MESSENGERS AT THE WINDOW

The lighthouse on the Isle of the Wise Virgin--formerly called the

Isle of Birds--still looks out over the blue waters of the Gulf of

Saint Lawrence; its white tower motionless through the day, like a

sea-gull sleeping on the rock; its great yellow eye wide-open and

winking, winking steadily once a minute, all through the night. And

the birds visit the island,--not in great flocks as formerly, but

still plenty of them,--long-winged waterbirds in the summer, and in

the spring and fall short-winged landbirds passing in their

migrations--the children and grandchildren, no doubt, of the same

flying families that used to pass there fifty years ago, in the days

when Nataline Fortin was "The Keeper of the Light." And she herself,

that brave girl who said that the light was her "law of God," and who

kept it, though it nearly broke her heart--Nataline is still guardian

of the island and its flashing beacon of safety.

Not in her own person, you understand, for her dark curly hair long

since turned white, and her brown eyes were closed, and she was laid

at rest beside her father in the little graveyard behind the chapel at

Dead Men's Point. But her spirit still inhabits the island and keeps

the light. The son whom she bore to Marcel Thibault was called

Baptiste, after her father, and he is now the lighthouse-keeper; and

her granddaughter, Nataline, is her living image; a brown darling of a

girl, merry and fearless, who plays the fife bravely all along the

march of life.

It is good to have some duties in the world which do not change, and

some spirits who meet them with a proud cheerfulness, and some

families who pass on the duty and the cheer from generation to

generation--aristocrats, first families, the best blood.

Nataline the second was bustling about the kitchen of the lighthouse,

humming a little song, as I sat there with my friend Baptiste, snugly

sheltered from the night fury of the first September storm. The sticks

of sprucewood snapped and crackled in the range; the kettle purred a

soft accompaniment to the girl's low voice; the wind and the rain

beat against the seaward window. I was glad that I had given up the

trout fishing, and left my camp on the _Sainte-Marguerite-en-bas_, and

come to pass a couple of days with the Thibaults at the lighthouse.

Suddenly there was a quick blow on the window behind me, as if someone

had thrown a ball of wet seaweed or sand against it. I leaped to my

feet and turned quickly, but saw nothing in the darkness.

"It is a bird, m'sieu'," said Baptiste, "only a little bird. The light

draws them, and then it blinds them. Most times they fly against the

big lantern above. But now and then one comes to this window. In the

morning sometimes after a big storm we find a hundred dead ones around

the tower."

"But, oh," cried Nataline, "the pity of it! I can't get over the pity

of it. The poor little one,--how it must be deceived,--to seek light

and to find death! Let me go out and look for it. Perhaps it is not

dead."

She came back in a minute, the rain-drops shining on her cheeks and in

her hair. In the hollow of her firm hands she held a feathery brown

little body, limp and warm. We examined it carefully. It was stunned,

but not killed, and apparently neither leg nor wing was broken.

"It is a white-throat sparrow," I said to Nataline, "you know the tiny

bird that sings all day in the bushes, _sweet-sweet-Canada, Canada,

Canada_?"

"But yes!" she cried, "he is the dearest of them all. He seems to

speak to you,--to say, 'be happy.' We call him the _rossignol_.

Perhaps if we take care of him, he will get well, and be able to fly

to-morrow--and to sing again."

So we made a nest in a box for the little creature, which breathed

lightly, and covered him over with a cloth so that he should not fly

about and hurt himself. Then Nataline went singing up to bed, for she

must rise at two in the morning to take her watch with the light.

Baptiste and I drew our chairs up to the range, and lit our pipes for

a good talk.

"Those small birds, m'sieu'," he began, puffing slowly at his pipe,

"you think, without doubt, that it is all an affair of chance, the way

they come,--that it means nothing,--that it serves no purpose for them

to die?"

Certain words in an old book, about a sparrow falling to the ground,

came into my mind, and I answered him carefully, hoping, perhaps, that

he might be led on into one of those mystical legends which still

linger among the exiled children of Britanny in the new world.

"From our side, my friend, it looks like chance--and from the birds'

side, certainly, like a very bad chance. But we do not know all.

