Baal, shrines as basilicas, 209_n._;
cults, 406, 407;
contemporaries, table i
Baalbek, basilica, 209_n._;
Sun Temple as pseudomorphic, 210
Babylon, and time, 9, 15;
geographical science, 10;
place in history, 17;
autumnal city, 79
Baccio della Porta. _See_ Bartolommeo
Bach, John Sebastian, contemporaries, 27, 112, 417, table ii;
as analysist, 62;
contemporary mathematic, 78;
fugue, 230;
and dominance of music, 231;
and popularity, 243;
pure music, 283;
ease, 292;
ethical passion, 355;
God-feeling, 394
Bachofen, Johann J., Classical ideology, 28;
on stone, 188
Backgrounds, in Renaissance art, 237;
in Western painting, 239;
in Western gardening, 240.
_See also_ Depth-experience
Bacon, Francis, Shakespeare controversy, 135_n._
Bacon, Roger, world-conception, 99;
and mechanical necessity, 392;
contemporaries, table i
Bähr, Georg, architecture, 285
Baghdad, autumnal city, 79;
contemporary cities, 112;
philosophy of school, 248, 306, 307;
contemporaries of school, table i
Ballade, origin, 229
Bamberg Cathedral, sculpture, 235
Barbarossa, symbolism, 403
Baroque, mathematic, 58, 77;
musical association, 87, 228_n._, 230;
as stage of style, 202;
sculpture as allegory, 219_n._;
origin, 236;
depth-experience in painting, 239;
in gardening, 240;
portraits, 265;
Michelangelo’s relation, 277;
philosophy, reason and will, 308;
soul, 313, 314;
contemporaries, table ii.
_See also_ Art
Bartolommeo, Fra (Baccio della Porta), and line, 280;
dynamic God-feeling, 394
Basilica, as pseudomorphic type, 209, 210;
and Western cathedral, 211, 224;
contemporaries, table ii
Basilica of Maxentius (Constantine), Arabian influences, 212
Basra School, philosophy, 248, 306;
contemporaries, table i
_Basso continuo._ _See_ Thoroughbass.
Baths of Caracalla, Syrian workmen, 211, 212
Battista of Urbino, portrait, 279
Baudelaire, Pierre Charles, sensuousness, 35;
autumnal accent, 241;
and the decadent, 292
Bayle, Pierre, and imperialism, 150
Bayreuth. _See_ Wagner
Beauty, transience, cultural basis, 194;
as Classical rôle, 317
Become, Civilization as, 31, 46;
philosophers, 49_n._;
explained, relationships, 53;
and learning, 56;
and extension, 56;
and mathematical number, 70, 95;
relation to nature and history, 94-98, 102, 103;
and symbolism, 101;
and causality and destiny, 119;
and problem of time, 122;
and mortality, 167;
in art, 194.
_See also_ Becoming; Causality; Nature; Space
Becoming, and history, 25, 94-98, 102, 103;
philosophers, 49_n._;
explained, relationships, 53;
intuition, 56;
and direction, 56;
and chronological number, 70;
relation to nature and destiny and causality, 119, 138, 139;
and mathematics, 125, 126;
in art, 194.
_See also_ Become; Destiny; History; Time
Beech, as symbol, 396
Beethoven, Ludwig van, contemporary mathematic, 78, 90;
and pure reason, 120;
and imagination, 220;
orchestration, 231;
inwardness, “brown” music, 251, 252, 252_n._;
music as confession, 264;
period, 284;
straining, 291;
contemporaries, table ii
Bell, as Western symbol, 134_n._
Bellini, Giovanni, and portrait, 272, 273
Benares, autumnal city, 99
Benedetto da Maiano, and ornament, 238;
and portrait, 272
Bentham, Jeremy, and imperialism, 150;
and economic ascendency, 367;
contemporaries, table i
Berengar of Tours, controversy, 185
Berkeley, George, on mathematics and faith, 78_n._
Berlin, megalopolitanism, 33;
as irreligious, 79, 358
Berlioz, Hector, contemporaries, table ii
Bernard of Clairvaux, Saint, contemporaries, 400, table i
Bernini, Giovanni Lorenzo, architecture, 87, 231, 244, 245;
contemporaries, table ii
Bernward, Saint, as architect, 107_n._, 206
Berry, Duke of, Books of Hours, 239
Beyle, Henri. _See_ Stendhal
Bible, and periodic history, 18;
as Arabian symbol, 248.
_See also_ Christianity
Biedermeyer, contemporaries, table ii
Binchois, Égide, music, 230
Binomial theorem, discovery, 75
Biography, and portraiture, 12;
Cultures and, 13, 14;
and character, 316;
and Western tragedy, 318.
_See also_ Portraiture
Biology, and preordained life-duration, 108;
in politics, 156;
as weakest science, 157;
and Civilization, 360
Bismarck, Fürst von, wars and cultural rhythm, 110_n._;
and destiny, 145;
morale, 349
Bizet, Georges, “brown” music, 252
Blood, Leonardo’s discovery of circulation, 278
Blue, symbolism, 245, 246
Boccaccio, Giovanni, and Homer, 268_n._
Body, as symbol of Classical Culture, 174;
and geometrical systems, 176_n._;
in Arabian philosophy, 248;
and soul, Classical expression, 259-261.
_See also_ Sculpture; Spirit
Böcklin, Arnold, act and portrait, 271_n._;
painting, 289, 290
Boehme, Jakob, contemporaries, table i
Bogomils, iconoclasts, 383
Bohr, Niels, and mass, 385, 419
Boltzmann, Ludwig, on probability, 380_n._
Boniface, Saint, as missionary, 360
Book, and cult-building, 197_n._
Books of Hours, Berry’s, 239
Books of Numa, burning, 411
Boomerang, and mathematical instinct, 58
Borgias, Hellenic sorriness, 273
Boscovich, Ruggiero Giuseppe, and physics, 314_n._, 415
Botticelli, Sandro, Dutch influence, 236;
goldsmith, 237;
and portrait, 271, 272
Boucher, François, and body, 271
Boulle, André C., Chippendale’s ascendency, 150_n._
Bourbons, analogy, 39
Boyle, Robert, and element, 384
Brahmanism, transvaluation, 352;
Buddhist interpretation of Karma, 357;
contemporaries of Brahmanas, table i.
_See also_ Indian Culture
Brain, and soul, 367
Bramante, Donato d’Angnolo, plan of St. Peter’s, 184
Brancacci Chapel, 237, 279
Brass musical instruments, colour expression, 252_n._
Bronze, and Classical expression, 253;
patina, 253;
Michelangelo and, 276
Brothers of Sincerity, on light, 381;
contemporaries, table i
Brown, symbolism of studio, 250, 288;
Leonardo and, 280
Bruckner, Anton, end-art, 223;
“brown” music, 252
Bruges, loss of prestige, 33;
as religious, 358
Brunelleschi, Filippo, linear perspective, 240;
and antique, 275_n._;
architecture, 313
Bruno, Giordano, world, 56;
martyrdom, 68;
and vision, 96;
esoteric, 326;
astronomy, 331;
contemporaries, table i
Brutus, M. Junius, character, 5
Buckle, Henry T., and evolution, 371
Buddhism, and Civilization, end-phenomenon, materialism, 32, 352, 356,
357, 359, 409;
and state, 138;
Nirvana, 178, 357, 361;
morale, 341, 347;
scientific basis of ideas, 353;
moral philosophy, 355;
as peasant religion, 356_n._;
and Christianity, 357;
and contemporaries, 357, 358, 361, table i;
and diet, 361.
_See also_ Religion
Burckhardt, Jacob, Classical ideology, 28;
on Renaissance, 234
Buridan, Jean, Occamist, 381
Burlesque, Classical, 30, 320
Busts, Classical, as portraits, 269, 272
Buxtehude, Dietrich, organ works, 220
Byron, George, Lord, and Civilization, 110
Byzantinism, as Civilization, 106;
and portraiture, 130_n._;
style, 206;
Acanthus motive, 215;
allegorical painting, 219_n._;
contemporaries, tables ii, iii.
_See also_ Arabian Culture
Byzantium, tenement houses, 34_n._
Cabeo, Nicolaus, theory of magnetism, 414
Caccias, character, 229
Cæsar, C. Julius, analogies, 4, 38;
and newspaper, 5;
and democracy, 5;
conquest of Gaul, 36_n._;
practicality, 38;
and calendar and duration, 133;
and economic organization, 138;
and destiny, 139;
bust, 272;
morale, 349;
Divus Julius, 407;
contemporaries, table iii
Cæsarism, and money, 36;
contemporary periods, table iii
Calchas, cult, 185
Calculus, and Classical astronomy, 69;
limit-idea, 86;
Newtonian and Leibnizian, 126_n._;
and religion, 170;
as Jesuit style, 412;
basis threatened, 419.
