But at last

A different Elenor Murray than I knew

There in the hospital took shape before me.

That serving soul, that maid of humble tasks,

And sacrifice for others, and that face

Of waitress or of ingenue, day by day

Assumed sophistication, looks and lines

Of knowledge in the world, experience

in places of patrician ways. She knew

New York as well as I, cafes and shops;

Dropped pregnant hints at times that made me think

What more she knew, what she was holding back.

Until at last all she had done for me

Seemed just what mortals do to earn their bread

In any calling, made more generous, maybe,

By something in a moment's mood. In truth

The ideal showed the clogged pores in the skin

Under the light she stood in. For you know

When we see people happy we can say

Those tears were not all tears--we pitied more

Than we were wise to pity--that's the feeling:

Most men are Puritans in this, I think.

A woman dancing, drinking, makes you laugh,

And half despise yourself for great emotion

When seeing her in prayer or reverent thought.

But now I come to something more concrete:

The day before the major came we lunched

Where we could see the Mediterranean,

The clubs, hotels and villas. There she sat

All dressed in white, a knitted jacket of silk

Matching the leaves upon the trees, and looked

As fashionable as the rest. The waiter came.

She did not take the card nor order from it,

Was nonchalant, familiar, said at last:

"We want some Epernay. You have it doubtless."

The waiter bowed. I looked at Elenor,

That was the character of revealing things

I saw from day to day. For truth to tell

This Epernay might well have been charged water

For all I knew. I asked her, and she said:

"Delicious wine, not strong." And so we lunched,

And the music stormed, and lunchers gabbled, smoked,

And dandies ogled. And this Epernay

Worked in our blood and Elenor rattled on.

And she was flinging eyes from right to left

And moving rhythmically from hip to hip,

And with a finger beating out the time.

Somehow our hands touched, then she closed her eyes,

Her body shook a little and grew limp.

"What is the matter?" Then she raised her eyes

And looked me through an instant. What, my dear,

You won't hear any more? Oh, very well,

That's all, there is no more.

But after while

When things got quieter, the lunchers thinned,

The music ended, and the wine grown tame

Within our veins, she told me on a time

Some years before she was confirmed, and thought

She'd take the veil, and for two years or more

Was all absorbed in pious thoughts and works.

"But how we learn and change," she added then,

"In training we see bodies, learn to know

How thirst and hunger, needs of body cry

For daily care, become materialists,

Unmoralists a little in the sense

That any book, or theories of the soul

Should tie the body from its natural needs.

Though I accept the faith, no less than ever,

That God is and the Savior is and spirit

Is no less real than body, has its needs,

Separate or through the body."

Oh, that girl!

She made me guess and wonder. But next day

I had a fresh surprise, the major came

And she was changed completely. I forgot,

I must tell you what happened after lunch.

We rose and she grew impish, stood and laughed

As if the secret of the laugh was hers

Beyond the concrete matter of the laugh.

She said, "I'll show you something beautiful."

We started out to see it, walked the road

Around the foot of Castle Hill. You know

The wind blows gustily at Nice; and so

All of a sudden went my hat, way up,

Far off, and instantly such laughter rose,

And boisterous shouts that made me think at once

I had been tricked, somehow. It is this way:

The gamins loiter there to watch the victims

Who lose their hats. And Elenor sat down,

And laughed until she cried. I do not know,

Perhaps I was not amorous enough

At luncheon and she pranked me for revenge.

Well, then the major came, he took my place.

I was the third one in the party now,

But saw them every day. What did we do?

No Monte Carlo now, nor ordering

Without the card, she was completely changed,

Demure again, all words of lovely things:

The war had changed the world, had lifted up

The spirit of man to visions, and the major

Adored her, drank it in. And we explored

Limpia and the Old Town, looked aloft

At Mont Cau d'Aspremont, picked hellebore,

And orchids in the gorges, saw St. Pons,

The Valley of Hepaticas, sunned ourselves

Within the Jardin Public, where the children

Play riotously; and Elenor would draw

A straying child to her and say: "You darling."

