"I think you ascribe a great deal too much potency to the grave," said

Septimius, pausing involuntarily alone by the little hillock, whose

contents he knew so well. "The grave seems to me a vile pitfall, put right

in our pathway, and catching most of us,--all of us,--causing us to tumble

in at the most inconvenient opportunities, so that all human life is a

jest and a farce, just for the sake of this inopportune death; for I

observe it never waits for us to accomplish anything: we may have the

salvation of a country in hand, but we are none the less likely to die for

that. So that, being a believer, on the whole, in the wisdom and

graciousness of Providence, I am convinced that dying is a mistake, and

that by and by we shall overcome it. I say there is no use in the grave."

"I still adhere to what I said," answered Sibyl Dacy; "and besides, there

is another use of a grave which I have often observed in old English

graveyards, where the moss grows green, and embosses the letters of the

gravestones; and also graves are very good for flower-beds."

Nobody ever could tell when the strange girl was going to say what was

laughable,--when what was melancholy; and neither of Sibyl's auditors knew

quite what to make of this speech. Neither could Septimius fail to be a

little startled by seeing her, as she spoke of the grave as a flower-bed,

stoop down to the little hillock to examine the flowers, which, indeed,

seemed to prove her words by growing there in strange abundance, and of

many sorts; so that, if they could all have bloomed at once, the spot

would have looked like a bouquet by itself, or as if the earth were

richest in beauty there, or as if seeds had been lavished by some florist.

Septimius could not account for it, for though the hill-side did produce

certain flowers,--the aster, the golden-rod, the violet, and other such

simple and common things,--yet this seemed as if a carpet of bright colors

had been thrown down there and covered the spot.

"This is very strange," said he.

"Yes," said Sibyl Dacy, "there is some strange richness in this little spot

of soil."

"Where could the seeds have come from?--that is the greatest wonder," said

Rose. "You might almost teach me botany, methinks, on this one spot."

"Do you know this plant?" asked Sibyl of Septimius, pointing to one not yet

in flower, but of singular leaf, that was thrusting itself up out of the

ground, on the very centre of the grave, over where the breast of the

sleeper below might seem to be. "I think there is no other here like it."

Septimius stooped down to examine it, and was convinced that it was unlike

anything he had seen of the flower kind; a leaf of a dark green, with

purple veins traversing it, it had a sort of questionable aspect, as some

plants have, so that you would think it very likely to be poison, and

would not like to touch or smell very intimately, without first inquiring

who would be its guarantee that it should do no mischief. That it had some

richness or other, either baneful or beneficial, you could not doubt.

"I think it poisonous," said Rose Garfield, shuddering, for she was a

person so natural she hated poisonous things, or anything speckled

especially, and did not, indeed, love strangeness. "Yet I should not

wonder if it bore a beautiful flower by and by. Nevertheless, if I were to

do just as I feel inclined, I should root it up and fling it away."

"Shall she do so?" said Sibyl to Septimius.

"Not for the world," said he, hastily. "Above all things, I desire to see

what will come of this plant."

"Be it as you please," said Sibyl. "Meanwhile, if you like to sit down here

and listen to me, I will tell you a story that happens to come into my

mind just now,--I cannot tell why. It is a legend of an old hall that I

know well, and have known from my childhood, in one of the northern

counties of England, where I was born. Would you like to hear it, Rose?"

"Yes, of all things," said she. "I like all stories of hall and cottage in

the old country, though now we must not call it our country any more."

Sibyl looked at Septimius, as if to inquire whether he, too, chose to

listen to her story, and he made answer:--

"Yes, I shall like to hear the legend, if it is a genuine one that has been

adopted into the popular belief, and came down in chimney-corners with the

smoke and soot that gathers there; and incrusted over with humanity, by

passing from one homely mind to another. Then, such stories get to be

true, in a certain sense, and indeed in that sense may be called true

throughout, for the very nucleus, the fiction in them, seems to have come

out of the heart of man in a way that cannot be imitated of malice

aforethought. Nobody can make a tradition; it takes a century to make

it."

"I know not whether this legend has the character you mean," said Sibyl,

"but it has lived much more than a century; and here it is.

* * * * *

"On the threshold of one of the doors of ---- Hall there is a bloody

footstep impressed into the doorstep, and ruddy as if the bloody foot had

just trodden there; and it is averred that, on a certain night of the

year, and at a certain hour of the night, if you go and look at that

doorstep you will see the mark wet with fresh blood. Some have pretended

to say that this appearance of blood was but dew; but can dew redden a

cambric handkerchief? Will it crimson the fingertips when you touch it?

And that is what the bloody footstep will surely do when the appointed

night and hour come round, this very year, just as it would three hundred

years ago.

