CHAPTER X.

"I have no other but a woman's reason:

I think him so, because I think him so."--SHAKESPEARE.

"Where is papa?" she asks, meeting one of the servants in the hall.

Hearing he is out, and will not be back for some time, she, too, turns

again to the open door, and, as though the house is too small to

contain all the thoughts that throng her breast, she walks out into

the air again, and passes into the garden, where autumn, though kindly

and slow in its advances, is touching everything with the hand of

death.

"Heavily hangs the broad sunflower

Over its grave i' the earth so chilly;

Heavily hangs the hollyhock,

Heavily hangs the tiger lily."

With a sigh she quits her beloved garden, and wanders still! farther

abroad into the deep woods that "have put their glory on," and are

dressed in tender russets, and sad greens, and fading tints, that meet

and melt into each other.

The dry leaves are falling, and lie crackling under foot. The daylight

is fading, softly, imperceptibly, but surely. There is yet a glow from

the departing sunlight, that, sinking lazily beyond the distant hills,

tinges with gold the browning earth that in her shroud of leaves is

lying.

But death, or pain, or sorrow, has no part with Clarissa to-day. She

is quite happy,--utterly content. She marks not the dying of the year,

but rather the beauty of the sunset. She heeds not the sullen roar of

the ever-increasing streamlets, that winter will swell into small but

angry rivers; hearing only the songs of the sleepy birds as they croon

their night-songs in the boughs above her.

When an hour has passed, and twilight has come up and darkened all the

land, she goes back again to her home, and, reaching the library,

looks in, to find her father sitting there, engrossed as usual with

some book, which he is carefully annotating as he reads.

"Are you very busy?" asks she, coming slowly up to him. "I want to be

with you for a little while."

"That is right. I am never too busy to talk to you. Why, it is quite

an age since last I saw you!--not since breakfast; where have you been

all day?"

"You are a pet," says Miss Peyton, in a loving whisper, rubbing her

cheek tenderly against his, as a reward for his pretty speech. "I have

been at the vicarage, and have pleaded Georgie's cause so successfully

that I have won it; and have made them half in love with her already."

"A special pleader indeed. Diplomacy is your forte: you should keep to

it."

"I mean to. I shouldn't plead in vain with you, should I?" She has

grown somewhat earnest.

"Oh! with me!" says her father, with much self-contempt; "I have given

up all that sort of thing, long ago. I know how much too much you are

for me, and I am too wise to swim against the tide. Only I would

entreat you to be merciful as you are strong."

"What a lot of nonsense you do talk, you silly boy!" says Clarissa,

who is still leaning over his chair in such a position that he cannot

see her face. Perhaps, could he have seen it, he might have noticed

how pale it is beyond its wont. "Well, the Redmonds seemed quite

pleased, and I shall write to Georgie to-morrow. It will be nice for

her to be here, near me. It may keep her from being lonely and

unhappy."

"Well, it ought," says George Peyton. "What did the vicar say?"

"The vicar always says just what I say," replies she, a trifle

saucily, and with a quick smile.

"Poor man! his is the common lot," says her father; and then,

believing she has said all she wants to say, and being filled with a

desire to return to his book and his notes, he goes on: "So that was

the weighty matter you wanted to discuss, eh? Is that all your news?"

"Not quite," returns she, in a low tone.

"No? You are rich in conversation this evening. Who is it we are now

to criticise?"

"The person you love best,--I hope."

"Why, that will be you," says George Peyton.

"You are sure?" says Clarissa, a little tremulously; and then her

father turns in his chair and tries to read her face.

"No; stay just as you are; I can tell you better if you do not look at

me," she whispers, entreatingly, moving him with her hands back to his

former position.

"What is it, Clarissa?" he asks, hastily, though he is far from

suspecting the truth. Some faint thought of James Scrope (why he knows

not) comes to him at this moment, and not unpleasingly. "Tell me,

darling. Anything that concerns you must, of necessity, concern me

also."

"Yes, I am glad I know that," she says, speaking with some

difficulty, but very earnestly. "To-day I met Horace Branscombe."

"Yes?" His face changes a little, from vague expectancy to distinct

disappointment; but then she cannot see his face.

"And he asked me to be his wife--and--I said, Yes--if--if it pleases

you, papa."

It is over. The dreaded announcement is made. The words that have cost

her so much to utter have gone out into the air; and yet there is no

answer!

For a full minute silence reigns, and then Clarissa lays her hand

imploringly upon her father's shoulder. He is looking straight before

him, his expression troubled and grave, his mouth compressed.

"Speak to me," says Clarissa, entreatingly.

After this he does speak.

"I wish it had been Dorian," he says, impulsively.

Then she takes her hand from his shoulder, as though it can no longer

rest there in comfort, and her eyes fill with disappointed tears.

"Why do you say that?" she asks, with some vehemence. "It sounds as

if--as if you undervalued Horace! Yet what reason have you for doing

so? What do you know against him?"

