XVII. THE LAST CRAVAT

The gentleman of the Neva said to him: “If you have nothing further to

say, we will go into the courtyard.”

Rouletabille understood at last that hanging him in the room where

judgment had been pronounced was rendered impossible by the violence of

the prisoner just executed. Not only the rope and the ring-bolt had been

torn away, but part of the beam had splintered.

“There is nothing more,” replied Rouletabille.

He was mistaken. Something occurred to him, an idea flashed so suddenly

that he became white as his shirt, and had to lean on the arm of the

gentleman of the Neva in order to accompany him.

The door was open. All the men who had voted his death filed out in

gloomy silence. The gentleman of the Neva, who seemed charged with the

last offices for the prisoner, pushed him gently out into the court.

It was vast, and surrounded by a high board wall; some small buildings,

with closed doors, stood to right and left. A high chimney, partially

demolished, rose from one corner. Rouletabille decided the whole place

was part of some old abandoned mill. Above his head the sky was pale as

a winding sheet. A thunderous, intermittent, rhythmical noise appraised

him that he could not be far from the sea.

He had plenty of time to note all these things, for they had stopped

the march to execution a moment and had made him sit down in the open

courtyard on an old box. A few steps away from him under the shed where

he certainly was going to be hanged, a man got upon a stool (the stool

that would serve Rouletabille a few moments later) with his arm raised,

and drove with a few blows of a mallet a great ring-bolt into a beam

above his head.

The reporter’s eyes, which had not lost their habit of taking everything

in, rested again on a coarse canvas sack that lay on the ground. The

young man felt a slight tremor, for he saw quickly that the sack swathed

a human form. He turned his head away, but only to confront another

empty sack that was intended for him. Then he closed his eyes. The sound

of music came from somewhere outside, notes of the balalaika. He said to

himself, “Well, we certainly are in Finland”; for he knew that, if the

guzla is Russian the balalaika certainly is Finnish. It is a kind of

accordeon that the peasants pick plaintively in the doorways of their

toubas. He had seen and heard them the afternoon that he went to

Pergalovo, and also a little further away, on the Viborg line. He

pictured to himself the ruined structure where he now found himself shut

in with the revolutionary tribunal, as it must appear from the outside

to passers-by; unsinister, like many others near it, sheltering under

its decaying roof a few homes of humble workers, resting now as they

played the balalaika at their thresholds, with the day’s labor over.

And suddenly from the ineffable peace of his last evening, while the

balalaika mourned and the man overhead tested the solidity of his

ring-bolt, a voice outside, the grave, deep voice of Annouchka, sang for

the little Frenchman:

“For whom weave we now the crown

Of lilac, rose and thyme?

When my hand falls lingering down

Who then will bring your crown

Of lilac, rose and thyme?

O that someone among you would hear,

And come, and my lonely hand

Would press, and shed the friendly tear--

For alone at the end I stand.

Who now will bring the crown

Of lilac, rose and thyme?”

Rouletabille listened to the voice dying away with the last sob of the

balalaika. “It is too sad,” he said, rising. “Let us go,” and he wavered

a little.

They came to search him. All was ready above. They pushed him gently

towards the shed. When he was under the ring-bolt, near the stool, they

made him turn round and they read him something in Russian, doubtless

less for him than for those there who did not understand French.

Rouletabille had hard work to hold himself erect.

The gentleman of the Neva said to him further:

“Monsieur, we now read you the final formula. It asks you to say

whether, before you die, you have anything you wish to add to what we

know concerning the sentence which has been passed upon you.”

Rouletabille thought that his saliva, which at that moment he had the

greatest difficulty in swallowing, would not permit him to utter a word.

But disdain of such a weakness, when he recalled the coolness of so many

illustrious condemned people in their last moments, brought him the last

strength needed to maintain his reputation.

“Why,” said he, “this sentence is not wrongly drawn up. I blame it

only for being too short. Why has there been no mention of the crime I

committed in contriving the tragic death of poor Michael Korsakoff?”

“Michael Korsakoff was a wretch,” pronounced the vindictive voice of the

young man who had presided at the trial and who, at this supreme moment,

happened to be face to face with Rouletabille. “Koupriane’s police, by

killing that man, ridded us of a traitor.”

Rouletabille uttered a cry, a cry of joy, and while he had some reason

for believing that at the point he had reached now of his too-short

career only misfortune could befall him, yet here Providence, in his

infinite grace, sent him before he died this ineffable consolation: the

certainty that he had not been mistaken.

“Pardon, pardon,” he murmured, in an excess of joy which stifled him

almost as much as the wretched rope would shortly do that they were

getting ready behind him. “Pardon. One second yet, one little second.

Then, messieurs, then, we are agreed in that, are we? This Michael,

Michael Nikolaievitch was the the last of traitors.”

“The first,” said the heavy voice.

“It is the same thing, my dear monsieur. A traitor, a wretched traitor,”

continued Rouletabille.

“A poisoner,” replied the voice.

“A vulgar poisoner! Is that not so? But, tell me how--a vulgar poisoner

who, under cover of Nihilism, worked for his own petty ends, worked for

himself and betrayed you all!”

Now Rouletabille’s voice rose like a fanfare. Someone said:

“He did not deceive us long; our enemies themselves undertook his

punishment.”

“It was I,” cried Rouletabille, radiant again. “It was I who wound up

that career. I tell you that was managed right. It was I who rid you of

him. Ah, I knew well enough, messieurs, in the bottom of my heart I knew

that I could not be mistaken. Two and two make four always, don’t they?

