HATHORNE FAMILY OF SALEM, MASSACHUSETTS.

Hathorne =

|

+-------------------+-------------+---------+-----+

| | | |

Robert Hathorne William, came in the = Anne | John Hathorne of = Sarah

writes to his Arbella, with John | | Salem and Lynn, |

brother, William, Winthrop 1630; first | | died in Lynn |

from Bray (Berks), of Dorchester; | | 12 Dec. 1676. |

1 April, 1653. afterwards of Salem; | | Will sworn to |

deputy, speaker of | | 25-1-1677. |

the House, | | |

Assistant, Major | | |

commanding in | | |

Indian Wars; ob. | | |

1681 in 74th year of | | |

his age. Will proved | | |

28 June, 1681. | | |

| | |

+--------------------------------------+ | |

| | |

| +-------------------+ |

| | |

| Elizabeth = Capt. Richard Davenport |

| (?) killed by lightning |

| 15 July, 1665. |

| |

| +-------+-----------+---+--------------+-+---+---------------+

| | | | | | | | |

| | John | William b. in | | Phebe b. in Lynn |

| | bapt. at Salem | Lynn ---- Nov. | | 22 March, 1665. |

| | 18 Oct. 1646. | 1651; d. 14 Sept.| | |

| | | 1676. | | |

| | | | | |

| | | | | |

| Sarah bapt. at Salem | | Ebenezer b. in Lynn |

| 2 June, 1644. | | ---- March, 1656. |

| Priscilla | |

| bapt. at Salem | |

| 22 July, 1649; Mary b. in Lynn |

| m. 15 Jan. 1669 ---- July 1653; |

| to Jonathan Shore. d. 31 Dec. 1676. |

| |

| Nathaniel

| named in his

| father's will.

+-+--------------+--+------+---------------+-+-----+-----------+

| | | | | | | |

---- = ---- | | Nathaniel | | William = Sarah |

(dau.) | Helwise | | b. 11 Aug. 1639. | | b. 1 Apr. |

| | | | | 1645; |

Gervice Helwise | | | | d. 14 July, |

in "Urop" | | | | 1676. Captain. |

according | | | | |

to his gr. | | | | |

father's will. | | | | |

| | | Anna born |

| | | 12 Dec. 1643; |

| | | m. 27 Jan. 1664-5 |

| | | to Joseph Porter. |

| Eleazer b. 1 Aug. 1637; | +-----------+

| m. 28-6-1663, Abigail, | |

| dau. of Capt. George | Elizabeth

| Curwen, of Salem. | b. 22 July, 1649;

| | m. 20-9-1672

Sarah born 11 March, 1644-5; | to Israel Porter.

m. 13 April, 1665, to Joseph |

Coker of Newbury, and died |

3 Feb'y, 1688. |

+-------------------------+

|

John b. 4 Aug. 1641 = Ruth dau. of Lieut.

representative; Assistant; | George Gardner;

Judge in Witchcraft cases; | married 22-1-1674-5.

Judge Sup. Court 1702-15; |

Colonel; died 10 May, |

1717; will proved 27 June, |

1717. |

|

+--------------------+--------+-------+----+--+-------------------+

| | | | | |

John b. 10 Jan'y 1675. | | | | |

| | | Ruth, = James Pitman |

Nathaniel = Ebenezer | bapt. |

b. 25 Nov.| bapt. Mch. 1685. | Sept. 1694. |

1678. | | Benjamin

+--------+ | (named in his

| | father's will).

John mentioned |

in his gr. father's will. |

+-------------------+

|

Joseph bapt. June, 1691. = Sara dau. of Capt. W.

Will proved 15 July, 1762. | Bowditch b. 10 Jan'y,

| 1695-6.

|

+---------------------+-------+---+-------------------+---------+--+

| | | | | | |

William = Mary dau. of | | Sarah = Daniel Chever | | |

born 20 John Touzell | | bapt. | | |

Feb'y, m. 29 March, | | 27 Jan. 1722. | | |

1715-1716. 1741. | | Ebenezer | |

Joseph | bapt. 26 Dec. 1725. | |

bapt. 4th | +-----------------+ |

May, 1718. | | +---------------+

| | |

| | Ruth = David Ropes

| | m. 30 Sept.

