II.

... She began to learn the life of the coast.

With her acquisition of another tongue, there came to her also the

understanding of many things relating to the world of the sea She

memorized with novel delight much that was told her day by day

concerning the nature surrounding her,--many secrets of the air, many

of those signs of heaven which the dwellers in cities cannot comprehend

because the atmosphere is thickened and made stagnant above

them--cannot even watch because the horizon is hidden from their eyes

by walls, and by weary avenues of trees with whitewashed trunks. She

learned, by listening, by asking, by observing also, how to know the

signs that foretell wild weather:--tremendous sunsets, scuddings and

bridgings of cloud,--sharpening and darkening of the sea-line,--and the

shriek of gulls flashing to land in level flight, out of a still

transparent sky,--and halos about the moon.

She learned where the sea-birds, with white bosoms and brown wings,

made their hidden nests of sand,--and where the cranes waded for their

prey,--and where the beautiful wild-ducks, plumaged in satiny lilac and

silken green, found their food,--and where the best reeds grew to

furnish stems for Feliu's red-clay pipe,--and where the ruddy sea-beans

were most often tossed upon the shore,--and how the gray pelicans

fished all together, like men--moving in far-extending semicircles,

beating the flood with their wings to drive the fish before them.

And from Carmen she learned the fables and the sayings of the sea,--the

proverbs about its deafness, its avarice, its treachery, its terrific

power,--especially one that haunted her for all time thereafter: Si

quieres aprender a orar, entra en el mar (If thou wouldst learn to

pray, go to the sea). She learned why the sea is salt,--how "the tears

of women made the waves of the sea,"--and how the sea has ii no

friends,--and how the cat's eyes change with the tides.

What had she lost of life by her swift translation from the dusty

existence of cities to the open immensity of nature's freedom? What did

she gain?

Doubtless she was saved from many of those little bitternesses and

restraints and disappointments which all well-bred city children must

suffer in the course of their training for the more or less factitious

life of society:--obligations to remain very still with every nimble

nerve quivering in dumb revolt;--the injustice of being found

troublesome and being sent to bed early for the comfort of her

elders;--the cruel necessity of straining her pretty eyes, for many

long hours at a time, over grimy desks in gloomy school-rooms, though

birds might twitter and bright winds flutter in the trees without;--the

austere constrains and heavy drowsiness of warm churches, filled with

the droning echoes of a voice preaching incomprehensible things;--the

progressively augmenting weariness of lessons in deportment, in

dancing, in music, in the impossible art of keeping her dresses

unruffled and unsoiled. Perhaps she never had any reason to regret all

these.

She went to sleep and awakened with the wild birds;--her life remained

as unfettered by formalities as her fine feet by shoes. Excepting

Carmen's old prayer-book,--in which she learned to read a little,--her

childhood passed without books,--also without pictures, without

dainties, without music, without theatrical amusements. But she saw

and heard and felt much of that which, though old as the heavens and

the earth, is yet eternally new and eternally young with the holiness

of beauty,--eternally mystical and divine,--eternally weird: the

unveiled magnificence of Nature's moods,--the perpetual poem hymned by

wind and surge,--the everlasting splendor of the sky.

