of ancient plaster, into the embers of the fire. There in the morning
the cook-rice amahs found the onyx stones that had been their eyes. The
house was still unlocked, the gate-keeper at the feast. Like a shadow
she moved along the wall and through the gate. The smell of the lilies
blew past her. Drums and chants echoed up the road, and the sounds of
manifold feastings. She crept away down by the wall, where the moon laid
a strip of blackness, crept away to unbar the gates of heaven for her
lord and master.
APRIL 25TH, AS USUAL
By EDNA FERBER
From _Ladies Home Journal_
Mrs. Hosea C. Brewster always cleaned house in September and April. She
started with the attic and worked her purifying path down to the cellar
in strict accordance with Article I, Section I, Unwritten Rules for
House Cleaning. For twenty-five years she had done it. For twenty-five
years she had hated it--being an intelligent woman. For twenty-five
years, towel swathed about her head, skirt pinned back, sleeves rolled
up--the costume dedicated to house cleaning since the days of
What's-Her-Name, mother of Lemuel (see Proverbs)--Mrs. Brewster had gone
through the ceremony twice a year.
Furniture on the porch, woolens on the line, mattresses in the
yard--everything that could be pounded, beaten, whisked, rubbed,
flapped, shaken or aired was dragged out and subjected to one or all of
these indignities. After which, completely cowed, they were dragged in
again and set in their places. Year after year, in attic and in cellar,
things had piled up higher and higher--useless things, sentimental
things; things in trunks; things in chests; shelves full of things
wrapped up in brown-paper parcels.
And boxes--oh, above all, boxes; pasteboard boxes, long and flat, square
and oblong, each bearing weird and cryptic pencilings on one end;
cryptic, that, is to anyone except Mrs. Brewster and you who have owned
an attic. Thus "H's Fshg Tckl" jabberwocked one long slim box. Another
stunned you with "Cur Ted Slpg Pch." A cabalistic third hid its contents
under "Slp Cov Pinky Rm." To say nothing of such curt yet intriguing
fragments as "Blk Nt Drs" and "Sun Par Val." Once you had the code key
they translated themselves simply enough into such homely items as
Hosey's fishing tackle, canvas curtains for Ted's sleeping porch,
slip-covers for Pinky's room, black net dress, sun-parlour valence.
The contents of those boxes formed a commentary on normal American
household life as lived by Mr. and Mrs. Hosea C. Brewster, of Winnebago,
Wisconsin. Hosey's rheumatism had prohibited trout fishing these ten
years; Ted wrote from Arizona that "the li'l' ol' sky" was his
sleeping-porch roof and you didn't have to worry out there about the
neighbours seeing you in your pyjamas; Pink's rose-cretonne room had
lacked an occupant since Pinky left the Winnebago High School for the
Chicago Art Institute, thence to New York and those amazingly successful
magazine covers that stare up at you from your table--young lady, hollow
chested (she'd need to be with that décolletage), carrying feather fan.
You could tell a Brewster cover at sight, without the fan. That leaves
the black net dress and sun-parlour valance. The first had grown too
tight under the arms (Mrs. Brewster's arms); the second had faded.
Now don't gather from this that Mrs. Brewster was an ample, pie-baking,
ginghamed old soul who wore black silk and a crushed-looking hat with a
palsied rose atop it. Nor that Hosea C. Brewster was spectacled and
slippered. Not at all. The Hosea C. Brewsters, of Winnebago, Wisconsin,
were the people you've met on the veranda of the Moana Hotel at
Honolulu, or at the top of Pike's Peak, or peering into the restless
heart of Vesuvius. They were the prosperous Middle-Western type of
citizen who runs down to Chicago to see the new plays and buy a hat, and
to order a dozen Wedgwood salad plates at Field's.
Mrs. Brewster knew about Dunsany and Georgette and alligator pears; and
Hosea Brewster was in the habit of dropping around to the Elks' Club, up
above Schirmer's furniture store on Elm Street, at about five in the
afternoon on his way home from the cold-storage plant. The Brewster
house was honeycombed with sleeping porches and sun parlours and linen
closets, and laundry chutes and vegetable bins and electric surprises
as well-to-do Middle Western home is likely to be.
That home had long ago grown too large for the two of them--physically,
that is. But as the big frame house had expanded, so had
they--intolerance and understanding humanness--until now, as you talked
with them, you felt that there was room and to spare of sun-filled
mental chambers, and shelves well stored with experience, and pantries
and bins and closets for all your worries and confidences.