+---------------------+ | 1752.

| |

John bapt. = Susanna Touzell |

22 May, 1719, | will pro. 7 Sept. |

d. 6 Feb'y, 1750. | 1802. |

| |

+--John } |

| } ment. in will |

+--Susanna} of gr. father. |

|

Daniel, a mariner; = Rachel Phelps

adm. gr. to wid. |

4 May, 1796. |

|

+----------------+----+--------+---------+---+------+---+

| | | | | | | |

Daniel | Eunice | | | Ruth b. |

b. 23 June, 1759; | b. 4 Oct. | | | 20 Jan. |

d. 13 Mar. 1763. | 1766. | | | 1778; d. |

+----------------+ Ob. s. p. | | | 26 July, |

| Daniel | | 1847. |

Sarah = John Crowninshield. b. 25 July, | | |

b. 11 May 1763. 1768. | | Rachel = Simon

+-------------------------------+ | | Forrester.

| | |

Judith = George Archer | --

b. 17 Apr. 1770. m. 2 March, 1792. |

|

+-------------------------------------------+

|

Nathaniel, Sea Captain; b. 19 May, 1775; = Elizabeth Clarke Manning

adm. gr. to his wid. 19 Apr. 1808; | b. 6 Sept. 1780;

died in Surinam. | died 31 July, 1849.

|

+-----------------+-----------------+------------------+

| | |

Elizabeth Manning | Maria Louisa

born 7 March, 1802; | b. 9 Jan'y, 1808;

died 1 Jan'y, 1883. | lost in the steamer

| Henry Clay, burned

| on the Hudson River

| 27 July, 1852.

|

+NATHANIEL+ b. 4 July, 1804; = Sophia, dau. of Doc. Nathl. Peabody,

d. at Plymouth, N. H. of Salem; b. 21 Sept. 1809; mar. in

19 May, 1864. Boston July, 1842.

Buried at Concord, Mass.

23 May, 1864.

He changed his surname to

Hawthorne.

The founders of the American branch were men of independent character,

proud, active, energetic, capable of extreme sternness and endowed with

passionate natures, no doubt. But they were men of affairs; they touched

the world on the practical side, and, even during the decline of the

family fortunes, continued to do so. All at once, in the personality of

the younger Nathaniel Hawthorne, this energy which persisted in them

reversed its direction, and found a new outlet through the channel of

literary expression. We must suppose that he included among his own

characteristics all those of his predecessors; their innate force, their

endurance, their capacity for impassioned feeling; but in him these

elements were fused by a finer prevailing quality, and held in firm

balance by his rare temperament. This must be borne in mind, if we would

understand the conjunction of opposite traits in him. It was one of his

principles to guard against being run away with by his imagination, and

to cultivate in practical affairs what he called "a morose common

sense." There has been attributed to him by some of those who knew him

a certain good-humored gruffness, which might be explained as a heritage

from the self-assertive vitality of his ancestors. While at Liverpool he

wrote to one of his intimates in this country, and in doing so made

reference to another acquaintance as a "wretch," to be away from whom

made exile endurable. The letter passed into the hands of the

acquaintance thus stigmatized long after Hawthorne was in his grave; but

he declared himself to be in no wise disturbed by it, because he knew

that the remark was not meant seriously, being only one of the

occasional explosions of a "sea-dog" forcefulness, which had come into

the writer's blood from his skipper forefathers. Hawthorne had, in fact,

parted on friendly terms from the gentleman of whom he thus wrote. On

the other hand we have the traits of sensitiveness, great delicacy,

reserve and reverie, drawn from both his father and his mother. Captain

Hathorne had been a man of fine presence, handsome, kindly, and rather

silent; a reader, likewise; and his son's resemblance to him was so

marked that a strange sailor stopped Hawthorne on the steps of the Salem

Custom House, many years afterward, to ask him if he were not a son or

nephew of the Captain, whom he had known.

