The stage is now quite dark, and for a few moments the aisles echo only

to the dying melody. When, behold, a ray of light is seen, and splendor

grows around the stage from hidden candles, and in the glory Gabriel

appears upon a higher platform made to look like clouds. The shepherds

wake in confusion, striving to shelter their eyes from this unwonted

brilliancy. But Gabriel waves his lily, spreads his great gold wings,

and bids good cheer with clarion voice. The shepherds fall to worship,

and suddenly round Gabriel there gathers a choir of angels, and a song

of "Gloria in Excelsis" to the sound of a deep organ is heard far off.

From distant aisles it swells, and seems to come from heaven. Through

a long resonant fugue the glory flies, and as it ceases with complex

conclusion, the lights die out, the angels disappear, and Gabriel fades

into the darkness. Still the shepherds kneel, rustically chanting a

carol half in Latin, half in English, which begins "In dulci Jubilo."

The people know it well, and when the chorus rises with "Ubi sunt

gaudia?" its wild melody is caught by voices up and down the nave. This

scene makes deep impression upon many hearts; for the beauty of Gabriel

is rare, and few who see him in his angel's dress would know him for

the lad who daily carves his lilies and broad water-flags about the

pillars of the choir. To that simple audience he interprets Heaven,

and little children will see him in their dreams. Dark winter nights

and awful forests will be trodden by his feet, made musical by his

melodious voice, and parted by the rustling of his wings. The youth

himself may return to-morrow to the workman's blouse and chisel, but

his memory lives in many minds and may form a part of Christmas for the

fancy of men as yet unborn.

The next drawing of the curtain shows us the stable of Bethlehem

crowned by its star. There kneels Mary, and Joseph leans upon his

staff. The ox and the ass are close at hand, and Jesus lies in jeweled

robes on straw within the manger. To right and left bow the shepherds,

worshiping in dumb show, while voices from behind chant a solemn hymn.

In the midst of the melody is heard the flourish of trumpets, and

heralds step upon the stage, followed by the three crowned kings. They

have come from the far East, led by the star. The song ceases, while

drums and fifes and trumpets play a stately march. The kings pass by,

and do obeisance one by one. Each gives some costly gift; each doffs

his crown and leaves it at the Saviour's feet. Then they retire to a

distance and worship in silence like the shepherds. Again the angels'

song is heard, and while it dies away the curtain closes and the lights

are put out.

The play is over, and the evening has come. The people must go from the

warm church into the frozen snow, and crunch their homeward way beneath

the moon. But in their minds they carry a sense of light and music and

unearthly loveliness. Not a scene of this day's pageant will be lost.

It grows within them and creates the poetry of Christmas. Nor must we

forget the sculptors who listen to the play. We spoke of them minutely,

because these mysteries sank deep into their souls and found a way into

their carvings on the cathedral walls. The monk who made Madonna by

the southern porch will remember Gabriel and place him bending low in

lordly salutation by her side. The painted glass of the chapter-house

will glow with fiery choirs of angels learned by heart that night.

And who does not know the mocking devils and quaint satyrs that the

humorous sculptor carved among his fruits and flowers? Some of the

misereres of the stalls still bear portraits of the shepherd thief, and

of the ox and ass who blinked so blindly when the kings, by torchlight,

brought their dazzling gifts. Truly these old miracle-plays and the

carved work of cunning hands that they inspired are worth to us more

than all the delicate creations of Italian pencils. Our homely Northern

churches still retain, for the child who reads their bosses and their

sculptured fronts, more Christmas poetry than we can find in Fra

Angelico's devoutness or the liveliness of Giotto. Not that Southern

artists have done nothing for our Christmas. Cimabue's gigantic angels

at Assisi, and the radiant seraphs of Raphael or of Signorelli, were

seen by Milton in his Italian journey. He gazed in Romish churches on

graceful Nativities, into which Angelico and Credi threw their simple

souls. How much they tinged his fancy we cannot say. But what we know

of heavenly hierarchies we later men have learned from Milton; and what

he saw he spoke, and what he spoke in sounding verse lives for us now

and sways our reason, and controls our fancy, and makes fine art of

high theology.

