CHAPTER IV

MY LIFE IN KENSAL RISE

The landlord of my new diggings in Mortimer Street was a blacksmith. He

used to go somewhere near Edgware Road to work every day. He told me it

was the hardest work in the world, especially in hot summer days, to

beat red-hot irons with such heavy hammers near a furnace all day long.

I could not lift up his hammer, it was so heavy. I could not believe he

lifted it thousands and thousands of times every day.

His wife used to call him “Ted,” so I called him “Ted” too. I have

forgotten his family name. He married his own cousin, and had three

girls and one boy. The eldest daughter was about nine or ten, and the

youngest about two years and a half. The latter’s name was Clarie, and

she was my favorite.

They had such a sweet home, if poor. Many rich peoples ought to be

ashamed before them if they saw such a sweet harmony in their devotion

to each other. I engaged a very small room in this house for 3s. 6d. a

week. They gave me a large kitchen table for my work. When they put this

table into my room there was no space to put a single chair, so I used

to sit on my bed to work. They charged so little for my meals;

practically it was only the original price of the food. I am sure they

could not make any profit from my meals.

As I said before, £2, 10s. was all the money I had. Naturally I could

not attend to the school any longer; but my teacher, Mr. Wilson, was so

kind to call me to his house at Vicarage Gate once a week. He did try

all he could to help me. With his introduction letters in my pocket, I

used to visit many peoples. Everywhere I was rejected. My £2, 10s. was

almost gone. Mr. Wilson himself bought a few drawings of mine for 10s.

6d. each, “just for encouragement.” About these drawings I have a

strange story to tell the reader.

One evening on July last year (1909), I had a walk on Chelsea Embankment

and saw a young Japanese. Naturally I stopped and began to talk with my

country-fellow. He said he came to England to study Art, and now he was

a pupil of Mr. Wilson’s. When this Japanese Art-student met with Mr.

Wilson the first time, the latter asked the former if he knew a Japanese

artist called Yoshio Markino, who lately illustrated the books “The

Color of London” and “The Color of Paris.” The Japanese student said,

“No.” Then Mr. Wilson brought him my drawings which he bought from me,

and said to him: “Look! these were Markino’s works about seven years

ago. How wonderful that one could get on so well by his own earnestness!

I give these drawings to you now. Keep them, and look at them whenever

you yourself feel disheartened. They will encourage you.”

Then Mr. Wilson told him how he was delighted to hear my “success” (I

myself cannot sincerely accept this word just yet, though) and added,

“Perhaps Yoshio Markino might be too proud to see me now.”

I told my Japanese friend that it was on the contrary. I should be far

more delighted to meet my kindest teacher. Only I had been so busy and

had no chance. Perhaps I shall see him some day soon.

[Illustration: OPENING DAY AT EARL’S COURT (THE FIRST SKETCH THE ARTIST

STRUGGLED TO SELL).]

At Mortimer Street I used to get up at 4.30 or 5.30 in the summer-time,

and make all sorts of designs and sketches “for sale,” until 9.30, the

time of breakfast. Then I had to take them down to the City to show to

publishers. Sometimes they would say the managers would like to see me

at five o’clock; then, with some bright encouragement, I walked all way

back from City to Kensal Rise for luncheon, and walked the same way to

the City again, only to meet disappointment, as the managers did not

like my work. I used to look at those posters on the dead walls to find

out printers’ names, then went to the free library to find out their

addresses in the post guide. I had heaps of their names and addresses on

the back of my sketch-book. I tried every one of them, but all were

fruitless. My last penny was gone then, and I got into debt with that

poor landlord. His wages were only £2 a week, and he had to keep his

wife and four children. I was too sorry for them to take meals there, so

I did not come back for luncheons; I used to drink water from fountains

in the streets. It was my only luncheon then; my landlady knew that.

Every morning when I left the house she used to say to me, “Come back

for meals, and please don’t starve yourself!”

How could I accept these kind words from such a poor woman? It was only

heart-breaking to me; and she also said to me, “Good luck to-day,” every

morning, and she was waiting me in the evenings to hear “happy news.” It

was always difficult for me to enter into the house after fruitless

tasks all day, because she was such a sympathetic woman, and she often

showed me her tears and said, “Never mind about your debts to us, but I

am so sorry for your own hard life!”

