THE ITALIAN OPERA.--CATALANI

The greatest vocalist of whom I have a recollection, is Madame

Catalani. In her youth, she was the finest singer in Europe, and she

was much sought after by all the great people during her sejour in

London. She was extremely handsome, and was considered a model as wife

and mother. Catalani was very fond of money, and would never sing

unless paid beforehand. She was invited, with her husband, to pass some

time at Stowe, where a numerous but select party had been invited; and

Madame Catalani, being asked to sing soon after dinner, willingly

complied. When the day of her departure came, her husband placed in the

hands of the Marquis of Buckingham the following little billet:--"For

seventeen songs, seventeen hundred pounds." This large sum was paid at

once, without hesitation; proving that Lord Buckingham was a refined

gentleman, in every sense of the word.

Catalani's husband, M. de Valabreque, once fought a duel with a German

baron who had insulted the prima donna; the weapons used were sabres,

and Valabreque cut half of the Baron's nose clean off. Madame Catalani

lived for many years, highly respected, at a handsome villa near

Florence. Her two sons are now distinguished members of the Imperial

court in Paris; the eldest being Prefet du Palais, and the youngest

colonel of a regiment of hussars.

When George the Fourth was Regent, Her Majesty's Theatre, as the

Italian Opera in the Haymarket is still called, was conducted on a very

different system from that which now prevails. Some years previous to

the period to which I refer, no one could obtain a box or a ticket for

the pit without a voucher from one of the lady patronesses; who, in

1805, were the Duchesses of Marlborough, Devonshire, and Bedford, Lady

Carlisle, and some others. In their day, after, the singing and the

ballet were over, the company used to retire into the concert-room,

where a ball took place, accompanied by refreshments and a supper.

There all the rank and fashion of England were assembled on a sort of

neutral ground. At a later period, the management of the Opera House

fell into the hands of Mr. Waters, when it became less difficult to

obtain admittance; but the strictest etiquette was still kept up as

regarded the dress of the gentlemen, who were only admitted with

knee-buckles, ruffles, and chapeau bras. If there happened to be a

drawing-room, the ladies would appear in their court-dresses, as well

as the gentlemen, and on all occasions the audience of Her Majesty's

Theatre was stamped with aristocratic elegance. In the boxes of the

first tier might have been seen the daughters of the Duchess of Argyle,

four of England's beauties; in the next box were the equally lovely

Marchioness of Stafford and her daughter, Lady Elizabeth Gore, now the

Duchess of Norfolk: not less remarkable was Lady Harrowby and her

daughters Lady Susan and Lady Mary Ryder. The peculiar type of female

beauty which these ladies so attractively exemplified, is such as can

be met with only in the British Isles: the full, round, soul-inspired

eye of Italy, and the dark hair of the sunny south, often combined with

that exquisitely pearly complexion which seems to be concomitant with

humidity and fog. You could scarcely gaze upon the peculiar beauty to

which I refer without being as much charmed with its kindly expression

as with its physical loveliness.

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