JOHN ADDINGTON SYMONDS

Christmas in Dreamthorp

This, then, is Christmas. Everything is silent in Dreamthorp. The

smith's hammer reposes beside the anvil. The weaver's flying shuttle

is at rest. Through the clear, wintry sunshine the bells this morning

rang from the gray church tower amid the leafless elms, and up the walk

the villagers trooped in their best dresses and their best faces--the

latter a little reddened by the sharp wind: mere redness in the middle

aged; in the maids wonderful bloom to the eyes of their lovers--and

took their places decently in the ancient pews. The clerk read the

beautiful prayers of our Church, which seem so much more beautiful

at Christmas than at any other period. For that very feeling which

breaks down at this time the barriers which custom, birth, or wealth

have erected between man and man, strikes down the barrier of time

which intervenes between the worshipper of to-day and the great body

of worshippers who are at rest in their graves. On such a day as this,

hearing these prayers, we feel a kinship with the devout generations

who heard them long ago. The devout lips of the Christian dead

murmured the responses which we now murmur; along this road of prayer

did their thoughts of our innumerable dead, our brothers and sisters in

faith and hope, approach the Maker, even as ours at present approach

Him.

Prayers over, the clergyman--who is no Boanerges, or Chrysostom,

golden-mouthed, but a loving, genial-hearted pious man, the whole

extent of his life, from boyhood until now, full of charity and kindly

deeds, as autumn fields with heavy, wheaten ears; the clergyman, I

say--for the sentence is becoming unwieldy on my hands and one must

double back to secure connection--read out in that silvery voice of

his, which is sweeter than any music to my ear, those chapters of

the New Testament that deal with the birth of the Saviour. And the

red-faced rustic congregation hung on the good man's voice as he spoke

of the Infant brought forth in a manger, of the shining angels that

appeared in the mid-air to the shepherds, of the miraculous star that

took its station in the sky, and of the wise men who came from afar

and laid their gifts of the frankincense and myrrh at the feet of the

child. With the story every one was familiar, but on that day, and

backed by the persuasive melody of the reader's voice it seemed to

all quite new--at least they listened attentively as if it were. The

discourse that followed possessed no remarkable thoughts; it dealt

simply with the goodness of the Maker of heaven and earth, and the

shortness of time, with the duties of thankfulness and charity to the

poor; and I am persuaded that every one who heard returned to his house

in a better frame of mind. And so the service remitted us all to our

own homes, to what roast-beef and plum-pudding slender means permitted,

to gatherings around cheerful fires, to half-pleasant, half-sad

remembrances of the dead and absent.

ALEXANDER SMITH

By the Christmas Fire

When the fire has reached a degree of intensity and magnitude which

Rosalind thinks adequate to the occasion, I take down a well-worn

volume which opens of itself at a well-worn page. It is a book which I

have read and reread many times, and always with a kindling sympathy

and affection for the man who wrote it; in whatever mood I take it up,

there is something in it which touches me with a sense of kinship.

It is not a great book, but it is a book of the heart, and books of

the heart have passed beyond the outer court of criticism before we

bestow upon them that phrase of supreme regard. There are other books

of the heart around me, but on Christmas Eve it is Alexander Smith's

"Dreamthorp" which always seems to lie at my hand, and when I take up

the well-worn volume it falls open at the essay on "Christmas." It

is a good many years since Rosalind and I began to read together on

Christmas Eve this beautiful meditation on the season, and now it has

gathered about itself such a host of memories that it has become part

of our common past. It is indeed a veritable palimpsest, overlaid with

tender and gracious recollections out of which the original thought

gains a new and subtle sweetness. As I read it aloud I know that she

sees once more the familiar landscape about Dreamthorp, with the low

dark hill in the background, and over it "the tender radiance that

precedes the moon," the village windows are all lighted and the "whole

place shines like a congregation of glow-worms." There are the skaters

still "leaning against the frosty wind"; there is "the gray church

tower amid the leafless elms," around which the echoes of the morning

peal of Christmas bells still hover; the village folk have gathered,

"in their best dresses and their best faces"; the beautiful service

of the church has been read and answered with heartfelt responses,

the familiar story has been told again simply and urgently, with

applications for every thankful soul, and then the congregation has

gone to its homes and its festivities--all these things, I am sure,

lie within Rosalind's vision although she seems to see nothing but the

ruddy blaze of the fire; all these things I see as I have seen them

these many Christmas Eves agone; but with this familiar landscape there

are mingled all the sweet and sorrowful memories of our common life,

recalled at this hour that the light of the highest truth may interpret

them anew in the divine language of hope. I read on until I come to the

quotation from the "Hymn to the Nativity" and then I close the book,

and take up a copy of Milton close at hand.