But the attic! And the cellar! The attic was the kind of attic every
woman longs for who hasn't one and every woman loathes who has. "If I
only had some place to put things in!" wails the first. And, "If it
weren't for the attic I'd have thrown this stuff away long ago,"
complains the second. Mrs. Brewster herself had helped plan it. Hardwood
floored, spacious light, the Brewster attic revealed to you the social,
aesthetic, educational and spiritual progress of the entire family as
clearly as if a sociologist had chartered it.
Take, for example (before we run down to the cellar for a minute), the
crayon portraits of Gran'ma and Gran'pa Brewster. When Ted had been a
junior and Pinky a freshman at the Winnebago High School the crayon
portraits had beamed down upon them from the living-room wall. To each
of these worthy old people the artist had given a pair of hectic pink
cheeks. Gran'ma Brewster especially, simpering down at you from the
labyrinthian scrolls of her sextuple gold frame, was rouged like a
soubrette and further embellished with a pair of gentian-blue eyes
behind steel-bowed specs. Pinky--and in fact the entire Brewster
household--had thought these massive atrocities the last word in
artistic ornament. By the time she reached her sophomore year, Pinky had
prevailed upon her mother to banish them to the dining-room. Then two
years later, when the Chicago decorator did over the living-room and the
dining-room, the crayons were relegated to the upstairs hall.
Ted and Pinky, away at school, began to bring their friends back with
them for the vacations Pinky's room had been done over in cream enamel
and rose-flowered cretonne. She said the chromos in the hall spoiled the
entire second floor. So the gold frames, glittering undimmed, the checks
as rosily glowing as ever, found temporary resting-places in a
nondescript back chamber known as the serving room. Then the new
sleeping porch was built for Ted, and the portraits ended their
journeying in the attic.
One paragraph will cover the cellar. Stationary tubs, laundry stove.
Behind that, bin for potatoes, bin for carrots, bins for onions, apples,
cabbages. Boxed shelves for preserves. And behind that Hosea C.
Brewster's _bête noir_ and plaything, tyrant and slave--the furnace.
"She's eating up coal this winter," Hosea Brewster would complain. Or:
"Give her a little more draft, Fred." Fred, of the furnace and lawn
mower, would shake a doleful head. "She ain't drawin' good. I do' know
what's got into her."
By noon of this particular September day--a blue-and-gold Wisconsin
September day--Mrs. Brewster had reached that stage in the cleaning of
the attic when it looked as if it would never be clean and orderly
again. Taking into consideration Miz' Merz (Mis' Merz by-the-day, you
understand) and Gussie, the girl, and Fred, there was very little
necessity for Mrs. Brewster's official house-cleaning uniform. She might
have unpinned her skirt, unbound her head, rolled down her sleeves and
left for the day, serene in the knowledge that no corner, no chandelier,
no mirror, no curlicue so hidden, so high, so glittering, so ornate that
it might hope to escape the rag or brush of one or the other of this
relentless and expert crew.
Every year, twice a year, as this box, that trunk or chest was opened
and its contents revealed, Mis' Merz would say "You keepin' this, Miz'
Brewster?"
"That? Oh, dear yes!" Or: "Well--I don't know. You can take that home
with you if you want it. It might make over for Minnie."
Yet why, in the name of all that's ridiculous, did she treasure the
funeral wheat wreath in the walnut frame? Nothing is more _passé_ than
a last summer's hat, yet the leghorn and pink-cambric-rose thing in the
tin trunk was the one Mrs. Brewster had worn when a bride. Then the
plaid kilted dress with the black velvet monkey jacket that Pinky had
worn when she spoke her first piece at the age of seven--well, these
were things that even the rapacious eye of Miz' Merz (by-the-day) passed
by unbrightened by covetousness.
The smell of soap and water, and cedar, and moth balls, and dust, and
the ghost of a perfumery that Pinky used to use pervaded the hot attic.
Mrs. Brewster, head and shoulders in a trunk, was trying not to listen
and not to seem not to listen to Miz' Merz' recital of her husband's
relations' latest flagrancy.
"'Families is nix,' I says. 'I got my own family to look out fuh,' I
says. Like that. 'Well,' s's he, 'w'en it comes to _that_,' s's he, 'I
guess I got some--'" Punctuated by thumps, spatterings, swashings and
much heavy breathing, so that the sound of light footsteps along the
second-floor hallway, a young clear voice calling, then the same
footsteps, fleeter now, on the attic stairway, were quite unheard.
Pinky's arm were around her mother's neck and for one awful moment it
looked as if both were to be decapitated by the trunk lid, so violent
had been Mrs. Brewster's start of surprise.
Incoherent little cries, and sentences unfinished.
