CHAPTER XIII.

A MODERN PYRAMID.

In 1839, Rickerby was again my publisher; the new book being "A Modern

Pyramid; to Commemorate a Septuagint of Worthies." In this volume,

commencing with Abel, and ending with Felix Neff, I have greeted both in

verse and prose threescore and ten of the Excellent of the earth.

Probably the best thing in it is the "Vision Introductory;" and, as the

book has been long out of print, I will produce it here as an

interesting flight of fancy, albeit somewhat of a long one. If an author

can be accounted a fair judge of his own writings, this is my best

effort in the imaginative line; and as it is no new brain-child (we

always love the last baby best), but was written little short of fifty

years ago, the impartial opinion of an old judge is probably a correct

one. The sun-dial is still in my garden,--and as I stood by it half a

century since, there grew up to my mind's eye this Vision:--

"I was walking in my garden at noon: and I came to the sun-dial, where,

shutting my book, I leaned upon the pedestal, musing; so the thin shadow

pointed to twelve.

"Of a sudden, I felt a warm sweet breath upon my cheek, and, starting

up, in much wonder beheld a face of the most bewitching beauty close

beside me, gazing on the dial: it was only a face; and with earnest

fear I leaned, steadfastly watching its strange loveliness. Soon, it

looked into me with its fascinating eyes, and said mournfully, 'Dost

thou not know me?'--but I was speechless with astonishment: then it

said, 'Consider:'--with that, my mind rushed into me like a flood, and I

looked, and considered, and speedily vague outlines shaped about,

mingled with floating gossamers of colour, until I was aware that a

glorious living Creature was growing to my knowledge.

"So I looked resolutely on her (for she wore the garb of woman), gazing

still as she grew: and again she said mildly, 'Consider:'--then I noted

that from her jewelled girdle upwards, all was gorgeous, glistening, and

most beautiful; her white vest was rarely worked with living flowers,

but brighter and sweeter than those of earth; flowing tresses, blacker

than the shadows cast by the bursting of a meteor, and, like them,

brilliantly interwoven with strings of light, fell in clusters on her

fair bosom; her lips were curled with the expression of majestic

triumph, yet wreathed winningly with flickering smiles; and the lustre

of her terrible eyes, like suns flashing darkness, did bewilder me and

blind my reason:--Then I veiled mine eyes with my clasped hands; but

again she said, 'Consider:'--and bending all my mind to the hazard, I

encountered with calmness their steady radiance, although they burned

into my brain. Bound about her sable locks was as it were a chaplet of

fire; her right hand held a double-edged sword of most strange

workmanship, for the one edge was of keen steel, and the other as it

were the strip of a peacock's feather; on the face of the air about her

were phantoms of winged horses, and of racking-wheels: and from her

glossy shoulders waved and quivered large dazzling wings of iridescent

colours, most glorious to look upon.

"So grew she slowly to my knowledge; and as I stood gazing in a rapture,

again she muttered sternly,--'Consider!'--Then I looked below the girdle

upon her flowing robes: and behold they were of dismal hue, and on the

changing surface fluttered fearful visions: I discerned blood-spots on

them, and ghastly eyes glaring from the darker folds, and, when these

rustled, were heard stifled meanings, and smothered shrieks as of

horror: and I noted that she stood upon a wreath of lightnings, that

darted about like a nest of young snakes in the midst of a sullen cloud,

black, palpable, and rolling inwards as thick smoke from a furnace.

"Then said she again to me, 'Dost thou not know me?'--and I answered

her,--'O Wonder, terrible in thy beauty, thy fairness have I seen in

dreams, and have guessed with a trembling spirit that thou walkest among

fears; are thou not that dread Power, whom the children of men have

named Imagination?'--And she smiled sweetly upon me, saying, 'Yea, my

son:' and her smile fell upon my heart like the sun on roses, till I

grew bold in my love and said, 'O Wonder, I would learn of thee; show me

some strange sight, that I may worship thy fair majesty in secret.'

