At the death of Apis, all the priests are immediately excluded from

the temple, which is given up to profound solitude and silence, as if

it also mourned, in solemn desolation, the loss of its god. His

obsequies are celebrated on a scale of grandeur and expenditure hardly

conceivable. Sometimes the rich treasury of the temple, though filled

with the accumulated gold of a quarter of a century, is exhausted.

Upon the death of the last Apis, the priests expended one hundred

talents of gold in his obsequies, and Prince Mœris, who seeks every

opportunity to make a show of piety, and to please the Egyptians, gave

them fifty talents more, to enable them to defray the enormous costs

of the funeral of the god.

The burial-place of the Serapis, as the name is on the mausoleum

(formed by pronouncing together Osiris-Apis), is outside of the

western pylon of the city. We approached it through a paved avenue,

with lions ranged on each side of it. It consists of a vast gallery,

hewn in a rocky spur of the Libyan cliff, twenty feet in height, and

two thousand long. I visited this tomb yesterday, accompanied by the

high-priest. He showed me the series of chambers on the sides of this

sepulchral hall, where each embalmed Apis was deposited in a

sarcophagus of granite fifteen feet in length. There were sixty of

these sarcophagi, showing the permanency and age of this system of

worship. They were adorned with royal ovals, inscribed, or with

tablets containing dedications, to Apis. One of these bore the

inscription, "To the god Osiris-Apis, the Lord of the Soul of Osiris,

and emblem of the Sun, by Amense, Queen and upholder of the two

kingdoms."

In front of the sculptured entrance of this hall of the dead god is

the Sarapeum, a funeral temple for perpetual obsequies. It has a

vestibule of noble proportions, its columns being of the delicately

blue-veined alabaster from the quarries in the south. On each side of

the doorway is a crouching lion, with a tablet above one, upon which a

king is represented making an offering. Within the vestibule stand, in

half circle, twelve statues of ancient kings. In a circle above these

sit, with altars before each, as many gods. Upon a pedestal in the

centre stands the statue of the Pharaoh who erected this beautiful

edifice.

Thus, my dear mother, have I endeavored, as you requested, to present

before your mind a clear view of the system of theology, and the forms

of worship of the Egyptians. To evolve from the contradictory and

vague traditions a reasonable faith; to select from the countless

myths a dominating idea; to separate the true from the false, to bring

harmony out of what, regarded as a whole, is confusion; to know what

is local, what national in rites, and to reconcile all the theories of

Osiris with one another, is a task far from easy to perform. At first,

I believed I should never be able to arrive at any system in these

multifarious traditions and usages, but I think that my researches

have given me an insight into the difficulties of their religion, and

enabled me, in a great measure, to unravel the tangled thread of their

mythology.

I will now resume my pen, which, since writing the above, I laid down

to partake of a banquet with the priest, my princely host, at which I

met many of the great lords of Memphis, namely--the lord-keeper of the

royal signet, the lord of the wardrobe and rings of the queen's

palace, and the lord of the treasury. These men of rank I well knew,

having met them before at the table of the queen. There were also

strangers whom I had not met before--men of elegant address, and in

rich apparel, each with the signet of his office on his left hand;

among others, the lord of the nilometer, who reports the progress of

the elevation of the river in the annual overflows, and by which all

Lower Egypt is governed in its agricultural work; the president of the

engravers on hard stones, an officer of trust and high honor; the

governors of several nomes, in their gold collars and chains; the lord

of the house of silver; the president of architects; the lord of

sculptors; the president of the school of art and color; with other

men of dignity. There were also high-priests of several fanes, of

Athor, of Pthah, of Horus, of Maut, and of Amun. Besides these

gentlemen, there was a large company of noble ladies, their wives and

daughters, who came to the banquet by invitation of the Princess

Nelisa, the superb and dark-eyed wife of the Prince Hierarch, and one

of the most magnificent and queenly women (next to the queen herself)

I have seen in this land of beautiful women.

It was a splendid banquet. The Lady Nelisa presided with matchless

dignity and grace. But I have already described a banquet to you. This

was similar in display and the mode of entertaining the guests.