And Rouletabille is always Rouletabille. Messieurs, it is all right,

after all.”

But it was probable that it was also all wrong, for the gentleman of the

Neva came up to him hat in hand and said:

“Monsieur, you know now why the witnesses at your trial did not raise a

fact against you that, on the contrary, was entirely in your favor.

Now it only remains for us to execute the sentence which is entirely

justified on other grounds.”

“Ah, but--wait a little. What the devil! Now that I am sure I have not

been mistaken and that I have been myself, Rouletabille, all the time I

cling to life a little--oh, very much!”

A hostile murmur showed the condemned man that the patience of his

judges was getting near its limit.

“Monsieur,” interposed the president, “we know that you do not belong to

the orthodox religion; nevertheless, we will bring a priest if you wish

it.”

“Yes, yes, that is it, go for the priest,” cried Rouletabille.

And he said to himself, “It is so much time gained.”

One of the revolutionaries started over to a little cabin that had been

transformed into a chapel, while the rest of them looked at the reporter

with a good deal less sympathy than they had been showing. If his

bravado had impressed them agreeably in the trial room, they were

beginning to be rather disgusted by his cries, his protestations and all

the maneuvers by which he so apparently was trying to hold off the hour

of his death.

But all at once Rouletabille jumped up onto the fatal stool. They

believed he had decided finally to make an end of the comedy and die

with dignity; but he had mounted there only to give them a discourse.

“Messieurs, understand me now. If it is true that you are not

suppressing me in order to avenge Michael Nikolaievitch, then why do you

hang me? Why do you inflict this odious punishment on me? Because you

accuse me of causing Natacha Feodorovna’s arrest? Truly I have been

awkward. Of that, and that alone, I accuse myself.”

“It was you, with your revolver, who gave the signal to Koupriane’s

agents! You have done the dirty work for the police.”

Rouletabille tried vainly to protest, to explain, to say that his

revolver shot, on the contrary, had saved the revolutionaries. But no

one cared to listen and no one believed him.

“Here is the priest, monsieur,” said the gentleman of the Neva.

“One second! These are my last words, and I swear to you that after this

I will pass the rope about my neck myself! But listen to me! Listen to

me closely! Natacha Feodorovna was the most precious recruit you had,

was she not?”

“A veritable treasure,” declared the president, his voice more and more

impatient.

“It was a terrible blow, then,” continued the reporter, “a terrible blow

for you, this arrest?”

“Terrible,” some of them ejaculated.

“Do not interrupt me! Very well, then, I am going to say this to you:

‘If I ward off this blow--if, after having been the unintentional cause

of Natacha’s arrest, I have the daughter of General Trebassof set at

liberty, and that within twenty-four hours,--what do you say? Would you

still hang me?’”

The president, he who had the Christ-like countenance, said:

“Messieurs, Natacha Feodorovna has fallen the victim of terrible

machinations whose mystery we so far have not been able to penetrate.

She is accused of trying to poison her father and her step-mother,

and under such conditions that it seems impossible for human reason to

demonstrate the contrary. Natacha Feodorovna herself, crushed by the

tragic occurrence, was not able to answer her accusers at all, and her

silence has been taken for a confession of guilt. Messieurs, Natacha

Feodorovna will be started for Siberia to-morrow. We can do nothing for

her. Natacha Feodorovna is lost to us.”

Then, with a gesture to those who surrounded Rouletabille:

“Do your duty, messieurs.”

“Pardon, pardon. But if I do prove the innocence of Natacha? Just

wait, messieurs. There is only I who can prove that innocence! You lose

Natacha by killing me!”

“If you had been able to prove that innocence, monsieur, the thing would

already be done. You would not have waited.”

“Pardon, pardon. It is only at this moment that I have become able to do

it.”

“How is that?”

“It is because I was sick, you see--very seriously sick. That affair of

Michael Nikolaievitch and the poison that still continued after he was

dead simply robbed me of all my powers. Now that I am sure I have not

been the means of killing an innocent man--I am Rouletabille again!

It is not possible that I shall not find the way, that I shall not see

through this mystery.”

The terrible voice of the Christ-like figure said monotonously:

“Do your duty, messieurs.”

“Pardon, pardon. This is of great importance to you--and the proof is

that you have not yet hanged me. You were not so procrastinating with my

predecessor, were you? You have listened to me because you have hoped!

Very well, let me think, let me consider. Oh, the devil! I was there

myself at the fatal luncheon, and I know better than anyone else all

that happened there. Five minutes! I demand five minutes of you; it is

not much. Five little minutes!”

These last words of the condemned man seemed to singularly influence the

revolutionaries. They looked at one another in silence.

Then the president took out his watch and said:

“Five minutes. We grant them to you.”

“Put your watch here. Here on this nail. It is five minutes to seven,

eh? You will give me until the hour?”

“Yes, until the hour. The watch itself will strike when the hour has

come.”

“Ah, it strikes! Like the general’s watch, then. Very well, here we

are.”

Then there was the curious spectacle of Rouletabille standing on

the hangman’s stool, the fatal rope hanging above his head, his legs

crossed, his elbow on his knees in that eternal attitude which Art

has always given to human thought, his fists under his jaws, his eyes

fixed--all around him, all those young men intent on his silence, not

moving a muscle, turned into statues themselves that they might not

disturb the statue which thought and thought.

The Secret of the Night · 第 26 / 29 题