GRISAILLE

England is pre-eminently a land of atmosphere. A luminous haze

permeates everywhere, softening distances, magnifying perspectives,

transfiguring familiar objects, harmonizing the accidental, making

beautiful things magical and ugly things picturesque. Road and pavement

become wet mirrors, in which the fragments of this gross world are

shattered, inverted, and transmuted into jewels, more appealing than

precious stones to the poet, because they are insubstantial and must be

loved without being possessed. Mists prolong the most sentimental and

soothing of hours, the twilight, through the long summer evenings and

the whole winter's day. In these country-sides so full of habitations

and these towns so full of verdure, lamplight and twilight cross their

rays; and the passers-by, mercifully wrapped alike in one crepuscular

mantle, are reduced to unison and simplicity, as if sketched at one

stroke by the hand of a master.

English landscape, if we think only of the land and the works of man

upon it, is seldom on the grand scale. Charming, clement, and eminently

habitable, it is almost too domestic, as if only home passions and

caged souls could live there. But lift the eyes for a moment above the

line of roofs or of tree-tops, and there the grandeur you miss on the

earth is spread gloriously before you. The spirit of the atmosphere

is not compelled, like the god of pantheism, to descend in order to

exist, and wholly to diffuse itself amongst earthly objects. It exists

absolutely in its own person as well, and enjoys in the sky, like a

true deity, its separate life and being. There the veil of Maya, the

heavenly Penelope, is being woven and rent perpetually, and the winds

of destiny are always charmingly defeating their apparent intentions.

Here is the playground of those early nebulous gods that had the bodies

of giants and the minds of children.

In England the classic spectacle of thunderbolts and rainbows appears

but seldom; such contrasts are too violent and definite for these

tender skies. Here the conflict between light and darkness, like

all other conflicts, ends in a compromise; cataclysms are rare, but

revolution is perpetual. Everything lingers on and is modified; all is

luminous and all is grey.

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Soliloquies in England, and Later Soliloquies · 第 15 / 68 题