_See also_ Mathematics
Calderon de la Barca, Pedro, plays as confession, 264
Calendar, Cæsar’s, 133
Caliphate, Diocletian’s government, 72, 212;
deification of caliph, 405
Callicles, ethic, 351
Calvin, John, predestination and evolution, 140_n._, 141;
and Western morale, 348;
variety of religion, 394;
contemporaries, table i
Can Grande, statue, 272
Cannæ, as climax, 36
Canning, George, and imperialism, 149_n._
Cantata, and orchestra, 230
Canzoni, character, 229
Caracalla, and citizenship and army, 335, 407
Carcassonne, restoration, 254_n._
Cardano, Girolamo, and numbers, 75
Care, and distance, 12;
cultural attitude, relation to state, 136, 137;
and maternity, 267
Carissimi, Giacomo, music, pictorial character, 230, 283
Carneades, and mechanical necessity, 393
Carstens, Armus J., naturalism, 212
Carthage. _See_ Punic Wars
Carthaginians, and geography, 10_n._, 333
Castle, and cathedral, 195, 229
Catacombs, art, 137_n._, 224
Categories, tabulation, 125
Catharine of Siena, Saint, and Gothic, 235
Cathedral, as ornament, 195;
and castle, 229;
forest-character, 396;
contemporaries, table ii.
_See also_ Gothic; Romanesque
Cato, M. Porcius, Stoicism and income, 33
Cauchy, Augustin Louis, notation, 77;
mathematic problem, 85;
and infinitesimal calculus, 86;
mathematical position, 90;
goal of analysis, 418;
contemporaries, table i
Causality, history and Kantian, 7;
and historiography, 28;
and number, 56;
and pure phenomenon, 111_n._;
and destiny and history, limited domain, 117-121, 151, 156-159;
and space and time, 119, 120, 142;
and principle, 121;
and grace, 141;
and reason, 308;
and Civilization, 360;
and destiny in natural science, 379;
and mechanical necessity, 392-394.
_See also_ Become; Destiny; Nature; Space
Cavern, as symbol, 200, 209, 215, 224
Celtic art, as Arabian, 215
Centre of time, and history, 103
Ceres, materiality, 403
Cervantes, Miguel de, tragic method, 319
Ceylon, Mahavansa, 12
Cézanne, Paul, landscapes, 289;
striving, 292
Chæronea, issue at battle, 35
Chalcedon, Council of, and Godhead, 209, 249
Chaldeans, astronomy, Classical reaction, 147
Chamber-music, as summit of Western art, 231
Chan-Kwo period, contemporaries, table iii
Character, and person, 259;
and will, Western ego, 314, 335;
Cultures and study, 316;
gesture as Classical substitute, 316;
in Western tragedy, Classical contrast, 317-326.
_See also_ Morale; Soul
Chardin, Jean B. S., and French tradition, 289
Chares, Helios and gigantomachia, 291
Charity. _See_ Compassion
Charlemagne, analogies, 4, 38;
contemporaries, table iii
Charles XII of Sweden, analogy, 4
Chartres Cathedral, sculpture, 235, 261
Chemistry, thoughtless hypotheses, 156_n._;
no Classical, 383;
Western so-called, 384;
as Arabian system, 384, 393;
new essence, entropy, 426.
_See also_ Natural science
Cheops, dynasty, 58_n._
Chephren, dynasty, 58_n._;
tomb-pyramid, 196, 203
Chian, contemporaries, table iii
Children, Western portraiture, 266-268. _See also_ Motherland.
Chinese Culture, historic feeling, 14;
imperialism, 37;
philosophers, 42, 45;
time-measurement, 134_n._;
ancestral worship, 135_n._;
and care, 136;
attitude toward state, 137;
economic organization, 138;
destiny-idea, landscape as prime symbol, 190, 196, 203;
lack of early art survivals, 190_n._;
and tutelage, 213;
music, 228;
gardening, 240;
bronzes, patina, 253_n._;
portraiture, 260, 262;
Civilization, 295;
soul, perspective as expression, 310_n._;
passive morale, 315, 341, 347;
and discovery, 333, 336;
political epochs, table iii.
_See also_ Cultures
Chippendale, Thomas, position, 150_n._
Chivalry, southern type, 233_n._
Chorus, in art-history, 191;
in Classical tragedy, 324
Chosroes-Nushirvan, art of period, 203
Chóu Li, on Chóu dynasty, 137
Chóu Period, and care, 137;
contemporaries, table iii
Christianity, comparisons, 4;
Eastern, and historical-periods, 22_n._;
and poor Stoics, 33_n._;
as Arabian, 72, 402;
Mary-cult, Madonna in art, 136, 267, 268;
destiny in Western, 140;
architectural expression of early, 208-211;
colour and gold as symbols, 247-250;
in Western art, spiritual space, 279;
dualism in early, 306;
“passion”, 320_n._;
Eastern, and home, 335;
Western transformation of morale, 344, 347, 348;
and Buddhism, 357;
of Fathers and Crusades, 357_n._;
missionarism, 360;
God-man problem as alchemistic, 383;
and mechanical necessity, miracles, 392, 393;
elements of Western, 399-401;
foreign gods as titles, 408_n._
_See also_ Religion
Chronology, relation of Classical Culture, 9, 10;
as number, 97, 153_n._;
and the when, 126;
and archæology, 134.
_See also_ History
Chrysippus, and Stoicism, 33, 358;
and corporeality, 177
Chuang-tsü, practical philosophy, 45
Chun-Chiu Period, contemporaries, table iii
Cicero, M. Tullius, analogy, 4
Cimabue, Giovanni, and nature, 192;
and Byzantine art, 238;
and Francis of Assisi, 249_n._;
and portraiture, 273
Cimarosa, Domenico, ease, 292
Cistercians, soul, 360
Citizenship, Classical concept, 334. _See also_ Politics
Civilization, defined, as destiny of a Culture, 31-34, 106, 252, 353,
354;
and the “become”, 31, 46;
and megalopolitanism, 32, 35;
money as symbol, 34-36;
and economic motives, 35;
imperialism, 36;
destiny of Western, 37, 38;
and scepticism, 46, 409;
Alexander-idea, 150;
English basis of Western, 151, 371;
Western, effect on history, 151;
so-called art, 197, 293-295;
style histories, 207;
Western painting, _plein-air_, 251, 288, 289;
and gigantomachia, 291;
Manet and Wagner, 293;
transvaluation of values, striving, 351, 353;
Nihilism and inward finishedness, 352;
manifestations, 353, 354;
problematic and plebeian morale, 354, 355;
and irreligion, 358;
diatribe as phenomenon, 359;
and biological philosophies, philosophical essence, 361, 367;
natural science, 417;
contemporary spiritual epochs, table i;
contemporary art epochs, table ii;
contemporary political epochs, table iii.
_See also_ Cultures
Clarke, Samuel, and imperialism, 150
Classical Culture, philosophy, culmination, 3, 45;
ahistoric basis, 8-10, 12_n._, 97, 103, 131-135, 254, 255, 264, 363;
and chronology, 9, 10_n._;
and geography, 10_n._;
religious expression, bodied pantheon, later monotheistic tendencies,
10, 11, 13, 187, 312, 397, 398, 402-408;
and mortality, funeral customs, 13, 134;
portraiture, 13, 130, 264, 265, 269, 272;
and archæology, 14;
and measurement of time, 15;
mathematic, 15, 63-65, 69, 77, 83, 84, 90;
contemporary Western periods, 26;
Western views, ideology, 27-31, 76, 81, 237, 238, 243, 254, 270, 323;
“Classical” and “antike”, 28_n._;
civilization, Rome, Stoicism, 32-34, 36, 44, 294, 352;
cosmology, astronomy, 63, 68, 69, 147, 330;
cultural significance of mathematic, 65-67, 70;
and algebra, 71;
surviving forms under Arabian Culture, 72, 73, 208;
opposition to Western soul, 78;
and space, 81-84, 88, 175_n._;
“smallness”, 83;
relation to proportion and function, 84, 85;
popularity, 85, 254, 326-328;
and destiny-idea, dramatic illustration, 129, 130, 143, 146, 147,
317-326, 424;
care and sex attitude, family and home, 136, 266-268, 334-337;
attitude toward state, 137, 147;
and economic organization, 138;
actualization of the corporeal only, sculpture, 176-178, 225, 259-
261;
soul, attributes, 183, 304, 305;
architectural expression, 184, 198, 224;
weak style, 203;
art-work and sense-organ, 220;
and music, 223, 227;
and form and content, 242;
and composition, 243;
colour, 245-247;
nature idea, statics, 263, 382-384, 392;
and discovery, 278;
painting, 287;
will-less-ness, 309, 310;
lack of character, gesture as substitute, 316;
art and time of day, 325;
morale, ethic of attitude, 341, 342, 347, 351;
and “action”, 342_n._;
cult and dogma, 401, 410;
and strange gods, 404;
scientific periods, 424;
spiritual epochs, table i;
art epochs, table ii;
political epochs, table iii.