So often I wanted some good news, more for her sake than for my own,

just to see a smiling face of this kind-hearted woman. Nevertheless,

things were still going on harder and harder upon me.

As I walked a good deal every day, my boots were quite worn-out, and my

torn-out socks were peeping out almost half the size of my feet.

Wherever I went, the editors used to stare at my boots first, then at my

works afterwards, with this simple word--“No, thanks.”

If I could not come back at the dinner-time I was too sorry to trouble

that poor woman, so I used to tell all sorts of lies, that I had a nice

dinner out; and many a night I went to bed with my hungry stomach.

Indeed, I was too hungry to sleep. A cup of coffee and a few pieces of

bread at breakfast were not enough to keep me all day.

When one gets too hungry one’s nerves always get sharper. My head was

too clear to sleep. I tried not to move quickly, as that made me still

more hungry. I lit the gas and began to study anatomy and perspective

books. That was the way to avoid waste time in vain.

On Sundays I stayed at home all day, and had full meals, and worked out

my designs and sketches. My landlord “Ted” used to bring tea and

pastries into my room, and say: “Mr. Markino, please take this tea, as a

pleasure to me. I cannot bear to see you working so hard without tea.”

And “Ted” used to offer me one cigarette every night; and he always

said, “Smoker has sympathy with smoker.” Indeed, it was such a treat for

me.

The landlord and his wife both were always as kind as kind could be.

They always said to me, “We have never seen a man so honest and so

diligent. God bless you. Believe us, you will be all right some day

soon.” They never pressed me about my debts. They had a little wooden

box in which they used to save a few shillings every week for their

quarterly “rents.” The wife told me they had never touched that money

before, as they must be honest and pay their landlord. But now, as I was

going to get a few pounds as the copyright from _The Studio_ some day,

she began to violate her own law, and used to take out sixpence for my

luncheons whenever I went out to the City. She said, “It is too great a

temptation for me to control. I cannot bear to see such an honest man

like you starve.”

While I was thus struggling at Kensal Rise, my old class-mate Jennings

got a “better job” (£2, 10s. a week, I believe it was). He wrote me that

I should not work so hard all through the week, or else I might get

illness. He persuaded me to spend every Saturday afternoon with him. I

used to meet him at Westminster Bridge. Then he would take me to Kew,

Richmond, Hampton Court, &c., &c., paying all my expenses. He also gave

me one pair of his old boots, as mine were too old to wear. Oh, I forgot

to mention that I had only two broken socks at this time. I used to

wash one pair in my wash-stand every morning before I went out.

At this moment there was only one job for me to get a little money by.

It was to be a model at my old school, Goldsmith Institute, at New

Cross. Mr. Marriott suggested it to me, and I was delighted to take this

job. I had to go there from 2 P.M. until 5 every day. I used to get

half-a-crown a day.

My landlord and his wife were so pleased.

I had to take trams on the way there in order to reach there by the

time. But on the way back home I walked all the way from New Cross to

Kensal Rise in order to give every penny to my landlady. I used to eat

my dinner at Lockhart’s in Westminster Bridge. Steak and friend onion,

sixpence a dish, was a great dinner for me then.

I found out it was not quite easy task to be a model. I was in Japanese

costume, and had to sit down like Japanese too. My neck muscles began to

crack, and my arm felt as if it was going to be broken. And such a pin

and needles! I could not walk for quarter hour after the posing. I did

the same thing for three weeks.

Then my pocket began to be dead silent again. How much I envied those

who had any sort of work to make livelihood. Even the domestic servants

were my great envy! How often I wished to wash windows to get 2½d. each.

A most spoilt child of the Samurai, and a boy-king in his village once,

now become a starving unemployee! And I myself was surprised that my

heart was become the same as those miserable unemployees too. Indeed, I

had such a dirty beggar’s heart then. It was one of these days that I

saw a gentleman in the Park. He was smoking a cigarette, and he threw

away more than half of that unfinished cigarette. I said to myself,

“What an extravagant man he is! If he knew what poor life meant, he

ought not to do that. It is most cruel thing of him to do that before

me!” I dared not pick it up, but practically my heart felt just same as

if I picked it up. I could not help without recollecting an unfortunate

Englishman whom I had met before.