"Then she stood like a goddess and a queen, and stretching forth her

arm, white as the snow and glittering with circlets, slowly beckoned

with her sword to the points of the dial. There was a distant rushing

sound, and I saw white clouds afar off dropping suddenly and together

from the blue firmament all round me in a circle: and they fell to the

earth, and rolled onwards, fearfully converging to where I stood; and

they came on, on, on, like the galloping cavalry of heaven; pouring in

on all sides as huge cataracts of foam; and shutting me out from the

green social world with the awful curtains of the skies.--Then, as my

heart was failing me for fear, and for looking at those inevitable

strange oncomings, and the fixt eyes of my queenlike mistress, I sent

reason from his throne on my brow to speak with it calmly, and took

courage.

"So stood I alone with that dread beauty by the dial, and the white

rolling wall of cloud came on slowly around with suppressed thunderings,

and the island of earth on which I stood grew smaller and smaller every

moment, and the garden-flowers faded away, and the familiar shrubs

disappeared, until the moving bases of those cold mist-mountains were

fixed at my very feet. Then said to me the glorious Power, standing in

stature as a giant,--'Come! why tarriest thou? Come!'--and instantly

there rushed up to us a huge golden throne of light filigree-work, borne

upon seven pinions, whereof each was fledged above with feathers fair

and white, but underneath they were ribbed batlike, and fringed with

black down: and all around fluttered beautiful winged faces, mingled and

disporting with grotesque figures and hideous imps. Then she mounted in

her pomp the steps of the throne, and sat therein proudly. Again she

said to me, 'Come!'--and I feared her, for her voice was terrible; so I

threw myself down on the lowest of the seven golden steps, and the

border of her dark robe touched me. Then was I full of dread, hemmed

about with horrors, and the pinions rustled together, and we rushed

upward like a flame, and the hurricane hastened after us: my heart was

as a frozen autumn-leaf quivering in my bosom, and I looked up for help

and pity from the mighty Power on her throne; but she spurned me with

her black-sandalled foot, and I was thrust from my dizzy seat, and in

falling clutched at the silver net-work that lay upon the steps as a

carpet,--and so I hung; my hands were stiffly crooked in the meshes like

eagle's talons, my wrists were bursting, the bones of my body ached, and

I heard the chill whisper of Death (who came flitting up to me as a

sheeted ghost) bidding my poor heart be still: yet I would live on, I

would cling on, though swinging fearfully from that up-rushing throne;

for my mind was unsubdued, and my reason would not die, but rebelled

against his mandate. And so the pinions flapped away, the dreadful

cavalcade of clouds followed, we broke the waterspout, raced the

whirlwind, hunted the thunder to his caverns, rushed through the light

and wind-tost mountains of the snow, pierced with a crash the thick sea

of ice, that like a globe of hollow glass separates earth and its

atmosphere from superambient space, and flying forward through the

airless void, lighted on another world.

"Then triumphed my reason, for I stood on that silent shore, fearless

though alone, and boldly upbraided the dread Power that had brought me

thither,--'Traitress, thou hast not conquered; my mind is still thy

master, and if the weaker body failed me, it hath been filled with new

energies in these quickening skies: I am immortal as thou art; yet shalt

thou fear me, and heed my biddings: wherefore hast thou dared--?' but my

wrathful eye looked on her bewitching beauty, and I had no tongue to

chide, as she said in the sobriety of loveliness,--'My son, have I not

answered thy prayer? yet but in part; behold, I have good store of

precious things to show thee:' with that, she kissed my brow, and I

fell into an ecstasy.