I saw her do this once and dry her eyes

And to the major say: "They are so lovely,

I had to give up teaching school, the children

Stirred my emotions till I could not bear

To be among them." And to make an end,

I spent the parts of three days with these two.

And on the last day we went to the summit

Of the Corinche Road, and saw the sea and Europe

Spread out before us--oh, you cannot know

The beauty of it, dear, until you see it.

And Elenor sat down as in a trance,

And looked and did not speak for minutes. Then

She said: "How pure a place this is--it's nature,

And I can worship here, this makes you hate

The cafes and the pleasures of the town."

What was this woman, dear, what was her soul?

Or was she half and half? Oh, after all,

I am a hostile mixture, so are you.

And so I drifted out, and only stayed

A day or two beyond that afternoon.

I took a last walk on the Promenade;

At last saw just ahead of me these two,

His arm was fast in hers, they sauntered on

As if in serious talk. As I came up,

I greeted them and said good-bye again.

Where is the major? Did the major steal

The heart of Elenor Murray, speed her death?

They could have married. Why did she return?

Or did the major follow her? Well, dear,

Here is the story, truthful to a fault.

My soul is yours, I kept it true to you.

Hear how the waters roar upon the sand!

I close my eyes and almost can believe

We are together on the Corniche Road.

* * * * *

Well, it may never be that Merival

Heard from Bernard of Elenor at Nice,

Although he knew it sometime, knew as well

Her service in the war had nerved the men

And by that much had put the Germans down.

America at the fateful moment lent

Her strength to bring the war's end. Elenor

Was one of many to cross seas and bring

Life strength against the emperor, once secure,

And throned in power against such phagocytes

As Elenor Murray, Bernard, even kings.

And sawing wood at Amerongen all

He thought of was of brains and monstrous hearts

Which sent the phagocytes from America,

England and France to eat him up at last.

One day an American soldier, so 'tis said

Someone told Merival, was walking near

The house at Amerongen, saw a man

With drooped mustache and whitened beard approach,

Two mastiffs walked beside him. As he passed

Unrecognized, the soldier to a mate

Spoke up and said: "What hellish dogs are those?--

Like Bismarck used to have; I saw a picture

Of Bismarck with his dogs." The drooped mustache

Turned nervously and took the soldiers in,

Then strode ahead. The emperor was stunned

To hear an American soldier use a knife

As sharp as that.

But Elenor at Nice

Walked with the major as Bernard has told.

And this is wrinkled water, dark and far

From Merival, unknown to him. He hears,

And this alone, she went from Nice to Florence,

Was ill there in a convent, we shall see.

This is the tale that Irma Leese related

To Coroner Merival in a leisure hour:

THE MAJOR AND ELENOR MURRAY AT NICE

Elenor Murray and Petain, the major,

The Promenade des Anglais walked at Nice.

A cloud was over him, and in her heart

A growing grief.

He knew her at the hospital,

First saw her face among a little group

Of faces at a grave when rain was falling,

The burial of a nurse, when Elenor's face

Was bathed in tears and strained with agony.

And after that he saw her in the wards;

Heard soldiers, whom she nursed, say as she passed,

Dear little soul, sweet soul, or take her hand

In gratitude and kiss it.

But as a stream

Flows with clear water even with the filth

Of scum, debris that drifts beside the current

Of crystal water, nor corrupts it, keeps

Its poisoned, heavier medium apart,

So at the hospital where the nurses' hands

Poured sacrifice, heroic love, the filth

Of envy, anger, malice, plots, intrigue

Kept pace with pure devotion, noble work

For suffering and the cause.

The major helped

To free the rules for Elenor Murray so

She might recuperate at Nice, and said:

"Go and await me, I shall join you there.