I was seated opposite the daughter of the Priest of Mars, of whose

beauty I have before spoken. She asked many questions, in the most

captivating way, about Tyre, and yourself, and the Phœnician ladies

generally. She smiled, and looked surprised, when I informed her that

I was betrothed to the fair Princess Thamonda, and asked me if she

were as fair as the women of Egypt. She inquired if Damascus had

always been a part of Phœnicia, and how large your kingdom was.

When I told her that your kingdom was composed of several lesser

kingdoms, once independent, but now united far east of Libanus, under

your crown, she inquired if you were a warlike queen to make such

conquests. I replied that this union of the free cities of

Phœnicia, and of the cities of Cœle-Syria under your sceptre,

was a voluntary one, partly for union against the kings of Philistia,

partly from a desire to be under so powerful and wise a queen. She

said that if the danger were passed, or you were no more, the kings of

these independent cities might dissolve the bonds, and so diminish the

splendor of the crown which I was to wear. To this I replied, that to

be king of Tyre and its peninsula was a glory that would meet my

ambition. "Yes," said she, "for Tyre is the key of the riches of the

earth!"

I repeat this conversation, dear mother, in order to show you that the

high-born daughters of Egypt are not only affable and sensible, but

that they possess no little knowledge of other lands, and take an

interest in countries friendly to their own. The grace and beauty of

this maiden, as well as her modesty, rendered her conversation

attractive and pleasing. She is to become the wife of a brave young

captain of the chariot battalion, when he returns from the Ethiopian

war.

My visit to the pyramids I will now describe, dear mother, although in

a letter to the Princess Thamonda I have given a very full account of

it. Accompanied by the hierarch and a few young lords--his friends and

mine--we rode in chariots out of the gate of the city, passed the

guards, who made obeisance to the high-priest, and entered upon an

avenue (what noble avenues are everywhere!) of trees growing upon a

raised and terraced mound which bounded each side of it. The mound was

emerald-green with verdancy, and the color of the foliage of the

palms, acacias, and tamarisk trees was enriched by the bright sunshine

as seen through the pure atmosphere. At intervals we passed a pair of

obelisks, or through a grand pylon of granite. Then we came to a

beautiful lake--the Lake of the Dead--where we passed a procession of

shrines. Every nome and all large cities have such a lake. I will here

state its use, which, like every thing in Egypt, is a religious one.

It is connected with the passage of the dead from this world to the

next; for the Egyptians not only believe in a future state, but that

rewards or punishments await the soul. When a person of distinction

dies, after the second or third day his body is taken charge of by

embalmers, a class of persons whose occupation it is to embalm the

dead. They have houses in a quarter of the city set apart for this

purpose. Here the friends of the dead are shown three models of as

many different modes of embalmment, of which they choose one,

according to the expense they are willing to incur. "The most

honorable and most costly," said the high-priest to me, as we were

surveying the Lake of the Dead, towards which a procession was moving

from the city, when we came before it, "is that in which the body is

made to resemble Osiris. And a custom prevails among us, that the

operator who first wounds the body with the sharp embalming flint,

preparatory to embalming, is odious by the act, and is compelled to

take to flight, pursued with execrations and pelted with stones. No

doubt the man we saw flying out of a house this morning, as we passed,

was one of these incisors."

The body remains seventy days, if that of a person of rank, at the

embalmers. It is then either taken to the house, to be detained a

longer or shorter time--according to the attachment of relatives, and

their reluctance to part with it--or is prepared for entombment.

During the interval of seventy days, the mourners continue their signs

of lamentation, which often are excessive in degree, such as tearing

off raiment, beating the breast, and pouring dust upon the head. The

pomp of the burial of the Pharaohs, I am informed, is inconceivably

grand and imposing. The whole realm joins in the rites and

processions, and every temple is crowded with sacrificers and

incense-burners.

We stopped our chariots to witness the funeral procession advance to

the shore of the lake, from the wide street leading from Memphis.

First came seven musicians, playing a solemn dirge upon lyres, flutes,

and harps with four chords. Then servants carrying vases of flowers;

and others followed, bearing baskets containing gilded cakes, fruit,

and crystal goblets of wine. Two boys led a red calf for sacrifice in

behalf of the dead, and two others carried in a basket three

snow-white geese, also for sacrifice. Others bore beautiful chairs,

tablets, napkins, and numerous articles of a household description;

while others still, held little shrines, containing the household gods

or effigies of their ancestors. Seven men carrying daggers, fans,

sandals, and bows, each having a napkin on his shoulder, followed.