"Nothing, literally nothing," answers Mr. Peyton, soothingly, yet with

a plaintive ring in his voice that might suggest the idea of his being

sorry that such answer must be made. "I am sure Horace is very much to

be liked."

"How you say that!"--reproachfully. "It sounds untrue! Yet it can't

be. What could any one say against Horace?"

"My dear, I said nothing."

"No, but you insinuated it. You said Dorian was his superior."

"Well, I think he is the better man of the two," said Mr. Peyton,

desperately, hardly knowing what to say, and feeling sorely aggrieved

in that he is compelled to say what must hurt her.

"I cannot understand you; you said you know nothing prejudicial to

Horace (it is impossible you should), and yet you think Dorian the

better man. If he has done no wrong, why should any one be a better

man? Why draw the comparison at all? For the first time in all your

life, you are unjust."

"No, Clarissa, I am not. At least, I think not. Injustice is a vile

thing. But, somehow, Sartoris and I had both made up our minds that

you would marry Dorian, and----"

He pauses.

"Then your only objection to poor Horace is that he is not Dorian?"

asks she, anxiously, letting her hand once more rest upon his

shoulder.

"Well, no doubt there is a great deal in that," returns he, evasively,

hard put to it to answer his inquisitor with discretion.

"And if Dorian had never been, Horace would be the one person in all

the world you would desire for me?" pursues she, earnestly.

George Peyton makes no reply to this,--perhaps because he has not one

ready. Clarissa, stepping back, draws her breath a little quickly, and

a dark fire kindles in her eyes. In her eyes, too, large tears rise

and shine.

"It is because he is poor," she says, in a low tone, that has some

contempt in it, and some passionate disappointment.

"Do not mistake me," says her father, speaking hastily, but with

dignity. Rising, he pushes back his chair, and turning, faces her in

the gathering twilight. "Were he the poorest man alive, and you loved

him, and he was worthy of you, I would give you to him without a

murmur. Not that"--hurriedly--"I consider Horace unworthy of you, but

the idea is new, strange, and----the other day, Clarissa, you were a

child."

"I am your child still,--always." She is sitting on his knee now, with

her arms round his neck, and her cheek against his; and he is holding

her _svelte_ lissome figure very closely to him. She is the one thing

he has to love on earth; and just now she seems unspeakably--almost

painfully--dear to him.

"Always, my dear," he reiterates, somewhat unsteadily.

"You have seen so little of Horace lately," she goes on, presently,

trying to find some comfortable reason for what seems to her her

father's extraordinary blindness to her lover's virtues. "When you see

a great deal of him, you will love him! As it is, darling, do--_do_

say you like him very much, or you will break my heart!"

"I like him very much," replies he, obediently, repeating his lesson

methodically, while feeling all the time that he is being compelled to

say something against his will, without exactly knowing why he should

feel so.

"And you are quite pleased that I am going to marry him?" reading his

face with her clear eyes; she is very pale, and strangely nervous.

"My darling, my one thought is for your happiness." There is evasion

mixed with the affection in this speech; and Clarissa notices it.

"No: say you are glad I am going to marry him," she says,

remorselessly.

"How can you expect me to say that," exclaims he, mournfully, "when

you know your wedding-day must part us?"

"Indeed it never shall!" cries she, vehemently; and then, overcome by

the emotion of the past hour, and indeed of the whole day, she gives

way and bursts into tears. "Papa, how can you say that? To be parted

from you! We must be the same to each other always: my wedding-day

would be a miserable one indeed if it separated me from you."

Then he comforts her, fondly caressing the pretty brown head that lies

upon his heart, as it had lain in past years, when the slender girl of

to-day was a little lisping motherless child. He calls her by all the

endearing names he had used to her then, until her sobs cease, and

only a sigh, now and again, tells of the storm just past.

"When is it to be?" he asks her, after a little while. "Not too soon,

my pet, I hope?"

"Not for a whole year. He said something about November, but I could

not leave you in such a hurry. We must have one more Christmas all to

ourselves."

"You thought of that," he says, tenderly. "Oh, Clarissa, I hope this

thing is for your good. Think of it seriously, earnestly, while you

have time. Do not rush blindly into a compact that must be binding on

you all your life."

"I hope it _will be_ for all my life," returns she, gravely. "To be

parted from Horace would be the worst thing that could befall me.

Always remember that, papa. I am bound to him with all my heart and

soul."

"So be it!" says George Peyton, solemnly. A sigh escapes him.

For some time neither speaks. The twilight is giving place to deeper

gloom, the night is fast approaching, yet they do not stir. What the

girl's thoughts may be at this moment, who can say? As for her father,

he is motionless, except that his lips move, though no sound comes

from them. He is secretly praying, perhaps, for the welfare of his

only child, to her mother in heaven, who at this time must surely be

looking down upon her with tenderest solicitude. Clarissa puts her

lips softly to his cheek.

