There is no country in which the phrases of good-will and affection are

so strong as in Ireland. The Irish language actually flows with the milk

and honey of love and friendship. Sweet and palatable is it to the other

sex, and sweetly can Paddy, with his deluding ways, administer it to

them from the top of his mellifluous tongue, as a dove feeds her young,

or as a kind mother her babe, shaping with her own pretty mouth every

morse of the delicate viands before it goes into that of the infant. In

this manner does Paddy, seated behind a ditch, of a bright Sunday, when

he ought to be at Mass, feed up some innocent girl, not with “false

music,” but with sweet words; for nothing more musical or melting than

his brogue ever dissolved a female heart. Indeed, it is of the danger

to be apprehended from the melody of his voice, that the admirable and

appropriate proverb speaks; for when he addresses his sweetheart, under

circumstances that justify suspicion, it is generally said--“Paddy's

feedin' her up wid false music.”

What language has a phrase equal in beauty and tenderness to _cushla

machree_--_pulse of my heart?_ Can it be paralleled in the whole

range of all that are, ever were, or ever will be spoken, for music,

sweetness, and a knowledge of anatomy? If Paddy is unrivalled at

swearing, he fairly throws the world behind him at the blarney. In

professing friendship, and making love, give him but a taste of the

native, and he is a walking honey-comb, that every woman who sees him

wishes to have a lick at; and Heaven knows, that frequently, at all

times, and in all places, does he get himself licked on their account.

Another expression of peculiar force is _vick machree_--or, son of my

heart. This is not only elegant, but affectionate, beyond almost any

other phrase except the foregoing. It is, in a sense, somewhat different

from that in which the philosophical poet has used it, a beautiful

comment upon the sentiment of “the child's the father of the man,”

uttered by the great, we might almost say, the glorious, Wordsworth.

We have seen many a youth, on more occasions than one, standing in

profound affliction over the dead body of his aged father, exclaiming,

“_Ahir, vick machree--vick machree--wuil thu marra wo'um? Wuil thu marra

wo'um?_ Father, son of my heart, son of my heart, art thou dead

from me--art thou dead from me?” An expression, we think, under

any circumstances, not to be surpassed in the intensity of domestic

affection which it expresses; but under those alluded to, we consider

it altogether elevated in exquisite and poetic beauty above the most

powerful symbols of Oriental imagery.

A third phrase peculiar to love and affection, is “_Manim asthee

hu--or_, My soul's within you.” Every person acquainted with languages

knows how much an idiom suffers by a literal translation. How beautiful,

then, how tender and powerful, must those short expressions be, uttered,

too, with a fervor of manner peculiar to a deeply feeling people, when,

even after a literal translation, they carry so much of their tenderness

and energy into a language whose genius is cold when compared to the

glowing beauty of the Irish.

_Mauourneen dheelish_, too, is only a short phrase, but, coming warm and

mellowed from Paddy's lips into the ear of his _colleen dhas_, it is

a perfect spell--a sweet murmur, to which the _lenis susurrus_ of the

Hybla bees is, with all their honey, jarring discord. How tame is

“My sweet darling,” its literal translation, compared to its soft and

lulling intonations. There is a dissolving, entrancing, beguiling,

deluding, flattering, insinuating, coaxing, winning, inveigling,

roguish, palavering, come-overing, comedhering, consenting, blarneying,

killing, willing, charm in it, worth all the philters that ever the

gross knavery of a withered alchemist imposed upon the credulity of

those who inhabit the other nations of the earth--for we don't read that

these shrivelled philter-mongers ever prospered in Ireland.

No, no--let Paddy alone. If he hates intensely and effectually, he loves

intensely, comprehensively, and gallantly. To love with power is a proof

of a large soul, and to hate well is, according to the great moralist,

a thing in itself to be loved. Ireland is, therefore, through all its

sects, parties, and religions, an amicable nation. Their affections are,

indeed, so vivid, that they scruple not sometimes to kill each other

with kindness: but we hope that the march of love and friendship will

not only keep pace with, but outstrip, the march of intellect.

*****

Peter Cornell was for many years of his life a pattern and proverb

for industry and sobriety. He first began the world as keeper of a

shebeen-house at the cross-roads, about four miles from the town of

Ballypoteen. He was decidedly an honest man to his neighbors, but a

knave to excisemen, whom he hated by a kind of instinct that he had,

which prompted him, in order to satisfy his conscience, to render

them every practicable injury within the compass of his ingenuity.