_See also_ Art; Cultures; Renaissance; Science
Classicism, and dying Culture, 108;
defined, 197;
period in style, 207
Claude Lorrain, landscape as space, 184;
“singing” picture, 219;
and ruins, 254;
colour, 246, 288;
period, 283;
landscape as portrait, 287
Cleanliness, cultural attitude, 260
Cleisthenes, contemporaries, table iii
Cleomenes III, contemporaries, table iii
Cleon, and economic organization, 138
Clepsydra, Plato’s, 15
Clock, and historic consciousness, 14;
religious aspect, 15_n._;
cultural attitude, 131, 134
Clouds, in paintings, 239
Cluniac reform, and architecture, 185
Clytæmnestra, and Helen, 268
Cnidian Aphrodite, 108, 268
Cnossos art, 224_n._, 293;
contemporaries, table ii
Cobbett, William, population theory, 185_n._
Cognition, and nature, 94, 102, 103
Colleoni, Bartolommeo, statue, 238, 272
Colosseum, and real Rome, 44;
form type, 204;
contemporaries, table ii
Colossus of Rhodes, and gigantomachia, 291
Colour, Goethe’s theory, 157_n._, 158_n._;
and depth-experience, 242;
Classical and Western use, symbolism, 245-247;
Western blue and green, 245;
Arabian Culture and gold, 247-249;
brushwork and motion-quality, 249;
studio-brown, as symbol, 250, 288;
Leonardo’s sense, 280;
_plein-air_, 288.
_See also_ Painting
Columbus, Christopher, and Spanish ascendency, 148;
and Leonardo, 278;
and space and will, 310, 337;
spiritual result, 334
Column, as symbol, 166, 184, 214, 260_n._, 345;
Classical orders, 204;
and arch, 214, 236
Compass, symbolism, 333
Compassion, times and meaning, 347-351;
and Socialism, 362
Composition in art, cultural basis, 243
Comprehension, qualities, 99
Comte, Auguste, provincialism, 24;
and economic ascendency, 367, 373;
contemporaries, table i
Confession, as Western symbol, 131, 140, 261, 264;
absence in Renaissance art, 273
Confucius, and actuality, 42;
and analogies, 357
Conic sections, contemporaries, table i
Conquest, as Western concept, 336
Consciousness, phases, 154
Consecutives in church music, 188
Conservation of energy, and causality, 393;
and first law of thermodynamics, 413;
and concept of infinity, 418;
and entropy, 420-424
Constable, John, significance of colour, 251;
and impressionism, 288
Constantine the Great, and artistic impotence, 294;
as caliph, 405;
religion, 407
Constantinople. _See_ Byzantium; Haggia Sophia
Consus, materiality, 403
Contemplation, defined, 95
Contemporaneity, intercultural, 26, 112, 177, 202_n._, 220;
number paradigm, 90;
Classical sculpture and Western music, 226, 283, 284, 291;
in physical theories, 386;
spiritual epochs, table i;
culture epochs, table ii;
political epochs, table iii
Contending States, period in China, homology, 111
Content, and form, 242, 270
Contrition, sacrament as Western symbol, 261, 263
Conversion, impossibility, 345
Copernicus, Classical anticipation of system, 68, 139;
and destiny, 94;
discovery and Western soul, 310, 330, 331
Corelli, Arcangelo, sonatas, 226, 283;
and dominance of music, 231;
colour expression, 252_n._;
Catholicism, 268_n._
Corinth, and unknown gods, 404
Corinthian column, contemporaries, table ii. _See also_ Column
Corneille, Pierre, and unities, 323
Corot, Jean B. C., colour, 246, 289;
and nude, 271;
impressionism, 286;
landscape as portrait, 287;
ease, 292
Cosmogonies, contemporaries, table i
Cosmology, cultural attitude, 63, 68, 69, 147, 330-332.
_See also_ Astronomy
Counterpoint, and Gothic, 229;
and fugue, 230.
_See also_ Music
Counter-Reformation, Michelangelo and spirit, 275
Couperin, François, pastoral music, 240;
colour expression, 252_n._
Courbet, Gustave, landscapes, 288-290
Courtyards, Renaissance, 235
Cousin, Victor, and economic ascendency, 367
Coysevox, Antoine, sculpture, 232;
decoration, 245
Cranach, Lucas, and portraiture, 270
Crassus Dives, M. Licinius, and city of Rome, 34
Cremation, as cultural symbol, 134
Cresilas, and portraiture, 130_n._, 269
Crete, inscriptions, 12_n._;
Minoan art, 198
Cromwell, Oliver, and imperialism, 149;
contemporaries, table iii
Crusades, symbolism, 15_n._, 198;
and Trojan War, 27;
Christianity, 357_n._;
contemporaries, table iii
Ctesiphon, school, 63
Cult and dogma, cultural attitudes, 401, 410, 411;
in natural science, 412
Cultures, Spengler’s morphological theory, xi;
obligatory stages, symbols, 3, 4, 6, 38, 39;
superficial and real analogies, 4, 6, 27, 38;
theory of distinct cycles, 21, 22, 31, 78;
divergent viewpoints, 23, 46, 131;
as organisms, mortality, 26, 104, 109, 167;
contemporary periods, 26, 112, 177, 202_n._, 220;
Civilization as destiny, 31-34, 106, 252, 353, 354;
symmetry, 47;
and notion of the world, language, 55;
physiognomic meaning as essence of history, 55, 101, 104, 105;
mathematical aspects, separation, 57-63, 67, 70;
and universal validity, 60, 146, 178-180, 202, 287;
number-thought and world-idea, 70;
stages, 106, 107;
application of term “habit” or “style”, 108, 205;
recapitulation in life of individuals, 110;
homologous forms, 111;
separate destiny-ideas, 129, 145;
comparative study, 145_n._;
as interpretation of soul, 159, 180, 302-304, 307, 313, 314;
cultural and intercultural macrocosm, 165;
particular, and nature, 169;
kind of extension as symbol, 173-175;
actualization of depth-experience, 175;
plurality of prime symbols, 179, 180;
tutelage, 213;
art forms and spiritualities, 214-216;
arts of form as symbolic expression, 219;
significance of species of art, 222-224;
as bases of morale, 315, 345-347;
and times of day, 325;
and nature-law, 377-380, 382, 387;
scientific period, 381;
religious springtimes, 399-402;
renunciation, second religiousness, 424;
characteristics of seasons, table i;
contemporary art epochs, table ii;
contemporary political epochs, table iii.
_See also_ Arabian; Art; Chinese; Classical; Egyptian; History;
Indian; Macrocosm; Morphology; Nature; Spirit; Western
Cupid, as art motive, 266
Cupola. _See_ Dome
Curtius Rufus, Quintus, biography of Alexander, 4
Cusanus, Nikolaus. _See_ Nicholas of Cusa
Cuyp, Albert, landscape as portrait, 287
Cyaxares, and Henry the Fowler, 4
Cybele, cult, 406
Cynics, practicality, 45;
morale, 203, 342;
and digestion, 361;
contemporaries, table i
Cypress, as symbol, 396
Cyrenaics, practicality, 45;
contemporaries, table i
Dante Alighieri, historical consciousness, 14, 56, 142, 159;
influence of Joachim of Floris, 20;
and vision, 96;
homology, 111;
and popularity, 243;
and confession, 273;
and psychology, 319;
and time of day, 325_n._;
esoteric, 328;
morale, 355;
variety of religion, 394;
contemporaries, table i
Danton, Georges, adventurer, 149
Darwinism and evolution, and Socialism, 35, 370-372;
and practical philosophy, 45;
morphology and vision, 104_n._, 105;
Goethe and, 111_n._;
and teleology, 120;
and destiny, 140;
and cultural art-theory, 141_n._;
and usefulness, 155;
and biological politics, 156;
nature and God, 312;
anticipation, Darwin’s political-economic application, 369-373;
contemporaries, table i
Daumier, Honoré, act and portrait, 271_n._;
and grand style, 290
David, Pierre Jean, naturalism, 212
Dea Cælestis, 406
Death, and historical consciousness, 13;
and become, 54, 167;
Cultures and funeral customs, 134, 135, 185;
and space, 166;
and world-fear and symbolism, 166;
stone as emblem, 188;
and ornament, 195
Decoration, architectural, 196;
Gothic, and bodilessness, 199;
Arabian, 208, 212;
mosaic, 214;
Acanthus motive, 215.