"I perceived that I was come to the kingdom of disembodied spirits, and

they crowded around me as around some strange creature, clustering with

earnest looks, perchance to inquire of me somewhat from the world I had

just left. Although impalpable, and moving through each other,

transparent and half-invisible, each wore the outward shape and seeming

garments he had mostly been known by upon earth: and my reason whispered

me, this is so, until the resurrection; the seen material form is the

last idea which each one hath given to the world, but the glorified body

of each shall be as diverse from this, yet being the same, as the

gorgeous tulip from its brown bulb, the bird of paradise from his

spotted egg, or the spreading beech from the hard nut that had

imprisoned it.--Then Imagination stood with me as an equal friend, and

spake to me soothingly, saying, 'Knowest thou any of these?'--and I

answered, 'Millions upon millions, a widespread inundation of shadowy

forms, from martyred Abel to the still-born babe of this hour I behold

the gathered dead; millions upon millions, like the leaves of the

western forests, like the blades of grass upon the prairie, they are

here crowding innumerable: yet should my spirit know some among them, as

having held sweet converse with their minds in books; only this boon,

sweet mistress, from yonder mingled harvest of the dead, in grace cull

me mine intimates, that I may see them even with my bodily eyes.' So she

smiled, and waved her fair hand: and at once, a few, a very few, not all

worthiest, not all best, came nearer to me with looks of love; and I

knew them each one, for I had met and somewhile walked with each of

them in the paths of meditation; and some appeared less beatified than

others, and some even meanly clad as in garments all of earth, yet I

loved them more than the remainder of that crowded world, though not

equally, nor yet all for merit, but in that I had sympathy with these as

my friends. And each spake kindly to me in his tongue, so that I stood

entranced by the language of the spirits. Then said my bright-winged

guide, 'Hast thou no word for each of these? they love thy greeting, and

would hear thee.' But I answered, 'Alas, beautiful Power, I know but the

language of earth, and my heart is cold, and I am slow of tongue: how

should I worthily address these great ones?'--So with her finger she

touched my lips, and in an inspiration I spake the language of spirits,

where the thoughts are as incense to the mind, and the words winged

music to the ear, and the heart is dissolved into streams of joy, as

hail that hath wandered to the tropics: in sweetness I communed with

them all, and paid my debt of thanks.

"And behold, a strange thing, changing the aspect of my vision. It

appeared to me, in that dreamy dimness, whereof the judgment inquireth

not and reason hath no power to rebuke it, that while I was still

speaking unto those great ones, the several greetings I had poured forth

in my fervour,--being as it were flowing lava from the volcano of my

heart,--became embodied into mighty cubes of crystal; and in the midst

of each one severally flickered its spiritual song, like a soul, in

characters of fire. So I looked in admiration on that fashioning of

thoughts, and while I looked, behold, the shining masses did shape up,

growing of themselves into a fair pyramid: and I saw that its eastern

foot was shrouded in a mist, and the hither western foot stood out

clear and well defined, and the topstone in the middle was more glorious

than the rest, and inscribed with a name that might not be uttered; for

whereas all the remainder had seemed to be earthborn, mounting step by

step as the self-built pile grew wondrously, this only had appeared to

drop from above, neither had I welcomed the name it bore in that land of

spirits; nevertheless, I had perceived the footmarks of Him, with whose

name it was engraved, even on the golden sands of that bright world, and

had worshipped them in silence with a welcome.

"Thus then stood before me the majestic pyramid of crystal, full of

characters flashing heavenly praise; and I gloried in it as mine own

building, hailing the architect proudly, and I grew familiar with those

high things, for my mind in its folly was lifted up, and looking on my

guide, I said, 'O Lady; were it not ill, I would tell my brethren on

earth of these strange matters, and of thy favour, and of the love all

these have shown me; yea, and I would recount their greetings and mine

in that sweet language of the spirits.'--But the glorious Wonder drew

back majestic with a frown, saying, 'Not so, presumptuous child of man;

the things I have shown thee, and the greetings thou hast heard, and the

songs wherewith I filled thee, cannot worthily be told in other than the

language of spirits: and where is the alphabet of men that can fix that

unearthly tongue,--or how shouldst thou from henceforth, or thy fellows

upon earth, attain to its delicate conceptions? behold, all these thine

intimates are wroth with thee; they discern evil upon thy soul: the

place of their sojourn is too pure for thee.'

"Then was there a peal of thunder, like the bursting of a world,

whereupon all that restless sea of shadows, and their bright abode,

vanished suddenly; and there ensued a flood of darkness, peopled with

shoaling fears, and I heard the approach of hurrying sounds, with

demoniac laughter, and shouts coming as for me, nearer and louder,

saying, 'Cast out! Cast out!' and it rushed up to me like an unseen

army, and I fled for life before it, until I came to the extreme edge of

that spiritual world, where, as I ran looking backwards for terror at

those viewless hunters, I leaped horribly over the unguarded cliff, and

fell whirling, whirling, whirling, until my senses failed me--

"When I came to myself, I was by the sun-dial in my garden, leaning upon

the pedestal, and the thin shadow still pointed to twelve.

