At the very gateway of the Strand the Grand Hotel has a popular

grill-room, walled with shining tiles of white and buff; the Cecil has

a great Indian room of blue and yellow tiles; and, indeed, every big

hotel from the great pile of the Kensington Palace, in the west, to the

hotel of the Great Eastern Railway in Liverpool Street in the east, has

its grill-room, the simplicity of the fare and the fact that the raw

material is always on view to the diner before it is placed on the

grill being a guarantee of the quality of the meat.

Most of the restaurants also have their grills.

Romano's turned its old kitchen into a reproduction of a room in a

Russian farmhouse with horns on the walls and an icon up in a corner,

and even at one time carried realism to the point of putting the

waiters in this part of the establishment into white blouses with red

sashes at the waist, the dress the Tartar waiters in Moscow wear. You

get the restaurant food in this grill-room at about half the restaurant

prices. A new electric grill has been installed in this Russian room

which grills just as well and far more quickly than a charcoal or a

coal grill.

The Frascati, in Oxford Street, has a grill-room on the ground floor

with walls of white marble veined with grey, and with mirrors in

Oriental frames; and at the entrance to Tottenham Court Road the

Horseshoe has an excellent grill above its oyster saloon.

The Holborn shows originality in devoting a grill-room to ladies,

and in the old Freemasons' Tavern in Great Queen Street, which now

calls itself the Connaught Rooms, there is in the basement a large

grill-room, with a choice of three joints at luncheon time as well as

an extensive _carte du jour_, a grill which is much patronised by the

lawyers from Lincoln's Inn Fields. In the evening a dinner is served

in a smaller room, and I have dined there before going across the way

to the Kingsway Theatre. Those who dine are, I think, mostly connected

in some way or another with Freemasonry, and the talk that goes on at

the tables has reference to high offices in the Craft and Mark, to

"raising" and "passing," and to that ancient and sacred ritual which

ladies still believe to be in some way connected with a red-hot poker.

XVII

ROMANO'S

Alfonso Nicolino Romano, a head waiter at the Café Royal, in 1874

bought with his savings a small fried fish shop in the Strand,

converted it into a bar and restaurant, and in addition to his own

name on its front added Café Vaudeville, for it was, and is, almost

next door to the Vaudeville Theatre. Romano's in those days possessed

a central window flanked by two doors, one leading into the bar and

the other to the rooms above. In the window as an ornament was a small

aquarium which contained goldfish, and those fish must have lived

exciting, if short, lives, for the patrons of the bar tried to feed

them with cigar ash, lemon rind, burnt almonds, and torn-up notepaper,

and it is even said that "Hughie" Drummond, one of the most amusing and

most reckless of the clean-shirted Bohemians who made "the Roman's"

known all the world over, tried to take a swim with them.

Romano was a curly-haired, humorous, quick-witted little Italian who

talked a strange Anglo-Italian jargon--"Pore ole Romano e got badda

addick this morning" his usual morning greeting, was an example of

it--and who was on the easiest terms of familiarity with most of his

clients without ever overstepping the line. He had not very many

rules as to the conduct of his business, but one from which he never

departed was that he would under no circumstances make a reduction

in the total of a bill. He would give an aggrieved customer some of

the very best "cognac" of the house or split a bottle of the most

expensive champagne with him or ask him to dinner next day, but what

he would not do was to reduce any item in the account. One of the

most frequent forms of verbal invitation given by "The Roman" was to

a Sunday midday inspection of his cellars in the Adelphi arches. "You

coma see my cellars, Mister So-and-So Eskwire, best in London" was the

actual wording. Romano had come from a good school, and he laid down an

excellent cellar. The food in the restaurant was also beyond reproach.