_See also_ #Ornament#
Dedekind, Richard, notation, 77, 95
Definitions, and destiny, xiv;
fundamental, 53-56
Deism, cause, 187, 412;
concept, 312_n._;
Baroque, and mechanics, 412.
_See also_ Religion
Deities, cultural basis, 312. _See also_ Religion
Delacroix, Ferdinand V. E., and impressionism, 288;
contemporaries, table ii
Delphi, Polygnotus’s frescos, 243
Demeter cult, 83;
spring festivals, 320;
contemporaries, table i
Demeter of Knidos, statue, 136
Demetrius of Alopeke, and portraiture, 130, 269
Democracy, decay by formalism, 35;
contemporary periods, table iii.
_See also_ Politics
Democritus, and corporeality, 177;
and ego, 311;
cosmology, 331;
atoms, 385;
Leibniz as contemporary, 386;
and motion, 389;
and mechanical necessity, 392-394;
contemporaries, table i
Demosthenes, statue, 270
Depth-experience, significance, 168, 169, 172-174;
and number, 171;
and time, 172, 173;
realization as cultural symbol, 173-175;
in Western painting, 239, 246;
in Western gardening, 240;
and destiny, 241;
and philosophy in art, 243;
in portrait, 263, 266;
and impressionism, 285-287;
and will, 311;
in Socialism, 361;
and natural science, 380, 386, 394;
Western God-feeling, 395;
cathedral and organ, 396.
_See also_ Destiny; Space
Desargues, Girard, mathematic, 75
Descartes, René, civic world-outlook, 33;
and actuality, 42;
style, 61;
mathematics and religion, 66;
relation to Classical mathematic, 69;
and new number-idea, 74, 75, 81, 88, 90, 126, 188;
contemporaries, 112, table i;
and Jansenists, 314_n._;
as thinker, 366;
thinking and being, 387;
on force, 413
Des Près, Josquin, music, 230
Destiny, and pessimism, xiv;
historical, 3, 4, 6, 38-41;
as logic of time, 7;
acceptance, 40, 44;
in World War, 47;
fulfilment of Western mathematic, 90;
of a Culture, 106, 145;
and causality, 117-121;
soul and predestination, 117;
organic logic, 117;
and time and space, 119, 120;
and idea, 121;
in art, revolts, 127, 128, 233;
separate cultural ideas, illustrations, 129-131, 145-149, 189, 190,
424;
in Western Christianity, 140, 141;
and incident, 138-141, 144;
and nature, 142;
Classical “fate”, body and personality, 143, 147;
youth, 152;
and Western depth-experience, 241;
patina as symbol, 253;
and motherhood, 267;
Western, and painting, 276_n._;
ethic and soul’s view, 302, 346, 355;
and will, 308;
and Civilization, 360;
and causality in natural science, 379;
and decay of exact science, 422-424.
_See also_ Becoming; Causality; Civilization; History; Time
Devil, disappearance, 187;
and Arabian dualism, 312, 363
Diadochi, period as episode, 149, 151
Diagoras, character of atheism, 408_n._;
condemnation, 411
Diatribe, as phenomenon of Civilization, 359
Dido, cult, 406_n._
Diet, and Civilization, 361
Diez, Feodor, significance of colour, 252
Differential calculus, as symbol, 15. _See also_ Calculus
Dimension, abstract notion, 89;
significance of depth, 168;
singularity, 169_n._
Dinzenhofer, Kilian I., architecture, 285
Diocletian, as caliph, 72, 212, 405;
as epoch, 149;
and Mithras 406
Diogenes, morale, 203;
and deity, 313;
Indian kinship, 347, 357
Dionysiac movement, Alexander and legend, 8;
contemporaries, homology, 27, 110, table i;
as revolt, 233, 356;
spring festival, 320, 321, 324
Dionysius I, contemporaries, table iii
Diophantus, algebra, and Arabian Culture, 63, 71-73, 383
Dipylon vases, 73, 107, 196
Direction, and time and becoming, 54, 56;
and extension, 99, 172;
and dimension, 169_n._;
and will, 308;
and aim, 361.
_See also_ Time
Discant, music, 229
Discobolus, Myron’s, 263, 265
Discovery, as Western trait, 278, 279, 332;
and space and will, 310, 337;
spiritual results, 334
Divinities. _See_ Religion
Dogma and cult, cultural attitude, 401, 410, 411;
in natural science, 412
Doliche, Baal, 407
Dome, as Arabian art expression, 210
Dome of the Rock, characteristics, 200
Dominicans, influence of Joachim of Floris, 20
Domitian, contemporaries, table iii
Donatello, and Gothic, 225_n._;
“David”, 265;
and portrait, 272
Doric, column as symbol, 9, 195;
and Gothic, 27;
timber style, 132;
and Ionic, 205;
and Egyptian, 213;
Western exclusion, 345;
contemporaries, table ii, iii.
_See also_ Architecture; Column
Dostoyevski, Feodor M., and Europe, 16_n._;
Raskolnikov’s philosophy, 309;
and compassion, 350
Drama, cultural basis, Classical and Western, 128-131, 141_n._, 143,
147, 148, 203, 255, 317-322, 347;
German, 290;
development of Classical, 320, 321;
cultural basis of form, unities, 322, 323;
undeveloped Western, 323;
Classical elimination of individuality, 323;
chorus, 324;
and time of day, 324;
attitude toward scene, 325;
and cultural basis of morale, 347;
and philosophy of Western activism, 368, 372;
Classical, and atomic theory, 386
Dresden, architecture, 207, 285;
chamber music, 232
Droem, autumnal accent, 241
Dryads, passivity, 336;
materiality, 403
Dschang Yi, and imperialism, 37
Dualism, in Arabian Culture, 305-307, 363;
and will and reason, 309;
in religion, 312
Dühring, Eugen Karl, position in Western ethics, 373
Dürer, Albrecht, historical heads, 103;
colour, 245, 250;
and act and portrait, 270
Dufay, Guillaume, music, in Italy, 230, 236
Duns Scotus, historical place, 72;
contemporaries, table i
Dunstaple, John, music, 230
Duration. _See_ Life
Durham, palatinate, 349_n._
Dyck, Anthony van. _See_ Van Dyck
Dynamics, as Western system, 384, 393. _See also_ Natural science
Eckhardt, Meister, on imitation, 191;
mysticism, 213;
egoism, 335;
wisdom and intellect, 409;
contemporaries, table i
Economic motives. _See_ Money
Economic organization, cultural attitude toward care, 138
Economics, and Western practical ethics, 367-369.
_See also_ Politics; Socialism
Eddas, space-expression, 185, 187;
and Western religion, 400, 423;
contemporaries, table i
Edessa, school, 63, 381;
and Arabian art, 209;
Baal, 407
Edfu, temple, 294
Edward I of England, and archery, 333_n._
Edward III of England, and archery, 333_n._
Egoism, in Western Culture, 262, 302, 309, 335
Egyptian Culture, historic aspect, 12;
and immortality, 13;
and pure number, 69;
historical basis, funeral custom, 135;
and care, 136;
and Mary-cult, 137;
attitude toward state, 137;
economic organization, 138;
stone as symbol, 188;
destiny-idea, path as prime symbol, 188, 189;
architectural expression, 189, 202;
brave style, 201-203;
and tutelage, 213;
streets, 224;
art composition, 243;
sculpture, 248_n._, 266;
and portrait, 262;
Civilization, 294, 295;
view of soul, 305;
morale, 315;
and discovery, 332;
and Socialism, 347;
and man-deification, 405_n._;
art epochs, table ii;
political epochs, table iii.