"Pinky! Why--my baby! We didn't get your telegram. Did you--"
"No; I didn't. I just thought I--Don't look so dazed, mummy--You're all
smudged too--what in the world!" Pinky straightened her hat and looked
about the attic. "Why, mother! You're--you're house cleaning!" There was
a stunned sort of look on her face. Pinky's last visit home had been in
June, all hammocks, and roses, and especially baked things, and motor
trips into the country.
"Of course. This is September. But if I'd known you were coming--Come
here to the window. Let mother see you. Is that the kind of hat
they're--why, its a winter one, isn't it? Already! Dear me, I've just
got used to the angle of my summer one. You must telephone father."
Miz' Merz damply calicoed, rose from a corner and came forward, wiping a
moist and parboiled hand on her skirt. "Ha' do, Pinky? Ain't forgot your
old friends, have you?"
"It's Mrs. Merz!" Pinky put her cool, sweet fingers into the other
woman's spongy clasp. "Why, hello, Mrs. Merz! Of course when there's
house cleaning--I'd forgotten all about house cleaning--that there was
such a thing, I mean."
"It's got to be done," replied Miz' Merz severely.
Pinky, suddenly looking like one of her own magazine covers (in tailor
clothes), turned swiftly to her mother. "Nothing of the kind," she said
crisply. She looked about the hot, dusty, littered room. She included
and then banished it all with one sweeping gesture. "Nothing of the
kind. This is--this is an anachronism."
"Mebbe so," retorted Miz' Merz with equal crispness. "But it's got to be
cleaned just the same. Yessir; it's got to be cleaned."
They smiled at each other then, the mother and daughter. They descended
the winding attic stairs happily, talking very fast and interrupting
each other.
Mrs. Brewster's skirt was still pinned up. Her hair was bound in the
protecting towel. "You must telephone father. No, let's surprise him.
You'll hate the dinner--built around Miz' Merz; you know--boiled. Well,
you know what a despot she is."
It was hot for September, in Wisconsin. As they came out to the porch
Pinky saw that there were tiny beads of moisture under her mother's eyes
and about her chin. The sight infuriated her somehow. "Well, really,
mother!"
Mrs. Brewster unpinned her skirt and smoothed it down and smiled at
Pinky, all unconscious that she looked like a plump, pink Sister of
Mercy with that towel bound tightly about her hair. With a swift
movement Pinky unpinned the towel, unwound it, dabbed with it tenderly
at her mother's chin and brow, rolled it into a vicious wad and hurled
it through the open doorway.
"Now just what does that mean?" said Mrs. Brewster equably. "Take off
your hat and coat, Pinky, but don't treat them that way--unless that's
the way they're doing in New York. Everything is so informal since the
war." She had a pretty wit of her own, Mrs. Brewster.
Of course Pinky laughed then, and kissed her mother and hugged her hard.
"It's just that it seems idiotic--your digging around in an attic in
this day and age! Why it's--it's--" Pinky could express herself much
more clearly in colours than in words. "There is no such thing as an
attic. People don't clean them any more. I never realized before--this
huge house. It has been wonderful to come back to, of course. But just
you and dad." She stopped. She raised two young fists high in important
anger. "Do you _like_ cleaning the attic?"
"Why, no. I hate it."
"Then why in the world--"
"I've always done it, Pinky. And while they may not be wearing attics in
New York, we haven't taken them off in Winnebago. Come on up to your
room, dear. It looks bare. If I'd known you were coming--the slip
covers--"
"Are they in the box in the attic labeled 'Slp Cov Pinky Rum'?" She
succeeded in slurring it ludicrously.
It brought an appreciative giggle from Mrs. Brewster. A giggle need not
be inconsistent with fifty years, especially if one's nose wrinkles up
delightfully in the act. But no smile curved the daughter's stern young
lips. Together they went up to Pinky's old room (the older woman stopped
to pick up the crumpled towel on the hall floor). On the way they paused
at the door of Mrs. Brewster's bedroom, so cool, so spacious, all soft
greys and blues.
Suddenly Pinky's eyes widened with horror. She pointed an accusing
forefinger at a large dark object in a corner near a window. "That's the
old walnut desk! she exclaimed.
"I know it."
The girl turned, half amused, half annoyed. "Oh, mother dear! That's
the situation in a nutshell. Without a shadow of doubt, there's an
eradicable streak of black walnut in your grey-enamel make-up."
"Eradicable! That's a grand word, Pinky. Stylish! I never expected to
meet it out of a book. And fu'thermore, as Miz' Merz would say, I didn't
know there was any situation."
"I meant the attic. And it's more than a situation. It's a state of
mind."