HAMILTON W. MABIE in _My Study Fire_

_By permission of Dodd, Mead & Co._

Ode on the Morning of Christ's Nativity

This is the month, and this the happy morn

Wherein the Son of Heaven's Eternal King,

Of wedded maid and virgin mother born,

Our great redemption from above did bring;

For so the holy sages once did sing

That He our deadly forfeit should release,

And with His Father work us a perpetual peace.

That glorious Form, that Light unsufferable,

And that far-beaming blaze of Majesty

Wherewith He, wont at Heaven's high council-table

To sit the midst of Trinal Unity,

He laid aside; and, here with us to be,

Forsook the courts of everlasting day,

And chose with us a darksome house of mortal clay.

Say, heavenly Muse, shall not thy sacred vein

Afford a present to the Infant God?

Hast thou no verse, no hymn, or solemn strain

To welcome Him to this His new abode

Now while the heaven, by the sun's team untrod,

Hath took no print of the approaching light,

And all the spangled host keep watch in squadrons bright?

See how from far, upon the eastern road,

The star-led wizards haste with odours sweet:

O run, prevent them with thy humble ode

And lay it lowly at His blessed feet;

Have thou the honour first thy Lord to greet,

And join thy voice unto the Angel quire

From out His secret altar touched with hallow'd fire.

THE HYMN

It was the winter wild

While the heaven-born Child

All meanly wrapt in the rude manger lies;

Nature in awe to Him

Had doff'd her gaudy trim,

With her great Master so to sympathize:

It was no season then for her

To wanton with the sun, her lusty paramour.

Only with speeches fair

She woos the gentle air

To hide her guilty front with innocent snow;

And on her naked shame,

Pollute with sinful blame,

The saintly veil of maiden white to throw;

Confounded, that her Maker's eyes

Should look so near upon her foul deformities.

But He, her fears to cease,

Sent down the meek-eyed Peace;

She, crown'd with olive green, came softly sliding

Down through the turning sphere,

His ready harbinger,

With turtle wing the amorous clouds dividing;

And waving wide her myrtle wand,

She strikes a universal peace through sea and land.

No war, or battle's sound

Was heard the world around:

The idle spear and shield were high uphung;

The hooked chariot stood

Unstain'd with hostile blood;

The trumpet spake not to the armed throng;

And kings sat still with awful eye,

As if they surely knew their sovran Lord was by.

But peaceful was the night

Wherein the Prince of Light

His reign of peace upon the earth began;

The winds, with wonder whist,

Smoothly, the waters kist,

Whispering new joys to the mild ocean--

Who now hath quite forgot to rave,

While birds of calm sit brooding on the charmed wave.

The stars, with deep amaze,

Stand fix'd in steadfast gaze,

Bending one way their precious influence;

And will not take their flight

For all the morning light,

Or Lucifer that often warn'd them thence;

But in their glimmering orbs did glow

Until their Lord Himself bespake, and bid them go.

And though the shady gloom

Had given day her room,

The sun himself withheld his wonted speed,

And hid his head for shame,

As his inferior flame

The new-enlightened world no more should need;

He saw a greater Sun appear

Than his bright throne, or burning axletree could bear.

The shepherds on the lawn

Or ere the point of dawn

Sate simply chatting in a rustic row;

Full little thought they than

That the mighty Pan

Was kindly come to live with them below;

Perhaps their loves, or else their sheep

Was all that did their silly thoughts so busy keep:--

When such music sweet

Their hearts and ears did greet

As never was by mortal finger strook--

Divinely-warbled voice

Answering the stringed noise,

As all their souls in blissful rapture took:

The air, such pleasure loth to lose,

With thousand echoes still prolongs each heavenly close.

* * * * *

Such music (as 'tis said)

Before was never made

But when of old the Sons of Morning sung,

While the Creator great

His constellations set

And the well-balanced world on hinges hung;

And cast the dark foundations deep,

And bid the weltering waves their oozy channel keep.

Ring out, ye crystal spheres!

Once bless our human ears,

If ye have power to touch our senses so;

And let your silver chime

Move in melodious time;

And let the bass of heaven's deep organ blow;

And with your ninefold harmony

Make up full consort to the angelic symphony.

For if such holy song

Enwrap our fancy long,

Time will run back, and fetch the age of gold;

And speckled Vanity

Will sicken soon and die,

And leprous sin will melt from earthly mould;

And Hell itself will pass away,

And leave her dolorous mansions to the peering day.