Shebeen-house keepers and excisemen have been, time out of mind,

destructive of each other; the exciseman pouncing like a beast or bird

of prey upon the shebeen man and his illicit spirits; the shebeen man

staving in the exciseman, like a barrel of doublings, by a knock

from behind a hedge, which sometimes sent him to that world which is

emphatically the world of spirits. For this, it some happened that the

shebeen man was hanged; but as his death only multiplied that of the

excisemen in a geometrical ratio, the sharp-scented fraternity resolved,

if possible, not to risk their lives, either by exposing themselves to

the necessity of travelling by night, or prosecuting by day. In this

they acted wisely and prudently: fewer of the unfortunate peasantry

were shot in their rencounters with the yeomanry or military on such

occasions, and the retaliations became by degrees less frequent, until,

at length, the murder of a gauger became a rare occurrence in the

country.

Peter, before his marriage, had wrought as laboring servant to a man

who kept two or three private stills in those caverns among the remote

mountains, to which the gauger never thought of penetrating, because he

supposed that no human enterprise would have ever dreamt of advancing

farther into them than appeared to him to be practicable. In this he

was frequently mistaken: for though the still-house was in many cases

inaccessible to horses, yet by the contrivance of slipes--a kind of

sledge--a dozen men could draw a couple of sacks of barley with less

trouble, and at a quicker pace, than if horses only had been employed.

By this, and many other similar contrivances, the peasantry were often

able to carry on the work of private distillation in places so distant,

that few persons could suspect them as likely to be chosen for such

purposes. The uncommon personal strength, the daring spirit, and great

adroitness of Peter Connell, rendered him a very valuable acquisition

to his master in the course of his illicit occupations. Peter was,

in addition to his other qualities, sober and ready-witted, so that

whenever the gauger made his appearance, his expedients to baffle him

were often inimitable. Those expedients did not, however, always arise

from the exigency of the moment; they were often deliberately, and with

much exertion of ingenuity, planned by the proprietors and friends

of such establishments, perhaps for weeks before the gauger's visit

occurred. But, on the other hand, as the gauger's object was to

take them, if possible, by surprise, it frequently happened that his

appearance was as unexpected as it was unwelcome. It was then that the

prompt ingenuity of the people was fully seen, felt, and understood

by the baffled exciseman, who too often had just grounds for bitterly

cursing their talent at outwitting him.

Peter served his master as a kind of superintendent in such places,

until he gained the full knowledge of distilling, according to the

processes used by the most popular adepts in the art. Having acquired

this, he set up as a professor, and had excellent business. In the

meantime, he had put together by degrees a small purse of money, to

the amount of about twenty guineas--no inconsiderable sum for a

young Irishman who intends to begin the world on his own account. He

accordingly married, and, as the influence of a wife is usually not to

be controlled during the honey-moon, Mrs. Connell prevailed on Peter

to relinquish his trade of distiller, and to embrace some other mode of

life that might not render their living so much asunder necessary. Peter

suffered himself to be prevailed upon, and promised to have nothing more

to do with private distillation, as a distiller. One of the greatest

curses attending this lawless business, is the idle and irregular habit

of life which it gradually induces. Peter could not now relish the

labor of an agriculturist, to which he had been bred, and yet he was

too prudent to sit down and draw his own and his wife's support from so

exhaustible a source as twenty guineas. Two or three days passed, during

which “he cudgelled his brains,” to use his own expression, in plans for

future subsistence; two or three consultations were held with Ellish,

in which their heads were laid together, and, as it was still the

honey-moon, the subject-matter of the consultation, of course, was

completely forgotten. Before the expiration of a second month, however,

they were able to think of many other things, in addition to the

fondlings and endearments of a new-married couple. Peter was every day

becoming more his own man, and Ellish by degrees more her own woman.

“The purple light of love,” which had changed Peter's red head into

a rich auburn, and his swivel eye into a knowing wink, exceedingly

irresistible in his bachelorship, as he made her believe, to the country

girls, had passed away, taking the aforesaid auburn along with it and

leaving nothing but the genuine carrot behind. Peter, too, on opening

his eyes one morning about the beginning of the third month, perceived

that his wife was, after all, nothing more than a thumping red-cheeked

wench, with good eyes, a mouth rather large, and a nose very much

resembling, in its curve, the seat of a saddle, allowing the top to

correspond with the pummel.