"Well; but how did it come there? I know not precisely in what age it was,

but long ago, when light was beginning to shine into what were called the

dark ages, there was a lord of ---- Hall who applied himself deeply to

knowledge and science, under the guidance of the wisest man of that

age,--a man so wise that he was thought to be a wizard; and, indeed, he

may have been one, if to be a wizard consists in having command over

secret powers of nature, that other men do not even suspect the existence

of, and the control of which enables one to do feats that seem as

wonderful as raising the dead. It is needless to tell you all the strange

stories that have survived to this day about the old Hall; and how it is

believed that the master of it, owing to his ancient science, has still a

sort of residence there, and control of the place; and how, in one of the

chambers, there is still his antique table, and his chair, and some rude

old instruments and machinery, and a book, and everything in readiness,

just as if he might still come back to finish some experiment. What it is

important to say is, that one of the chief things to which the old lord

applied himself was to discover the means of prolonging his own life, so

that its duration should be indefinite, if not infinite; and such was his

science, that he was believed to have attained this magnificent and awful

purpose.

"So, as you may suppose, the man of science had great joy in having done

this thing, both for the pride of it, and because it was so delightful a

thing to have before him the prospect of endless time, which he might

spend in adding more and more to his science, and so doing good to the

world; for the chief obstruction to the improvement of the world and the

growth of knowledge is, that mankind cannot go straightforward in it, but

continually there have to be new beginnings, and it takes every new man

half his life, if not the whole of it, to come up to the point where his

predecessor left off. And so this noble man--this man of a noble

purpose--spent many years in finding out this mighty secret; and at last,

it is said, he succeeded. But on what terms?

"Well, it is said that the terms were dreadful and horrible; insomuch that

the wise man hesitated whether it were lawful and desirable to take

advantage of them, great as was the object in view.

"You see, the object of the lord of ---- Hall was to take a life from the

course of Nature, and Nature did not choose to be defrauded; so that,

great as was the power of this scientific man over her, she would not

consent that he should escape the necessity of dying at his proper time,

except upon condition of sacrificing some other life for his; and this was

to be done once for every thirty years that he chose to live, thirty years

being the account of a generation of man; and if in any way, in that time,

this lord could be the death of a human being, that satisfied the

requisition, and he might live on. There is a form of the legend which

says, that one of the ingredients of the drink which the nobleman brewed

by his science was the heart's blood of a pure young boy or girl. But this

I reject, as too coarse an idea; and, indeed, I think it may be taken to

mean symbolically, that the person who desires to engross to himself more

than his share of human life must do it by sacrificing to his selfishness

some dearest interest of another person, who has a good right to life, and

may be as useful in it as he.

"Now, this lord was a just man by nature, and if he had gone astray, it was

greatly by reason of his earnest wish to do something for the poor,

wicked, struggling, bloody, uncomfortable race of man, to which he

belonged. He bethought himself whether he would have a right to take the

life of one of those creatures, without their own consent, in order to

prolong his own; and after much arguing to and fro, he came to the

conclusion that he should not have the right, unless it were a life over

which he had control, and which was the next to his own. He looked round

him; he was a lonely and abstracted man, secluded by his studies from

human affections, and there was but one human being whom he cared

for;--that was a beautiful kinswoman, an orphan, whom his father had

brought up, and, dying, left her to his care. There was great kindness and

affection--as great as the abstracted nature of his pursuits would

allow--on the part of this lord towards the beautiful young girl; but not

what is called love,--at least, he never acknowledged it to himself. But,

looking into his heart, he saw that she, if any one, was to be the person

whom the sacrifice demanded, and that he might kill twenty others without

effect, but if he took the life of this one, it would make the charm

strong and good.

"My friends, I have meditated many a time on this ugly feature of my

legend, and am unwilling to take it in the literal sense; so I conceive

its spiritual meaning (for everything, you know, has its spiritual

meaning, which to the literal meaning is what the soul is to the

body),--its spiritual meaning was, that to the deep pursuit of science we

must sacrifice great part of the joy of life; that nobody can be great,

and do great things, without giving up to death, so far as he regards his

enjoyment of it, much that he would gladly enjoy; and in that sense I

choose to take it. But the earthly old legend will have it that this mad,

high-minded, heroic, murderous lord did insist upon it with himself that

he must murder this poor, loving, and beloved child.

"I do not wish to delay upon this horrible matter, and to tell you how he

argued it with himself; and how, the more and more he argued it, the more

reasonable it seemed, the more absolutely necessary, the more a duty that

the terrible sacrifice should be made. Here was this great good to be done

to mankind, and all that stood in the way of it was one little delicate

life, so frail that it was likely enough to be blown out, any day, by the

mere rude blast that the rush of life creates, as it streams along, or by

any slightest accident; so good and pure, too, that she was quite unfit

for this world, and not capable of any happiness in it; and all that was

asked of her was to allow herself to be transported to a place where she

would be happy, and would find companions fit for her,--which he, her only

present companion, certainly was not. In fine, he resolved to shed the

sweet, fragrant blood of this little violet that loved him so.

