. This

pure ideal man, which makes itself known more or less clearly in every

subject, is represented by the state, which is the objective, and, so to

speak, canonical form in which the manifold differences of the subjects

strive to unite. Now two ways present themselves to the thought in which

the man of time can agree with the man of idea, and there are also two

ways in which the state can maintain itself in individuals. One of these

ways is when the pure ideal man subdues the empirical man, and the state

suppresses the individual, or again when the individual becomes the

state, and the man of time is ennobled to the man of idea.

I admit that in a one-sided estimate from the point of view of morality

this difference vanishes, for the reason is satisfied if her law prevails

unconditionally. But when the survey taken is complete and embraces the

whole man (anthropology), where the form is considered together with the

substance, and a living feeling has a voice, the difference will become

far more evident. No doubt the reason demands unity, and nature variety,

and both legislations take man in hand. The law of the former is stamped

upon him by an incorruptible consciousness, that of the latter by an

ineradicable feeling. Consequently education will always appear

deficient when the moral feeling can only be maintained with the

sacrifice of what is natural; and a political administration will always

be very imperfect when it is only able to bring about unity by

suppressing variety. The state ought not only to respect the objective

and generic, but also the subjective and specific in individuals; and

while diffusing the unseen world of morals, it must not depopulate the

kingdom of appearance, the external world of matter.

When the mechanical artist places his hand on the formless block, to give

it a form according to his intention, he has not any scruples in doing

violence to it. For the nature on which he works does not deserve any

respect in itself, and he does not value the whole for its parts, but the

parts on account of the whole. When the child of the fine arts sets his

hand to the same block, he has no scruples either in doing violence to

it, he only avoids showing this violence. He does not respect the matter

in which he works any more than the mechanical artist; but he seeks by an

apparent consideration for it to deceive the eye which takes this matter

under its protection. The political and educating artist follows a very

different course, while making man at once his material and his end. In

this case the aim or end meets in the material, and it is only because

the whole serves the parts that the parts adapt themselves to the end.

The political artist has to treat his material--man--with a very

different kind of respect than that shown by the artist of fine art to

his work. He must spare man's peculiarity and personality, not to

produce a defective effect on the senses, but objectively and out of

consideration for his inner being.

But the state is an organization which fashions itself through itself and

for itself, and for this reason it can only be realized when the parts

have been accorded to the idea of the whole. The state serves the

purpose of a representative, both to pure ideal and to objective

humanity, in the breast of its citizens, accordingly it will have to

observe the same relation to its citizens in which they are placed to it;

and it will only respect their subjective humanity in the same degree

that it is ennobled to an objective existence. If the internal man is

one with himself he will be able to rescue his peculiarity, even in the

greatest generalization of his conduct, and the state will only become

the exponent of his fine instinct, the clearer formula of his internal

legislation. But if the subjective man is in conflict with the

objective, and contradicts him in the character of a people, so that only

the oppression of the former can give victory to the latter, then the

state will take up the severe aspect of the law against the citizen, and

in order not to fall a sacrifice, it will have to crush under foot such a

hostile individuality without any compromise.

Now man can be opposed to himself in a twofold manner; either as a

savage, when his feelings rule over his principles; or as a barbarian,

when his principles destroy his feelings. The savage despises art, and

acknowledges nature as his despotic ruler; the barbarian laughs at

nature, and dishonors it, but he often proceeds in a more contemptible

way than the savage to be the slave of his senses. The cultivated man

makes of nature his friend, and honors its friendship, while only

bridling its caprice.

Consequently, when reason brings her moral unity into physical society,

she must not injure the manifold in nature. When nature strives to

maintain her manifold character in the moral structure of society, this

must not create any breach in moral unity; the victorious form is equally

remote from uniformity and confusion. Therefore, totality of character

must be found in the people which is capable and worthy to exchange the

state of necessity for that of freedom.

Aesthetical Essays of Friedrich Schiller · 第 16 / 57 题