Sometimes, owing to the wind not being directly ahead, we ar

Transcriber's Note: Italic text is denoted by _underscores_ and bold

text by =equal signs=.

[Illustration: ON THE WIND.]

ON

YACHT SAILING

A SIMPLE TREATISE FOR BEGINNERS

UPON THE ART OF HANDLING

SMALL YACHTS AND BOATS

BY

THOMAS FLEMING DAY

Editor of "The Rudder," Author of "On Yachts and Yacht Handling,"

"Hints to Young Yacht Skippers," "Songs of Sea and Sail," etc.

[Illustration]

NEW YORK AND LONDON:

THE RUDDER PUBLISHING COMPANY

1904

COPYRIGHT 1904

BY

THOMAS FLEMING DAY

ALL RIGHTS RESERVED

PRESS OF

THOMSON & CO.

9 MURRAY STREET, N. Y.

_CONTENTS_

SPECIAL REMARKS 9

GENERAL REMARKS 11

THE BOAT AND RIG 19

THE SIDES AND TACKS 23

THE HELM 27

NOMENCLATURE OF RIGGING AND SAIL 33

SAILING ON THE WIND 35

SAILING OFF THE WIND 43

REEFING AND JIBING 48

TAKING CARE OF THE BOAT 52

MANEUVERS 56

RULES OF THE ROAD 60

GLOSSARY 65

DIAGRAMS AND PLANS 73

LIST OF BOOKS 96

UNIFORM EDITION

RUDDER ON SERIES

_Bound in blue buckram and gold, 32mo. illustrated_

ON YACHTS AND YACHT HANDLING. By Thomas Fleming Day. Price $1.

ON YACHT SAILING. By Thomas Fleming Day. Price $1.

ON MARINE MOTORS AND MOTOR LAUNCHES. By E. W. Roberts, M. E. Price

$1.

ON YACHT ETIQUETTE. Second Edition Revised. By Captain Patterson.

Price $1.

SOUTHWARD BY THE INSIDE ROUTE. Reprint from THE RUDDER.

HINTS TO YOUNG YACHT SKIPPERS. By Thomas Fleming Day. Price $1.

_PREFACE_

There is no difficulty in the learned writing for the learned, but it

is extremely difficult to compose a work for the instruction of the

ignorant. The more comprehensive and exact knowledge the writer has of

his subject the more arduous is the effort to express his thoughts in

such simplicity as will make it understandable to those who have little

or no knowledge of the subject he treats. This is doubly so when the

subject is one like sailing--an art whose language is wholly technical

and almost totally divorced from the common expressions of life. It

is impossible to translate sea language into land language; nor is it

possible to explain the conditions and operations of the art without

employing sea terms.

In this work I have endeavored to avoid as far as is possible the

employment of intricate or obscure technical language, and where it is

used have endeavored to explain the meaning and define the application.

This book is intended for the use of persons who are supposed to

be altogether ignorant of the art of sailing. It is a primer and,

therefore, is almost absurdly simple and profuse in explanatory

details. But my experience as a teacher has taught me that such books

cannot be too simple, and that in order to be understandable they must

be loaded with explanations of explanations until nothing is left to

explain. To those who know, this will seem unnecessary, but it must

be remembered that many who will learn from this book, have not only

never handled a sailing boat, but have never seen one before, and have

but extremely crude notions of how the canvas and helm are employed to

drive and direct them.

In regard to the glossary: The definitions given are those that define

the terms as used in sailing or navigating small craft, and may have a

different meaning when applied to larger vessels. It is very difficult

to exactly define many nautical terms, as they are words in action,

and consequently present different phases, as they are differently

employed. In many cases only one who is a trained seaman can comprehend

their exact purport or understand their significant application.

_SPECIAL REMARKS_

The first question before you start to learn to sail is: Do you know

how to swim? If you don't, you have no business in a sailing boat--in

fact you have no business on the water. No parent should allow his

boy or girl to have a sailboat until they have learned to swim. It is

not difficult to learn to swim; any child can be taught that art in

ten days, and it should be a compulsory course in all our schools. If

people knew how to swim, nine-tenths of the drowning accidents that

do happen would not. Every summer a large number of young people are

drowned in this country through the overturning of boats or by falling

overboard. Had these persons been taught to swim the majority of them

would not have been drowned. A person who can swim has confidence. If

suddenly thrown in the water he or she retain their presence of mind,

but if unable to swim they become panic stricken, and are not only

drowned but in their struggles frequently drown others.

Another custom prolific of accident on the water is the overloading of

boats. The green hand should be warned against this practice. Never

take a lot of people out in a boat, particularly a sailboat; especially

do not take out women and children, or men who are not familiar with

boats.

Another thing, never play the fool in a boat. A man who with others in

a boat plays such tricks as rocking or trying to carry large sail in a

breeze, climbing a mast, or any other silly stunt, is a fool, and is

not fit to be trusted with any sort of a craft.

A properly designed and well-constructed boat is perfectly safe in

the hands of a sensible person, and if properly used be made to

give pleasure not only to the owner but to others. Sailing is one

of the safest of our sports; very few yachtsmen lose their lives

while boating. It is nothing like so dangerous a sport as bicycling,

automobiling or carriage driving. I have met thousands of yachtsmen

during my long service in the sport, but of all my acquaintances I can

only recall one who was drowned.