While I was at the Japanese Naval office in Nottingham Place, I often

went with my Japanese friends to a billiard-room upstairs of some

publican’s near by. My Japanese friends went to play billiard, and I to

study sketching their movement. There was an old man who was the counter

of billiard. We used to give him sixpence, and he was always so grateful

to us. One evening while my friends were playing billiard, I had a chat

with him. He told me he was once “a very rich gentleman, in an elegant

house with stables.” He also told me all his sad history, how he was

bankrupted. As he was a great sportsman when he was rich, he found out

the billiard counter was the only business left for him at last. I asked

him, “If you were so rich then, I suppose you often rebel against

yourself. Don’t you feel it is rather ridiculous that you should thank

so politely for our little sixpence? I hope you would not feel that we

are insulting you?”

He looked at me with such a happy face, and said, “No, sir; not at all,

sir. Sixpence is something so valuable to me, sir.” Then he shook my

hand, and said in low voice, “This world don’t think as you do, sir; you

are very kind, sir.” I saw his eyes were quite moisted.

Who knows! The time had come that I myself wanted to say, “Sixpence is

something so valuable for me!” Indeed, I wanted any work to earn

sixpence then. But only one thing was, I could not ask any disgraceful

money like chips or charity. Even in my hardest time, it seemed to me

the Samurai spirit of my dead father above was always demanding me,

“Keep your own dignity.”

It was almost useless to try those printing firms any longer. The

porters of some firms began to turn most unpleasant faces to me, saying,

“You again!” And some of them absolutely refused to let me see the

managers. I began to think some other way to earn livelihood. I

remembered my old schoolmate Jennings used to work at a tombstone-maker

at Norwood, and lately he had left there to get a “better job.” It came

to mind, “Try that tombstone-maker.” But Jennings was having his

holidays in Belgium.

I saw the manager of that tombstone-maker only once when Jennings was

there. I remembered his name--Mr. Edward--so I wanted to write him. I

borrowed twopence again from my landlady. One penny for notepaper and

envelope, and the other penny for the postal stamp. The very next

morning I got a telegram from Mr. Edward--“Come immediately.”

My landlady was more pleased than myself. She lent me the traffic fares,

and I arrived at Mr. Edward’s office on midday. He said he would keep me

for thirty shillings a week, and advanced me ten shillings. He told me

Jennings was living very cheap somewhere near there, and surely he would

be pleased to share his room with me. But unfortunately he wouldn’t be

back within ten days. So I decided to travel from Kensal Rise during

next ten days. All the family at Kensal Rise were so pleased with “good

news.” I gave nine shillings to my landlady, notwithstanding she refused

several times to accept “so much.”

She used to make sandwiches every night for my next day’s luncheon, and

I left there in early morning and walked to Westminster, took the tram

to Brixton, and walked the rest, I could not reach to the office before

ten. But Mr. Edward “understood” my late arrival. Then, on my back

journey, I walked all way from Norwood to Kensal Rise for ten days. It

was always quite midnight before I got home. After I removed to West

Dulwich I used to send “Ted” ten shillings a week. Alas! the rent day

had come, and my pictures were not published by _The Studio_ yet! My

poor landlady had trouble with her landlord. It was all through me. It

gave me such a pain. I wrote her to mention my name and tell him all the

circumstances. To my relief I got her answer--“Don’t worry, it is all

right; my landlord will wait.”

The next month _The Studio_ published my sketches, and I was paid all my

copyright. I returned all my debts to that most kind-hearted landlady in

Kensal Rise.

Later on, when I got a little better off, I sent “something” to them,

and they were delighted. Last year (1909) I went to Kensal Rise in hope

to see these most sympathetic peoples. To my great disappointment

everything was changed there, and I could not trace anything of them

after eight long years!

A Japanese artist in London · 第 4 / 17 章