“Pether,” said she, “it's like a dhrame to me that you're neglectin'

your business, alanna.”

“Is it you, beauty? but, maybe, you'd first point out to me what

business, barrin' buttherin' up yourself, I have to mind, you phanix

bright?”

“Quit yourself, Pether! it's time for you to give up your ould ways; you

caught one bird wid them, an' that's enough. What do you intind to do!

It's full time for you to be lookin' about you.”

“Lookin' about me! What do you mane Ellish?”

“The dickens a bit o' me thought of it,” replied the wife, laughing

at the unintentional allusion to the circumspect character of Peter's

eyes,--“upon my faix, I didn't--ha, ha, ha!”

“Why, thin, but you're full o'your fun, sure enough, if that's what

you're at. Maybe, avourneen, if I had looked right afore me, as I ought

to do, it's Katty Murray an' her snug farm I'd have, instead of”--

Peter hesitated. The rapid feelings of a woman, and an Irishwoman, quick

and tender, had come forth and subdued him. She had not voluntarily

alluded to his eyes; but on seeing Peter offended, she immediately

expressed that sorrow and submission which are most powerful when

accompanied by innocence, and when meekly assumed, to pacify rather than

to convince. A tear started to her eye, and with a voice melted into

unaffected tenderness, she addressed him, but he scarcely gave her time

to speak.

“No, avourneen, no, I won't say what I was goin' to mintion. I won't

indeed, Ellish, dear; an' forgive me for woundin' your feelin's _alanna

dhas_. (* My pretty child.) Hell resave her an' her farm! I dunna what

put her into my head at all; but I thought you wor jokin' me about my

eyes: an' sure if you war, acushla, that's no rason that I'd not allow

you to do that an' more wid your own Pether. Give me a slewsther, (* a

kiss of fondness) agrah--a sweet one, now!”

He then laid his mouth to hers, and immediately a sound, nearly

resembling a pistol-shot, was heard through every part of the house. It

was, in fact, a kiss upon a scale of such magnitude, that the Emperor

of Morocco might not blush to be charged with it. A reconciliation took

place, and in due time it was determined that Peter, as he understood

poteen, should open a shebeen house. The moment this resolution was

made, the wife kept coaxing him, until he took a small house at the

cross-roads before alluded to, where, in the course of a short time,

he was established, if not in his own line, yet in a mode of life

approximating to it as nearly as the inclination of Ellish would permit.

The cabin which they occupied had a kitchen in the middle, and a room at

each end of it, in one of which was their own humble chaff bed, with its

blue quilted drugget cover; in the other stood a couple of small tables,

some stools, a short form, and one chair, being a present from his

father-in-law. These constituted Peter's whole establishment, so far +as

it defied the gauger. To this we must add! a five-gallon keg of spirits

hid in the garden, and a roll of smuggled tobacco. From the former he

bottled, over night, as much as was usually drank the following day;

and from the tobacco, which was also kept under ground, he cut, with the

same caution, as much as to-morrow's exigencies might require. This he

kept in his coat-pocket, a place where the gauger would never think

of searching for it, divided into halfpenny and pennyworths, ounces or

half-ounces, according as it might be required; and as he had it without

duty, the liberal spirit in which he dealt it out to his neighbors soon

brought him a large increase of custom.

Peter's wife was an excellent manager, and he himself a pleasant,

good-humored man, full of whim and inoffensive mirth. His powers of

amusement were of a high order, considering his station in life and his

want of education. These qualities contributed, in a great degree, to

bring both the young and old to his house during the long winter nights,

in order to hear the fine racy humor with which he related his frequent

adventures and battles with excisemen. In the summer evenings, he

usually engaged a piper or a fiddler, and had a dance, a contrivance by

which he not only rendered himself popular, but increased his business.

In this mode of life, the greatest source of anxiety to Peter and Ellish

was the difficulty of not offending their friends by refusing to give

them credit. Many plans, were, with great skill and forethought, devised

to obviate this evil; but all failed. A short board was first procured,

on which they got written with chalk--

“No credit giv'n--barrin' a thrifle to Pether's friends.”