_GENERAL REMARKS_

If you are going to learn to sail get a small boat. Men who learn in

large boats seldom become good helmsmen. Another thing, do not learn

in what is called a non-capsizable boat; get a boat that can be upset.

The modern outside ballast, non-capsizable, finkeel or semi-finkeel,

is a very easy vessel to handle, and it requires very little skill to

sail them; as a fact, you don't sail them; you simply steer them. The

old-fashioned, inside ballast, capsizable, long-keel craft was a very

different proposition, and it required considerable skill to handle

such properly. It is for this reason that the best sailors we have ever

had graduated from the helms of that type of boat.

The best boat for a boy to get to learn in is one of not more than

twenty feet length; a fifteen-footer is better. She should be

half-decked, and be of such construction and weight that even if

filled she will float. It is better to have a boat that requires little

or no ballast. If in a place where the water is generally smooth, the

Lark type is an excellent craft to learn in; if where it is rough,

get one of those cheap sailing dories. THE RUDDER Skip is also a good

boat, but is somewhat more expensive. Another good boat for a beginner

is a 15-foot, half-decked, cat-rigged boat; a boat with considerable

freeboard and a water-tight cockpit. Such a boat can be built in

first-class style for about $250 or $300. I strongly advise the

beginner to use the cat rig, no matter what type of hull he employs.

[Illustration: WIND ABEAM.]

Many begin in a rowboat, fitted with a sail. These are generally poor

craft, not being of the proper form for sailing. While they will do, if

nothing better can be had, they are far inferior to a properly designed

sailing dory or a Lark. If the beginner starts in a poor sailing craft

he is apt to get disgusted with the results of his work and give up.

After you have learned to handle a boat under cat rig you can get one

with a jib, and learn to sail the more complicated rig. It is not best

at first to go in for too many sails, as it means much more gear and

this is apt to confuse the beginner, and make the task of learning

harder.

[Illustration: DIAGRAM A.--DECK PLAN OF YACHT.]

By starting to learn to sail in a capsizable boat you will gather the

first and most important part of sailorizing, and that is caution,

and you will gain from sailing such a boat that nicety of touch which

is the acme of helming skill, and which can never be acquired in an

uncapsizable craft. Knowing that inattention to your work will perhaps

result in a spill, you will be constantly on the alert, and you will

learn that by quick and proper movements of the helm you can control

and maneuvre your boat so as to keep her on her bottom at all times.

If you have your boat ready take a day when the wind is light and

steady and get somebody to go with you who understands sailing. Let

the old hand tend the sheet while you handle the tiller. Then sail up

and down in a quiet place until you get confidence in the boat and in

yourself. This will soon come when you find that you can perform the

different sailing maneuvres. It is a good plan after you have the hang

of handling the tiller to choose a mark to windward, and to start and

beat up to it, then turn the mark and run back again. Repeat this

several times as it will give you practice in sailing both on and off

the wind.

[Illustration: OFF THE WIND.]

If the wind is strong and you feel afraid of the boat, don't go out,

but wait until the conditions are more favorable to have your first

try. If you get afraid or rattled, as it is called, by the boat getting

a knockdown in a puff, just let her come up in the wind and rest, and

you will see that she is perfectly safe, and your courage will soon

return.

I have taught many--both boys and girls--to sail, and I always put them

right at the helm, and insist upon them staying there. If they get in

a tight place the beginner will generally want to give up the helm. At

such a time I make them retain it, and by a little judicious advice

and a few words of encouragement get them through the difficulty.

This at once instills confidence. One of my favorite tricks is when

the green hand is approaching the shore on a tack to leave him and go

below, pretending to pay no attention to his actions. If he is good for

anything, he will when the right time arrives go about. Once he has

done this by himself he is confident, and will not hesitate to do it

again. This is the principal thing to make a beginner understand, that

he must depend upon his own judgment and not rely upon yours.

Some persons can never be taught to sail. They can learn to steer

perhaps, but never can learn to handle a sailing boat. I have found

that comparatively few females can learn to sail, but when they have

the sailor's instinct it is very strongly developed, and they make

excellent skippers. They are far more fearless than men, and can

invariably be relied upon to carry out orders, even to the death.

_THE BOAT AND RIG_

Having picked out the boat that best suits your ideas and pocket,

start right in and learn all about her. Study out her rig, and learn

the proper names of everything from keel to truck. Nothing sounds

worse than to hear a man who is sailing a boat call the ropes, spars,

etc., by wrong names, and use in speaking of the boat and her actions

unnautical language. One of the quickest and easiest ways to learn the

nomenclature of the boat is to build and rig a small model. You will in

this way not only learn the proper terms but also get an understanding

of how a boat is rigged. The first lesson I had was in trying to

re-rig a topsail schooner, the model of an old U. S. man-of-war. I was

about seven or eight years old, but having the boat mania stuck to the

task, although it was long and difficult, and at last, with the kind

assistance of a lady, succeeded in completing the job. In this way I

captured at an early age a thorough knowledge of how to rig. You need

not make a block model, just step your mast in a flat board.

[Illustration: A LARK.]