Behind the bar, a bar which was always full of racing men, journalists,

coaching men, men from the Stock Exchange, men about town--for those

were the days when no man in the movement thought it undignified to be

seen standing up in a place of refreshment--was the restaurant. It was

little more than a corridor, a long, narrow room with space for one

line of tables only; but at those tables used habitually to sit the

merriest gathering of good fellows, and I include the ladies in that

term, that ever came together in a London restaurant. There were witty

journalists such as Shirley Brooks, "Pot" Stephens, "Jimmy" Davis,

and "Shifter," and there were men of the theatre--Cecil Raleigh, for

instance, and "Charlie" Harris, who when the waiter called the order

for his dinner down the speaking-tube always added himself "pour le

patron," for Romano, who lunched and dined at the table nearest the

bar door, was not likely to get a tough steak or a thin quail. There

were Guardsmen, such at "The Windsor Warrior," "Billie FitzDitto,"

"Haddocks," and "The Bonetwister," and men about town, of whom Hughie

Drummond and Fred Russell were perhaps the best known, and coaching

men, "Dickie the Driver" and "Swish" and "Partner," who used to

delight in bringing jolly old Jim Selby to dine; and Arthur Roberts,

then at the very top of his form, and "Mons" Marius, as representatives

of the actor fraternity. And around this kernel of good-fellowship

formed a fringe of other good fellows who came and went, men from

the country, men from the far parts of the world, soldiers, sailors,

planters, explorers, country squires. It was rather a clannish

gathering, for everybody seemed to know everybody else at the line of

tables, and people who were not taken into companionship, no difficult

matter if they were kindred souls, felt "out of it," and went elsewhere.

Between the Gaiety Theatre and Romano's there grew up an indefinite

alliance, and golden-hearted Nellie Farren would lunch there when a new

burlesque was in rehearsal, and "the Child" and dear "Jack" St John

and others of the principals looked with favour on the restaurant, and

on Lord Mayors' days made a brave show of beauty at the windows of the

first floor. The Gaiety Girls of those days, splendid women and jolly

good fellows, who enjoyed life, and by their beauty and sociability

helped other people to enjoy life, lunched and supped at the Roman's.

I have a dozen names at the tip of my pen, but if I wrote them down I

should stray into a gossip over the ladies of the burlesque and light

opera stages in the seventies and eighties, and should require columns

and columns of space to deal adequately with such a subject. Most

of them married, and, as the fairy tales have it, "lived happy ever

after." And the "halls," we didn't call them variety theatres then,

were also represented at the Roman's. Jolly, humorous Bessie Bellwood

lunched there five days out of six, though she kept the Roman humble

by asserting that she preferred the tripe and onions at Chick's to

anything his kitchen could produce, and when she was in good anecdotal

form kept everybody near her tremulous with laughter. And the sisters

Leamar, who used to sing a duet as to Romano's being "a paradise, sure,

in the Strand" and added the information that "the wines and the women

are grand," naturally paid frequent visits to the restaurant to assure

themselves that the description was a correct one.

The Roman gathered about him a staff which exactly suited the tone of

the restaurant, proof thereof being that so many of them remain in

its service to this day. M. Luigi Naintre, the manager of Romano's,

has climbed the ladder of promotion steadily through all the grades

at the restaurant, and though for a while after Romano's death he

wandered into other folds, one of the first acts of the company which

now controls the restaurant was to ask him to come back to it. Long

experience has taught him the art of making each frequenter of the

restaurant believe that the establishment is maintained entirely to

meet his or her taste and whims, and he is essentially the right man in

the right place. M. Minola, his second in command, also graduated in

the "Roman" school. The cellarman, L. Bendi, and the wine-butler, L.

Villa, have been in the restaurant as far back as I can remember.

I must pass quickly over the fire which burned down the old Romano's

and its rebuilding on the site of the old restaurant and on that of

another house next door. The panelled hall and, in the restaurant, the

Moorish arches with the pictures of the Bosphorus seen through them

were features of the new building, and remain to-day as they then were.

In the nineties Romano died of pneumonia, contracted by standing one

cold winter day outside the restaurant door with no great-coat on, and

the restaurant came under the Court of Chancery.

The Court of Chancery was not at all sorry to hand over its duties to

a company, with Mr Walter Pallant, the then chairman of the Gaiety

Company, as its chairman, which was formed to purchase the restaurant.

Mr "Teddy" Bayly, who as a patron of the restaurant had helped

materially in making the fortune of the Roman, became manager, and

Luigi was appointed as second in command. When Mr Bayly left Romano's

for a restaurant of his very own M. Luigi mounted one rung more of the

ladder of promotion and was appointed manager.

