CHAPTER II.

THIS was the beginning, but by no means the end. The smiling Theodore

was a perfect gentleman, no doubt, as regarded affability of manners,

and he carried his point, whatever it was, by sheer good-natured

audacity, but reverence for the house of God seemed to have no place in

his nature.

When he wanted to hum a new tune during prayer time, why he hummed

the tune, in decorous undertone, it is true, and looking perfectly

good-natured the while; but to hum tunes and turn leaves seemed to be

the gentlemanly Theodore's idea of decorum in prayer time. Indeed,

as time passed this grew to be by no means the most trying part of

the proceedings of the choir. It became necessary to transact a great

deal of business after the services had fairly commenced. It suited

the leader's idea to sometimes change the tune but the moment before

singing, and of course the whispered word had to be passed down the

choir. This proceeding served as a sufficient explanation or excuse

whenever one of the more daring spirits ventured to criticise: "Why we

have to consult, of course. What would you have us do?—Sing hap-hazard?

Why must there always be such a fuss made over the consultation of

singers? Deacon Simmons can squeak down the aisle and consult with the

Brother Sharp about the hour for prayer meeting, in a whisper which can

be heard all over the room; and it is all right; but the moment one of

the choir ventures a whisper, people act as though we had committed the

unpardonable sin." This will serve as a specimen of the spirit in which

criticisms were received. Generally the fault-finders-were subdued by

these hints of volcanic eruptions, and did not venture to explain that

Deacon Simmons and Brother Sharp were never caught giggling behind

their fans, nor, however loud their whispers, no such sentences as

these floated through the room from their lips: "Have a chocolate

drop? Chocolate's good for the voice, you know;" or, "Isn't the sermon

dreadfully long drawn out this morning? I do wish he'd get through."

The winter waned, and the good-natured Theodore kept his position, and

introduced innovation after innovation in his gentlemanly way, until it

is a wonder the old church knew itself. Among other things the old reed

organ, which had done good service for several years, was pronounced

a wheezy, squeaky, harsh-throated old thing; in which opinion let me

hasten to confess my sympathy. I had no love for that organ, which,

when all the stops were out, had the power to drown any voice, however

sweet. It was declared that a pipe organ was the only thing fit for a

church, anyway; and here, again, I must admit that my heart approved. I

love the music of a pipe organ.

It was found that a certain church, known to the friendly Theodore,

was about to set up a new organ, and would dispose of their old one,

purely out of consideration for the said Theodore, at a very low figure

indeed. And our choir, which could be very enthusiastic indeed when it

chose, declared its intention of raising enough money, forthwith, for

that organ.

Vigorously did they set to work. A busy winter we had of it. And by

pop-corn parties, and white-apron parties, mid post-offices, and

prize pincushions, and grab-bags, necktie sociables, and sheet and

pillow-case sociables, and every other kind of sociable or game of grab

which was ever invented, the organ fund actually swelled to respectable

proportions. Never was a busier winter, nor a more popular man than the

gentlemanly leader of our choir. His good nature and his self-sacrifice

knew no bounds. Indeed, the young people were all self-sacrificing.

They sacrificed the prayer meeting, and the mission band, and the

reading circle, and almost everything else except the skating rink, in

their zeal for the pipe organ. "It is all for the sake of the cause,

you know," grew to be the motto of the young people, and it was really

wonderful what marvels of ingenuity they became!

And they succeeded; just as a band of young people, plunged heart and

soul into anything, are almost certain to succeed. The everlasting pity

is that so often success is not worth the price paid!

But there came a happy day in which the pipe organ was set up by

skilled hands in our church, and the Sabbath following the choir outdid

themselves. It was long since Auntie Barber had attempted to sing; but

on this particular day she was seen moving her lips. She explained it

afterwards. "The critter rolled so loud, and the girls all sang so

high, that I just put in Old Hundred, softly, because I wanted to have

a share in the praising. I thought nobody would mind. They drownded it,

you know."