If you are going to buy a boat, not having the opportunity to borrow

or steal one, look about for a good second-hand craft. This if in fair

condition will do to start with, for you will, as soon as you have

learned, want a bigger and better one. If you can use tools, and have

the materials and space, I would advise building your own boat, as by

so doing you will gather knowledge that will prove invaluable to you in

your after days. But don't build from your own design. Such boats are

invariably failures. A man must have considerable knowledge of boats

before he can design a proper one. A deal of money has been wasted,

and many have been sadly disheartened and made sick of the sport at

the outset because they have built a boat after their own plans, and

it has turned out a failure. If you are going to build get one of THE

RUDDER _How-to Books_, and you will from it be able to construct a good

sailing craft for a reasonable price, with the least amount of labor.

If you buy a boat be sure the hull is in good condition, and that

the boat is not a heavy and consistent leaker. Also, find out if the

boat will sail on the wind, for many small boats will not. If the hull

is all right, buy the boat. The condition of the sail and rigging is

not so important, as you can renew these for a few dollars, and it is

better to start off with a new sail and first-class gear. A boat with

old canvas and weather-wasted gear will not be satisfactory, and it is

better to spend a few dollars and get these things right.

In rigging the boat use as few ropes as possible. A green hand, like a

canoeman, generally wants to decorate his spars with all the strings

he can get on, but the less rope and the simpler tackles you use the

easier will it be to handle the craft.

Whatever you use be sure it is strong. Always use the best cordage you

can buy; the difference in price per pound is only a few cents, but

there is considerable difference in the way the two kinds will work.

A rope used for running should render freely through the block. To do

this it must be soft and pliable. Use blocks with a larger swallow than

the rope size you intend to run through them, then the rope won't stick

when it gets swollen with dampness or rain.

_THE SIDES AND TACKS_

The sides of a boat have two sets of names, the use of which is apt to

confuse the green hand, but if you once clearly understand how these

terms are applied you will experience no trouble in properly employing

them.

The right-hand side of a vessel when standing looking toward the bow is

called the _starboard_ side.

The left-hand side of a vessel when standing looking toward the bow is

called the _port_ side.

These names are permanent, and no matter which way the boat is turned

the starboard side is always the starboard side and the port side

always the port side.

The other names for the sides of a vessel are not permanent, but are

always changing, shifting from side to side, as the boat is turned

about. Their particular position is determined by the direction of the

wind.

These names are _lee side_ and _weather side_.

[Illustration: SAILING DORIES.]

The _weather side_ is that side of a vessel upon which the wind blows.

The _lee side_ is that side of the vessel which is farthest from the

wind, and is, in a fore-and-aft rigged craft, the side on which the

sail is stretched.

Now you will understand that, in consequence of the vessel turning

round and presenting first one side to the wind and then the other,

these names are continually shifting from side to side.

For instance, if the wind is blowing on the port--left-hand side--that

is the weather side, and the starboard--right-hand side--is the lee

side. Turning the vessel round, so that the wind blows on the starboard

side, that becomes the weather side, and the port side becomes the lee

side.

Having these sides and their names clearly fixed in your mind you will

be able to understand what a tack is.

When a vessel is sailing on a wind we say she is on the port tack

or starboard tack, meaning the way she is heading in regard to the

direction of the wind. This tack is determined by the side upon which

the wind blows.

A vessel is on the starboard tack when the wind strikes upon her

starboard side and the boom of her mainsail is over on the port side.

The reverse of this puts her on the port tack.

Or, to be more concise, when the starboard side is the weather side the

boat is on the starboard tack. When the port side is the weather side

the boat is on the port tack.

_THE HELM_

A boat or any vessel is steered by a contrivance called a rudder, which

is hung like a door on hinges, and swings freely from side to side.

This rudder is moved by a handle called a tiller, which is attached

to the post and projects forward into the boat. The whole apparatus

for steering the boat is called the helm, but in this chapter, when we

speak of the helm, it must be understood to mean the _tiller_.

When the helm is put, i. e., pushed in one direction, the rudder moves

in the other. For instance, if the helm is turned to the right the

rudder moves to the left, and vice versa. The result of such a movement

of the helm is to turn the boat's bow in the direction the rudder

points, so that the boat's bow, or head as we say, turns the opposite

way to the way the tiller is pushed. Remember, that if you put the helm

to the left the boat's head will turn to the right; if you put the

helm to the right it will turn to the left.

[Illustration: SHOAL-DRAUGHT SLOOP.]

The left side of the boat, as I have explained, is always called the

port side; therefore, if I order you to put your helm to _port_ you

must push the tiller toward the left. This will move the rudder toward

the starboard side, and as the boat's bow moves the same way as the

rudder it will also move to starboard.

But in a sailing vessel, when going under canvas, we do not usually

order the helm to be put to starboard or port, but employ terms that

derive their signification from the direction of the wind under whose

influence the vessel is moving. These terms are _up_ and _down_, and

_a-lee_ and _a-weather_.

To put the helm _up_ you push the tiller toward the side of the boat on

which the wind is blowing. This causes the vessel to move her head away

from the wind--to _fall off_, as it is called.

To put the helm _down_ you push the tiller toward the side on which the

sail is. This causes the vessel to move her head toward the wind--to

_luff_, as it is called.

The easiest way to fix these two actions in the wind is this: When a

boat is heeled, i. e., tipped, as she usually is when sailing on the

wind, the helm is put up by moving it toward the high or up side, and

it is put down by moving it toward the low or down side.