Next I saw eight men appear, supporting a table; and lying upon it, as

offerings, were embroidered couches and lounges, richly inlaid boxes,

and an ivory chariot with silver panels, which, with the foregoing

articles, the high priest informed me had belonged to the deceased,

who, from the cartouch on the chariot, was Rathmes, "lord of the royal

gardens."

Behind this chariot came the charioteer, with a pair of horses

caparisoned with harness for driving, but which he led on foot out of

respect to his late master.

Then came a venerable man, with the features and beard of the Hebrew

race. Surprised to see one of these people anywhere, save with an

implement of toil in his hand, or bowed down to the earth under a

burden, I looked more closely, and recognized the face of the head

gardener, Amrami, or Amram, whom I had often seen in the queen's

garden, and whom Remeses had taken, as it were, into his service, as

he was his foster-father: for it is no uncommon thing with the nobles

to have Hebrew nurses for their infants; on the contrary, they are

preferred. When Remeses was an infant, it seems, therefore, that the

wife of this fine-looking old Hebrew was his foster-mother, or nurse.

I have before spoken of the striking resemblance he bears to Remeses.

Were he his father (if I may so speak of a prince in connection with a

slave), there could not be a much greater likeness.

This venerable man, who must be full seventy years of age, bore in his

hand a bunch of flowers, inverted and trailing, in token that his lord

was no more. He was followed by not less than fifty under-gardeners,

four or five of whom had Hebrew lineaments, but the rest were

Egyptians and Persians,--the latter celebrated for the culture of

flowers, which are so lavishly used here in all the ceremonies of

society and rites of religion.

After them followed four men, each bearing aloft a vase of gold, upon

a sort of canopy, with other offerings; then came a large bronze

chest, borne by priests, containing the money left to their temple by

the deceased. Then, in succession, one who bore his arms; another, a

pruning-hook of silver; another, his fans; a fourth, his signets,

jewelled collars, and necklaces, displayed upon a cushion of blue

silk, adorned with needle-work; and a fifth, the other insignia

peculiar to a noble who had been intrusted with the supervision of all

the royal gardens in the Memphite kingdom.

Now came four trumpeters and a cymbal-player, performing a martial

air, in which voices of men mingled, called "The Hymn of Heroes."

Next appeared a decorated barge or _baris_,--a small, sacred boat,

carried by six men, whom I saw elevate to view the mysterious "Eye of

Osiris;" while others carried a tray of blue images, representing the

deceased under the form of that god, also of the sacred bird

emblematic of the soul. Following these were twelve men, bearing, upon

yokes balanced across the shoulders, baskets and cases filled with

flowers and crystal bottles for libation. Next were a large company of

hired females, with fillets upon their brows, beating their bared

breasts, and throwing dust upon their heads,--now lamenting the dead,

now praising his virtues.

Then came the officiating priest, his sacred leopard-skin cast over

his shoulders, bearing in his hand the censer and vase of libation,

and accompanied by his attendants holding the various implements

required for the occasion. Behind this priest came a car, without

wheels, drawn by four white oxen and seven men, yoked to it, while

beside them walked a chief officer, who regulated the movements of the

procession. Upon this car was the consecrated boat, containing the ark

or hearse. The pontiff of the Temple of Horus walked by the

sarcophagus, which was decked with flowers, and richly painted with

various emblems. A panel, left open on one side, exposed to view the

head of the mummy.

Finally came the male relatives of the dead, and his friends. In his

honor the queen's grand-chamberlain and the master of horse marched

together in silence, and with solemn steps, leaning on their long

sticks. Other men followed, whose rich dresses, and long

walking-canes, which are the peculiar mark of an Egyptian gentleman,

showed them to be persons of distinction. A little in the rear of

these walked a young man, who dropped a lotus-flower from a basket at

every few steps, and closed the long procession.

In no country but this, where rain seldom falls, and it is always

pleasant in the open air, could such a procession safely appear

bearing wares so delicate and frail. The only danger to be apprehended

is from storms of sand from the desert beyond the pyramids, of the

approach of which, however, the atmosphere gives a sufficient warning.