Yea, Truth and Justice then

Will down return to men,

Orb'd in a rainbow; and, like glories wearing,

Mercy will sit between

Throned in celestial sheen,

With radiant feet the tissued clouds down steering;

And Heaven, as at some festival,

Will open wide the gates of her high palace-hall.

* * * * *

But see! the Virgin blest

Hath laid her Babe to rest;

Time is, our tedious song should here have ending:

Heaven's youngest-teemed star

Hath fix'd her polish'd car,

Her sleeping Lord with hand-maid lamp attending:

And all about the courtly stable

Bright-harnessed Angels sit in order serviceable.

JOHN MILTON

Christmas Church

When I awoke on Christmas morning, while I lay musing on my pillow,

I heard the sound of little feet pattering outside of the door, and

a whispering consultation. Presently a choir of small voices chanted

forth an old Christmas carol, the burden of which was,

Rejoice, our Saviour he was born

On Christmas Day in the morning.

I rose softly, slipped on my clothes, opened the door suddenly, and

beheld one of the most beautiful little fairy groups that a painter

could imagine. It consisted of a boy and two girls, the eldest not

more than six, and lovely as seraphs. They were going the rounds of

the house, and singing at every chamber-door; but my sudden appearance

frightened them into mute bashfulness. They remained for a moment

playing on their lips with their fingers, and now and then stealing a

shy glance from under their eyebrows, until, as if by one impulse, they

scampered away, and as they turned an angle of the gallery, I heard

them laughing in triumph at their escape.

Everything conspired to produce kind and happy feelings in this

stronghold of old-fashioned hospitality. The window of my chamber

looked out upon what in summer would have been a beautiful landscape.

There was a sloping lawn, a fine stream winding at the foot of it,

and a tract of park beyond, with noble clumps of trees, and herds of

deer. At a distance was a neat hamlet, with the smoke from the cottage

chimneys hanging over it; and a church with its dark spire in strong

relief against the clear cold sky. The house was surrounded with

evergreens, according to the English custom, which would have given

almost an appearance of summer; but the morning was extremely frosty;

the light vapour of the preceding evening had been precipitated by

the cold, and covered all the trees and every blade of grass with its

fine crystallizations. The rays of a bright morning sun had a dazzling

effect among the glittering foliage. A robin, perched upon the top of

a mountain-ash that hung its clusters of red berries just before my

window, was basking himself in the sunshine, and piping a few querulous

notes; and a peacock was displaying all the glories of his train,

and strutting with the pride and gravity of a Spanish grandee on the

terrace-walk below.

[Illustration: THE VIRGIN ADORING THE INFANT CHILD. _Correggio._]

I had scarcely dressed myself, when a servant appeared to invite me

to family prayers. I afterwards understood that early morning service

was read on every Sunday and saint's day throughout the year, either

by Mr. Bracebridge or by some member of the family. It was once almost

universally the case at the seats of the nobility and gentry of

England, and it is much to be regretted that the custom is fallen into

neglect; for the dullest observer must be sensible of the order and

serenity prevalent in those households, where the occasional exercise

of a beautiful form of worship in the morning gives, as it were, the

keynote to every temper for the day, and attunes every spirit to

harmony.

"If you are disposed to go to church," said Frank Bracebridge, "I can

promise you a specimen of my cousin Simon's musical achievements. As

the church is destitute of an organ, he has formed a band from the

village amateurs, and established a musical club for their improvement;

he has also sorted a choir, as he sorted my father's pack of hounds,

according to the directions of Jervaise Markham, in his Country

Contentments; for the bass he has sought out all the 'deep solemn

mouths,' and for the tenor the 'loud ringing mouths,' among the country

bumpkins; and for 'sweet mouths,' he has culled with curious taste

among the prettiest lasses in the neighbourhood; though these last, he

affirms, are the most difficult to keep in tune; your pretty female

singer being exceedingly wayward and capricious, and very liable to

accident."

As the morning, though frosty, was remarkably fine and clear, the

most of the family walked to the church, which was a very old building

of gray stone, and stood near a village, about half-a-mile from the

park gate. Adjoining it was a low snug parsonage, which seemed coeval

with the church. The front of it was perfectly matted with a yew-tree

that had been trained against its walls, through the dense foliage of

which apertures had been formed to admit light into the small antique

lattices. As we passed this sheltered nest, the parson issued forth and

preceded us.