To put the helm _a-weather_ is the same as putting it _up_, or toward

the weather side of the boat. To put the helm _a-lee_ is the same as

putting it _down_ or toward the lee side of the boat.

_Up--a-weather._

_Down--a-lee._

The green hand must get the above information firmly fixed in his

mind, as it will save him lots of future trouble. I have met men who

have sailed for years who confuse these orders through not thoroughly

understanding what they mean.

You will frequently hear a man when conning the helm of a boat--that

is, directing the steering--tell the helmsman to _keep off_, meaning by

that to put the helm up and cause the boat to move further away from

the wind or course which the boat has been holding; or else he will

order the helmsman to _luff_, meaning for him to put the helm down, and

bring the boat's bow nearer to the wind.

The order to _steady_ or _right_ the helm means to bring the tiller

amidships, or in such position that it does not influence the boat in

either direction.

Large boats are steered by a wheel, which is simply an apparatus used

to give additional power, so that the helm can be turned easily; but as

we are dealing with small boats using a tiller, we will not bother at

present to understand its working.

[Illustration: A SAILING DORY.]

_NOMENCLATURE OF RIGGING AND SAIL._

DOWNHAUL--A rope for hauling down a sail.

CLEWLINE--A line used to draw together a sail so that it can be

easily furled.

HALYARDS--The tackles by which a sail is hoisted.

GUYS--Are ropes used to support or control a spar, and are either

permanent or shifting. On spars they generally act in opposition

to the sheet.

TOPPING LIFT--A rope or tackle for lifting and holding up the end

of a boom.

SHEET--The rope or tackle by which a sail is controlled or

trimmed. It is made fast to the clew of the sail, or to the boom.

SHROUDS--Ropes generally of wire employed to support a mast or

bowsprit by holding it sideways. They are attached to the rail

by chain plates, and are set up with either lanyards or rigging

screws.

STAYS--Ropes used to support or control a spar in a fore-and-aft

direction.

LUFF--The fore edge of a sail.

LEACH--The after edge of a sail.

HEAD--The upper edge of a sail.

FOOT--The lower edge of a sail.

PEAK--The upper outer corner of a triangular sail, also the upper

corner of a jib or gaff topsail. In this book the more common name

_head_ is used. See sail plans.

THROAT--The upper fore corner of a triangular sail, also called

the _nock_.

TACK--The lower fore corner of a sail.

CLEW--The after lower corner of a sail.

[Illustration: DIAGRAM B.--BEATING OR SAILING TO WINDWARD. BOAT, DOTTED

LINES, IS ON STARBOARD TACK; BOAT, FILLED LINES, IS ON PORT TACK.]

_SAILING ON THE WIND_

Sailing on the wind, or by the wind, or close-hauled, is a purely

mechanical action, the motion being the result of opposing two forces,

the wind pressure and the water pressure. The wind pressing on the

canvas forces the boat sideways, her form causes the water to resist

this movement, and as it is easier for her to progress in the direction

of her length she moves that way. Her sails being arranged so as to

transfer this movement in the direction of the bow, she moves ahead.

It is to prevent her going sideways that a boat is given a keel or

centerboard.

In sailing to windward a boat's sails are trimmed flat--that is, the

sheet is hauled in until the foot of the sail lies nearly parallel to

the line of the keel. How close to being parallel depends largely upon

the form of the hull, an easily driven model being able to sail with

a flatter sheet than one of coarser dimensions. No rule can be laid

down for trimming the sheets of a boat when sailing on the wind, it

depending upon the form of the vessel, the strength of the wind, and

the condition of the water.

As the movement of the boat is dependent upon the pressure exerted

upon her canvas by the wind, it is necessary that the wind strike the

sail on one side and fill it, and that it exert this pressure in a

constant manner. Therefore, the boat's bow cannot be kept pointing in

the direction of the wind, but must be made to approach it at an angle.

This angle, in a good sailing vessel, is one of 45 degrees, or four

points by compass.

Let us suppose that the wind is blowing from the North. Now, if the

boat's bow is pointed North the current of air will pass along both

sides of her sail and exert no pressure upon the canvas, acting just as

it does upon the fly of a flag. But if we turn her head slowly round to

the West we will find that the breeze begins to press on the canvas,

gradually filling it until when her bow is pointed Northwest, or four

points away from the wind, the whole sail will be distended with

pressure. She is now said to be on a tack or board, and will move ahead

in the direction Northwest.

[Illustration: DIAGRAM C. BEATING TO WINDWARD--LONG LEG AND SHORT LEG.]

But let us suppose that the point we wish to reach is directly North.

If we continue sailing on this Northwest tack we can never reach it.

In order to do so we must have the boat move in another direction.

Four points, or forty-five degrees, on the other side of North is the

direction Northeast. If our boat will fill her sail with a North wind

when pointed Northwest she will also necessarily fill it when pointed

Northeast. But how are we to get her into a position so that she will

point Northeast? By performing a maneuvre which is called _tacking_ or

_going about_.

To do this we put the helm down, or a-lee--that is, push the tiller

toward the side on which the sail is, the rudder going in the opposite

direction. In consequence of this the boat's bow begins to move toward

the North. As it does so the wind leaves the sail, the canvas shakes,

and then as her head swings past North the sail begins to fill again,

with the breeze on the opposite side, until when she at last points

Northeast it is rap full once more. That is what is called tacking a

vessel.