"Well; let us hurry over this part of the story as fast as we can. He did

slay this pure young girl; he took her into the wood near the house, an

old wood that is standing yet, with some of its magnificent oaks; and then

he plunged a dagger into her heart, after they had had a very tender and

loving talk together, in which he had tried to open the matter tenderly to

her, and make her understand that, though he was to slay her, it was

really for the very reason that he loved her better than anything else in

the world, and that he would far rather die himself, if that would answer

the purpose at all. Indeed, he is said to have offered her the alternative

of slaying him, and taking upon herself the burden of indefinite life, and

the studies and pursuits by which he meant to benefit mankind. But she, it

is said,--this noble, pure, loving child,--she looked up into his face and

smiled sadly, and then snatching the dagger from him, she plunged it into

her own heart. I cannot tell whether this be true, or whether she waited

to be killed by him; but this I know, that in the same circumstances I

think I should have saved my lover or my friend the pain of killing me.

There she lay dead, at any rate, and he buried her in the wood, and

returned to the house; and, as it happened, he had set his right foot in

her blood, and his shoe was wet in it, and by some miraculous fate it left

a track all along the wood-path, and into the house, and on the stone

steps of the threshold, and up into his chamber, all along; and the

servants saw it the next day, and wondered, and whispered, and missed the

fair young girl, and looked askance at their lord's right foot, and turned

pale, all of them, as death.

"And next, the legend says, that Sir Forrester was struck with horror at

what he had done, and could not bear the laboratory where he had toiled so

long, and was sick to death of the object that he had pursued, and was

most miserable, and fled from his old Hall, and was gone full many a day.

But all the while he was gone there was the mark of a bloody footstep

impressed upon the stone doorstep of the Hall. The track had lain all

along through the wood-path, and across the lawn, to the old Gothic door

of the Hall; but the rain, the English rain, that is always falling, had

come the next day, and washed it all away. The track had lain, too, across

the broad hall, and up the stairs, and into the lord's study; but there it

had lain on the rushes that were strewn there, and these the servants had

gathered carefully up, and thrown them away, and spread fresh ones. So

that it was only on the threshold that the mark remained.

"But the legend says, that wherever Sir Forrester went, in his wanderings

about the world, he left a bloody track behind him. It was wonderful, and

very inconvenient, this phenomenon. When he went into a church, you would

see the track up the broad aisle, and a little red puddle in the place

where he sat or knelt. Once he went to the king's court, and there being a

track up to the very throne, the king frowned upon him, so that he never

came there any more. Nobody could tell how it happened; his foot was not

seen to bleed, only there was the bloody track behind him, wherever he

went; and he was a horror-stricken man, always looking behind him to see

the track, and then hurrying onward, as if to escape his own tracks; but

always they followed him as fast.

"In the hall of feasting, there was the bloody track to his chair. The

learned men whom he consulted about this strange difficulty conferred with

one another, and with him, who was equal to any of them, and pished and

pshawed, and said, 'Oh, there is nothing miraculous in this; it is only a

natural infirmity, which can easily be put an end to, though, perhaps, the

stoppage of such an evacuation will cause damage to other parts of the

frame.' Sir Forrester always said, 'Stop it, my learned brethren, if you

can; no matter what the consequences.' And they did their best, but

without result; so that he was still compelled to leave his bloody track

on their college-rooms and combination-rooms, the same as elsewhere; and

in street and in wilderness; yes, and in the battle-field, they said, his

track looked freshest and reddest of all. So, at last, finding the notice

he attracted inconvenient, this unfortunate lord deemed it best to go back

to his own Hall, where, living among faithful old servants born in the

family, he could hush the matter up better than elsewhere, and not be

stared at continually, or, glancing round, see people holding up their

hands in terror at seeing a bloody track behind him. And so home he came,

and there he saw the bloody track on the doorstep, and dolefully went into

the hall, and up the stairs, an old servant ushering him into his chamber,

and half a dozen others following behind, gazing, shuddering, pointing

with quivering fingers, looking horror-stricken in one another's pale

faces, and the moment he had passed, running to get fresh rushes, and to

scour the stairs. The next day, Sir Forrester went into the wood, and by

the aged oak he found a grave, and on the grave he beheld a beautiful

crimson flower; the most gorgeous and beautiful, surely, that ever grew;

