VII.

When Roland and Justine re-entered the drawing-room that afternoon they

found Mr. Dunellen there. With him was Guy Thorold.

During the infant days of photography family groups were so much in

vogue that anyone with an old album in reach can find them there in

plenty. They are faded, no doubt; the cut of the garments is absurd;

even the faces seem to have that antique look which is peculiar to the

miniatures of people dead and departed: yet the impression they convey

is admirably exalting. That gentleman in the wonderful coat must have

been magnificent in every sphere of life: his mere pose, his attitude,

is convincing as a memoir. And that lady in the camel's-hair shawl--how

bewitchingly lovable she surely was! There is her daughter, who might be

her niece, so prettily does she seem inclined to behave; and there is

the son, a trifle effaced perhaps, yet with the makings of a man

manifest even in that effacement. Oh, good people! let us hope you were

really as amiable as you look: the picture is all we have of you; even

your names are forgot; and truly it were discomforting to have the

impression you convey disturbed in its slightest suggestion. We love you

best as you are; we prefer you so. I, for one, will have none of that

cynicism which hints that had a snap camera caught you unprepared the

charm would disappear.

Yet now, in the present instance, as Mr. Dunellen and his nephew stood

facing Roland and Justine, a photographer who had happened there could

have taken a family group which would in no manner have resembled those

which our albums hold.

"I told you last night," Mr. Dunellen was shrieking, "that I forbade you

to see that man."

The Pace That Kills: A Chronicle · 第 11 / 26 题