If we continue to tack, remaining for an equal distance on each board

or leg, the boat will gradually approach the North point by a zig-zag

movement, until she reaches it.

Sometimes, owing to the wind not being directly ahead, we are able to

remain longer on one tack than on the other. This is what is called

making a long and short leg.

To properly sail a boat on the wind requires constant and minute

attention to the helm and the canvas. The best way for the new hand is

to sit low down in the cockpit to leeward of the tiller; this places

him nearly under the boom. Let him look up and watch his sail just at

the throat; here is where it will shake first. To sail the boat close

he must just keep that portion of the sail shaking--or lifting as it

is termed. After a few days at this work he will get so that he can

tell instinctively by the feel of the boat just where she is, and will

be able to keep her close without constantly watching the luff. Some

skippers sail a boat by the jib luff, sitting to windward to see it;

others by the feel of the wind on the face. This is a good guide at

night when you cannot see the sail. But those things will come to the

novice in time.

You should constantly practice altering the sheets of your boat, until

you find out under which trim she goes best. You can mark the positions

of the sheets by inserting between the strands of the rope a bit of

colored worsted; also alter the position of the weights, either ballast

or live, until you get the boat to her proper trim, as this has much to

do with a boat sailing well to windward.

If when trimmed to sail on the wind a boat shows herself to be hard

on the helm it may be the result of her form, of the position of her

ballast, or centerboard, or through having too much after sail. If

she gripes--that is, tries to go up in the wind--slack off a little

mainsheet, and if she has a jib trim it flatter. If she tries to do the

other thing run off to leeward; ease the jib sheets. The worst fault a

boat can have is that of carrying a lee helm. Never buy a slack-headed

boat; they are an abomination.

In rough-water sailing a boat going to windward wants her sheet eased.

Do not trim the sails dead flat, nor try to sail the boat very close to

the wind; give her what is called a _good full_, and keep her moving

all the time. Remember, that every wave is a hill that the boat has to

climb over, and she needs all the drive possible in order to do it. You

must learn how to help her with the helm to take these seas easily,

first by luffing and then by bearing away.

A man can only become a good windward helmsman by constant practice and

by paying attention to every detail. He must have a quick eye, a firm

hand and plenty of grit and strength.

[Illustration: GOING FREE.]

_SAILING OFF THE WIND_

Sailing off the wind, or going free, is a different action from that

of sailing on the wind. Sailing free is purely a natural movement,

complicated by the fact that a vessel, owing to her weight obliging

her to rest in the water, cannot move as freely as a fabric wholly

sustained by the air. The fact that friction of the water retards her

so that she moves at a less speed than the wind that presses her onward

permits of her being steered. Another complication that effects the

speed of a vessel going free is the unevenness of the water, the effect

of the wind raising surface waves; these greatly retard and hamper her

movements. If, instead of rising in waves the sea remained smooth a

sailing vessel could be driven nearly as fast as the wind moves, as is

the case with ice boats, which on smooth ice move as fast as the wind.

In sailing to windward the faster a vessel moves the more pressure

the wind exerts upon her sail. In sailing to leeward this is just the

reverse; the faster she goes the less pressure the wind exerts. In the

first action she is constantly approaching the source of the wind, in

the second receding from it. For instance, if the wind is blowing at

the rate of 20 miles an hour and a vessel sailing before it makes 10

miles an hour the pressure in her sails will only be equal to a rate

of 10 miles. In calculating how much sail to carry the young yachtsman

must remember this: That a windward breeze is nearly double the wind's

velocity, that a leeward breeze is equal to the wind's velocity minus

the boat's speed; so that more sail can be carried off the wind that

can be carried on it.

The amount of sail that can be carried off the wind depends largely

upon the form of the boat and the height and action of the sea. If the

boat is of a good form for running and the water smooth you can carry

all the sail her spars will stand and she can be steered under. But

if she is a bad runner, a boat that roots--goes down by the head--or

chokes up forward, she will do better with less sail. On all boats

there is a time when they reach their maximum speed running and when

they will go along easier and better with less canvas. To do her best

when running a boat should be kept on an even line--that is, level in

the water, and not be allowed to shove her head up or drop her stern

down.

In straight stem boats with very little fullness in the forward

sections the weight of the crew should be kept aft, as they have a

tendency to root--shove their bows down--but in boats with long, full

overhangs the weights should be kept forward, as the shape of these

craft causes them to shove out the bow and depress and drag the after

end.

The most difficult helming of a boat is off the wind in a tall

following sea, and great care is necessary then in steering a vessel.

If the sea is very heavy and the wind strong do not try to run directly

before it, but beat to leeward, first taking the wind on one quarter,

and then on the other. If you run dead before, be careful not to let

the boat sheer off the helm on either side, or she will be _brought by

the lee_ or _broach to_. If she is brought by the lee her mainsail will

jibe over.

You must watch your boat carefully, and you will soon learn to

anticipate her next movement, first by noticing the wave that passes,

and second by the feeling how she lifts on the one just overtaking

her. As soon as the stern lifts she will begin to yaw, as it is called,

and then you must at once check this movement by altering the position

of the rudder to prevent her swinging too far. This is what is called

_meeting her with the helm_.