Mrs. Brewster had disappeared into the depths of her clothes closet. Her
voice sounded muffled. "Pinky, you're talking the way they did at that
tea you gave for father and me when we visited New York last winter."
She emerged with a cool-looking blue kimono. "Here. Put this on.
Father'll be home at twelve-thirty, for dinner, you know. You'll want a
bath, won't you, dear?"
"Yes. Mummy, is it boiled--honestly?--on a day like this?"
"With onions," said Mrs. Brewster firmly.
Fifteen minutes later Pinky, splashing in a cool tub, heard the voice of
Miz' Merz, high-pitched with excitement and a certain awful joy: "Miz'
Brewster! Oh, Miz' Brewster! I found a moth in Mr. Brewster's winter
flannels!"
"Oh!" in choked accents of fury from Pinky; and she brought a hard young
fist down in the water--spat!--so that it splashed ceiling, hair and
floor impartially.
Still, it was a cool and serene young daughter who greeted Hosea
Brewster as he came limping up the porch stairs. He placed the flat of
the foot down at each step, instead of heel and ball. It gave him a
queer, hitching gait. The girl felt a sharp little constriction of her
throat as she marked that rheumatic limp. "It's the beastly Wisconsin
winters," she told herself. Then, darting out at him from the corner
where she had been hiding: "S'prise! S'prise!"
His plump blond face, flushed with the unwonted heat went darkly red. He
dropped his hat. His arms gathered her in. Her fresh young cheek was
pressed against his dear, prickly one. So they stood for a long
minute--close.
"Need a shave, dad."
"Well gosh how did I know my best girl was coming!" He held her off.
"What's the matter, Pink? Don't they like your covers any more?"
"Not a thing, Hosey. Don't get fresh. They're redecorating my
studio--you know--plasterers and stuff. I couldn't work. And I was
lonesome for you."
Hosea Brewster went to the open doorway and gave a long whistle with a
little quirk at the end. Then he came back to Pinky in the wide-seated
porch swing. "You know," he said, his voice lowered confidentially, "I
thought I'd take mother to New York for ten days or so. See the shows,
and run around and eat at the dens of wickedness. She likes it for a
change."
Pinky sat up, tense. "For a change? Dad, I want to talk to you about
that. Mother needs--"
Mrs. Brewster's light footstep sounded in the hall. She wore an
all-enveloping gingham apron. "How did you like your surprise, father?"
She came over to him and kissed the top of his head. "I'm getting dinner
so that Gussie can go on with the attic. Everything's ready if you want
to come in. I didn't want to dish up until you were at the table, so's
everything would be hot." She threw a laughing glance at Pinky.
But when they were seated, there appeared a platter of cold, thinly
sliced ham for Pinky, and a crisp salad, and a featherweight cheese
soufflé, and iced tea, and a dessert coolly capped with whipped cream.
"But, mother, you shouldn't have--" feebly.
"There are always a lot of things in the house. You know that. I just
wanted to tease you."
Father Brewster lingered for an unwonted hour after the midday meal. But
two o'clock found him back at the cold-storage plant. Pinky watched him
go, a speculative look in her eyes.
She visited the attic that afternoon at four, when it was again neat,
clean, orderly, smelling of soap and sunshine. Standing there in the
centre of the big room, freshly napped, smartly coiffed, blue-serged,
trim, the very concentrated essence of modernity, she eyed with stern
deliberation the funeral wheat wreath in its walnut frame; the trunks;
the chests; the boxes all shelved and neatly inscribed with their "H's
Fshg Tckl" and "Blk Nt Drs."
"Barbaric!" she said aloud, though she stood there alone. "Medieval!
Mad! It has got to be stopped. Slavery!" After which she went downstairs
and picked golden glow for the living-room vases and scarlet salvia for
the bowl in the dining-room.
Still, as one saw Mrs. Brewster's tired droop at supper that night,
there is no denying that there seemed some justification for Pinky's
volcanic remarks.
Hosea Brewster announced, after supper, that he and Fred were going to
have a session with the furnace; she needed going over in September
before they began firing up for the winter.
"I'll go down with you," said Pinky.
"No, you stay up here with mother. You'll get all ashes and coal dust."
But Pinky was firm. "Mother's half dead. She's going straight up to bed,
after that darned old attic. I'll come up to tuck you in, mummy."
And though she did not descend to the cellar until the overhauling
process was nearly completed she did come down in time for the last of
the scene. She perched at the foot of the stairs and watched the two
men, overalled, sooty, tobacco-wreathed and happy. When finally, Hosea
Brewster knocked the ashes out of his stubby black pipe, dusted his
sooty hands together briskly and began to peel his overalls, Pinky came
forward.