His mother belonged to an excellent family, the Mannings, of English

stock, settled in Salem and Ipswich ever since 1680, and still well

represented in the former place. She, too, was a very reserved person;

had a stately, aristocratic manner; is remembered as possessing a

peculiar and striking beauty. Her education was of that simple, austere,

but judicious and perfected kind that--without taking any very wide

range--gave to New England women in the earlier part of this century a

sedate freedom and a cultivated judgment, which all the assumed

improvements in pedagogy and the general relations of men and women

since then have hardly surpassed. She was a pious woman, a sincere and

devoted wife, a mother whose teachings could not fail to impress upon

her children a bias towards the best things in life. Nathaniel's sister

Elizabeth, although a recluse to the end of her days, and wholly unknown

to the public, gave in her own case evidence indisputable of the fine

influences which had moulded her own childhood and that of her brother.

She showed a quiet, unspoiled, and ardent love of Nature, and was to the

last not only an assiduous reader of books but also a very discriminating

one. The range of her reading was very wide, but she never made any more

display of it than Hawthorne did of his. An intuitive judgment of

character was hers, which was really startling at times: merely from the

perusal of a book or the inspection of a portrait, she would arrive at

accurate estimates of character which revealed a power of facile and

comprehensive insight; and her letters, even in old age, flowed

spontaneously into utterance of the same finished kind that distinguished

Nathaniel Hawthorne's epistolary style. How fresh and various, too, was

her interest in the affairs of the world! For many years she had not

gone farther from her secluded abode in a farm-house at Montserrat, than

to Beverly or Salem; yet I remember that, only six months before her

death, she wrote a letter to her niece, a large part of which was

devoted to the campaign of the English in Egypt, then progressing: with

a lively and clear comprehension she discussed the difficulties of the

situation, and expressed the utmost concern for the success of the

English army, at the same time that she laughed at herself for

displaying, as an old woman, so much anxiety about the matter. Now, a

mother who could bring up her daughter in such a way as to make all this

possible and natural, must be given much credit for her share in

developing an illustrious son. Let us not forget that it was to his

mother that Goethe owed in good measure the foundation of his greatness.

Mrs. Hathorne had large, very luminous gray eyes, which were reproduced

in her son's; so that, on both sides, his parentage entitled him to the

impressive personal appearance which distinguished him. In mature life

he became somewhat estranged from her, but their mutual love was

presumably suspended only for a time, and he was with her at her death,

in 1849. She lived long enough to see him famous as the author of

"Twice-Told Tales"; but "The Scarlet Letter" had not been written when

she died.

She, as well as her husband, was one of a family of eight brothers and

sisters; these were the children of Richard Manning. Two of the

brothers, Richard and Robert, were living in Salem when she was left a

widow; Robert being eminent in New England at that time as a

horticulturist. She was without resources, other than her husband's

earnings, and Robert undertook to provide for her. Accordingly, she

removed with her young family to the Manning homestead on Herbert

Street, the next street east of Union Street, where Nathaniel was born.

This homestead stood upon a piece of land running through to Union

Street, and adjoining the garden attached to Hawthorne's birthplace. At

that time Dr. Nathaniel Peabody, a physician, occupied a house in a

brick block on the opposite side of Union Street; and there in 1809,

September 21st, was born his daughter, Sophia A. Peabody, who afterwards

became Hawthorne's wife. Her birthplace, therefore, was but a few rods

distant from that of her future husband. Sophia Peabody's eldest sister,

Mary, who married Horace Mann, noted as an educator and an abolitionist,

remembers the child Nathaniel, who was then about five years old. He

used to make his appearance in the garden of the Herbert Street mansion,

running and dancing about there at play, a vivacious, golden-haired boy.

The next oldest sister, who was the first of this family to make the

acquaintance of the young author some thirty years later on, was Miss

Elizabeth P. Peabody, who has taken an important part in developing the

Kindergarten in America. There were plenty of books in the Manning

house, and Nathaniel very soon got at them. Among the authors whom he

earliest came to know were Shakespeare, Milton, Pope, Thomson, and

Rousseau. The "Castle of Indolence" was one of his favorite volumes.

Subsequently, he read the whole of the "Newgate Calendar," and became

intensely absorbed in Bunyan's "Pilgrim's Progress," which undoubtedly

left very deep impressions upon him, traceable in the various allusions

to it scattered through his works. He also made himself familiar with

Spenser's "Faërie Queen," Froissart's "Chronicles," and Clarendon's

"History of the Rebellion."

