BRUSSELS, EARLY XVI CENTURY

[Sidenote:

H. 13 _ft._ 9 _in._

W. 22 _ft._ 1 _in._

]

[Sidenote: Barberini Collection; Ffoulke Collection. Illustrated: _Ffoulke

Collection_, opp. p. 43. Exhibited: _Exposition d'Art ancien bruxellois,

Brussels_, 1905, No. XXI. Illustrated: _Destrée, Catalogue of same_, pl.

XXIV.]

THE TRIUMPH OF DAVID: _David carrying the head of Goliath on his sword

and surrounded by musicians is followed by King Saul and Jonathan on

horseback. In the background a hilly landscape with the tents of the

Hebrews. A narrow floral border._

The cartoon was painted by Jean Van Room, his signature appearing on

another piece[24] of the same series in the Musée du Cinquantenaire,

Brussels. Maître Philippe must have collaborated with him in this work,

for a strong Italian influence is evident which appears only in the Van

Room tapestries that have had Philippe's assistance.

[Sidenote: Lent by _Mrs. Wm. C. Van Antwerp_.]

Though the drawing and details show the incoming Renaissance influence,

the full continuous narrative arrangement of the group, the strong

vertical lines of the figures, and the simple modeling show the tarrying

Gothic feeling. The groups are beautifully massed and the individual

figures show great dignity.

[Sidenote: 22]

Catalogue of the Retrospective Loan Exhibition of European Tapestries · 第 69 / 131 题