For in my trouble I must have a friend,

A woman to assuage me, give me light,

And ever since I saw you by that grave,

And saw you cross yourself, and bow your head

And watched your services along the wards

Among the sick and dying, I have felt

The soul of you, its human tenderness,

Its prodigal power of giving, pouring forth

Itself for others. And you seem a soul

Where nothing of our human frailty

Has come to dim the flame that burns in you,

You are all light, I think."

And Elenor Murray

Looked down and said: "There is no soul like that.

This hospital, the war itself, reflects

The good and bad together of our souls.

You are a boy--oh such a boy to see

All good in me."

And Major Petain said:

"At least you have not found dishonor here

As I have found it, for a lust of flesh

A weakness and a trespass."

This was after

The hospital was noisy with the talk

Of Major Petain and his shame, the hand

Of discipline lay on him.

Elenor Murray

Looked steadily in his eyes, but only said:

"We mortals know each other but a little,

Nor guess each other's secrets." And she glanced

A moment at the tragedy that had come

To her at Paris on her furlough there,

And of its train of sorrows, even now

Her broken health and failure in the work

As consequence to that, and how it brought

The breaking of her passionate will and dream

To serve and not to fail--she glanced at this

A moment as she faced him, looked at him.

Then as she turned away: "There is one thing

That I must tell you, it is fitting now,

I love and am beloved. But if you come

To Nice and I can help you, come, if talk

And any poor advice of mine can help."

So Major Petain, Elenor Murray walked

The Promenade at Nice, arm fast in arm.

And Major Petain to relieve his heart

Told all the tragedy that had come to him:

"Duty to France was first with me where love

Was paramount with you, if I divine

Your heart, America's, at least a love

Unmixed of other feelings as may be.

What could you find here, if you seek no husband,

Even in seeing France so partially?

What in adventure, lures to bring you here,

Where peril, labor are? You either came

To expiate your soul, or as you say,

To make more worthy of this man beloved

Back in America your love for him.

Dear idealist, I give my faith to you,

And all your words. But as I said 'twas duty,

Then dreams of freedom, Europe's chains struck off,

The menace of the German crushed to earth

That fired me as a soldier, trained to go

When France should need me. So it is you saw

France go about this business calm and stern,

And patient for the prize, or if 'twere lost

Then brave to meet the future as France met

The arduous years that followed Metz, Sedan."

"But had I been American to the core,

Would I have put the sweet temptation by?

However flamed with zeal had I said no

When lips like hers were offered? Oh, you see

Whatever sun-light gilds the mountain tops

Rich grass grows in the valleys, herds will feed,

Though rising suns put glories on the heights.

And herds will run and stumble over rocks,

Break fences and encounter beasts of prey

To get the grass that's sweetest."

"To begin

I met her there in Paris. In a trice

We loved each other, wrote, made vows, she pledged

The consummation. There was danger here,

Great danger, as you know, for her and me.

And yet it never stopped us, gave us fear.

And then I schemed and got her through the lines,

Took all the chances."

"Danger was not all:

There was my knowledge of her husband's love,

His life immaculate, his daily letters.

He put by woman chances that arose

With saying, I am married, am beloved,

I love my wife, all said so earnestly

We could not joke him, though behind his back

Some said: He trusts her, but he'd better watch;

At least no sense of passing good things by.

I sat with him at mess, I saw him read

The letters that she wrote him, face of light

Devouring eyes. The others rallied him;

But I was like a man who knows a plot

To take another's life, but keeps the secret,

Eats with the victim, does not warn him, makes

Himself thereby a party to the plot.

Or like a man who knows a fellow man

Has some insidious disease beginning,

And hears him speak with unconcern of it,

And does not tell him what to do, you know,

And let him go to death. And just for her,

The rapture of a secret love I choked

All risings of an honest manhood, mercy,

Honor with self and him. Oh, well you know

The isolation, hunger of us soldiers,

I only need to hint of these. But now

I see these well endured for sake of peace

And quiet memory."