"Being a healthy boy, with strong out-of-door instincts planted in him

by inheritance from his sea-faring sire, it might have been that he

would not have been brought so early to an intimacy with books, but for

an accident similar to that which played a part in the boyhoods of

Scott and Dickens. When he was nine years old, he was struck on the foot

by a ball, and made seriously lame. The earliest fragment of his writing

now extant is a letter to his uncle Robert Manning, at that time in

Raymond, Maine, written from Salem, December 9, 1813. It announces that

the foot is no better, and that a new doctor is to be sent for. 'Maybe,'

the boy writes, 'he will do me some good, for Dr. B---- has not, and I

don't know as Dr. K---- will.' He adds that it is now four weeks since

he has been to school, 'and I don't know but it will be four weeks

longer.'... But the trouble was destined to last much longer than even

the young seer had projected his gaze. There was some threat of

deformity, and it was not until he was nearly twelve that he became

quite well. Meantime, his kind schoolmaster, Dr. Worcester, ... came to

hear him his lessons at home. The good pedagogue does not figure after

this in Hawthorne's history; but a copy of Worcester's Dictionary still

exists and is in present use, which bears in a tremulous writing on the

fly-leaf the legend: 'Nathaniel Hawthorne Esq., with the respects of J.

E. Worcester.' For a long time, in the worst of his lameness, the gentle

boy was forced to lie prostrate, and choosing the floor for his couch,

he would read there all day long. He was extremely fond of cats--a taste

which he kept through life; and during this illness, forced to odd

resorts for amusement, he knitted a pair of socks for the cat who

reigned in the household at the time. When tired of reading, he

constructed houses of books for the same feline pet, building walls for

her to leap, and perhaps erecting triumphal arches for her to pass

under."[1]

The lexicographer, Dr. Worcester, was then living at Salem in charge of

a school, which he kept for a few years; and it was with him that

Hawthorne was carrying on his primary studies. He also went to

dancing-school, was fond of fishing as well as of taking long walks, and

doubtless engaged in the sundry occupations and sports, neither more nor

less extraordinary than these, common to lads of his age. He already

displayed a tendency towards dry humor. As he brought home from school

frequent reports of having had a bout at fisticuffs with another pupil

named John Knights, his sister Elizabeth asked him: "Why do you fight

with John Knights so often?" "I can't help it," he answered: "John

Knights is a boy of very quarrelsome disposition."

But all this time an interior growth, of which we can have no direct

account, was proceeding in his mind. The loss of the father whom he had

had so little chance to see and know and be fondled by, no doubt

produced a profound effect upon him. While still a very young child he

would rouse himself from long broodings, to exclaim with an impressive

shaking of the head: "There, mother! I is going away to sea some time;

and I'll never come back again!" The thought of that absent one, whose

barque had glided out of Salem harbor bound upon a terrestrial voyage,

but had carried him softly away to the unseen world, must have been

incessantly with the boy; and it would naturally melt into what he heard

of the strange, shadowy history of his ancestors, and mix itself with

the ever-present hush of settled grief in his mother's dwelling, and

blend with his unconscious observations of the old town in which he

lived. Salem then was much younger in time, but much older to the eye,

than it is now. In "Alice Doane's Appeal" he has sketched a rapid

bird's-eye view of it as it appeared to him when he was a young man.

Describing his approach with his sisters to Witch Hill, he says: "We ...

began to ascend a hill which at a distance, by its dark slope and the

even line of its summit, resembled a green rampart along the road; ...

but, strange to tell, though the whole slope and summit were of a

peculiarly deep green, scarce a blade of grass was visible from the base

upward. This deceitful verdure was occasioned by a plentiful crop of

'wood-wax,' which wears the same dark and gloomy green throughout the

summer, except at one short period, when it puts forth a profusion of

yellow blossoms. At that season, to a distant spectator the hill appears

absolutely overlaid with gold, or covered with a glory of sunshine even

under a clouded sky." This wood-wax, it may be said, is a weed which

grows nowhere but in Essex County, and, having been native in England,

was undoubtedly brought over by the Pilgrims. He goes on: "There are few

such prospects of town and village, woodland and cultivated field,

steeples and country-seats, as we beheld from this unhappy spot....