This letter is quite long enough, dear mother, and I close it, with

wishes for your happiness, and assurances of the filial devotion of

Your son,

SESOSTRIS.

LETTER XV.

CITY OF MEMPHIS.

DEAREST MOTHER:

Your last letter, assuring me of your health, and that of the Princess

Thamonda, I received by the chief pilot, Onothis, who, in his new and

handsome galley, reached the head of the Delta two days ago. Thence he

came here in his boat, his ship being too large, in the present depth

of water, to come up to Memphis.

I will now continue the description of the funeral of "the lord of the

royal gardens." When the procession reached the steps leading down to

the sacred lake, the hearse was borne upon a gilded and carved baris,

the consecrated boat for the dead. This was secured to a decorated

galley with sails and oars and a spacious cabin, richly painted with

funeral emblems. The friends and relatives of the deceased embarked in

other barges in waiting, and to the strains of wailing music, the

procession, reverently joined by the boats of several gentlemen, in

gay apparel, who were fishing on the lake, crossed to the other side.

Reaching the opposite shore, it formed again, as before, and moved

down "the Street of the Tombs," crossed a narrow plain, and entered

the gate of the great burial-place of Memphis. We slowly followed the

procession; and, alighting from the chariot, I saw them take the mummy

from the sarcophagus on the car, and place it upright in a chamber of

the tomb. An assistant priest then sprinkled all who were present with

sacred water, and the chief-priest burnt incense before an altar of

the tomb, and poured libations upon it, with other ceremonies. To

close the scene, the mummy was embraced by weeping friends, and a

funeral dirge played by the musicians without, which was wildly

answered by the mourning wail of woe from within.

Driving around the Acherusis Lake, under the shade of its solemn

groves, the priest directed his charioteer to take me in again at the

gate of the tombs. Reseating myself by his side--for the chariots of

the priests, as well as those of ladies, are provided with a movable

curved chair which holds two persons--we proceeded in a direct line

towards the greatest of the three pyramids that stand near Memphis. We

were upon what is called "The Sacred Way." It commenced at the gate of

a temple to the god of the winds, beneath the pylon of which we

passed, and extended nearly a league in length over a vast plain

crowded with funeral temples, monuments, mausolean porticos, statues,

and fountains. All the architectural magnificence which is found in

other avenues, seemed to be combined here to form a royal road which

has no parallel on earth; not even the long column-lined approach to

the Temple of the Sun, at the end of the straight street in Damascus,

can be compared with it.

This noble thoroughfare, as we drove slowly along that I might admire

its grandeur and beauty, was thronged with people going to and coming

from the city. There were processions returning from having deposited

their dead in one of the many tombs which covered the vast plain;

processions of the humbler orders, with but few signs of display and

wealth, proceeding, with real mourners, to the tomb. There were groups

of children, their hands filled with garlands, going to place them

upon the sarcophagus of a departed parent; for the custom of

decorating the resting-places of the dead with wreaths often renewed,

belongs to Egypt as well as to Syria.

We overtook a rich lady in a gilded palanquin, borne on the shoulders

of four slaves. She was opulently and handsomely attired, and carried

a blue and green fan, while an attendant walked behind and held over

her head a large parasol.

Two chariots, containing young Egyptian lords, dashed by us at full

speed in the excitement of a race, each driving his own ornamented

car, the charioteers standing a little in the rear.

People selling little images of gods, or of eminent deceased persons,

or fruit, or flowers, or scarabæi, and amulets, were seated all along

the highway, upon pedestals, or in the shade of statues and tombs;

while along the road walked sellers of vegetables, and fowls, and

bread. Indeed, the way was crowded with life and activity. With no

other people would the avenue to its tombs be the most thronged of

any, and the favorite of all in the city; for Memphis, which extends

from and includes Jizeh, past the pyramids south for six miles, has

noble streets, but none like this leading to the pyramids. The

Egyptians say that the house is but the temporary abode of man, but in

the tombs his embalmed body dwells forever. "Let us, therefore,

decorate our tombs with paintings and art, and fill them with flowers,

and adorn the homes which are to be permanent."