"For here we stood

Just 'round the corner in that long arcade

That runs between our building, next to yours.

And this is what I hear--the husband's voice,

Which well I knew, the officer's in command:

'Why have you brought your wife here?' asked the officer.

'Pardon, I have not done so,' said the husband.

'You're adding falsehood to the offense; you know

The rules forbid your wife to pass the lines.'

'Pardon, I have not brought her,' he exclaimed

In passionate earnestness.

"Well, there we stood.

My sweetheart, but his wife, was turned to snow,

As white and cold. I got in readiness

To kill the husband. How could we escape?

I thought the husband had been sent away;

Her coming had been timed with his departure,

Arriving afterward, and we had failed.

But as for that, before our feet could stir,

The officer said, 'Come now, I'll prove your lie,'

And in a twinkling, taking a dozen steps

They turned into the arcade, there they were,

The officer was shaking him and saying,

'You lie! You lie!'

"All happened in a moment,

The humbled, ruined fellow saw the truth,

And blew his brains out on the very spot!

And made a wonder, gossip for you girls--

And here I am."

So Major Petain finished.

Then Elenor Murray said: "Let's watch the sea."

And as they sat in silence, as he turned

To look upon her face, he saw the tears,

Hanging like dew drops on her lashes, drip

And course her cheeks. "My friend, you weep for me,"

The major said at last, "my gratitude

For tears like these." "I weep," said Elenor Murray,

"For you, but for myself. What can I say?

Nothing, my friend, your soul must find its way.

Only this word: I'll go to mass with you,

I'll sit beside you, pray with you, for you,

And do you pray for me."

And then she paused.

The long wash of the sea filled in the silence.

And then she said again, "I'll go with you,

Where we may pray, each for the other pray.

I have a sorrow, too, as deep as yours."

THE CONVENT

Elenor Murray stole away from Nice

Before her furlough ended, tense to see

Something of Italy, and planned to go

To Genoa, explore the ancient town

Of Christopher Columbus, if she might

Elude the regulation, as she did,

In leaving Nice for Italy. But for her

Always the dream, and always the defeat

Of what she dreamed.

She found herself in Florence

And saw the city. But the weariness

Of labor and her illness came again

At intervals, and on such days she lay

And heard the hours toll, wished for death and wept,

Being alone and sorrowful.

On a morning

She rose and looked for galleries, came at last

Into the Via Gino Capponi

And saw a little church and entered in,

And saw amid the darkness of the church

A woman kneeling, knelt beside the woman,

And put her hand upon the woman's forehead

To find that it was wrinkled, strange to say

A scar upon the forehead, like a cross....

Elenor Murray rose and walked away,

Sobs gathering in her throat, her body weak,

And reeled against the wall, for so it seemed,

Against which hung thick curtains, velvet, red,

A little grimed and worn. And as she leaned

Against the curtains, clung to them, she felt

A giving, parted them, and found a door,

Pushed on the door which yielded, opened it

And saw a yard before her.

It was walled.

A garden of old urns and ancient growths,

Some flowering plants around the wall.

Before her

And in the garden's center stood a statue,

With outstretched arms, the Virgin without the child.

And suddenly on Elenor Murray came

Great sorrow like a madness, seeing there

The pitying Virgin, stretching arms to her.

And so she ran along the pebbly walk,

Fell fainting at the Virgin's feet and lay

Unconscious in the garden.

When she woke

Two nuns were standing by, and one was dressed

In purest white, and held within her hands

A tray of gold, and on the tray of gold

There was a glass of wine, and in a cup

Some broth of beef, and on a plate of gold

A wafer.

And the other nun was dressed

In purest white, but over her shoulders lay

A cape of blue, blue as the sky of Florence

Above the garden wall.