Before us lay our native town, extending from the foot of the hill to

the harbor, level as a chess-board, embraced by two arms of the sea, and

filling the whole peninsula with a close assemblage of wooden roofs,

overtopped by many a spire and intermixed with frequent heaps of

verdure.... Retaining these portions of the scene, and also the peaceful

glory and tender gloom of the declining sun, we threw in imagination a

deep veil of forest over the land, and pictured a few scattered villages

here and there and this old town itself a village, as when the prince of

Hell bore sway there. The idea thus gained of its former aspect, its

quaint edifices standing far apart with peaked roofs and projecting

stories, and its single meeting-house pointing up a tall spire in the

midst; the vision, in short, of the town in 1692, served to introduce a

wondrous tale." There were in fact several old houses of the kind here

described still extant during Hawthorne's boyhood, and he went every

Sunday to service in the First Church, in whose congregation his

forefathers had held a pew for a hundred and seventy years. It is easy

to see how some of the materials for "The House of the Seven Gables" and

"The Scarlet Letter" were already depositing themselves in the form of

indelible recollections and suggestions taken from his surroundings.

Oppressed by her great sorrow, his mother had shut herself away, after

her husband's death, from all society except that of her immediate

relatives. This was perhaps not a very extraordinary circumstance, nor

one that need be construed as denoting a morbid disposition; but it was

one which must have distinctly affected the tone of her son's

meditations. In 1818, when he was fourteen years old, she retired to a

still deeper seclusion, in Maine; but the occasion of this was simply

that her brother Robert, having purchased the seven-mile-square township

of Raymond, in that State, had built a house there, intending to found a

new home. The year that Hawthorne passed in that spot, amid the breezy

life of the forest, fishing and shooting, watching the traits and

customs of lumber-men and country-folk, and drinking in the tonic of a

companionship with untamed nature, was to him a happy and profitable

one. "We are all very well," he wrote thence to his Uncle Robert, in

May, 1819: "The fences are all finished, and the garden is laid out and

planted.... I have shot a partridge and a henhawk, and caught eighteen

large trout out of our brook. I am sorry you intend to send me to school

again." He had been to the place before, probably for short visits, when

his Uncle Richard was staying there, and his memories of it were always

agreeable ones. To Mr. James T. Fields, he said in 1863: "I lived in

Maine like a bird of the air, so perfect was the freedom I enjoyed. But

it was there I first got my cursed habits of solitude." "During the

moonlight nights of winter he would skate until midnight all alone upon

Sebago Lake, with the deep shadows of the icy hills on either hand. When

he found himself far away from his home and weary with the exercise of

skating, he would sometimes take refuge in a log-cabin, where half a

tree would be burning on the broad hearth. He would sit in the ample

chimney, and look at the stars through the great aperture through which

the flames went roaring up. 'Ah,' he said, 'how well I recall the summer

days, also, when with my gun I roamed through the woods of Maine!'"[2]

Hawthorne at this time had an intention of following the example of his

father and grandfather, and going to sea; but this was frustrated by the

course of events. His mother, it is probable, would strongly have

objected to it. In a boyish journal kept while he was at Raymond he

mentions a gentleman having come with a boat to take one or two persons

out on "the Great Pond," and adds: "He was kind enough to say that I

might go (with my mother's consent), which she gave after much coaxing.

Since the loss of my father she dreads to have any one belonging to her

go upon the water." And again: "A young man named Henry Jackson, Jr.,

was drowned two days ago, up in Crooked River.... I read one of the

Psalms to my mother this morning, and it plainly declares twenty-six

times that 'God's mercy endureth forever.'... Mother is sad; says she

shall not consent any more to my swimming in the mill-pond with the

boys, fearing that in sport my mouth might get kicked open, and then

sorrow for a dead son be added to that for a dead father, which she says

would break her heart. I love to swim, but I shall not disobey my

mother." This same journal, which seems to have laid the basis of his

life-long habit of keeping note-books, was begun at the suggestion of

Mr. Richard Manning, who gave him a blank-book, with advice that he

should use it for recording his thoughts, "as the best means of his

securing for mature years command of thought and language." In it were

made a number of entries which testify plainly to his keenness of

observation both of people and scenery, to his sense of humor and his

shrewdness. Here are a few:--

"Swapped pocket-knives with Robinson Cook yesterday. Jacob Dingley says

that he cheated me, but I think not, for I cut a fishing-pole this

morning and did it well; besides, he is a Quaker, and they never cheat."