The first business of the company, after giving the building "a wash

and brush up," was to find a chef of celebrity and experience to take

charge of the kitchens. They found in M. Ferrario exactly the man for

whom they were looking. M. Ferrario had learned his art under M. Coste

in the kitchens of the Cecil, and when he himself became the commander

of the kitchens of a restaurant of the first class he showed that he

had used his powers of observation, that not only did he know all that

there was to be learned concerning the _haute cuisine française_,

but that he had an open mind with regard to the cookery of all other

nations. The _mouzakkas_ that M. Ferrario sends from his kitchen are

the best I have eaten outside Bucharest. He makes a ground-nut soup,

the one delicacy that Nigeria has added to the cookery book, quite

admirably, and Romano's is the only restaurant that I know of in Europe

where one can eat a Malay curry cooked as it is cooked in Malaya and

served in the Malay fashion, with sambals and with shining Malayan

shell spoons for the rice. What substitute M. Ferrario has found for

the fresh cocoa-nut pulp which is the foundation of all Malay curries

I do not know, but he has found something which replaces it admirably.

In the winter at lunch-time north countrymen say that Romano's

Lancashire hot-pot is the real thing, and there is another British

luncheon dish, gipsy-pot, which I eat at Romano's, a savoury stew of

chicken and cabbage and other vegetables and other meats, which I find

exceptionally good.

But perhaps I had better give you in detail what are the specialities

of Romano's kitchen. They are, for lunch: Malay curry of chicken,

Lancashire hot-pot and gipsy-pot. For dinner: _poule au pot, bortch à

la Russe, potage Normande, potage Nigérienne, filets de sole Romano,

filets de sole Sportive, sole au plat aux courgettes, sole à la crème,

truite George V., poulet nouveau Valencienne, perdreau Romano, mousse

de volaille au curry,_ the last being an admirable _mousse_ with just a

far-away reminiscence of India, a sort of dream of all the good curries

of the East, in it.

If I gave you the menus of all the nice little dinners for two of which

I have been one of the participators at Romano's I should fill a fat

volume. But here is a little spring dinner which will serve my purpose

very well:

Crevettes Roses.

Fumet de Volaille aux œufs Filés.

Filets de Sole Sportive.

Epaule de Pauillac Bergère.

Petits Pois Nouveaux à la Crème.

Asperges d'Argenteuil.

Sauce Divine.

Fraises Diva.

And the wine I drank with this was a bottle of 1900 St Marceaux, which

was the choice of the lady who honoured me with her company. The

_filets de sole Sportive_ are soles which bring to table with them just

a dream of Chablis, and which are nobly backed up by crayfish.

The old Romano's in its first period was very clannish. The new

Romano's, though it is a comparatively small restaurant, finds room for

all men and all ladies who love good food and who like the slightly

Bohemian, pleasantly Parisian, atmosphere of the "Paradise in the

Strand." I have seen a duchess dining at one of the corner tables,

and I do not suppose that there is a man about town, from dukes to

the latest emancipated Oxonian, who does not know Romano's and its

ways. The clientele varies with the different meals. At lunch-time,

particularly, if there are rehearsals in progress at the Adelphi or the

Gaiety or any of the other light opera or revue theatres, a host of

pretty little ladies go to Romano's and very probably the "Governor"

and the librettists and composers, and a stage director or two, will

be lunching at a corner table. Half-a-dozen other managers are sure

to be somewhere in the restaurant, and there will be ladies not of

the stage, and solicitors, and barristers from the Law Courts and a

plaintiff or two, and a journalist or two, a very interesting _salmis_

of the stage world and the business world and the world of Law, with a

good seasoning of men from the far parts of the world, and men about

town and soldiers and sailors. At dinner little parties going on to

the theatre finish their feasts about the time that the habitués of

the restaurant, who are going on nowhere or to a variety theatre, make

their appearance. At supper-time the stage is once again the most

strongly represented element, and there is no restaurant in Paris which

can show at this hour prettier faces or more unforced gaiety. The

bright young spirits from the 'varsities all love Romano's, but Luigi

has a wholesome fear of the "Twenty-firsters," as the boys call their

coming-of-age feasts, and the numbers at these gatherings at Romano's

are kept within very strict limits.

