CLOUD CASTLES

The heavens are the most constant thing we know, the skies the most

inconstant. Even the Olympian expanse, when blue and cloudless, is

an aspect of terrestrial atmosphere in a holiday mood, a sort of gay

parasol which the Earth holds up when she walks in the sun, and takes

down again when she walks in the shadow; while clouds are veils wrapped

more closely about her, and even more friendly to her frailty. Nor are

these feminine trappings less lovely for being easily blown about, and

always fresh and in the latest fashion. It is a prejudice to suppose

that instability must be sad or must be trivial. A new cloud castle is

probably well worth an old one; any one of them may equal in beauty

the monotonous gold and black vault which it conceals from us, and all

of them together certainly surpass that tragic decoration in spiritual

suggestion. Something in us no doubt regrets that these airy visions

vanish so quickly and are irrecoverable; but this is a sort of fleshly

sentimentality of ours and not reasonable. In nature, what disappears

never narrows the range of what is yet to be. If we were immortally

young, like the atmosphere, the lapse of things would not grieve us,

nor would inconstancy be a vice in ourselves. Nobody's future would be

blighted by his past; and this perhaps explains the morals of the gods.

Change to us is an omen of death, and only in the timeless can we feel

secure; but if we were safe in our plastic existence, like nature and

the gods of nature, fidelity to a single love might seem foolish in

us; being and possessing any one thing would not then be incompatible

with sooner or later being and possessing everything else. Nature and

substance are like the absolute actor with an equal affinity for every

part, and changing sex, age, and station with perfect good grace.

A great principle of charity in morals is not to blame the fishes for

their bad taste in liking to live under water. Yet many philosophers

seem to have sinned against this reasonable law, since they have blamed

life and nature for liking to change, which is as much as to say for

liking to live. Certainly life and nature, when they produce thought,

turn from themselves towards the eternal, but it is by a glance, itself

momentary, that they turn to it; for if they were themselves converted

into something changeless, they could neither live, think, nor turn.

In the realm of existence it is not sinful to be fugitive nor in bad

taste to be new. Accordingly cloud castles have nothing to blush for;

if they have a weak hold on existence, so has everything good. We are

warned that the day of judgement will be full of surprises: perhaps

one of them may be that in heaven things are even more unstable than

on earth, and that the mansions reserved for us there are not only

many but insecure. Cloud castles are hints to us that eternity has

nothing to do with duration, nor beauty with substantial existence, and

that even in heaven our bliss would have to be founded on a smiling

renunciation. Did Mohammed, I wonder, misunderstand the archangel

Gabriel in gathering that celestial beauties (unlike the lights and

voices of Dante's paradise) could be embraced as well as admired?

And in promising that our heavenly brides would daily recover their

virginity, did he simply clothe in a congenial metaphor the fact that

they would be different brides every day, and that if we wished to

dwell in a true paradise, and not in a quarrelsome and sordid harem, we

must never dream of seeing any of them a second time?

Fidelity is a virtue akin to habit and rooted in the inertia of animal

life, which would run amok without trusty allies and familiar signals.

We have an inveterate love of _The Same_, because our mortal condition

obliges us to reconsider facts and to accumulate possessions; by

instinct both the heart and the intellect hug everything they touch,

and to let anything go is a sort of death to them. This spirit of

pathetic fidelity in us would certainly reproach those ethereal visions

for being ephemeral, and Cupid for having wings and no heart; but

might not the visiting angels in turn reproach us for clownishness in

wishing to detain them? They are not made of flesh and blood; they are

not condemned to bear children. Their smile, their voice, and the joy

they bring us are the only life they have. They are fertile only like

the clouds, in that by dissolving they give place to some other form,

no less lovely and elusive than themselves; and perhaps if we took a

long view we should not feel that our own passage through existence

had a very different quality. We last as a strain of music lasts, and

we go where it goes. Is it not enough that matter should illustrate

each ideal possibility only once and for a moment, and that Caesar or

Shakespeare should figure once in this world? To repeat them would not

intensify their reality, while it would impoverish and make ridiculous

the pageant of time, like a stage army running round behind the scenes

in order to reappear. To come to an end is a virtue when one has had

one's day, seeing that in the womb of the infinite there are always

other essences no less deserving of existence.

Even cloud castles, however, have a double lien on permanence. A flash

of lightning is soon over, yet so long as the earth is wrapped in

its present atmosphere, flashes will recur from time to time so very

like this one that the mind will make the same comment upon them, and

its pronouncements on its past experience will remain applicable to

its experience to come. Fleeting things in this way, when they are

repeated, survive and are united in the wisdom which they teach us in

common. At the same time they inwardly contain something positively

eternal, since the essences they manifest are immutable in character,

and from their platonic heaven laugh at this inconstant world, into

which they peep for a moment, when a chance collocation of atoms

suggests one or another of them to our minds. To these essences mind

is constitutionally addressed, and into them it likes to sink in its

self-forgetfulness. It is only our poor mother Psyche, being justly

afraid of growing old, who must grudge the exchange of one vision

for another. Material life is sluggish and conservative; it would

gladly drag the whole weary length of its past behind it, like a worm

afraid of being cut in two in its crawling. It is haunted by a ghostly

memory, a wonderful but not successful expedient for calling the dead

to life, in order, somewhat inconsistently, to mourn over them and be

comforted. Why not kiss our successive pleasures good-bye, simply and

without marking our preferences, as we do our children when they file

to bed? A free mind does not measure the worth of anything by the worth

of anything else. It is itself at least as plastic as nature and has

nothing to fear from revolutions. To live in the moment would indeed be

brutish and dangerous if we narrowed to a moment the time embraced in

our field of view, since with the wider scope of thought come serenity

and dominion; but to live in the moment is the only possible life if

we consider the spiritual activity itself. The most protracted life,

in the actual living, can be nothing but a chain of moments, each

the seat of its irrecoverable vision, each a dramatic perspective of

the world, seen in the light of a particular passion at a particular

juncture. But at each moment the wholeness of mind is spiritual and

aesthetic, the wholeness of a meaning or a picture, and no knife can

divide it. Its immortality, too, is timeless, like that of the truths

and forms in which it is absorbed. Therefore apprehension can afford

to hasten all the more trippingly in its career, touching the facts

here and there for a moment, and building its cloud castles out of

light and air, movement and irony, to let them lapse again without a

pang. Contemplation, when it frees itself from animal anxiety about

existence, ceases to question and castigate its visions, as if they

were mere signals of alarm or hints of hidden treasures; and then it

cannot help seeing what treasures these visions hold within themselves,

each framing some luminous and divine essence, as a telescope frames a

star; and something of their inalienable distinction and firmness seems

to linger in our minds, though in the exigencies of our hurried life we

must turn away from each of them and forget them.

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Soliloquies in England, and Later Soliloquies · 第 19 / 68 题