"This morning the bucket got off the chain, and dropped back into the

well. I wanted to go down on the stones and get it. Mother would not

consent, for fear the well might cave in, but hired Samuel Shaw to go

down. In the goodness of her heart, she thought the son of old Mrs. Shaw

not quite so good as the son of the Widow Hathorne."

Of a trout that he saw caught by some men:--"This trout had a

droll-looking hooked nose, and they tried to make me believe that, if

the line had been in my hands, I should have been obliged to let go, or

have been pulled out of the boat. They are men, and have a right to say

so. I am a boy, and have a right to think differently."

"We could see the White Hills to the northwest, though Mr. Little said

they were eighty miles away; and grand old Rattlesnake to the northeast,

in its immense jacket of green oak, looked more inviting than I had ever

seen it; while Frye's Island, with its close growth of great trees

growing to the very edge of the water, looked like a monstrous green

raft, floating to the southeastward. Whichever way the eye turned,

something charming appeared."

The mental clearness, the sharpness of vision, and the competence of the

language in this early note-book are remarkable, considering the youth

and inexperience of the writer; and there is one sketch of "a

solemn-faced old horse" at the grist-mill, which exhibits a delightful

boyish humor with a dash of pathos in it, and at the same time is the

first instance on record of a mild approach by Hawthorne to the writing

of fiction:--

"He had brought for his owner some bags of corn to be ground, who, after

carrying them into the mill, walked up to Uncle Richard's store, leaving

his half-starved animal in the cold wind with nothing to eat, while the

corn was being turned into meal. I felt sorry, and, nobody being near,

thought it best to have a talk with the old nag, and said, 'Good

morning, Mr. Horse, how are you to-day?' 'Good morning, youngster,' said

he, just as plain as a horse can speak; and then said, 'I am almost

dead, and I wish I was quite. I am hungry, have had no breakfast, and

must stand here tied by the head while they are grinding the corn, and

until master drinks two or three glasses of rum at the store, then drag

the meal and him up the Ben Ham Hill home, and am now so weak that I can

hardly stand. Oh dear, I am in a bad way;' and the old creature cried. I

almost cried myself. Just then the miller went down-stairs to the

meal-trough; I heard his feet on the steps, and not thinking much what I

was doing, ran into the mill, and, taking the four-quart toll-dish

nearly full of corn out of the hopper, carried it out, and poured it

into the trough before the horse, and placed the dish back before the

miller came up from below. When I got out, the horse was laughing, but

he had to eat slowly, because the bits were in his mouth. I told him

that I was sorry, but did not know how to take them out, and should not

dare to if I did.... At last the horse winked and stuck out his lip ever

so far, and then said, 'The last kernel is gone;' then he laughed a

little, then shook one ear, then the other; then he shut his eyes. I

jumped up and said: 'How do you feel, old fellow; any better?' He opened

his eyes, and looking at me kindly answered, 'Very much,' and then blew

his nose exceedingly loud, but he did not wipe it. Perhaps he had no

wiper. I then asked him if his master whipped him much. He answered,

'Not much lately. He used to till my hide got hardened, but now he has a

white-oak goad-stick with an iron brad in its end, with which he jabs my

hind-quarters and hurts me awfully.'... The goad with the iron brad was

in the wagon, and snatching it out I struck the end against a stone, and

the stabber flew into the mill-pond. 'There,' says I, 'old colt,' as I

threw the goad back into the wagon, 'he won't harpoon you again with

_that_ iron.' The poor old brute understood well enough what I said,

for I looked him in the eye and spoke horse language."

