SWITZERLAND, EARLY XVI CENTURY

[Sidenote:

_Wool._

H. 4 _ft._ 3½ _in._

W. 7 _ft._ 9½ _in._

]

TWO PAIRS OF LOVERS: _Two pairs of lovers are pictured against a

background of vines with blue-green scrolled leaves and large red and

yellow blossoms on a dark-blue field. The pair at the right is on either

side of a Gothic pedestal on which is a small statue. The ladies are in

red robes. One man is in a blue doublet, the other in a two-toned red

brocaded cloak. Border of rose-vines and daisies._

[Sidenote: Formerly in the Collection of Comtesse Desautoy.]

The piece was probably woven in Basle, and is undoubtedly adapted from a

wood-block illustration in one of Leonhard Ysenmuth's publications. The

width and richness of the border indicate that it was done in the early

XVIth rather than in the late XVth century.

The subject of pairs of lovers was quite a favorite one with German and

Swiss weavers, and a number of them in different styles is left to us.

The piece is probably the work of an amateur, a nun, or more probably

some lady, who thus filled her long leisure hours. The wood-block print

has been closely followed for the figures, even to such minor details as

the very simple conventionalization of the hair. The vine background in

rather a large scale is common to many Swiss tapestries of the period. The

limited range of colors used is especially worthy of note, there being

only three shades of blue, three of green-blue, three of tan, and two of

red, in addition to the black for the outlines.

[Sidenote: Lent by _Wildenstein & Co._]

The work is thoroughly naïve, but it has the strong appeal of genuineness

and directness common to naïve designs and shows a strong feeling for

decorative quality.

[Sidenote: 23-25]

Catalogue of the Retrospective Loan Exhibition of European Tapestries · 第 70 / 131 题