so rich it looked, so full of potent juice. That flower he gathered; and

the spirit of his scientific pursuits coming upon him, he knew that this

was the flower, produced out of a human life, that was essential to the

perfection of his recipe for immortality; and he made the drink, and drank

it, and became immortal in woe and agony, still studying, still growing

wiser and more wretched in every age. By and by he vanished from the old

Hall, but not by death; for, from generation to generation, they say that

a bloody track is seen around that house, and sometimes it is tracked up

into the chambers, so freshly that you see he must have passed a short

time before; and he grows wiser and wiser, and lonelier and lonelier, from

age to age. And this is the legend of the bloody footstep, which I myself

have seen at the Hall door. As to the flower, the plant of it continued

for several years to grow out of the grave; and after a while, perhaps a

century ago, it was transplanted into the garden of ---- Hall, and

preserved with great care, and is so still. And as the family attribute a

kind of sacredness, or cursedness, to the flower, they can hardly be

prevailed upon to give any of the seeds, or allow it to be propagated

elsewhere, though the king should send to ask it. It is said, too, that

there is still in the family the old lord's recipe for immortality, and

that several of his collateral descendants have tried to concoct it, and

instil the flower into it, and so give indefinite life; but

unsuccessfully, because the seeds of the flower must be planted in a fresh

grave of bloody death, in order to make it effectual."

* * * * *

So ended Sibyl's legend; in which Septimius was struck by a certain analogy

to Aunt Keziah's Indian legend,--both referring to a flower growing out of

a grave; and also he did not fail to be impressed with the wild

coincidence of this disappearance of an ancestor of the family long ago,

and the appearance, at about the same epoch, of the first known ancestor

of his own family, the man with wizard's attributes, with the bloody

footstep, and whose sudden disappearance became a myth, under the idea

that the Devil carried him away. Yet, on the whole, this wild tradition,

doubtless becoming wilder in Sibyl's wayward and morbid fancy, had the

effect to give him a sense of the fantasticalness of his present pursuit,

and that in adopting it, he had strayed into a region long abandoned to

superstition, and where the shadows of forgotten dreams go when men are

done with them; where past worships are; where great Pan went when he died

to the outer world; a limbo into which living men sometimes stray when

they think themselves sensiblest and wisest, and whence they do not often

find their way back into the real world. Visions of wealth, visions of

fame, visions of philanthropy,--all visions find room here, and glide

about without jostling. When Septimius came to look at the matter in his

present mood, the thought occurred to him that he had perhaps got into

such a limbo, and that Sibyl's legend, which looked so wild, might be all

of a piece with his own present life; for Sibyl herself seemed an

illusion, and so, most strangely, did Aunt Keziah, whom he had known all

his life, with her homely and quaint characteristics; the grim doctor,

with his brandy and his German pipe, impressed him in the same way; and

these, altogether, made his homely cottage by the wayside seem an

unsubstantial edifice, such as castles in the air are built of, and the

ground he trod on unreal; and that grave, which he knew to contain the

decay of a beautiful young man, but a fictitious swell, formed by the

fantasy of his eyes. All unreal; all illusion! Was Rose Garfield a

deception too, with her daily beauty, and daily cheerfulness, and daily

worth? In short, it was such a moment as I suppose all men feel (at least,

I can answer for one), when the real scene and picture of life swims,

jars, shakes, seems about to be broken up and dispersed, like the picture

in a smooth pond, when we disturb its tranquil mirror by throwing in a

stone; and though the scene soon settles itself, and looks as real as

before, a haunting doubt keeps close at hand, as long as we live, asking,

"Is it stable? Am I sure of it? Am I certainly not dreaming? See; it

trembles again, ready to dissolve."

* * * * *

Applying himself with earnest diligence to his attempt to decipher and

interpret the mysterious manuscript, working with his whole mind and

strength, Septimius did not fail of some flattering degree of success.

A good deal of the manuscript, as has been said, was in an ancient English

script, although so uncouth and shapeless were the characters, that it was

not easy to resolve them into letters, or to believe that they were

anything but arbitrary and dismal blots and scrawls upon the yellow paper;

without meaning, vague, like the misty and undefined germs of thought as

they exist in our minds before clothing themselves in words. These,

however, as he concentrated his mind upon them, took distincter shape,

like cloudy stars at the power of the telescope, and became sometimes

English, sometimes Latin, strangely patched together, as if, so accustomed

was the writer to use that language in which all the science of that age

was usually embodied, that he really mixed it unconsciously with the

vernacular, or used both indiscriminately. There was some Greek, too, but

not much. Then frequently came in the cipher, to the study of which

Septimius had applied himself for some time back, with the aid of the

books borrowed from the college library, and not without success. Indeed,

it appeared to him, on close observation, that it had not been the

intention of the writer really to conceal what he had written from any

earnest student, but rather to lock it up for safety in a sort of coffer,

of which diligence and insight should be the key, and the keen

intelligence with which the meaning was sought should be the test of the

seeker's being entitled to possess the secret treasure.

Septimius Felton, or, the Elixir of Life · 第 7 / 14 段