There is one happy young Oxonian who absolutely defeated Luigi at

a birthday feast. He had been solemnly warned that the spirits of

his party must not rise too high, and he and they had all behaved

with quite suspicious decorum during supper. The band had finished

playing, and the bandmaster, on departing, had locked the door of the

pulpit-like Moorish bandstand that projects high up into the room.

When closing hour came and all the guests were moving out except the

party of young Oxonians Luigi told them that they also must take their

departure. But their leader begged to be allowed to sit on for a few

seconds longer, even though the lights were turned out. Out went the

lights, and then here and there a single light was put up again that

the waiters might see to pile the chairs on the tables and put the

restaurant into its night attire. Luigi, looking at the supper-party,

thought that their numbers had diminished, and from the bandstand came

the sound of someone playing the piano. In the two seconds of darkness

the giver of the feast had performed a really wonderful gymnastic

feat. Jumping off from the back of one of his guests, he had climbed

up into the bandstand and had taken his seat at the piano. The door

was locked and the key gone home with the bandmaster; his fortress

was unstormable, and he was in complete possession. For a quarter of

an hour or so he played little selections at the piano, inquiring of

Luigi, who stood below, what were his favourite airs, and it was only

when his musical repertoire ran out that he climbed out of his aerie

and dropped to the floor.

On occasions, generally on the evening of first nights at the theatres,

when an extension has been obtained, suppers at Romano's sometimes

end in little dances. But the great dance of the year at Romano's

is the "Twelfth Night," one which is not so much a party given by

the restaurant as a party given to themselves by the habitués of the

restaurant. All the tables for this night are secured weeks in advance,

each host pays for his own party, but Romano's supplies all the toys

and the presents, the masks and tambourines, and anything new in

trifles that is to be bought in any city of the world. The shops of

Paris and Vienna are ransacked to provide novelties for this evening.

The spirit of Paris always hovers above Romano's, but this particular

night in its fun without rowdiness is the most Parisian night of the

year.

Romano's as it now is is very different in its arrangements from the

restaurant that the company took over from the Court of Chancery. What

was the linen room is now a gallery, which is nicknamed the "Bird

Cage," looking down on to the restaurant. The kitchen has been taken

away from below the restaurant and put behind it, and where the kitchen

was is now a grill-room with lattice-work arbours decked with vines and

a vista leading up to a little fountain. The whole scheme of decoration

of the restaurant is now of the lightest of light Moorish design, the

details being copied from the Alhambra at Granada. The most important

change of all is the disappearance of the old bar, a bar which in its

day made history, its place being taken by a little waiting-room,

which is a reproduction in most of its details of the Henri IV. room

in the Victoria and Albert Museum. A good deal of loving care has been

bestowed on all the details of the decoration and equipment of the

restaurant. Look at the brass handles on the doors leading into the

hall, and you will see that they are admirable works of art. In the

same way the napery put on the table at dinner-time before coffee is

served is well worth a glance. Some of the china is quite beautiful

in pattern, and the gilt finger-bowl brought you at dessert is very

probably a copy of some of the loot taken by Attila and now preserved

in the Budapest museum.

Banquets are sometimes given at Romano's in the private room looking

down on the Strand, which has been shut off from the balcony, and no

better indication of the type of these could be given than by setting

down the menu of the latest dinner of the Wine Connoisseurs' Club, at

which there were forty guests:

Cantaloup Glacé.

Tortue Claire.

Velouté de Volaille Duchesse.

Truite George V.

Ris de Veau aux Perles Noires.

Selle de Béhague aux Primeurs.

Pommes Ideal.

Granite au Clicquot.

Poularde Flanquée D'Ortolans.

Salade Romaine.

Asperges Vertes, Sauce Divine.

Pêches Orientales.

Mignardises.

Paillettes au Parmesan.

Dessert.

The _Truite George V._ which has a place in this menu is one of the

specialities of the house. It is a salmon trout, braized in port,

served cold on ice with sliced oranges and a luscious jelly.