One piece of advice when running before a sea: Never get frightened or

rattled, and never look behind you, for the sight of a big sea curling

up just ready to drop on the stern will scare any one but a hardened

sea-dog. Always carry enough sail to keep the boat racing with the

waves, or you are liable to get pooped. But do not carry too much sail,

for if you do the boat when on top of a wave if struck, as she usually

is in such position by a hard puff, is likely to become unmanageable

and get away from you.

If you have a boat with a jib, set that and sheet it flat amidships;

this when she tries to broach to will fill and drive her head off. If

she steers hard trim your mainsheet aft and it will ease her. Lowering

the peak and topping up the boom will also ease the steering. Always

top up the boom if the sea is heavy, so as to prevent the end of the

spar striking the water. Never in heavy weather square the main boom

right off; always keep it away from the rigging.

The light sails commonly employed off the wind are the spinnaker and

balloon jib. The former is of very little use except with the wind dead

aft--that is, directly behind. The moment you have to guy the boom

forward to make it draw it loses its power and the balloon jib is a

better sail to use. Do not have these sails cut too large, as they are

then unhandy and cannot be kept properly sheeted. Never sheet running

sails down hard; give them plenty of lift, especially light jibs. A

small spinnaker is a great help in steering a boat when running before

a strong breeze.

_REEFING AND JIBING_

By reefing is meant the means by which a sail is reduced in size by

rolling up and tying part of it down to a spar. The sail that you will

have to reef is the mainsail, as the jib on a small boat is generally

too little to be bothered with in that way. You will notice on a sail,

stretching across it from luff to leach, a band, or sometimes two or

three bands, in which are inserted short lengths of small line. This

is the reef band, and the small lengths of rope are called points, or

knittles. At either end of the band in the edge of the sail you will

find a hole--or cringle, as it is called. The hole at the after end in

the leach of the sail is for the pendant, a small rope that hauls the

canvas aft or back towards the stern. The hole at the fore end in the

luff of the sail is for the tack, a short length of rope that ties the

luff of the sail down to the boom.

There are two ways of reefing. The first and easiest way, which can be

performed when the boat is at anchor or lying to a dock, is to hoist

the sail up until the reef band is as high as the boom; then take the

tack and pass the ends round the boom, pass the ends back again through

the cringle several times, if it will go, and then tie hard. Having

the tack fast, haul out on the pendant, which should be rove through a

beehole or cheek block on the boom; pull on this until the sail's foot

is out taut, but do not pull until the cloth is strained. When the foot

is out taut make the pendant fast; then take a short piece of rope and

pass it round the boom and pendant just at the cringle and through that

hole. Tie this down hard. This is called the _clew lashing_. Always put

on a clew lashing, as it will save the sail from being torn.

Having the tack and pendant fast, begin to tie in the points. Get all

the slack canvas on one side and roll it up tight; then pass one end

of the reef point through _between the lacing and the sail, not round

the boom_. Tie the point ends together with a bow knot, which is a reef

knot with the loop caught in the tie. Pull all your points taut, but be

sure and put the same strain on all. Begin to tie in the middle first,

and then work toward both ends.

To shake out a reef reverse these operations. First untie the points,

then the clew lashing, then slack in the pendant, and last cast loose

the tack lashing. Be careful to untie all the points, because if you do

not you are liable to tear the sail when hoisting it. Before shaking

out a reef, if you have a topping lift fitted pull up on that so as to

take the weight of the boom off the sail. If the air is damp, or rain

or spray knocking about, don't haul the sail out very taut or tie the

points down hard, as the wet will cause the rope and canvas to shrink

and strain the sail out of shape. Never leave reefs tied in sail when

stowed, as the canvas will mildew and rot.

Jibing is the operation of passing a boom sail over from one side

of the boat to the other when sailing off the wind. A great deal of

nonsense has been written and talked about jibing, and it is commonly

supposed to be a very dangerous maneuvre. So it is, if carried out by

incompetent persons or reckless fools in a bad boat, but if common

sense and caution are used there is no danger whatever in jibing a sail

at any time.

The first and most important thing is to keep control of the sheet,

and to have as little of it out as possible when the sail goes over.

In order to do this you must use the helm with great care to bring the

boat slowly round. If it is blowing hard top up the boom and lower the

peak; in this way you can always safely jibe.

To jibe: Haul in the sheet slowly but steadily, and when well aft

carefully put the helm up until the wind strikes the fore side of the

sail. As the boom swings across right the helm and then put it the

other way, so as to catch the boat as she swings off.

If you have to jibe all standing--what is called a North River

jibe--that is, with the sheet all off--just as soon as boom goes over

put your helm hard the other way; this will throw the boat's head so

the wind will strike the fore side of the sail and break the force of

the swing. It is a very dangerous method, unless you are a skillful

skipper, and should never be employed except in an emergency. Never

jibe in a seaway with the sheet off; at such time it is better to lower

the peak.

_TAKING CARE OF THE BOAT_

You must not only learn to sail, but you must learn to take care of

your boat, to keep her neat and clean, and have everything above and

below decks in shipshape order. Nothing looks worse than a slovenly

kept and dirty yacht; a boat with fag ends of rope hanging about, loose

and tangled messes of gear, sails not properly stowed, and a general

air of untidiness apparent everywhere. The first attribute of good

seamanship is order. Therefore, if you want to be considered a skillful

sailor, keep your boat both above and below decks in shipshape fashion.

