CHAPTER IV

One day in the course of the following June there was ushered into my

studio a gentleman whom I had not yet seen but with whom I had been very

briefly in correspondence. A letter from him had expressed to me some

days before his regret on learning that my "splendid portrait" of Miss

Flora Louisa Saunt, whose full name figured by her own wish in the

catalogue of the exhibition of the Academy, had found a purchaser before

the close of the private view. He took the liberty of inquiring whether

I might have at his service some other memorial of the same lovely head,

some preliminary sketch, some study for the picture. I had replied that

I had indeed painted Miss Saunt more than once and that if he were

interested in my work I should be happy to show him what I had done. Mr.

Geoffrey Dawling, the person thus introduced to me, stumbled into my room

with awkward movements and equivocal sounds--a long, lean, confused,

confusing young man, with a bad complexion and large protrusive teeth. He

bore in its most indelible pressure the postmark, as it were, of Oxford,

and as soon as he opened his mouth I perceived, in addition to a

remarkable revelation of gums, that the text of the queer communication

matched the registered envelope. He was full of refinements and angles,

of dreary and distinguished knowledge. Of his unconscious drollery his

dress freely partook; it seemed, from the gold ring into which his red

necktie was passed to the square toe-caps of his boots, to conform with a

high sense of modernness to the fashion before the last. There were

moments when his overdone urbanity, all suggestive stammers and

interrogative quavers, made him scarcely intelligible; but I felt him to

be a gentleman and I liked the honesty of his errand and the expression

of his good green eyes.

As a worshipper at the shrine of beauty, however, he needed explaining,

especially when I found he had no acquaintance with my brilliant model;

had on the mere evidence of my picture taken, as he said, a tremendous

fancy to her looks. I ought doubtless to have been humiliated by the

simplicity of his judgment of them, a judgment for which the rendering

was lost in the subject, quite leaving out the element of art. He was

like the innocent reader for whom the story is "really true" and the

author a negligible quantity. He had come to me only because he wanted

to purchase, and I remember being so amused at his attitude, which I had

never seen equally marked in a person of education, that I asked him why,

for the sort of enjoyment he desired, it wouldn't be more to the point to

deal directly with the lady. He stared and blushed at this; the idea

clearly alarmed him. He was an extraordinary case--personally so modest

that I could see it had never occurred to him. He had fallen in love

with a painted sign and seemed content just to dream of what it stood

for. He was the young prince in the legend or the comedy who loses his

heart to the miniature of the princess beyond seas. Until I knew him

better this puzzled me much--the link was so missing between his

sensibility and his type. He was of course bewildered by my sketches,

which implied in the beholder some sense of intention and quality; but

for one of them, a comparative failure, he ended by conceiving a

preference so arbitrary and so lively that, taking no second look at the

others, he expressed his wish to possess it and fell into the extremity

of confusion over the question of price. I helped him over that stile,

and he went off without having asked me a direct question about Miss

Saunt, yet with his acquisition under his arm. His delicacy was such

that he evidently considered his rights to be limited; he had acquired

none at all in regard to the original of the picture. There were

others--for I was curious about him--that I wanted him to feel I

conceded: I should have been glad of his carrying away a sense of ground

acquired for coming back. To ensure this I had probably only to invite

him, and I perfectly recall the impulse that made me forbear. It

operated suddenly from within while he hung about the door and in spite

of the diffident appeal that blinked in his gentle grin. If he was

smitten with Flora's ghost what mightn't be the direct force of the

luminary that could cast such a shadow? This source of radiance,

flooding my poor place, might very well happen to be present the next

time he should turn up. The idea was sharp within me that there were

relations and complications it was no mission of mine to bring about. If

they were to develop they should develop in their very own sense.

Let me say at once that they did develop and that I perhaps after all had

something to do with it. If Mr. Dawling had departed without a fresh

appointment he was to reappear six months later under protection no less

powerful than that of our young lady herself. I had seen her repeatedly

for months: she had grown to regard my studio as the temple of her

beauty. This miracle was recorded and celebrated there as nowhere else;

in other places there was occasional reference to other subjects of

remark. The degree of her presumption continued to be stupefying; there

was nothing so extraordinary save the degree in which she never paid for

it. She was kept innocent, that is she was kept safe, by her egotism,

but she was helped also, though she had now put off her mourning, by the

attitude of the lone orphan who had to be a law unto herself. It was as

a lone orphan that she came and went, as a lone orphan that she was the

centre of a crush. The neglect of the Hammond Synges gave relief to this

character, and she made it worth their while to be, as every one said,

too shocking. Lord Iffield had gone to India to shoot tigers, but he

returned in time for the punctual private view: it was he who had snapped

up, as Flora called it, the gem of the exhibition. My hope for the

girl's future had slipped ignominiously off his back, but after his

purchase of the portrait I tried to cultivate a new faith. The girl's

own faith was wonderful. It couldn't however be contagious: too great

was the limit of her sense of what painters call values. Her colours

were laid on like blankets on a cold night. How indeed could a person

speak the truth who was always posturing and bragging? She was after all

vulgar enough, and by the time I had mastered her profile and could

almost with my eyes shut do it in a single line I was decidedly tired of

its "purity," which affected me at last as inane. One moved with her,

moreover, among phenomena mismated and unrelated; nothing in her talk

ever matched anything out of it. Lord Iffield was dying of love for her,

but his family was leading him a life. His mother, horrid woman, had

told some one that she would rather he should be swallowed by a tiger

than marry a girl not absolutely one of themselves. He had given his

young friend unmistakable signs, but was lying low, gaining time: it was

in his father's power to be, both in personal and in pecuniary ways,

excessively nasty to him. His father wouldn't last for ever--quite the

contrary; and he knew how thoroughly, in spite of her youth, her beauty

and the swarm of her admirers, some of them positively threatening in

their passion, he could trust her to hold out. There were richer,

cleverer men, there were greater personages too, but she liked her

"little viscount" just as he was, and liked to think that, bullied and

persecuted, he had her there so gratefully to rest upon. She came back

to me with tale upon tale, and it all might be or mightn't. I never met

my pretty model in the world--she moved, it appeared, in exalted

circles--and could only admire, in her wealth of illustration, the

grandeur of her life and the freedom of her hand.

I had on the first opportunity spoken to her of Geoffrey Dawling, and she

had listened to my story so far as she had the art of such patience,

asking me indeed more questions about him than I could answer; then she

had capped my anecdote with others much more striking, the disclosure of

effects produced in the most extraordinary quarters: on people who had

followed her into railway carriages; guards and porters even who had

literally stuck there; others who had spoken to her in shops and hung

about her house door; cabmen, upon her honour, in London, who, to gaze

their fill at her, had found excuses to thrust their petrifaction through

the very glasses of four-wheelers. She lost herself in these

reminiscences, the moral of which was that poor Mr. Dawling was only one

of a million. When therefore the next autumn she flourished into my

studio with her odd companion at her heels her first care was to make

clear to me that if he was now in servitude it wasn't because she had run

after him. Dawling explained with a hundred grins that when one wished

very much to get anything one usually ended by doing so--a proposition

which led me wholly to dissent and our young lady to asseverate that she

hadn't in the least wished to get Mr. Dawling. She mightn't have wished

to get him, but she wished to show him, and I seemed to read that if she

could treat him as a trophy her affairs were rather at the ebb. True

there always hung from her belt a promiscuous fringe of scalps. Much at

any rate would have come and gone since our separation in July. She had

spent four months abroad, where, on Swiss and Italian lakes, in German

cities, in the French capital, many accidents might have happened.

Glasses · 第 4 / 13 章