Little Romano used to allude to his cellars, as I have written, as

"best in London," and the restaurant has always had a celebrity for

the great choice of champagnes of the great brands and great years it

offers its patrons. Most of the profits made during the last few years

have been expended on champagnes, and no restaurant in London is better

prepared to face that champagne famine which will so soon be upon us.

XVIII

IN THE HOUSE OF COMMONS

One of our legislators had very kindly asked me to dine with him at

the House of Commons, at eight-fifteen P.M., and had told me that he

would meet me at the public entrance. When I mentioned his name to the

civil young policeman at the outer door he touched his helmet and said

that my host had just gone through, so I followed on his tracks. I went

past Westminster Hall, which was in splints, for the ceiling was under

repair, and along that other great hall where statesmen of the past

stand looking their very best in marble. There were two lines of the

public sitting on the benches in between the marble statues, no doubt

hoping eventually to obtain admission to the Strangers' Gallery, for it

was the winding-up night of the Marconi debate. I mentioned my host's

name to every policeman I came across, because I found that when I

did so they touched their helmets and looked pleased, and I am always

delighted to give inexpensive pleasure to any policeman.

In the public lobby the legislator, who, incidentally I may mention,

is Chairman of the Kitchen Committee, found me and took me in the

direction of the dining-rooms. We passed the new fireplace that the

House of Commons has presented to itself, quite the most tasty thing

in fireplaces I have ever seen, with a sort of glorified ingle-nook

seat on either side of it. I peeped through the glass door into the

members' dining-room with its handsome panelling, and the Ministerial

Room, where some fine portraits hang on the walls, and eventually we

went down the staircase with the good napkin panelling on either side,

looked at that other staircase which was in course of construction

for the convenience of lady guests, came to the long corridor where

the photographs taken by Sir Benjamin Stone hang, and going down it

had glimpses through open doors of dinner-parties in which ladies

predominated, all mighty merry, and twittering like the birds in an

aviary. From the chairman's own room, which he occasionally lends to

his brother members, sallied forth a Ministerial Whip, who seized my

host by the arm, held an open wine list before him as though they

were going to sing hymns out of the same book, and asked him what

champagne he ought to order for his guests. That knotty point being

settled I gave up my hat and coat to an attendant, and followed my

host, who threaded his way through the tables in the largest Strangers'

dining-room to his own particular dining spot in a recess which

commands a view of the whole of the room.

It is an exceedingly pleasant dining-room. The walls are of panels of

grey and white, framed in light wood, with on them good prints in black

frames, the gifts of M.P.'s who love their House just as ordinary men

love their pet clubs. The four-square pillars which support the roof

are painted cream colour; light is thrown up on to the ceiling from

glass electroliers, shaped like round shields, and here and there a

palm and some green screens give a restful note of cool colour. At

one end of the room a clock on the wall reminds M.P.'s of the passing

time, and at the other end, on a roll of paper, which passes through a

wooden frame, is printed the name of the member who at the moment is

addressing the House. The windows of this pleasant dining-room look

out on to the terrace and across the river to the great hospital,

behind which the sky still held some of the rose of sunset. There were

dinner-parties innumerable being held in the room, and the manager

informed us later that he had been obliged to tell many would-be hosts

that he could not find room for their parties.

A great debate means a gala night in the dining-rooms of the House, and

had I not known where I was, looking at the pretty and smartly dressed

ladies and their smiling hosts, I should have thought that I was in one

of the smaller dining-rooms of one of our great restaurants. Here and

there amongst the guests and the dinner-givers were faces I recognised,

and the legislator told me during the course of our dinner who were the

other hosts at the different tables, for he probably knows personally

more men of all the different parties than does any other member of the

House.

"I have ordered a very small dinner," said my host, as a waiter brought

us a pot of caviare ensconced in a basin of crushed ice, and this was

the menu of the said small dinner:

Caviare.

Consommé d'Aremberg.

Homard Sauté Paillard.

Noisettes d'Agneau aux Primeurs.

Pommes Suzon.

Cailles de Vigne sur Canapés.

Salad Cœur de Laitues au Citron.

Asperges Anglo et Française.

Sauce Mousseline.

Pêches Flambées.

Dessert.

The Gourmet's Guide to London · 第 7 / 25 段