_See also_ Cultures; arts by name, especially Architecture
Egyptianism, contemporary periods, table iii
Eichendorff, Joseph von, poetry, 289
Eleatic philosophy, and motion, 305_n._, 388, 390
Elements, cultural concepts of physical, 383, 384. _See also_ Atomic
theories; Natural science
Eleusinian mysteries, dramatic imitation, 320
Elis, treaty, 10_n._
Emigration, cultural attitude, 336
Empedocles, elements, 327, 383, 384;
on atoms, 386
Emperor-worship, 405, 407, 411
Empire style, as Classicism, 207;
contemporaries, table ii
Encyclopedists, contemporaries, table i
Energy, and _voluntas_, 310_n._
Engels, Friedrich, and Hegelianism, 367;
position in Western ethics, 373
England, Manchester system and Western Civilization, 29, 151, 371;
imperialism and Napoleonic epoch, 149-151
Enlightenment, Age of, and movement, 155;
effect on monasticism, 316_n._;
and tolerance, 343;
and cult and dogma, 411
Entelechy, ahistoric aspect, 15
Entropy, theory, formulations, 420;
effect, 421-424
Epaminondas, and invented history, 11
Ephesus, Council of, and Godhead, 209
Epic, and religion, 399-402
Epictetus, and Jesus, 347
Epicureanism, practicality, 45;
morale, 315;
and will, 341, 342;
contemporaries, table i
Epicurus, Indian kinship, 347;
character of Nihilism, 357;
and Socialism, 358;
and mathematics, 366;
and ethics, 367;
contemporaries, table i
Epigoni, and Socialism, 374
Epistemology, and history, 119, 355
Epochs, personal and impersonal, 148. _See also_ Incident; Destiny
Epos, contemporaries of popular, table i
Erastosthenes, as creator, 425
Erechtheum, in style history, 108, 207
Eroticism. _See_ Sex
Esoterics, in Western Culture, 326-329.
_See also_ Popularity
Etching, Leonardo’s relation, 281;
as Western art, 290
Ethics, relation to Culture, 354;
period in philosophy, 365-367;
socio-economic character of Western, 367-369;
dramatical presentation of Western, 368, 372;
evolution theory, aspects, 369-372;
landmarks of Western, 373, 374;
exhaustion of period, 374.
_See also_ Metaphysics; Morale; Philosophy
Etruscan, round-buildings, 211_n._;
contemporaries of discipline, table i
Eucharist, cultural significance, 185, 186;
as centre of Western Christianity, 247
Euclid, mathematical style, 59, 64, 65;
limitation of geometry, 67, 88;
mathematical position, 90;
parallel axiom, 176_n._
_See also_ Geometry
Eudoxus, and higher powers, 66;
and infinity, 69, 69_n._;
and mathematic, 78, 90
Euler, Leonhard, mathematic, 78, 90;
and differentials, 86;
and time, 126;
contemporaries, 231, table i
Euripides, unpopularity, 35;
foreshadowing by, 111;
end-art, 223;
tragic method, 319
Europe, as historical term, 16_n._
Evolution. _See_ Darwinism
Exhaustion-method of Archimedes, 69
Experience, and historical sense, 10;
lived and learned, 55;
in Western concept of nature, 393;
and faith, 394;
and theory, 395
Experiment, and experience, 393
Exploration. _See_ Discovery
Expressionism, farce, 294
Extension, and direction, 99, 172;
and reason, 308.
_See also_ Space
Eyck, Jan van, portraits, 272, 309;
contemporaries, table ii
Eye, in sculpture, 329
Façades, cultural significance, 224;
Renaissance, 235
Fact, and theory, 378
Fairies, cultural attitude, 336, 403
Faith, and Western mathematic, 78.
_See also_ Religion
Family, Western portraits, 266;
Civilization and race-suicide, 359.
_See also_ Motherhood
Faraday, Michael, and theory, 100, 378, 416
Farnese Bull, theatrical note, 291
Fate, cultural attitude, 129.
_See also_ Destiny
Faunus, materiality, 403
Faustian soul, explained, 183. _See also_ Western Culture
Fauxbourdon, music, 229
Fayum, 58_n._
Fear, and Classical and Western tragedy, 321
Federigo of Urbino, portrait, 279
Feeling, and “proper,” 53
Fermat, Pierre de, relation to Classical mathematic, 69;
mathematic style, 74, 75, 90;
problem, 76, 77;
contemporaries, table i
Feudalism, contemporary periods, table iii
Feuerbach, Anselm von, act and portrait, 271_n._
Feuerbach, Ludwig A., provincialism, 24;
position in Western ethics, 373;
contemporaries, table i
Fichte, Johann G., basis of Socialism, 362, 374;
esoteric, 369;
and mathematics, 374;
contemporaries, table i
Fifty-year period, cultural rhythm, 110
Fischer von Erlach, Johann B., architecture, 285
Flaminius, C., and economic motive, 36;
and imperialism, 37
Fleury, Andre, Cardinal de, policy, 4, 349
Florence, culture city, loss of prestige 29, 33;
cathedral, 184, 238;
and Arabian Culture, 211;
and Renaissance, 233-238;
and Northern art, 236;
character as state, 273.
_See also_ Renaissance; Savonarola
Fluxions, significance of Newton’s designation, 15_n._
Fontainebleau, park, 240
Force, as undefinable Western concept, numen, 390, 391, 398, 402, 412-
417;
stages of concept, 417;
contradictions, 418.
_See also_ Natural science
Forest, and Western cathedrals, 396
Form, and law, 97;
and music, 219;
and content, 242, 270
Forum of Nerva, craft-art, 198, 215
Forum of Trajan, ornament, 215
Fouquet, Nicolas, and gardening, 241
Four-part movement, 231
Fourteen Helpers, 400
Fourth dimension, and Classical mathematic, 66;
and time and space, 124
Fox, Charles James, contemporaries, table iii
Fragonard, Jean H., and music, 232
France, and maturity of Western Culture, 148, 150;
_plein-air_ painting, 288, 289
Francesca, Piero della, and static space, 237;
perspective, 240;
and artistic change, 279, 287
Francis of Assisi, art influence, 249_n._;
morale, 348;
God-feeling, 395;
contemporaries, table i
Francis I of France, and imperial crown, 148
Franciscans, influence of Joachim of Floris, 20
François Vase, composition, 244
Frau Holle, and Mary-cult, 267
Frau Venus, symbolism, 403
Frazer, Sir J. G., error on “Unknown God”, 404_n._
Frederick the Great, and analogy, 4;
on chance, 142_n._;
contemporaries, table iii
Frederick William I of Prussia, and Socialism, 138;
Egyptian kinship, 347
Frederick William IV of Prussia, and German unity, 145
Free will, and destiny, 140, 141. _See also_ Will
Freedom, and historical destiny, 39
Freiburg Minster, Viking Gothic, 213
French Revolution, incident and destiny in, 148, 149
Frescobaldi, Girolamo, music, 230
Frescos, Classical, and time of day, 225, 283, 325;
Renaissance, 237, 275;
displacement by oil, 279.
_See also_ Painting
Fresnel, Augustin J., light theory, 418
Friedrich, Kaspar D., and grand style, 289
Frigga, and Mary-cult, 267
Fronde, contemporaries, table iii
Front, cultural basis of architectural, 224
Fugue, style and theme, 230, 231
Function, as symbol of Western Culture, 74-78;
and proportion, 84;
contrast with Classical construction, 85;
basis of Western number, thought, 86, 87;
Goethe’s definition, 86_n._;
expansion in groups, aggregates, 89, 90, 426.
_See also_ Mathematics
Funeral customs, as cultural symbol, 134, 135, 158
Future, youth as, 152;
cultural relation, 363
Gabrieli, Andrea, music, 252
Gabrieli, Giovanni, music, 226
Galen, as copyist, 425
Galileo, and natural philosophy, 7;
on nature and mathematics, 57;
and static idea, 236, 412;
dynamic world-picture, 311;
deeds of science, 355;
concept of force, 386, 415, 417;
and motion-problem, 390;
God-feeling, 396;
contemporaries, table i
Gama, Vasco da, spiritual result, 334
Gardening, as Chinese religious art, 190;
Western, perspective, 240, 241;
Renaissance, 241;
English, and ruins, 254
Gaugamela, battle, 151
Gaul, Cæsar’s conquest, 36_n._
Gauss, Karl F., style, 59;
artist-nature, 61;
mathematical position, 78, 85, 90, 176_n._;
and nonperceptual geometry, 88;
contemporaries, 112, table i;
and dimension, 170, 172;
and popularity, 327;
and metaphysics, 366;
goal of analysis, 418
Gaza, temple, 211
Gedon, Frau, Leibl’s portrait, 252_n._, 266_n._
Generations, spiritual relation, 110_n._
Geography, Classical Culture and, 10_n._;
influence on historical terms, 16_n._
_See also_ Discovery
Geology, and mineralogy, 96
Geometry, Kant’s error, 6_n._, 170, 171;
art expression, 61;
limitation of Classical, 67, 83, 88;
Descartes and infinite, 74;
Western mathematic and term, 81;
Western liberation, 86, 170_n._;
and arithmetic, 125, 126;
systems and corporeality, 176_n._;
and popularity, cultural basis, 327.