Hence the "dead-life" of the sepulchres is not less a reality to the

Egyptian than his life in the city. The poor, however, do not find

tombs. They are buried in graves or pits, like the Hebrew people. On

the other side of the river lies the most ancient burial-place of

Memphis; but since the construction of the Lake of the Dead, it is no

longer necessary to cross the Nile (for the dead _must_ be ferried

across water) for interment.

As we drove on, we came to a stately sepulchre, before which was

gathered a large multitude. The coffin had just been removed from a

gorgeous hearse and set down upon the step of the tomb. It was the

funeral of a lady. I never saw any painting so rich as that which

adorned the mummy-case. It was an Osirian coffin, and covered in every

part with columns of hieroglyphics or emblematical figures, among

which were represented the winged serpent, the ibis, the cynocephalus

or the genii of Amenthe, and the scarabæus.

"The hieroglyphics," said my companion, "contain the name and

qualities of the deceased."

At this moment an official, partly in a priestly dress, advanced in an

imposing manner, touched the coffin with a wand, and said aloud:

"Approved! Let the good be entombed, and may their souls dwell in

Amenthe with Osiris. Judgment is passed in her favor! Let her be

buried!"

Upon hearing this address, I asked the high-priest what it signified.

He replied, with that courtesy which has always distinguished his

replies to my numerous questions:

"This act has reference to the judgment of Osiris. We did not witness

a similar ceremony at the lake, because the deceased was brought from

On, and had already been judged at the crossing of the Nile. If we had

sooner seen this funeral procession, which came only from the city to

the lake, we should have beheld forty-two just persons, chosen as

judges, seated upon a semicircular stone bench along the shore."

"I noticed the stone seats," I answered, "and intended to have

inquired their use."

"Seated upon them, the forty-two judges await the procession. The

baris, or gilded galley, which is to receive the body, is then drawn

alongside of the steps. Before it the bearers stop, and turning to the

judges, rest their burden on the ground before them. Then, while all

the friends stand anxiously around, and hundreds of spectators line

the shores, one of the judges rises and asks if any one present can

lawfully accuse the deceased of having done wrong to any man. If the

dead has done injustice or evil, his enemy, or the one wronged, or

their relatives, advance and make the charge. The judges weigh the

accusation, and if it be sustained, the rites of sepulchre are

commanded not to proceed."

Such a judgment, dear mother, I afterwards witnessed on our return

from the pyramids. It was the funeral of a woman of respectability.

The accuser said, advancing into the space before the judges--

"I accuse the deceased of suffering her father to perish in want."

"This is a great crime by our laws," said the judge sternly; "for,

though sons are not bound to provide for poor parents, daughters are.

This she knew, and was able to do it. Where are the proofs?"

Three persons came forward and bore testimony to the fact.

"The deceased is not worthy to pass the Lake of the Dead. The burial

is prohibited."

Hereupon there was a great cry of woe on the part of the mortified

relations; and the mummy, without being permitted to enter the sacred

baris, was retaken to the city, where in a shrine in the house it will

remain above-ground for years; until finally, after certain

ceremonies, it is permitted to be ignominiously entombed in "the

sepulchre of the evil."

This accusation and judgment, dear mother, is a striking illustration

of the veneration and respect children are expected to pay to their

parents in Egypt.

If, on the other hand, the accusation is not sustained, the accusers

are stoned away by the friends, who then with great joy unite in a

eulogy of the dead, and joined by all the people present pray the gods

below to receive him to dwell among the pious dead. In the eulogy,

they speak only of virtues--praising his learning, his integrity, his

justice, his piety, his temperance, and truthfulness; but no mention

is made of rank, since all Egyptians are deemed equally noble. Such an

ordeal has no doubt a great influence upon the living Egyptian; for he

is certain that at his death every act of injustice he has committed

will be brought up before the forty-two judges, and if found guilty,

he will be denied sepulture, while infamy will be attached to his

memory.

"What," I asked of my companion, the high-priest, "is the state of the

deceased soul after death?"

"That, O prince," said he, "is one of the mysteries. But as you have

been initiated into the knowledge of the mystic books in your own

land, I will explain to you what our books of the dead teach. We

priests of Apis do not believe with those of Osiris at On."

"What is their faith?" I asked.

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