Before a week passed, after this intimation, the number of “Pether's

friends” increased so rapidly, that neither he nor Ellish knew the half

of them. Every scamp in the parish was hand and glove with him: the

drinking tribe, particularly, became desperately attached to him and

Ellish. Peter was naturally kind-hearted, and found that his firmest

resolutions too often gave way before the open flattery with which he

was assailed. He then changed his hand, and left Ellish to bear the

brunt of their blarney. Whenever any person or persons were seen

approaching the house, Peter, if he had reason to suspect an attack upon

his indulgence, prepared himself for a retreat. He kept his eye to

the window, and if they turned from the direct line of the road, he

immediately slipped into bed, and lay close in order to escape them. In

the meantime they enter.

“God save all here. Ellish, agra machree, how are you?”

“God save you kindly! Faix, I'm mid-dim', I thank you, Condy: how is

yourself, an' all at home?”

“Devil a heartier, barrin' my father, that's touched wid a loss of

appetite afther his meals--ha, ha, ha!”

“Musha, the dickens be an you, Condy, but you're your father's son, any

way; the best company in Europe is the same man. Throth, whether you're

jokin' or not, I'd be sarry to hear of anything to his disadvantage,

dacent man. Boys, won't you go down to the other room?”

“Go way wid yez, boys, till I spake to Ellish here about the affairs

o' the nation. Why, Ellish, you stand the cut all to pieces. By the

contints o' the book, you do; Pether doesn't stand it half so well. How

is he, the thief?”

“Throth, he's not well, to-day, in regard of a smotherin' about the

heart he tuck this mornin' afther his breakfast. He jist laid himself

on the bed a while, to see if it would go off of him--God be praised for

all his marcies!”

“Thin, upon my _sole_vation, I'm sarry to hear it, and so will all at

home, for there's not in the parish we're sittin' in a couple that our

family has a greater regard an' friendship for, than him and yourself.

Faix, my modher, no longer ago than Friday night last, argued down

Bartle Meegan's throath, that you and Biddy Martin wor the two portliest

weemen that comes into the chapel. God forgive myself, I was near

quarrelin' wid Bartle on the head of it, bekase I tuck my modher's part,

as I had a good right to do.”

“Thrath, I'm thankful to you both, Condy, for your kindness.”

“Oh, the sarra taste o' kindness was in it at all, Ellish, 'twas only

the truth; an' as long as I live, I'll stand up for that.”

“Arrah, how is your aunt down at Carntall?”

“Indeed, thin, but middlin', not gettin' her health: she'll soon give

the crow a puddin', any way; thin, Ellish, you thief, I'm in for the

yallow boys. Do you know thim that came in wid me?”

“Why, thin, I can't say I do. Who are they, Condy?”

“Why one o' them's a bachelor to my sisther Norah, a very dacent boy,

indeed--him wid the frieze jock upon him, an' the buckskin breeches.

The other three's from Teernabraighera beyant. They're related to my

brother-in-law, Mick Dillon, by his first wife's brother-in-law's uncle.

They're come to this neighborhood till the 'Sizes, bad luck to them,

goes over; for you see, they're in a little throuble.”

“The Lord grant them safe out of it, poor boys!”

“I brought them up here to treat them, poor fellows; an', Ellish,

avourneen, you must credit me for whatsomever we may have. The thruth

is, you see, that when we left home, none of us had any notion of

drinkin' or I'd a put somethin' in my pocket, so that I'm taken at an

average.--Bud-an'-age! how is little Dan? Sowl, Ellish, that goorsoon,

when he grows up, will be a credit to you. I don't think there's a finer

child in Europe of his age, so there isn't.”

“Indeed, he's a good child, Condy. But Condy, avick, about givin'

credit:--by thim five crasses, if I could give score to any boy in the

parish, it 'ud be to yourself. It was only last night that I made a

promise against doin' such a thing for man or mortual. We're a'most

broken an' harrish'd out o' house an' home by it; an' what's more,

Condy, we intend to give up the business. The landlord's at us every day

for his rint, an' we owe for the two last kegs we got, but hasn't a

rap to meet aither o' thim; an' enough due to us if we could get

it together: an' whisper, Condy, atween ourselves, that's what ails

Pettier, although he doesn't wish to let an to any one about it.”

“Well, but you know I'm safe, Ellish?”

“I know you are, avourneen, as the bank itself; an' should have what you

want wid a heart an' a half, only for the promise I made an my two knees

last night, aginst givin' credit to man or woman. Why the dickens didn't

you come yistherday?”