_See also_ Mathematics
George, Henry, autumnal accent, 241
Gerbert. _See_ Sylvester II
Géricault, Jean L. A. T., and grand style, 290
Germany, union as destiny, 144;
and music and architecture, 285;
diversion from music to painting, 289
Germigny des Près, church as mosque, 201
Gernrode Cathedral, simplicity, 196;
and antique, 275_n._
Gesture, as Classical symbol, 316;
in Classical tragedy, 317
Gesu, Il, church at Rome, façade, 313;
God-feeling, 395
Ghassanid Kingdom, 215
Ghiberti, Lorenzo, and Gothic, 225_n._, 235, 238
Ghirlandaio, Il, Dutch influence, 236
Giacomo della Porta, architecture, 314;
God-feeling, 395
Gigantomachia, and decline of art, 291
Giorgione, Il, and impressionism, 239;
clouds, 240;
colour, 251, 252;
and body, 271
Giotto, childlike feeling, 212;
technique, 221;
and fresco-art, 237;
and Francis of Assisi, 249_n._;
Gothic, 235, 274;
God-feeling, 395;
contemporaries, table ii
Giovanni Pisano, sculpture, 212, 235, 238, 263
Glass painting, Gothic and Venetian, 252;
contemporaries, table ii
Gluck, Christopher W., contemporary mathematics, 78, 90;
character of arias, 219_n._;
music, 260;
period, 284
Gnostics, music, 228;
dualism, 248, 306;
contemporaries, table i
Gobelins, and music, 232
God, Western, and will, 312. _See also_ Religion
Görres, Jakob J. von, and dualism, 307
Goes, Hugo van der, in Italy, 236
Goethe, Johann Wolfgang von, and living nature and vision, vii, 95, 96,
105, 111_n._, 113, 140, 154, 389;
influence on Spengler, xiv;
historic consciousness, 14, 142, 159;
on life, 20;
on mankind, 21;
and world-as-history, 25, 99, 104;
as Classicist, 30;
and Darwinism, 35, 111_n._, 370;
and actuality, 42, 43;
as philosopher, 49_n._, 365_n._;
on becoming and become, 49_n._, 53;
and intuition, 56;
on vision and observation, 61;
and mathematics, 61, 65, 75;
and Plato’s Ideas, 70;
on function, 86_n._;
on form and law, 97;
on symbols, 102_n._;
on historiography, 103;
and morphology, 104_n._, 111;
on blossoming of art, 107;
display of individuality, 110;
foreshadowing by, 111;
and causal effort, nature-studies, 118, 155-157, 422;
on reasonable order, 123;
and the Almighty, 124;
dramatic form, 129, 318;
destiny in life, 139, 145, 146, 281;
and imperialism, 149;
theory of colour, 157_n._, 158_n._, 246;
as Kant’s opposite, 159;
and style as organism, 205;
and imagination, 220;
Northern pantheism, 250, 251_n._;
on soul and body, 259;
lyrics, 286;
and confession, 300;
as biographer, 316;
and time of day, 324;
Faust as symbol of Civilization, 354;
ethical passion, 355;
variety of religion, 394;
and cult and dogma, 411;
on application of reason, 412;
and world-force, 413, 417;
contemporaries, table i
Götterdämmerung, Christian form, 400
Gold, and Arabian Culture, 247;
contrasting Classical use, 253_n._
Golden Age, cultural basis of concept, 363
Golden Legend, contemporaries, 400
Gorgias, autumnal accent, 207
Gospels, contemporaries, table i
Gothic, and Doric, 27;
architecture, and depth-experience, 177, 184, 185, 187, 198-200;
cathedrals as ornament, 195;
sculpture, nude, cathedral groups, 196, 197, 227, 231, 261, 266, 272;
as stage of style, 202;
and Arabian, borrowings, 211, 213;
musical association, 229, 230;
aliveness, 233;
in Italy, and Renaissance, 234-238;
esoteric, 243;
Italian, and Francis of Assisi, 249_n._;
and later Western expression, 252;
and nature, 264;
philosophy, will and reason, 308;
God-feeling, 395;
forest, cathedral, and organ, 396;
contemporaries, tables ii, iii.
_See also_ Art; Western Culture
Goujon, Jean, sculpture, 244
Government. _See_ Politics
Goya y Lucientes, Francisco, technique, 221;
act and portrait, 271_n._, 264;
ease, 292;
contemporaries, table ii
Goyen, Jan van, landscape as portrait, 287
Gracchi, and economic organization, 138;
as incident, 139
Grace, and destiny, 140, 141
Granada, and Arabian Culture, 216
Grassmann, Hermann G., religion and mathematic, 70
Gravitation, shaky hypothesis, 418
Great Mother of Pessinus, Rome and cult, 405
Greco, El, clouds, 240
Greece, and Europe, 16_n._ _See also_ Classical Culture
Green, symbolism, 245, 246
Gregory VII, pope, morale, 349
Grote, George, narrow Classicalism, 29
Groups, as culmination of Western mathematic, 89, 90, 427
Grünewald, Matthias, clouds, 240;
colour, 246, 250, 288;
and Renaissance, 274
Guardi, Francesco, painting, 207, 220
Guercino, Giovanni F. B., colour, 246;
and musical expression, 250
Guido d’ Arezzo, music, 228
Guido da Siena, and Madonna, 267
Guilhem of Poitiers, professionalism, 229_n._
Gundisapora, school, 63
Gunpowder, relation to Baroque, 278_n._, 333
Gymnastics, and sport, 35
Habit, applied to a Culture, 108
Hadrian, analogy, 4;
Pantheon as Arabian, 211
Hadrian’s Villa, type, 211_n._
Haeckel, Ernst H., and Civilization, 252;
faith in names, 397_n._
Hageladas, contemporaries, table ii
Hagia Sophia, period, 108;
miracle, 130_n._;
character, 184, 200;
mosque as resumption, 211;
acanthus motive, 215
Halo, history, 130_n._
Hals, Frans, musical expression, 250;
period, 283
Hamadryads, materiality, 403
Han Dynasty, importance, 94;
contemporaries, table iii
Handel, George F., and dominance of music, 231;
colour expression, 252_n._;
Catholicism, 268_n._;
oratorios, 283
Hannibal, contemporaries, 112, table iii;
historical position, 144;
ethical exception, 349
Happiness, and Classical ethic, 351
Harakiri, and Greek suicide, 204_n._
Hardenberg, Karl A. von, reorganization of Prussia, 150_n._
Harmodius, statue, 269_n._
Haroun-al-Raschid, analogies, 38;
contemporaries, table ii
Hauran, basilica type, 210, 210_n._
Haydn, Joseph, contemporary mathematic, 78, 90;
orchestration, 231;
colour expression, 252_n._;
and Praxiteles, 284;
period, 284;
ease, 291;
as religious, 358
Hebbel, Friedrich, provincialism, 24;
and practical philosophy, 45;
on research and vision, 102;
and cultural contrasts, 128;
as dramatist, 143, 290;
causal effort, 156;
and Civilization, 352;
nebulous aim, 363;
and Hegelianism, 367;
and economic ethics, 370, 371, 373;
character of atheism, 408_n._
Hegel, Georg W. F., and history, 19, 22;
and mystic philosophy, 365_n._;
and mathematics, 366;
and critique of society, 367, 374;
esoteric, 369;
contemporaries, table i
Heimarmene, in Classical tragedy, 320
Hei, and Valhalla, 400
Helen, and Kriemhild, 268
Helios, as god, 147_n._, 402
Hellenism, contemporaries, tables i, ii
Hellenistic art period, contemporaries, table ii
Helmholtz, Hermann L. F. von, time and mathematic, 64;
on natural science and mechanics, 377;
on electrolysis, 385_n._;
Archimedes as contemporary, 386
Henry the Fowler, and Cyaxares, 4
Henry the Lion, morale, 349
Hera, Samian temple, 225_n._
Heracles, Vatican torso, 255
Heracles legends, contemporaries, table i
Heraclitus, morale, 268_n._, 315, 343;
popularity, 327;
and Stoicism, 356;
wisdom and intellect, 409
Heræa, treaty, 10_n._
Heræum of Olympia, timber construction, 132
Herbart, Johann F., ethics, 367
Herder, Johann G. von, and history, 19
Hermes, cults, 406
Hermes Trismegistus, and chemistry, 383
Herodotus, ahistoric consciousness, 9, 146
Hersfeld, and antique, 275_n._