To do this means considerable work. It is no easy job to take proper

care of even a small yacht, but if you regularly attend to the work

you will find it come easier as you grow more familiar and used to the

task. In the first place, the boat should be kept pumped out if she

has a leak, as most boats have; next, her decks and cockpit should be

thoroughly scrubbed and kept as clean as possible; the paint round the

house and rails washed regularly, and her topsides looked to at least

once a week.

Next, keep good watch over the gear; don't let the ends of the ropes

get fagged out; keep them whipped. Always, after coming in from a

sail, coil down and clear up all the ends of the gear. Keep your rodes

and warps neatly coiled or Flemished, and not heaped in a tangled

mass, thrown in any way. Take up on your tackles so that ropes don't

swing loose, but be careful not to take up too hard, if you are not

staying on the boat, because if dampness or rain sets in the rope

will absorb the moisture and swell, causing it to contract and shrink

lengthways. This not only is bad for the cordage, but in small vessels

it frequently strains and distorts the spars.

If you have to leave your boat for several days with no one to care

for her, do not stow your sails too tightly; roll them up loosely, and

gasket so that they cannot shake out if it comes on to blow. If sails

are furled in hard rolls the dampness in the canvas will cause them to

sweat and rot; canvas to keep good wants the air. Sail covers are not

good things to use, unless they are frequently removed, so as to let

the air and sun get at the sails.

If your boat is rigged with metal blocks, turnbuckles, etc., these

should be frequently oiled and greased, as should also the gooseneck

and the jaws of the gaff. By keeping rust and verdigris off the working

parts of these things you will increase their length of service and

always have them in good working order. The steering gear, if you use

a wheel, should be frequently inspected and oiled. If you use a tiller

see that it is in good condition and not split or weakened where it

is attached to the head of the rudder post. Steering gear accidents

are more frequent than any others, and sometimes lead to disagreeable

consequences.

The chain plates, and the shrouds where they go over the mast should

be looked at, and also the bobstay and other headgear. Make a practice

of going over your rigging at least once a week during the season, and

you will be less likely to meet with any mishaps or accidents through

something unexpectedly giving way.

Nothing looks better or reflects more credit on a young yacht sailor

than to have his boat from truck to keel in first-class order. It is a

certain sign that he understands his business, takes an interest in

sport, and is a thorough and skilled sailorman. Of course, he cannot if

he only spends, say, two days out of the week on board keep the boat

up to the highest notch of completeness and order as a yacht is kept

that carries a professional crew, but he can keep her neat and clean

by giving a few hours of his time to the task. But to make the work

easy let him refrain from covering his deck with brass or other fancy

gewgaws. Stick to things that don't need polishing; the less brass the

less work.

Another thing I would point out to you, and that is, when painting the

decks or cockpit of a boat do not use light-colored paints. One reason

for this is that a light color shows every speck of dirt and never can

be made to look clean, especially if the boat is harbored in places

where the water is muddy or dirty; the other reason is that light paint

reflects the sun and is very trying on the eyes. For cockpit, decks

and the top of cabin houses, use a dark shade of green, grey or slate;

green is the best for the eyes.

_MANEUVERS_

TO TACK:

When ready to tack first put the helm up slightly so as to give the

boat a good full, then put it down slowly and steadily. As the vessel's

bow comes into the wind, right the helm, and then as she falls off

catch her with the helm before she gets too far away from the wind. If

the water is rough and the boat shows an inclination to miss-stay, give

her a good full, slacking the sheet slightly to help her get headway,

then as you put the helm down, haul in smartly on the sheet.

TO TACK A SLOOP:

A sloop or any rig carrying headsails can be tacked as follows: When

ready to go about, ease the jib sheet, putting down the helm at the

same time; as the boat's head comes into the wind, haul in the same

sheet that you just eased, so as to get that sail aback; as she swings

off slack the weather sheet and haul aft the lee one.

TO TACK A YAWL:

Proceed same as for tacking a sloop, but to aid her haul dead-flat the

mizzen before putting the helm down. In a light air and a lob of sea

when a yawl refuses to go round, you can sometimes cause her to stay by

lighting up the jib and hauling the mizzen boom up on the weather side.

TACKING SMALL BOATS:

Small open boats such as dingeys and skiffs which are slow at staying

can be materially helped by moving the weight of the crew forward as

they come to the wind, and again aft as they fall off.

MISS-STAYING:

Our modern yachts unlike the old fashioned kind seldom miss-stay,

except when attempted to tack in a heavy seaway. The cause of

miss-staying is generally either carelessness or haste. Always give

the boat a good full and have way on her before you put the helm down.

If a boat miss-stay and get in irons do not jam the helm hard over,

but keep it amidship until she gathers stern-way then move it over

slowly. Remember that the helm when a boat is going stern first acts

the opposite to what it does when she is going ahead. If a centerboard

boat pull up the board. If she still refuses to fill, drop the peak.

TO WEAR:

Wearing or veering is the opposite of tacking. In a heavy sea when

there is danger of a boat miss-staying it is better to wear. To

wear, get your sheet in flat, then put the helm up slowly and as she

pays-off, ease the sheet gradually. To wear a yawl ease off the mizzen,

keep the mainsail flat, and haul the jib a-weather. In a centerboard

boat haul up the board. In a catboat if she refuse to wear drop the

peak.