"Our engagement will be such a long one, that we think--"

"Yes?"

"We should like it keep it secret. You will say nothing about it to

any one?"

"Not until you give me leave. You have acted wisely, I think, in

putting off your marriage for a while." Almost unconsciously he is

telling himself how time changes all things, and how many plans and

affections can be altered in twelve months.

"But surely you will tell James Scrope," he goes on, after a while:

"that will not be making it public. He has known you and been fond of

you ever since you were a baby; and it seems uncivil and unfriendly to

keep him in the dark."

"Then tell him; but no one else now, papa. I quite arranged for James,

he is such an old friend, and so nice in every way."

Here she smiles involuntarily, and, after a little bit, laughs

outright, in spite of herself, as though at some ridiculous

recollection.

"Do you know," she says, "when I told Horace I thought I should like

Sir James to know of our engagement, I really think he felt a little

jealous! At least, he didn't half like it. How absurd!--wasn't it?

Fancy being jealous of dear old Jim?"

"Old!--old! He is a long way off that. Why, all you silly little girls

think a man past twenty-nine to be hovering on the brink of the

grave. He can not be more than thirty-three, or so."

"He is very dreadfully old, for all that," says Miss Peyton, wilfully.

"He is positively ancient; I never knew any one so old. He is so

profound, and earnest, and serious, and----"

"What on earth has he done to you, that you should call him all these

terrible names?" says Mr. Peyton, laughing.

"He scolds me," says Clarissa, "he lectures me, and tells me I should

have an aim in life. You have been my aim, darling, and I have been

very devoted to it, haven't I?"

"You have, indeed. But now I shall be out in the cold, of course." His

tone is somewhat wistful. "That is all one gains by lavishing one's

affection upon a pretty child and centring one's every thought and

hope upon her."

"No, you are wrong there; it must be something to gain love that will

last for ever." She tightens her arm around his neck. "What a horrid

little speech! I could almost fancy James dictated it to you. He is a

sceptic, an unbeliever, and you have imbibed his notions. Cynical

people are a bore. You wouldn't, for example, have me fall in love

with James, would you?"

"Indeed I would," says George Peyton, boldly. "He is just the one man

I would choose for you,--'not Launcelot, nor another.' He is so

genuine, so thorough in every way. And then the estates join, and

that. I really wish you had fallen in love with Scrope."

"I love you dearly,--dearly," says Miss Peyton; "but you are a

dreadful goose! James is the very last man to grow sentimental about

any one,--least of all, me. He thinks me of no account at all, and

tells me so in very polite language occasionally. So you see what a

fatal thing it would have been if I had given my heart to him. He

would have broken it, and I should have died, and you would have put

up a touching, and elaborate tablet to my memory, and somebody would

have planted snowdrops on my grave. There would have been a tragedy in

Pullingham, with Jim for its hero."

"You take a different view of the case from mine. I believe there

would have been no broken heart, and no early grave, and you would

have been happy ever after."

"That is a more comfortable theory, certainly for _me_. But think what

a miserable life _he_ would have had with me forever by his side."

"A very perfect life, I think," says Mr. Peyton, looking with

pardonable pride upon the half-earnest, half-laughing, and wholly

lovely face so near him. "I don't know what more a fellow could

expect."

"You see I was right. I said you were a goose," says Miss Peyton,

irreverently. But she pats his hand, in the very sweetest manner

possible, as she says it. Then she goes on:

"Horace said he would come up to-morrow to speak to you."

"Very well, dear. That is the usual thing, I suppose. I hope he won't

be long-winded, or lachrymose, or anything that way. When a thing is

done it is done, and discussion is so unnecessary."

"Promise me to be very, very kind to him."

"I shan't eat him, if you mean that," says Mr. Peyton, half irritably.

"What do you think I am going to say to him? 'Is thy father an ogre,

that he should do this thing?' But have you quite made up your mind to

this step? Remember there will be no undoing it."

"I know that; but I feel no fear." She has grown pale again. "I love

him. How should I know regret when with him? I believe in him, and

trust him; and I know he is worthy of all my trust."

Mr. Peyton sighs. Some words come to his memory, and he repeats

them,--slowly, beneath his breath,--

"There are no tricks in plain and simple faith!"

Truly, her faith is pure and simple, and free from thought of guile.

"I wonder what James Scrope will say to it all?" he says, presently.

"He never says very much on any subject, does he? If you are going

over to the Hall, will you tell him about it?"

"No; tell him yourself," says her father, in a curious tone.

"There is the dressing bell," says Clarissa getting up lazily. "I

don't feel a bit like eating my dinner, do you know?"

"Nonsense! The love-sick _role_ won't suit you. And people who don't

eat dinner get pale, and lose all their pretty looks. Run away, now,

and don't be long. I feel it would be injudicious to put cook into a

tantrum again to-night, after last night's explosion. So go and make

yourself lovely."

"I'll do my best," says Clarissa, modestly.

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