Mother and uncles could hardly have missed observing in him many tokens

of a gifted intelligence and an uncommon individuality. The perception

of these, added to Mrs. Hawthorne's dread of the sea, may have led to

the decision which was taken to send him to college. In 1819 he went

back to Salem, to continue his schooling; and one year later, March 7,

1820, wrote to his mother, who was still at Raymond: "I have left

school, and have begun to fit for College, under Benjamin L. Oliver,

Lawyer. So you are in great danger of having one learned man in your

family.... Shall you want me to be a Minister, Doctor, or Lawyer? A

minister I will not be." Miss E. P. Peabody remembers another letter of

his, in which he touched the same problem, thus: "I do not want to be a

doctor and live by men's diseases, nor a minister to live by their sins,

nor a lawyer and live by their quarrels. So I don't see that there is

anything left but for me to be an author. How would you like some day to

see a whole shelf full of books written by your son, with 'Hathorne's

Works' printed on the backs?" There appears to have been but little

difficulty for him in settling the problem of his future occupation.

During part of August and September he amused himself by writing three

numbers of a miniature weekly paper called "The Spectator;" and in

October we find that he had been composing poetry and sending it to his

sister Elizabeth, who was also exercising herself in verse. At this time

he was employed as a clerk, for a part of each day, in the office of

another uncle, William Manning, proprietor of a great line of stages

which then had extensive connections throughout New England; but he did

not find the task congenial. "No man," he informed his sister, "can be a

poet and a book-keeper at the same time;" from which one infers his

distinct belief that literature was his natural vocation. The idea of

remaining dependent for four years more on the bounty of his Uncle

Robert, who had so generously taken the place of a father in giving him

a support and education, oppressed him, and he even contemplated not

going to college; but go he finally did, taking up his residence at

Bowdoin with the class of 1821.

The village of Brunswick, where Bowdoin College is situated, some thirty

miles from Raymond, stands on high ground beside the Androscoggin River,

which is there crossed by a bridge running zig-zag from bank to bank,

resting on various rocky ledges and producing a picturesque effect. The

village itself is ranged on two sides of a broad street, which meets the

river at right angles, and has a mall in the centre that, in Hawthorne's

time, was little more than a swamp. This street, then known as

"sixteen-rod road," from its width, continues in a straight line to

Casco Bay, only a few miles off; so that the new student was still near

the sea and had a good course for his walks. If Harvard fifty and even

twenty-five years ago had the look of a rural college, Bowdoin was by

comparison an academy in a wilderness. "If this institution," says

Hawthorne in "Fanshawe," where he describes it under the name of Harley

College, "did not offer all the advantages of elder and prouder

seminaries, its deficiencies were compensated to its students by the

inculcation of regular habits, and of a deep and awful sense of

religion, which seldom deserted them in their course through life. The

mild and gentle rule ... was more destructive to vice than a sterner

sway; and though youth is never without its follies, they have seldom

been more harmless than they were here." The local resources for

amusement or dissipation must have been very limited, and the demands of

the curriculum not very severe. Details of Hawthorne's four years' stay

at college are not forthcoming, otherwise than in small quantity. His

comrades who survived him never have been able to give any very vivid

picture of the life there, or to recall any anecdotes of Hawthorne: the

whole episode has slipped away, like a dream from which fragmentary

glimpses alone remain. By one of those unaccountable associations with

trifles, which outlast more important memories, Professor Calvin Stowe

(to whom the authoress of "Uncle Tom's Cabin" was afterwards married)

remembers seeing Hawthorne, then a member of the class below him,

crossing the college-yard one stormy day, attired in a brass-buttoned

blue coat, with an umbrella over his head. The wind caught the umbrella

and turned it inside out; and what stamped the incident on Professor

Stowe's mind was the silent but terrible and consuming wrath with which

Hawthorne regarded the implement in its utterly subverted and useless

state, as he tried to rearrange it. Incidents of no greater moment and

the general effect of his presence seem to have created the belief among

his fellows that, beneath the bashful quietude of his exterior, was

stored a capability of exerting tremendous force in some form or other.