She put her hand on his arm. "Dad, I want to talk to you."
"Careful there. Better not touch me. I'm all dirt. G'night, Fred."
"Listen, dad. Mother isn't well."
He stopped then, with one overall leg off and the other on, and looked
at her. "Huh? What d'you mean--isn't well? Mother." His mouth was open.
His eyes looked suddenly strained.
"This house--it's killing her. She could hardly keep here eyes open at
supper. It's too much for her. She ought to be enjoying herself--like
those huge rooms. And you're another."
"Me?" feebly.
"Yes. A slave to his furnace. You said yourself to Fred, just now, that
it was all worn out, and needed new pipes or something--I don't know
what. And that coal was so high it would be cheaper using dollar bills
for fuel. Oh, I know you were just being funny. But it was partly true.
Wasn't it? Wasn't it?"
"Yeh, but listen here, Paula." He never called her Paula unless he was
terribly disturbed. "About mother--you said--"
"You and she ought to go away this winter--not just for a trip, but to
stay. You"--she drew a long breath and made the plunge--"you ought to
give up the house."
"Give up--"
"Permanently. Mother and you are buried alive here. You ought to come to
New York to live. Both of you will love it when you are there for a few
days. I don't mean to come to a hotel. I mean to take a little
apartment, a furnished apartment at first to see how you like it--two
rooms and kitchenette, like a play-house."
Hosey Brewster looked down at his own big bulk. Then around the great
furnace room. "Oh, but listen--"
"No, I want you to listen first. Mother's worn out, I tell you. It isn't
as if she were the old-fashioned kind; she isn't. She loves the
theatres, and pretty hats, and shoes with buckles, and lobster, and
concerts."
He broke in again: "Sure; she likes 'em for change. But for a steady
diet--Besides, I've got a business to 'tend to. My gosh! I've got a
business to--"
"You know perfectly well that Wetzler practically runs the whole
thing--or could, if you'd let him." Youth is cruel like that, when it
wants its way.
He did not even deny it. He seemed suddenly old. Pinky's heart smote her
a little. "It's just that you've got so used to this great barracks you
don't know how unhappy it's making you. Why, mother said to-day that she
hated it. I asked about the attic--the cleaning and all--and she said
that she hated it."
"Did she say that, Paula?"
"Yes."
He dusted his hands together, slowly, spiritlessly. His eyes looked
pained and dull. "She did, h'm? You say she did?" He was talking to
himself, and thinking, thinking.
Pinky, sensing victory, left him. She ran lightly up the cellar stairs,
through the first-floor rooms and up to the second floor. Her mother's
bedroom door was open.
A little mauve lamp shed its glow upon the tired woman in one of the
plump, grey-enamel beds. "No, I'm not sleeping. Come here, dear. What in
the world have you been doing in the cellar all this time?"
"Talking to dad." She came over and perched herself on the side of the
bed. She looked down at her mother. Then she bent and kissed her. Mrs.
Brewster looked incredibly girlish with the lamp's rosy glow on her face
and her hair, warmly brown and profuse, rippling out over the pillow.
Scarcely a thread of grey in it. "You know, mother, I think dad isn't
well. He ought to go away."
As if by magic the youth and glow faded out of the face on the pillow.
As she sat up, clutching her nightgown to her breast, she looked
suddenly pinched and old. "What do you mean, Pinky! Father--but he isn't
sick. He--"
"Not sick. I don't mean sick exactly. But sort of worn out. That
furnace. He's sick and tired of the thing; that's what he said to Fred.
He needs a change. He ought to retire and enjoy life. He could. This
house is killing both of you. Why in the world don't you close it up, or
sell it, and come to New York?"
"But we do. We did. Last winter--"
"I don't mean just for a little trip. I mean to live. Take a little
two-room apartment in one of the new buildings--near my studio--and
relax. Enjoy yourselves. Meet new men and women. Live! You're in a
rut--both of you. Besides, dad needs it. That rheumatism of his, with
these Wisconsin winters--"
"But California--we could go to California--"
"That's only a stop-gap. Get your little place in New York all settled,
and then run away whenever you like, without feeling that this great
bulk of a house is waiting for you. Father hates it; I know it."
"Did he ever say so?"
"Well, practically. He thinks you're fond of it. He--"
Slow steps ascending the stairs--heavy, painful steps. The two women
listened in silence. Every footfall seemed to emphasize Pinky's words.
The older woman turned her face toward the sound, her lips parted, her
eyes anxious, tender.
"How tired he sounds," said Pinky; "and old. And he's only--why, dad's
only fifty-eight."
"Fifty-seven," snapped Mrs. Brewster sharply, protectingly.