I say, Bishu, I don’t quite trust your Nandini.

_Bishu_

Why, what has she done?

_Gôkul_

She does nothing, that’s the rub. I don’t understand the way she goes

on.

_Chandrá_

To see her flaunting her prettiness all over the place makes me sick.

_Gôkul_

We can trust features that are plain enough to understand.

_Bishu_

I know the atmosphere of this place breeds contempt for beauty. There

must be beauty even in hell; but nobody there can understand it,

that’s their cruellest punishment.

_Chandrá_

Maybe we are fools, but even our Governor here can’t stand her--d’you

know that?

_Bishu_

Take care, Chandrá, lest you catch the infection of our Governor’s

eyes--then perhaps yours too will redden at the sight of us. What say

you, Phágulal?

_Phágulal_

To tell you the truth, brother, when I see Nandini, I feel ashamed to

think of myself. I can’t utter a word when she’s there.

_Gôkul_

The day will come when you’ll know her to your cost,--perhaps too

late.

[_Goes._

_Phágulal_

Bishu, your friend Chandrá wants to know why we drink.

_Bishu_

God in his mercy has everywhere provided a liberal allowance of

drink. We men with our arms supply the output of our muscles, you

women with yours supply the wine of embraces. In this world there is

hunger to force us to work; but there’s also the green of the woods,

the gold of the sunshine, to make us drunk with their holiday-call.

_Chandrá_

You call these things _drink_?

_Bishu_

Yes, drinks of life, an endless stream of intoxication. Take my case.

I come to this place; I am set to work burgling the underworld; for

me nature’s own ration of spirits is stopped; so my inner man craves

the artificial wine of the market place.

(_Sings_)

_My life, your sap has run dry,

Fill then the cup with the wine of death,

That flushes all emptiness with its laughter._

_Chandrá_

Come, brother, let us fly from here.

_Bishu_

To that boundless tavern, underneath the blue canopy? Alas, the road

is closed, and we seek consolation in the stolen wine of the prison

house. No open sky, no leisure for us; so we have distilled the

essence of all the song and laughter, all the sunlight of the twelve

hours’ day into one draught of liquid fire.

(_Sings_)

_Thy sun is hidden amid a mass of murky cloud.

Thy day has smudged itself black in dusty toil.

Then let the dark night descend

the last comrade of drunken oblivion.

Let it cover thy tired eyes with the mist

that will help thee desperately to lose thyself._

_Chandrá_

Well, well, Bishu, you men have gone to the dogs in Yaksha Town, if

you like, but we women haven’t changed at all.

_Bishu_

Haven’t you? Your flowers have faded, and you are all slavering for

gold.

_Chandrá_

No, never!

_Bishu_

I say, yes. That Phágulal toils for hours over and above the

twelve,--why? For a reason unknown to him, unknown even to you. But

_I_ know. It’s your dream of gold that lashes him on to work, more

severely than the foreman’s whip.

_Chandrá_

Very well. Then why don’t we fly from here, and go back home?

_Bishu_

Your Governor has closed the way as well as the will to return. If

you go there to-day you will fly back here to-morrow, like a caged

bird to its cage, hankering for its drugged food.

_Phágulal_

I say, Bishu, once upon a time you came very near spoiling your

eyesight poring over books; how is it they made you ply the spade

along with the rest of us stupid boors?

_Chandrá_

All this time we’ve been here, we haven’t got from Bishu the answer

to this particular question.

_Phágulal_

Yet we all know it.

_Bishu_

Well, out with it then!

_Phágulal_

They employed you to spy on us.

_Bishu_

If you knew that, how is it you let me off alive?

_Phágulal_

But, we knew also, that game was not in your line.

_Chandrá_

How is it you couldn’t stick to such a comfortable job, brother?

_Bishu_

Comfortable job? To stick to a living being like a carbuncle on his

back?

Red oleanders · 第 22 / 66 题