She saw the quivering pinkness of waters curled by the breath of the

morning--under the deepening of the dawn--like a far fluttering and

scattering of rose-leaves of fire;--

Saw the shoreless, cloudless, marvellous double-circling azure of

perfect summer days--twin glories of infinite deeps inter-reflected,

while the Soul of the World lay still, suffused with a jewel-light, as

of vaporized sapphire;--

Saw the Sea shift color,--"change sheets,"--when the viewless Wizard of

the Wind breathed upon its face, and made it green;--

Saw the immeasurable panics,--noiseless, scintillant,--which silver,

summer after summer, curved leagues of beach with bodies of little

fish--the yearly massacre of migrating populations, nations of

sea-trout, driven from their element by terror;--and the winnowing of

shark-fins,--and the rushing of porpoises,--and the rising of the

grande-ecaille, like a pillar of flame,--and the diving and pitching

and fighting of the frigates and the gulls,--and the armored hordes of

crabs swarming out to clear the slope after the carnage and the gorging

had been done;--

Saw the Dreams of the Sky,--scudding mockeries of ridged foam,--and

shadowy stratification of capes and coasts and promontories long-drawn

out,--and imageries, multicolored, of mountain frondage, and sierras

whitening above sierras,--and phantom islands ringed around with

lagoons of glory;--

Saw the toppling and smouldering of cloud-worlds after the enormous

conflagration of sunsets,--incandescence ruining into darkness; and

after it a moving and climbing of stars among the blacknesses,--like

searching lamps;--

Saw the deep kindle countless ghostly candles as for mysterious

night-festival,--and a luminous billowing under a black sky, and

effervescences of fire, and the twirling and crawling of phosphoric

foam;--

Saw the mesmerism of the Moon;--saw the enchanted tides self-heaped in

muttering obeisance before her.

Often she heard the Music of the Marsh through the night: an infinity

of flutings and tinklings made by tiny amphibia,--like the low blowing

of numberless little tin horns, the clanking of billions of little

bells;--and, at intervals, profound tones, vibrant and heavy, as of a

bass viol--the orchestra of the great frogs! And interweaving with it

all, one continuous shrilling,--keen as the steel speech of a saw,--the

stridulous telegraphy of crickets.

But always,--always, dreaming or awake, she heard the huge blind Sea

chanting that mystic and eternal hymn, which none may hear without awe,

which no musician can learn,--

Heard the hoary Preacher,--El Pregonador,--preaching the ancient Word,

the word "as a fire, and as a hammer that breaketh the rock in

pieces,"--the Elohim--Word of the Sea! ...

Unknowingly she came to know the immemorial sympathy of the mind with

the Soul of the World,--the melancholy wrought by its moods of gray,

the reverie responsive to its vagaries of mist, the exhilaration of its

vast exultings--days of windy joy, hours of transfigured light.

She felt,--even without knowing it,--the weight of the Silences, the

solemnities of sky and sea in these low regions where all things seem

to dream--waters and grasses with their momentary wavings,--woods

gray-webbed with mosses that drip and drool,--horizons with their

delusions of vapor,--cranes meditating in their marshes,--kites

floating in the high blue.... Even the children were singularly quiet;

and their play less noisy--though she could not have learned the

difference--than the play of city children. Hour after hour, the women

sewed or wove in silence. And the brown men,--always barefooted,

always wearing rough blue shirts,--seemed, when they lounged about the

wharf on idle days, as if they had told each other long ago all they

knew or could ever know, and had nothing more to say. They would stare

at the flickering of the current, at the drifting of clouds and

buzzard:--seldom looking at each other, and always turning their black

eyes again, in a weary way, to sky or sea. Even thus one sees the

horses and the cattle of the coast, seeking the beach to escape the

whizzing flies;--all watch the long waves rolling in, and sometimes

turn their heads a moment to look at one another, but always look back

to the waves again, as if wondering at a mystery....

How often she herself had wondered--wondered at the multiform changes

of each swell as it came in--transformations of tint, of shape, of

motion, that seemed to betoken a life infinitely more subtle than the

strange cold life of lizards and of fishes,--and sinister, and

spectral. Then they all appeared to move in order,--according to one

law or impulse;--each had its own voice, yet all sang one and the same

everlasting song. Vaguely, as she watched them and listened to them,

there came to her the idea of a unity of will in their motion, a unity

of menace in their utterance--the idea of one monstrous and complex

life! The sea lived: it could crawl backward and forward; it could

speak!--it only feigned deafness and sightlessness for some malevolent

end. Thenceforward she feared to find herself alone with it. Was it

not at her that it strove to rush, muttering, and showing its white

teeth, ... just because it knew that she was all by herself? ... Si

quieres aprender a orar, entra en el mar! And Concha had well learned

to pray. But the sea seemed to her the one Power which God could not

make to obey Him as He pleased. Saying the creed one day, she repeated

very slowly the opening words,--"Creo en un Dios, padre todopoderoso,

Criador de cielo y de la tierra,"--and paused and thought. Creator of

Heaven and Earth? "Madrecita Carmen," she asked,--"quien entonces hizo

el mar?" (who then made the sea?).

--"Dios, mi querida," answered Carmen.--"God, my darling.... All things

were made by Him" (todas las cosas fueron hechas por El).