* * * * *

The usual services of the choir were managed tolerably well, the vocal

parts generally lagging a little behind the instrumental, and some

loitering fiddler now and then making up for lost time by travelling

over a passage with prodigious celerity, and clearing more bars than

the keenest fox-hunter to be in at the death. But the great trial was

an anthem that had been prepared and arranged by Master Simon, and on

which he had founded great expectation. Unluckily there was a blunder

at the very outset; the musicians became flurried; Master Simon was in

a fever, everything went on lamely and irregularly until they came to

a chorus beginning "Now let us sing with one accord," which seemed to

be a signal for parting company: all became discord and confusion; each

shifted for himself, and got to the end as well, or rather as soon,

as he could, excepting one old chorister in a pair of horn spectacles

bestriding and pinching a long sonorous nose; who, happening to stand

a little apart, and being wrapped up in his own melody, kept on a

quavering course, wriggling his head, ogling his book, and winding all

up by a nasal solo of at least three bars' duration.

The parson gave us a most erudite sermon on the rites and ceremonies

of Christmas, and the propriety of observing it not merely as a day

of thanksgiving, but of rejoicing; supporting the correctness of his

opinions by the earliest usages of the Church, and enforcing them by

the authorities of Theophilus of Cesarea, St. Cyprian, St. Chrysostom,

St. Augustine and a cloud more of Saints and Fathers, from whom he made

copious quotations. I was a little at a loss to perceive the necessity

of such a mighty array of forces to maintain a point which no one

present seemed inclined to dispute; but I soon found that the good

man had a legion of ideal adversaries to contend with; having, in the

course of his researches on the subject of Christmas, got completely

embroiled in the sectarian controversies of the Revolution, when the

Puritans made such a fierce assault upon the ceremonies of the Church,

and poor old Christmas was driven out of the land by proclamation of

parliament. The worthy parson lived but with times past, and knew but a

little of the present.

Shut up among worm-eaten tomes in the retirement of his antiquated

little study, the pages of old times were to him as the gazettes of the

day; while the era of the Revolution was mere modern history. He forgot

that nearly two centuries had elapsed since the fiery persecution of

poor mince-pie throughout the land; when plum-porridge was denounced as

"mere popery," and roast beef as anti-christian; and that Christmas has

been brought in again triumphantly with the merry court of King Charles

at the Restoration. He kindled into warmth with the ardour of his

contest, and the host of imaginary foes with whom he had to combat; had

a stubborn conflict with old Prynne and two or three other forgotten

champions of the Roundheads, on the subject of Christmas festivity;

and concluded by urging his hearers, in the most solemn and affecting

manner, to stand to the traditionary customs of their fathers, and

feast and make merry on this joyful anniversary of the Church.

I have seldom known a sermon attended apparently with more immediate

effects; for on leaving the church the congregation seemed one and all

possessed with the gaiety of spirit so earnestly enjoined by their

pastor. The elder folks gathered in knots in the churchyard, greeting

and shaking hands; and the children ran about crying Ule! Ule! and

repeating some uncouth rhymes, which the parson, who had joined us,

informed me had been handed down from days of yore. The villagers

doffed their hats to the Squire as he passed, giving him the good

wishes of the season with every appearance of heartfelt sincerity, and

were invited by him to the Hall, to take something to keep out the cold

of the weather; and I heard blessings uttered by several of the poor,

which convinced me that, in the midst of his enjoyments, the worthy old

cavalier had not forgotten the true Christmas virtue of charity.

WASHINGTON IRVING

Dolly urges Silas Marner to go to Church on Christmas Day

"There's the bakehus if you could make up your mind to spend a twopence

on the oven now and then,--not every week, in course--I shouldn't like

to do that myself,--you might carry your bit o' dinner there, for it's

nothing but right to have a bit o' summat hot of a Sunday, and not

to make it as you can't know your dinner from Saturday. But now, upo'

Christmas-day, this blessed Christmas as is ever coming, if you was to

take your dinner to the bakehus, and go to church, and see the holly

and the yew, and hear the anthim, and then take the sacramen', you'd be

a deal the better, and you'd know which end you stood on, and you could

put your trust i' Them as knows better nor we do, seein' you'd ha' done

what it lies on us all to do."

Dolly's exhortation, which was an unusually long effort of speech for

her, was uttered in the soothing persuasive tone with which she would

have tried to prevail on a sick man to take his medicine, or a basin of

gruel for which he had no appetite.

* * * * *

The Book of Christmas · 第 6 / 20 段