“Didn't I tell you, woman alive, that it was by accident, an' that I

wished to sarve the house, that we came at all. Come, come, Ellish;

don't disgrace me afore my sisther's bachelor an' the sthrange boys

that's to the fore. By this staff in my hand, I wouldn't for the best

cow in our byre be put to the blush afore thim; an' besides, there's a

_cleeveen_ (* a kind of indirect relationship) atween your family an'

ours.”

“Condy, avourneen, say no more: if you were fed from the same breast wid

me, I couldn't, nor wouldn't break my promise. I wouldn't have the sin

of it an me for the wealth o' the three kingdoms.”

“Beclad, you're a quare woman; an' only that my regard for you is great

entirely, we would be two, Ellish; but I know you're dacent still.”

He then left her and joined his friends in the little room that was

appropriated for drinking, where, with a great deal of mirth, he related

the failure of the plan they had formed for outwitting Peter and Ellish.

“Boys,” said he, “she's too many for us! St. Pettier himself wouldn't

make a hand of her. Faix, she's a cute one. I palavered her at the

rate of a hunt, an' she ped me back in my own coin, with dacent

intherest--but no whiskey!--Now to take a rise out o' Pettier. Jist sit

where ye are, till I come back.”

He left them enjoying the intended “spree,” and went back to Ellish.

“Well, I'm sure, Ellish, if any one had tuck their book oath that you'd

refuse my father's son such a thrifle, I wouldn't believe them. It's not

wid Pettier's knowledge you do it, I'll be bound. But bad as you thrated

us, sure we must see how the poor fellow is, at an rate.”

As he spoke, and before Ellish had time to prevent him, he pressed into

the room where Peter lay.

“Why, tare alive, Pether, is it in bed you are at this hour of the day?”

“Eh? Who's that--who's that? oh!”

“Why thin, the sarra lie undher you, is that the way wid you?”

“Oh!--oh! Eh? Is that Condy?”

“All that's to the fore of him. What's asthray wid you man alive?”

“Throth, Condy, I don't know, rightly. I went out, wantin' my coat,

about a week ago, an' got cowld in the small o' the back; I've a pain in

it ever since. Be sittin'.”

“Is your heart safe? You have no smotherin' or anything upon it?”

“Why thin, thank goodness, no; it's all about my back an' my inches.”

“Divil a thing it is but a complaint they call an _alloverness_ ails

you, you shkaimer o' the world wide. 'Tis the oil o' the hazel, or a

rubbin' down wid an oak towel you want. Get up, I say, or, by this an'

by that, I'll flail you widin an inch o' your life.”

“Is it beside yourself you are, Condy?”

“No, no, faix; I've found you out: Ellish is afther tellin' me that it

was a smotherin' on the heart; but it's a pain in the small o' the back

wid yourself. Oh, you born desaver! Get up, I say agin, afore I take the

stick to you!”

“Why, thin, all sorts o' fortune to you, Condy--ha, ha, ha!--but you're

the sarra's pet, for there's no escapin' you. What was that I hard

atween you an' Ellish?” said Peter, getting up.

“The sarra matther to you. If you behave yourself, we may let you into

the wrong side o' the sacret afore you die. Go an' get us a pint of what

you know,” replied Condy, as he and Peter entered the kitchen.

“Ellish,” said Peter, “I suppose we must give it to thim. Give it--give

it, avourneen. Now, Condy, whin 'ill you pay me for this?”

“Never fret yourself about that; you'll be ped. Honor bright, as the

black said whin he stole the boots.”

“Now Pettier,” said the wife, “sure it's no use axin' me to give it,

afther the promise I made last night. Give it yourself; for me, I'll

have no hand in such things good or bad. I hope we'll soon get out of it

altogether, for myselfs sick an' sore of it, dear knows!”

Pettier accordingly furnished them with the liquor, and got a promise

that Condy would certainly pay him at mass on the following Sunday,

which was only three days distant. The fun of the boys was exuberant

at Condy's success: they drank, and laughed, and sang, until pint after

pint followed in rapid succession.

Every additional inroad upon the keg brought a fresh groan from Ellish;

and even Peter himself began to look blank as their potations deepened.

When the night was far advanced they departed, after having first

overwhelmed Ellish with professions of the warmest friendship, promising

that in future she exclusively should reap whatever benefit was to be

derived from their patronage.

Phil Purcel, The Pig-Driver; The Geography Of An Irish Oath; The Lianhan Shee Traits And Stories Of The Irish Peasantry, The Works of William Carleton, Volume Three · 第 4 / 14 段