Hertz, Heinrich, and theory, 378;
and motion-problem, 391, 414, 416
Hesiod, contemporaries, table i
Hilda, Saint, passing-bell, 134_n._
Hildesheim Cathedral, simplicity, 196;
and antique, 275_n._
Hipparchus, as scientist, 9, 330
Hippasus, irrational numbers and fate, 65_n._
History, Spengler and morphology, xi;
and destiny and causality, experiencing and thinking, 3, 118, 121,
151;
repetitions of expression-forms, 4, 27;
needed technique of analogies, 5;
consciousness, 8;
historic and ahistoric Cultures, 8-12, 97, 103, 132-136, 254, 255,
264, 363;
consciousness and attitude toward mortality, 13;
concept of morphology, 5-8, 26, 39, 100, 101;
form and form feeling, 15, 16;
irrational culminative division scheme, 16-18, 22;
origin of the scheme, 18;
Western development of it, 19, 20, 94;
theory of distinct Cultures, 21, 22;
provincialism of Western thinkers, 22-25;
world-as-history, thing-becoming, 25, 95;
single riddle, 48;
time essence, 49;
and intuition, 56;
definite sense and nature, 55, 57, 94;
and Culture, 55;
detached view, 93;
research and vision, 96, 102, 105, 142;
anti-historical and ahistorical, 97_n._;
chronology, 97;
as original world-form, 98;
“scientific, possibility, 98, 153, 154;
and mechanistic world-conception, 99;
and direction and extension, 99, 100;
portraiture of Cultures, 101, 104, 105;
memory-picture, 103;
elements of form-world, 103, 104;
phenomena, 105, 106;
future task, organic culture-history, 105, 159;
stages of a Culture, 106-108;
preordained durations, 109;
homology, 111;
cultural contemporaneousness, 112;
enlarged possibilities, restoration and prediction, 112, 113;
teleology and materialistic conception, 121;
cultural basis of viewpoint, 131;
cultural symbols, clock;
bell, funeral customs, museums, 131, 134-136;
cultural feeling of care, 136-138;
judgment and life, 139;
incident and destiny, Western examples, 143, 148;
grandiose demand of Western, 145;
incidental character of Classical, 146, 147;
as actualizing of a soul, 147;
impersonal and personal epochs, 148;
effect of Civilization-period, 152;
and happening, 153;
causal harmonies, 153, 154, 158;
confusion in causal method, 155-157;
physiognomic investigation, 157;
symbolism, 163;
of styles, 205;
and cultural art expression, 249, 253;
and portrait, 264;
and will, 308;
and action, 343;
cultural opposition, 386;
in natural science, 389.
_See also_ Becoming; Destiny; Nature; Politics; Spirit; Time
Hittites, inscriptions, 12_n._
Hobbema, Meyndert, colour, 246
Hobbes, Thomas, and actuality, 42
Hölderlin, Johann C. F., narrow Classicalism, 28_n._;
autumnal accent, 241;
and confession, 264;
lyrics, 286;
and fatherland, 335
Hoffmann, Ernst T. A., “Johannes Kreisler”, 276_n._, 285
Hogarth, William, position, 150_n._, 283
Holbein, Hans, colour, 250;
contemporaries, table ii
Holy Grail legend, cultural significance, 186, 198;
elements, 213
Holy Roman Empire, contemporaries, table iii
Home, Henry, on ruins, 254_n._
Home, significance of term, 33_n._;
cultural basis of conception, 83, 334-337.
_See also_ Politics
Homer, contemporaries, 27, table i;
soul, 203, 305;
religion, 268_n._;
gods, 312, 313;
popularity, 328;
and Classical ethics, 349
Homology, historical application, 111, 112
Horace, and duration, 65_n._, 132
Horizon, and mathematics, 171;
in Western landscape painting, 239, 242
Horn, Georg, and term Middle Age, 22
Horoscopes, cultural attitude, 147
Houdon, Jean A., sculpture as painting, 245
Hucbald, music, 228
Hugo van der Goes. _See_ Goes
Huguenot wars, character, 33
Humboldt, Alexander von, Ethical Socialism, 374
Hus, John, contemporaries, table i
Hwang-Ti, contemporaries, table iii
Hygiene, as phenomenon of Civilization, 361
Hyksos Period, contemporaries, 111, tables ii, iii;
feebleness, 149
Hyksos Sphinx, 108, 262
Hypsicles, as Arabian thinker, 63
Iamblichus, on statues of gods, 216;
contemporaries, table i
Ibn-al-Haitan, on light, 381
Ibn Kurra, contemporaries, table i
Ibsen, Henrik, world-conception, 20;
provincialism, 24, 33_n._;
sex problem, 35;
unpopularity, 35;
and practical philosophy, 45;
causal effort, 156;
tragic method, 318;
and morale, 346;
and Civilization, 352;
character of Nihilism, 357;
journalism, 360;
nebulous aim, 363, 364;
and socio-economic ethics, 372-374
Iconoclasts, Arabian principle, 262;
contemporaries, table i
Idea, and destiny, 121
Idolatry, Arabian iconoclasm, 262;
Classical attitude, 403
Iliad, spatial aspect, 198
Ilya Murometz, Russian saga, 201_n._
Image, cultural basis of idea, 216
Imagination, music as channel, 220
Imitation, qualities and aim, 191-194;
opposition to ornament, 194-196;
period in architecture, 197;
in music, 228.
_See also_ Ornament
Imperialism, negative character of Roman, 36;
and Civilization, 36;
Western destiny, 37, 38;
origin of Western, Napoleon’s relation, 148;
cultural attitude, 336;
cultural contemporaries, table iii
Impressionism, as space, 184;
beginning, 239;
Leonardo’s relation, 277;
full meaning, 285-287;
later _plein-air_, 288;
in Wagner’s music, 292
Improvisation, as manifestation, 195
Incident, world, 142;
and destiny, 138-144;
and cause, 142;
and style of existence, 142-147;
as basis of Western tragedy, 143;
historical use, 143.
_See also_ Destiny
India, Napoleon and, 150
Indian Culture, ahistorical basis, 11, 12, 133;
anonymous philosophy, 12;
mathematic, 84, 178;
sex attitude, 136;
attitude toward state, 137;
morale, passive, 315, 341, 347;
Buddhism and Civilization, 352;
spiritual epochs, table i.
_See also_ Buddhism; Cultures
Indo-Iranian art period, contemporaries, table ii
Infinity, and Classical mathematic, 69;
in Western Culture, 74-76, 81-84;
and new notation, 76-78;
limit as a relation, 86;
and Western science, 418, 427.
_See also_ Depth-experience; Space
Innocent III, pope, and Western morale, 348
Inquisition, and Western faith, 410
Integral calculus. _See_ Calculus
Intellect, and nature, 157. _See also_ Will
Intelligence, and atheism, 409
Interregnum, Germanic, period as episode, 149
Intuition, and learning, 55, 56
Ionic, and Doric, 205;
contemporaries, tables ii, iii.
_See also_ Architecture; Column
Irak, synagogue music, 228
Irrationalism, cultural attitude, 64-66, 68, 83
Isis, motherhood, 137;
cult, 406, 407
Islam, analogy to Mohammed, 39;
Mohammed as epoch, 149;
architectural expression, 208, 209, 211;
iconoclasm, 262;
and home, 335;
Mohammed’s unimposed mystic benefits, 344_n._;
Puritanism, 356;
Mohammed’s contemporaries, table i;
fatalism period, table i.
_See also_ Arabian Culture; Religion
Issus, battle, mosaic, 214
Italy, liberation as episode, 151;
and music, 230
I-Wang, contemporaries, table iii
Jacobins, and reason and will, 308
Jacopo della Quercia, and ornament, 238
Jahn, Friedrich L., and gymnastics, 35_n._
James, Henry, on ruins, 254_n._
Jansenism, and theoretical science, 66, 314_n._;
Puritanism, 356;
contemporaries, table i
Janus, materiality, 403
Japan, harakiri, 204_n._;
art and the nude, 262_n._
Jason of Pheræ, contemporaries, table iii
Jesuitism, and Baroque architecture, 313;
style in science, 412.