Even the wicked Sea! And He had said unto it: "Thus far, and no

farther." ... Was that why it had not overtaken and devoured her when

she ran back in fear from the sudden reaching out of its waves? Thus

far....? But there were times when it disobeyed--when it rushed

further, shaking the world! Was it because God was then asleep--could

not hear, did not see, until too late?

And the tumultuous ocean terrified her more and more: it filled her

sleep with enormous nightmare;--it came upon her in dreams,

mountain-shadowing,--holding her with its spell, smothering her power

of outcry, heaping itself to the stars.

Carmen became alarmed;--she feared that the nervous and delicate child

might die in one of those moaning dreams out of which she had to arouse

her, night after night. But Feliu, answering her anxiety with one of

his favorite proverbs, suggested a heroic remedy:--

--"The world is like the sea: those who do not know how to swim in it

are drowned;--and the sea is like the world," he added.... "Chita must

learn to swim!"

And he found the time to teach her. Each morning, at sunrise, he took

her into the water. She was less terrified the first time than Carmen

thought she would be;--she seemed to feel confidence in Feliu; although

she screamed piteously before her first ducking at his hands. His

teaching was not gentle. He would carry her out, perched upon his

shoulder, until the water rose to his own neck; and there he would

throw her from him, and let her struggle to reach him again as best she

could. The first few mornings she had to be pulled out almost at once;

but after that Feliu showed her less mercy, and helped her only when he

saw she was really in danger. He attempted no other instruction until

she had learned that in order to save herself from being half choked by

the salt water, she must not scream; and by the time she became

habituated to these austere experiences, she had already learned by

instinct alone how to keep herself afloat for a while, how to paddle a

little with her hands. Then he commenced to train her to use them,--to

lift them well out and throw them forward as if reaching, to dip them

as the blade of an oar is dipped at an angle, without loud

splashing;--and he showed her also how to use her feet. She learned

rapidly and astonishingly well. In less than two months Feliu felt

really proud at the progress made by his tiny pupil: it was a delight

to watch her lifting her slender arms above the water in swift, easy

curves, with the same fine grace that marked all her other natural

motions. Later on he taught her not to fear the sea even when it

growled a little,--how to ride a swell, how to face a breaker, how to

dive. She only needed practice thereafter; and Carmen, who could also

swim, finding the child's health improving marvellously under this new

discipline, took good care that Chita should practice whenever the

mornings were not too cold, or the water too rough.

With the first thrill of delight at finding herself able to glide over

the water unassisted, the child's superstitious terror of the sea

passed away. Even for the adult there are few physical joys keener

than the exultation of the swimmer;--how much greater the same glee as

newly felt by an imaginative child,--a child, whose vivid fancy can

lend unutterable value to the most insignificant trifles, can transform

a weed-patch to an Eden! ... Of her own accord she would ask for her

morning bath, as soon as she opened her eyes;--it even required some

severity to prevent her from remaining in the water too long. The sea

appeared to her as something that had become tame for her sake,

something that loved her in a huge rough way; a tremendous playmate,

whom she no longer feared to see come bounding and barking to lick her

feet. And, little by little, she also learned the wonderful healing

and caressing power of the monster, whose cool embrace at once

dispelled all drowsiness, feverishness, weariness,--even after the

sultriest nights when the air had seemed to burn, and the mosquitoes

had filled the chamber with a sound as of water boiling in many

kettles. And on mornings when the sea was in too wicked a humor to be

played with, how she felt the loss of her loved sport, and prayed for

calm! Her delicate constitution changed;--the soft, pale flesh became

firm and brown, the meagre limbs rounded into robust symmetry, the thin

cheeks grew peachy with richer life; for the strength of the sea had

entered into her; the sharp breath of the sea had renewed and

brightened her young blood....

... Thou primordial Sea, the awfulness of whose antiquity hath stricken

all mythology dumb;--thou most wrinkled diving Sea, the millions of

whose years outnumber even the multitude of thy hoary motions;--thou

omniform and most mysterious Sea, mother of the monsters and the

gods,--whence shine eternal youth? Still do thy waters hold the

infinite thrill of that Spirit which brooded above their face in the

Beginning!--still is thy quickening breath an elixir unto them that

flee to thee for life,--like the breath of young girls, like the breath

of children, prescribed for the senescent by magicians of

old,--prescribed unto weazened elders in the books of the Wizards.

Chita: A Memory of Last Island · 第 25 / 31 题