TO ANCHOR:

The one prime rule of anchoring is never to let go the anchor until the

boat has stopped going ahead and is beginning to go sternwards. In this

way you prevent the anchor being turned over, and brought foul of the

hawser. Always give an anchor plenty of line or scope as it is called.

Six times the depth of water is sufficient under ordinary conditions.

In bad weather give all you can spare.

TO GET UNDERWAY:

If at anchor before making sail heave in short on your hawser or chain,

but be careful not to take in enough to trip the hook, then cast loose

and hoist the sail, when ready heave in and break the anchor out of the

bottom.

TO CAST:

To cast a vessel is to turn her head from an anchorage or mooring so

as to make her go off on a chosen tack. This is sometimes necessary

when anchored between other vessels or close to shore. Supposing it is

necessary in order to clear to take the port tack: Haul your mainsail

over to starboard, putting your helm the same way. This wall cause

her to make a sternboard and her bow will fall off to port. A surer

way if at a mooring is to pass a light line to the buoy; carry this

aft outside of the rigging to the starboard quarter, then let go the

mooring warp and haul in on the spring line. This will cause her head

to pay off to port; when on the course let go the spring. To cast her

to starboard reverse these proceedings.

_RULES OF THE ROAD_

The rules of the road are the rules governing the movements of vessels

when underway. They are laws enacted by an agreement between all

maritime nations, and obedience to them is compulsory. If in case of

a collision, it is proved that one of the parties has violated a rule

of the road, the damages lie against the violator. Yachtsmen should

thoroughly learn and understand these rules, and should always maintain

and obey them.

A _steam vessel_ is any vessel propelled by machinery--this includes

naphtha, gasolene, kerosene and electric launches.

A _sailing vessel_ is a vessel wholly propelled by sails.

An _auxiliary_ yacht when using her engines, no matter whether she has

sail set or not is a _steam vessel_. If not using her engine she is a

sailing vessel.

Steam vessels must keep out of the way of sailing vessels; sailing

vessels must keep out of the way of row-boats.

Vessels of all kinds, when underway, must keep clear of anchored craft

or craft lying idle or hove-to.

Overtaking vessels must keep clear of vessels overtaken. A sailing

vessel overtaking a launch must keep clear of the launch.

When two sailing vessels are approaching one another, so as to involve

risk of collision, one of them shall keep out of the way of the other

as follows:

A vessel which is running free shall keep out of the way of a vessel

which is close-hauled.

A vessel which is close-hauled on the port tack shall keep out of the

way of a vessel which is close-hauled on the starboard tack.

When both are running free, with the wind on different sides, the

vessel which has the wind on the port side shall keep out of the way of

the other.

When both are running free, with the wind on the same side, the vessel

which is to the windward shall keep out of the way of the vessel which

is to the leeward.

A vessel which has the wind aft shall keep out of the way of the other

vessel.

RUNNING LIGHTS.

A sailing vessel, when running at night, carries a green light on her

starboard side, and a red light on her port side. Such lights are

generally carried in the rigging, about six feet above the rail.

A rowboat must carry a white light in a lantern to show when in danger

of being run down.

A steam vessel carries the same lights as a sailing vessel, with the

addition of a white light at the foremast head, or on launches on top

of the pilot house.

A steam vessel, when towing another vessel, carries two white lights;

if she is towing more than one vessel, tandem fashion, she shall carry

three white lights.

ANCHOR LIGHTS.

A vessel when at anchor must keep burning a white light, throwing an

unbroken flare in every direction; this light should be hoisted above

the deck the height of the vessel's breadth.

All lights must be carried from sunset to sunrise; no other lights

should be shown.

FOG SIGNALS.

A steam vessel must be provided with a whistle operated by steam or air.

A sailing vessel must be provided with a horn.

In fog, mist, falling snow, or heavy rainstorms, whether by day or

night, the signals described shall be used:

A steam vessel underway shall sound, at intervals of not more than one

minute, a prolonged blast.

A sailing vessel underway shall sound, at intervals of not more than

one minute, when on the starboard tack, one blast; when on the port

tack, two blasts in succession, and when with the wind abaft the beam,

three blasts in succession.

A vessel when at anchor shall, at intervals of not more than one

minute, ring the bell rapidly for about five seconds.

A steam vessel when towing shall, instead of the signal prescribed

above, at intervals of not more than one minute, sound three blasts in

succession, namely, one prolonged blast followed by two short blasts. A

vessel towed may give this signal and she shall not give any other.

All rafts or other water craft, not herein provided for, navigating by

hand power, horse-power, or by the current of the river, shall sound a

blast of the fog horn, or equivalent signal, at intervals of not more

than one minute.

STEAM VESSEL SIGNALS.

_One blast_--I am directing my course to starboard.

_Two blasts_--I am directing my course to port.

_Three blasts_--I am going astern.

The vessel that blows first has the right of way.

Passing through narrow channels a vessel must keep to that bank of the

fairway which is on her starboard hand.

_GLOSSARY_

ABACK--Said of a sail when the wind blows on the back or wrong

side of it and forces the boat sternwards.

ABAFT--Towards the stern, as abaft the mast.

ABEAM--At right angles to the length of the vessel, as a dock is

abeam when it bears directly off one side.

On Yacht Sailing A Simple Treatise for Beginners upon the Art of Handling Small Yachts and Boats · 第 1 / 3 段