_See also_ Loyola
Jesus, as Son of Man, 309;
and Arabian morale, 344, 347;
unimposed glad tidings, 344_n._
_See also_ Christianity
Joachim of Floris, world-conception, 19, 229, 261;
and “passion”, 320_n._;
contemporaries, table i
John, Saint, and world-history, 18_n._;
dualism in Gospel, 306
Journalism, as phenomenon of Civilization, 360
Judaism, architectural expression, 209, 211_n._;
psalmody, 228;
Kabbala, dualism, 248, 307, 312;
and home 335.
_See also_ Arabian Culture
Judgment, and necessity, 393
Julius II, pope, Raphael’s portrait, 272
Juppiter Dolichenus, cult, 406_n._
Juppiter Feretrius, temple and oath, 406
Juppiter Optimus Maximus, cult, 406
Jurisprudence, esoteric Western, 328
Justinian, period of fulfilment, 107;
and Hagia Sophia, 130_n._
Justus van Gent, in Italy, 236
Kabbala, dualism, 248, 307
Kalaam, determinism, 307
Kant, Emmanuel, and space and time, 6_n._, 7, 64, 122, 124-126, 143,
169, 170, 173-175;
and history, 19;
provincialism, 23;
contemporaries, 27, table i;
final Western systematic philosophy, 45, 365-367;
as philosopher of Being, 49_n._;
and nature and mathematics, 57, 64, 68, 78, 366, 379;
_a priori_ error, 59;
mechanistic world-conception, 99;
and causality and destiny, 118-120, 151;
and the Almighty, 124;
and incident, 143;
as Goethe’s opposite, 159;
on knowledge of thought, 299;
egoism, 310, 335;
esoteric, 327;
and compassion, 350, 362;
and ethics, 354, 355;
and materialism, 368;
on judgment, 393;
on force, 413
Karlstadt, Andreas R., contemporaries, table i
Karma, Buddhist interpretation, 357
Karnak, contemporaries, table ii
Katharsis, Classical, 322, 347.
_See also_ Drama
Kelvin, Lord, and æther, 418
Kepler, Johan, mathematic and religion, 71, 330;
horoscope for Wallenstein, 147;
deeds of science, 355;
and mass, 415
Kirchhoff, Gustav R., on physics and motions, 388
Kishi, church architecture, 201_n._
Kismet, 129, 307.
_See also_ Destiny
Klein, Felix, and groups, 90
Kleist, Heinrich B. W. von, as dramatist, 290
Kleisthenes of Sikyon, tyranny, 33
Knowledge, comparative forms, 59, 60;
virtue and power, 362;
and feeling, 365;
as naming of numina, 397
Kriemhild, and Helen, 268
Krishna worship, and sex, 136_n._
Kwan-tsi, and actuality, 42
Lagrange, Comte, mathematic, 66, 78, 90;
on mechanics, 124;
and force, 417;
contemporaries, table i
La Hale, Adam de, operetta, 229
Landscape, as Chinese prime symbol, 174, 190, 196, 203;
horizon in painting, 239;
Western gardening, 240;
Baroque, as portrait 270_n._, 287;
_plein-air_, 288, 289;
and dramatic scene, 326
Lanfranc, controversy, 185
Langton, Stephen, as warrior, 349_n._
Language, of Culture, 55;
word and number, 57;
beginning of word-sense, 57;
paired root-words, 127;
personality-idea in Western, 262, 302, 309, 310, 413_n._;
as cultural function, 302_n._
_See also_ Names; Writing
Laocoön group, theatrical note, 291;
and Pre-Socratic philosophy, 305
Lao-tse, and imperialism, 37;
and actuality, 42.
Laplace, Marquis Pierre de, mathematic, 78, 90;
contemporaries, 112, table i;
and force, 413, 417
Lasso, Orlando, style, 230
Lateran Council, and Western Christianity, 247
Latin, as Stoic creation, 361
Lavoisier, Antoine L., chemistry, 384, 426
Law, and form, 97
League of Nations, Chinese ideas, 37
Learning, and intuition, 55, 56
Legends, contemporary, table i
Legnano, battle, a symbol, 349
Leibl, Wilhelm, significance of colour, 252;
portraiture, 266;
and body, 271;
and grand style, 289-291;
etching, 290;
striving, 292
Leibniz, Baron von, and actuality, 42;
mathematics, metaphysics, and religion, 56, 66, 70, 126, 366, 394;
relation to Classical mathematic, 69;
calculus, 75, 78, 82, 84, 90;
and vision, 105;
and Nicholas of Cusa, 236;
esoteric, 327;
and mystic philosophy, 365_n._;
monads as quanta of action, 385;
Democritus as contemporary, 386;
and force, 413, 415-417;
contemporaries, table i
Leipzig, battle, issue, 35
Lenbach, Franz von, copyist, 295
Le Nôtre, André, gardening, 240_n._, 241
Leo III, pope, and iconoclasm, 262
Leochares, contemporary mathematic, 90
Leonardo da Vinci, astronomical theory, 69;
spirituality, 128;
Dutch influence, 236;
and background, 237;
and impressionism, 239, 287;
and sculpture, 244;
colour, 246;
and body, 271;
and portrait, 272;
as dissatisfied thinker, 274;
discovery as basis of art, 277-279;
and circulation of the blood, 278;
and aviation, 279;
Western soul and technical limitation, 279-281;
and dynamics, 414
Lessing, Gotthold E., world-conception, 20;
and cultural contrasts, 128;
and Aristotle’s philanthropy, 351;
and cult and dogma, 411
Lessing, Karl F., colour, 252
Leucippus, atoms, 135, 385, 386
Li, contemporaries, table iii
Licinian Laws, myth, 11
Life, and soul and world, 54;
duration, specific time-value, 108;
duration applied to Culture, 109;
Classical Culture and duration, 132;
and willing, 315.
_See also_ Death
Light and shadow, cultural art attitude, 242_n._, 283, 325_n._
Light theories, electro-magnetic, 156_n._;
Newton’s, and Goethe’s theory of colour, 157_n._, 158_n._;
cultural basis, 381;
contradictory, 418
Limit, as a relation, 86
Linden, as symbol, 396
Lingam. _See_ Phallus
Lingayats, sect, 136_n._
Ling-yan-si, Saints, 260
Linois, Comte de, and India, 150_n._
Lippi, Filippino, Dutch influence, 236
Liszt, Franz, Catholicism, 268_n._;
contemporaries, table ii
Literature. _See_ Art; Drama; History; Poetry; writers by name,
especially Dante; Goethe; Ibsen
Livy, on strange gods, 405
Lochner, Stephen, God-feeling, 395
Locke, John, and imperialism, 150;
contemporaries, table i
Loggia dei Lanzi, artistic sentiment, 272
Logarithms, liberation, 88
Logic, organic and inorganic, 3, 117;
of time and space, 7;
and mathematics, convergence, 57, 427;
and morale, 354.
_See also_ Causality
Logicians, contemporaries, table i
Lokoyata, contemporaries, table i
London, culture city, 33
Loredano, doge, portrait, 272
Lorentz, Hendrik A., and Relativity, 419
Lorenzo de’ Medici, and music, 230
Lotze, Rudolf H., ethics, 367
Louis XIV, uncleanliness, 260;
contemporaries, table iii
Louisiana, Napoleon’s project, 150
Loyola, Ignatius, and style of the Church, 148;
architectural parallel, 314;
and Western morale, 348;
God-feeling, 394, 395;
and method, 412
Lucca, and Arabian Culture, 216
Lucian, and Philopatris dialogue, 404_n._
Lucullus, L., army, 36
Ludovisi Villa, garden, 240
Lully, Raymond, music, 283
Luther, Martin, and “know”, 123;
and destiny, 141;
as epoch, 149;
and works, 316_n._;
and Western morale, 348, 349, 355;
God-feeling, 394, 395;
contemporaries, table i
Luxor, contemporaries, table ii
Lycurgus, myth, 11
Lysander, deification, 405
Lysias, portrait, 270
Lysicrates, Monument of, acanthus motive, 215
Lysippus, contemporary mathematic, 90;
sculpture, 226, 260_n._;
period, 284;
canon, 287;
straining, 291;
irreligion, 358;
contemporaries, table ii
Lysistratus, and portraiture, 269