He was seventeen when he entered college,--tall, broad-chested, with

clear, lustrous gray eyes,[3] a fresh complexion, and long hair: his

classmates were so impressed with his masculine beauty, and perhaps with

a sense of occult power in him, that they nicknamed him Oberon. Although

unusually calm-tempered, however, he was quick to resent disrespectful

treatment (as he had been with John Knights), and his vigorous, athletic

frame made him a formidable adversary. In the same class with him were

Henry W. Longfellow; George Barrell Cheever, since famous as a divine,

and destined to make a great stir in Salem by a satire in verse called

"Deacon Giles's Distillery," which cost him a thirty days' imprisonment,

together with the loss of his pastorate; also John S. C. Abbott, the

writer of popular histories; and Horatio Bridge, afterwards Lieutenant

in the United States Navy, and now Commander. Bridge and Franklin

Pierce, who studied in the class above him, were his most intimate

friends. He boarded in a house which had a stairway on the outside,

ascending to the second story; he took part, I suppose, in the

"rope-pulls" and "hold-ins" between Freshmen and Sophomores, if those

customs were practised then; he was fined for card-playing and for

neglect of theme; entered the Athenæan Society, which had a library of

eight hundred volumes; tried to read Hume's "History of England," but

found it "abominably dull," and postponed the attempt; was fond of

whittling, and destroyed some of his furniture in gratifying that taste.

Such are the insignificant particulars to which we are confined in

attempting to form an idea of the externals of his college-life. Pierce

was chairman of the Athenæan Society, and also organized a military

company, which Hawthorne joined. In the Preface to "The Snow-Image" we

are given a glimpse of the simple amusements which occupied his leisure:

"While we were lads together at a country college, gathering blueberries

in study hours under those tall academic pines; or watching the great

logs as they tumbled along the current of the Androscoggin; or shooting

pigeons and gray squirrels in the woods; or bat-fowling in the

summer-twilight; or catching trouts in that shadowy little stream which,

I suppose, is still wandering riverward through the forest." He became

proficient in Latin. Longfellow was wont to recall how he would rise at

recitation, standing slightly sidewise--attitude indicative of his

ingrained shyness--and read from the Roman classics translations which

had a peculiar elegance and charm. In writing English, too, he won a

reputation, and Professor Newman was often so struck with the beauty of

his work in this kind that he would read them in the evening to his own

family. Professor Packard says: "His themes were written in the

sustained, finished style that gives to his mature productions an

inimitable charm. The recollection is very distinct of Hawthorne's

reluctant step and averted look, when he presented himself at the

professor's study and submitted a composition which no man in his class

could equal."

Hawthorne always looked back with satisfaction to those simple and

placid days. In 1852 he revisited the scene where they were passed, in

order to be present at the semi-centennial anniversary of the founding

of the college. A letter, from Concord (October 13, 1852), to Lieutenant

Bridge, now for the first time published, contains the following

reference to that event:--

"I meant to have told you about my visit to Brunswick.... Only eight of

our classmates were present, and they were a set of dismal old fellows,

whose heads looked as if they had been out in a pretty copious shower of

snow. The whole intermediate quarter of a century vanished, and it

seemed to me as if they had undergone the miserable transformation in

the course of a single night--especially as I myself felt just about as

young as when I graduated. They flattered me with the assurance that

time had touched me tenderly; but alas! they were each a mirror in which

I beheld the reflection of my own age. I did not arrive till after the

public exercises were nearly over--and very luckily, too, for my praises

had been sounded by orator and poet, and of course my blushes would have

been quite oppressive."

Hawthorne's rank in his class entitled him to a "part" at Commencement,

but the fact that he had not cultivated declamation debarred him from

that honor; and so he passed quietly away from the life of Bowdoin and

settled down to his career. "I have thought much upon the subject," he

wrote to his sister, just before graduation, "and have come to the

conclusion that I shall never make a distinguished figure in the world,

and all I hope or wish is to plod along with the multitude." But

declamation was not essential to his success, which was to be achieved

in anything but a declamatory fashion.

The Complete Works of Nathaniel Hawthorne, Appendix to Volume XII: Tales, Sketches, and other Papers by Nathaniel Hawthorne with a Biographical Sketch by George Parsons Lathrop Biographical Sketch of Nathaniel Hawthorne · 第 10 / 24 题