Perhaps there is some meaning or purpose beyond us. Who can tell?"

"I will tell you," he replied gravely, laying down his pipe, and

leaning forward with his knotted hands on his knees. "I will tell you

that those little birds are sometimes the messengers of God. They can

bring a word or a warning from Him. That is what we Bretons have

believed for many centuries at home in France. Why should it not be

true here? Is He not here also? Those birds are God's _coureurs des

bois_. They do His errands. Would you like to hear a thing that

happened in this house?"

This is what he told me.

I

My father, Marcel Thibault, was an honest man, strong in the heart,

strong in the arms, but, in the conscience,--well, he had his little

weaknesses, like the rest of us. You see his father, the old Thibault

lived in the days when there was no lighthouse here, and wrecking was

the chief trade of this coast.

It is a cruel trade, m'sieu'--to live by the misfortune of others. No

one can be really happy who lives by such a trade as that. But my

father--he was born under that influence; and all the time he was a

boy he heard always people talking of what the sea might bring to

them, clothes and furniture, and all kinds of precious things--and

never a thought of what the sea might take away from the other people

who were shipwrecked and drowned. So what wonder is it that my father

grew up with weak places and holes in his conscience?

But my mother, Nataline Fortin--ah, m'sieu', she was a straight soul,

for sure--clean white, like a wild swan! I suppose she was not a

saint. She was too fond of singing and dancing for that. But she was

a good woman, and nothing could make her happy that came from the

misery of another person. Her idea of goodness was like this light in

the lantern above us--something faithful and steady that warns people

away from shipwreck and danger.

Well, it happened one day, about this time forty-eight years ago, just

before I was ready to be born, my father had to go up to the village

of _La Trinite_ on a matter of business. He was coming back in his

boat at evening, with his sail up, and perfectly easy in his

mind--though it was after sunset--because he knew that my mother was

entirely capable of kindling the light and taking care of it in his

absence. The wind was moderate, and the sea gentle. He had passed the

_Point du Caribou_ about two miles, when suddenly he felt his boat

strike against something in the shadow.

He knew it could not be a rock. There was no hardness, no grating

sound. He supposed it might be a tree floating in the water. But when

he looked over the side of the boat, he saw it was the body of a dead

man.

The face was bloated and blue, as if the man had been drowned for

some days. The clothing was fine, showing that he must have been a

person of quality; but it was disarranged and torn, as if he had

passed through a struggle to his death. The hands, puffed and

shapeless, floated on the water, as if to balance the body. They

seemed almost to move in an effort to keep the body afloat. And on the

little finger of the left hand there was a great ring of gold with a

red stone set in it, like a live coal of fire.

When my father saw this ring a passion of covetousness leaped upon

him.

"It is a thing of price," he said, "and the sea has brought it to me

for the heritage of my unborn child. What good is a ring to a dead

man? But for my baby it will be a fortune."

So he luffed the boat, and reached out with his oar, and pulled the

body near to him, and took the cold, stiff hand into his own. He

tugged at the ring, but it would not come off. The finger was swollen

and hard, and no effort that he could make served to dislodge the

ring.

Then my father grew angry, because the dead man seemed to withhold

from him the bounty of the sea. He laid the hand across the gunwale

of the boat, and, taking up the axe that lay beside him, with a single

blow he chopped the little finger from the hand.

The body of the dead man swung away from the boat, turned on its side,

lifting its crippled left hand into the air, and sank beneath the

water. My father laid the finger with the ring upon it under the

thwart, and sailed on, wishing that the boat would go faster. But the

wind was light, and before he came to the island it was already dark,

and a white creeping fog, very thin and full of moonlight, was spread

over the sea like a shroud.

As he went up the path to the house he was trying to pull off the

ring. At last it came loose in his hand; and the red stone was as

bright as a big star on the edge of the sky, and the gold was heavy in

his palm. So he hid the ring in his vest.

But the finger he dropped in a cluster of blue-berry bushes not far

from the path. And he came into the house with a load of joy and

trouble on his soul; for he knew that it is wicked to maim the dead,

but he thought also of the value of the ring.

The Unknown Quantity: A Book of Romance and Some Half-Told Tales · 第 19 / 72 题