But Auntie Barber was mistaken; the echo of her tremulous notes:

"'Praise Him all creatures here below,'"

went up to Heaven, and the angels minded it very much. And the

good-natured Theodore happened to notice the movement of her lips, and

whispered to the first soprano during an organ interlude:

"Look at old Auntie Barber mouthing it; won't she have a time, though,

keeping up with the next strain!"

Whereat the first soprano giggled, and whispered to the second soprano,

who giggled, and passed the whisper down the line, and all were so much

amused that they liked not to have been ready for the next strain,

which ran so high that they expected to leave old Auntie in the lurch.

But this time the gentlemanly Theodore was mistaken. Old Auntie's

mouthing reached higher than any strain of music his small soul had

ever felt.

Whether the pipe organ was at fault, or whatever was the cause of it,

hilarity seemed to develop in our choir, during the spring, to a really

alarming extent. The gentlemanly Theodore took to writing notes, not

always about the next selection, as was proved by finding one or two

ran thus:

"Father Stearns didn't approve of our last effort. Notice his face; it

looks as though he had eaten a ten-penny nail preserved in vinegar."

At another time a paper containing advice as to the next selection was

found, and read as follows:

"If Dr. Prosy ever subsides, let's sing 'Oh, long expected day begin,'

as more appropriate to our feelings than the one we have chosen."

Those notes, of course, had to travel the entire length of the large

choir, and great was the amusement created; fans, handkerchiefs and

hymn books were in constant requisition to cover the explosions of

untimely mirth.

There were also sundry little private missives, passed by the leader to

his special favorites, which, of course, must be answered; and as there

were young men in the choir who had favorites, and as a leader is to be

followed of course, this form of entertainment became very popular.

The gentlemanly Theodore also developed artistic talent, and adorned

the fly-leaves of his note book with certain photographs labeled "The

Deacon in the dumps," or "Old Auntie in a seraphic state;" and down

the line would be passed the caricature of Deacon Slocumb with his

chin dropped into his shirt collar, his thumbs interlocked in the act

of twirling, and a frown on his forehead so deep that it seemed to

cast a shadow over his whole face. Then dear old Auntie Barber's face

would travel from one simpleton to another— her rather old-fashioned

black bonnet exaggerated until it was larger and queerer than any she

ever thought of wearing, and yet looking enough like it to suggest the

old lady, even though her placid face hadn't peeped out from under

it, her head slightly thrown back, her eyes closed, a pair of immense

spectacles pushed up on her forehead, and a sort of exaggeration of

satisfaction on her old face; the whole calculated to make the young

and heedless laugh. It was really a good comic likeness of the old

lady; there is no denying that the affable Theodore had other than

musical talent. But there was that about the picture, after all, which

it seemed to me was calculated to make a young person who had a dear

old mother flush with indignation.

It always seemed to me a bad sign to see people amused with caricatures

of good, pure old faces.

I don't remember how long the members of our choir indulged in these

various entertainments; but I know that, as the weeks went by, they

waxed bolder and bolder. Candies, nuts, and even lemons, circulated

freely; notes were industriously written and boldly passed, and the

whispering became almost incessant. The fact was, our choir was

becoming noted for something besides its music; some of us were

actually ashamed to take a guest to church with us, lest our choir

might shock them. Well do I remember the Sunday on which the crisis

came.

The whispering had been almost incessant during the first part of the

sermon, and more than once an audible chuckle had rippled down to

those who sat nearest. The minister, good, long-suffering man, tried

earnestly not to let his annoyance be seen; but he had borne a great

deal; and those who knew him well watched anxiously the steadily rising

flush on his unusually pale face. Once he stopped in the middle of a

sentence, and waited for full half a minute, which of course seemed

to us anxious ones like half an hour, for the whispering behind him

to cease. I do not know to this day whether it was unusual and almost

unaccountable heedlessness, or a spirit of defiant recklessness, which

took possession of our choir for the rest of the morning. Whatever it

was, Satan must have been proud of them, for certainly he had it very

much his own way among most of them. Suddenly the minister made another

ominous pause; so sudden was the silence that part of the loud whisper

behind him was heard in the still church; "Tell him I'll flat in the

next hymn awfully if he doesn't—"

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