"In astonishment, I ran hastily to my chamber, and strove to remember

the strains I had heard. But, alas! they had all passed away: scarcely

one disjointed note of that rare music lingered in my memory: I was

awakened from a vivid dream, whereof the morning remembered nothing.

Nevertheless, I toiled on, a rebel against that fearful Power, and

deprived of her wonted aid: my songs, invitâ Minervâ, are but bald

translations of those heavenly welcomings: my humble pyramid, far from

being the visioned apotheosis of that of a Cephren, bears an unambitious

likeness to the meaner Asychian, the characteristic of which, barring

its presumptuous motto, must be veiled in one word from Herodotus

(2-136),--alas! for the bathos of translation, the cabalistic--[Greek:

phêlikos], 'built up of mud.'

"Was not Rome lutea as well as marmorea? and is not beautiful Paris

anciently Lutetia, with its tile-sheds for Tuileries, and a Bourbe-bonne

for its Sovereign?"

All these sonnets, with others, were published by me elsewhere, as I

state further on. The volume also contains some of my less faulty

translations, as from Sappho, Æschylus, Pythagoras, Virgil, Horace,

Dante, Petrarch, &c. And here I will give a chance specimen out of my

"Septuagint of Worthies," to each one of whom I have appropriated a page

or two of explanatory prose besides his fourteen lines of poetry. Take

my sonnet on "Sylva" Evelyn:--

"Wotton, fair Wotton, thine ancestral hall,

Thy green fresh meadows, coursed by ductile streams,

That ripple joyous in the noonday beams,

Leaping adown the frequent waterfall,

Thy princely forest, and calm slumbering lake

Are hallowed spots and classic precincts all;

For in thy terraced walks and beechen grove

The gentle, generous Evelyn wont to rove,

Peace-lover, who of nature's garden spake

From cedars to the hyssop on the wall!

O righteous spirit, fall'n on evil times,

Thy loyal zeal and learned piety

Blest all around thee, wept thy country's crimes,

And taught the world how Christians live and die."

The sonnet is a form of metrical composition which has been habitual

with me, as my volume "Three Hundred Sonnets" will go to prove; and I

have written quite a hundred more. The best always come at a burst,

spontaneously and as it were inspirationally. A laboured sonnet is a

dull piece of artificial rhyming, and as it springs not from the heart

of the writer, fails to reach the heart of the reader. If the metal does

not flow out quick and hot, there never can be a sharp casting. Good

sonnets are crystals of the heart and mind, perfect from beginning to

end, and are only unpopular where poetasters make a carnal toil of them

instead of finding them a spiritual pleasure. But one who knows his

theme may write reams about sonneteering; for instance, see that

striking article on Shakespeare's sonnets in a recent _Fortnightly_ (or

was it a _Contemporary_?) by Charles Mackay, himself one of our literary

worthiest, who has so well worked through a long life for his country

and his kind: my best regards to him.

His discovery, or rather ingenious hypothesis, quite new to me, is, that

some of the one hundred and fifty-four in that collection are by other

writers than Shakespeare, though falsely printed under his name, and

that some more (though by him) were written impersonately in the

characters of Essex and Elizabeth; which would account for an awkward

confusion of the sexes hitherto inexplicable. Mackay thinks that the

publisher included any sonnets by others which he thought worthy of the

great bard, as if they were his, and so caused the injurious and wrong

appropriation; most of them are exquisite, and many undoubtedly

Shakespeare's; some I have said probably by another hand. Critically

speaking too, not one of all the one hundred and fifty-four is of the

conventional and elaborate fourteen-liner sort, with complicated rhymes;

but each is a lyrical gem of three four-line stanzas closed by a

distich. Milton's eighteen are all of the more artificial Petrarchian

sort; which Wordsworth has diligently made his model in more than four

hundred instances of very various degrees in merit.

As I am writing a short memoir of my books, I may state that my own

small quarto of sonnets grew out of the "Modern Pyramid."

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