Then as she saw

The nuns before her, in the interval

Of gathering thought, re-limning life again

From wonder if she had not died, and these

Were guides or ministrants of another world,

The nun with cape of blue to Elenor

Said: "Drink this wine, this broth;" and Elenor

Drank and arose, being lifted up by them,

And taken through the convent door and given

A little room as white and clean as light,

And a bed of snowy linen.

Then they said:

"This is the Convent where we send up prayers,

Prayers for the souls who do not pray for self--

Rest, child, and be at peace; and if there be

Friends you would tell that you are here, then we

Will send the word for you, sleep now and rest."

And listening to their voices Elenor slept.

And when she woke a nurse was at her side,

And food was served her, broths and fruit. Each day

A doctor came to tell her all was well,

And health would soon return.

So for a month

Elenor Murray lay and heard the bells,

And breathed the fragrance of the flowering city

That floated through her window, in the stillness

Of the convent dreamed, and said to self: This place

Is good to die in, who is there to tell

That I am here? There was no one. To them

She gave her name, but said: "Till I am well

Let me remain, and if I die, some place

Must be for me for burial, put me there.

And if I live to go again to France

And join my unit, let me have a writing

That I did not desert, was stricken here

And could not leave. For while I stole away

From Nice to get a glimpse of Italy,

I might have done so in my furlough time,

And not stayed over it." And to Elenor

The nuns said: "We will help you, but for now

Rest and put by anxieties."

On a day

Elenor Murray made confessional.

And to the nuns told bit by bit her life,

Her childhood, schooling, travels, work in the war,

What fate had followed her, what sufferings.

And Sister Mary, she who saw her first,

And held the tray of gold with wine and broth,

Sat often with her, read to her, and said:

"Letters will go ahead of you to clear

Your absence over time--be not afraid,

All will be well."

And so when Elenor Murray

Arose to leave she found all things prepared:

A cab to take her to the train, compartments

Reserved for her from place to place, her fare

And tickets paid for, till at last she came

To Brest and joined her unit, in three days

Looked at the rolling waters as the ship

Drove to America--such a coming home!

To what and whom?

* * * * *

Loveridge Chase returned and brought the letters

To Coroner Merival from New York. That day

The chemical analysis was finished, showed

No ricin and no poison. Elenor Murray

Died how? What were the circumstances? Then

When Coroner Merival broke the seals of wax,

And cut the twine that bound the package, found

The man was Barrett Bays who wrote the letters--

There were a hundred--then he cast about

To lay his hands on Barrett Bays, and found

That Barrett Bays lived in Chicago, taught,

Was a professor, aged some forty years.

Why did this Barrett Bays emerge not, speak,

Come forward? Was it simply to conceal

A passion written in these letters here

For his sake or his wife's? Or was it guilt

For some complicity in Elenor's death?

And on this day the coroner had a letter

From Margery Camp which said: "Where's Barrett Bays?

Why have you not arrested him? He knows

Something, perhaps about the death of Elenor."

So Coroner Merival sent process forth

To bring in Barrett Bays, _non est inventus_.

He had not visited his place of teaching,

Been seen in haunts accustomed for some days--

Not since the death of Elenor Murray, none

Knew where to find him, and none seemed to know

What lay between this man and Elenor Murray.

This was the more suspicious. Then the _Times_

Made headlines of the letters, published some

Wherein this Barrett Bays had written Elenor:

"You are my hope in life, my morning star,

My love at last, my all." From coast to coast

The word was flashed about this Barrett Bays;

And Mrs. Bays at Martha's Vineyard read,

Turned up her nose, continued on the round

Of gaieties, but to a chum relieved

Her loathing with these words: "Another woman,

He's soiled himself at last."

And Barrett Bays,

Who roughed it in the Adirondacks, hoped

The inquest's end would leave him undisclosed

In Elenor Murray's life, though wracked with fear

About the letters in the vault, some day

To be unearthed, or taken, it might be,

By Margery Camp for uses sinister--

He reading that the letters had been given

To Coroner Merival, and seeing his name

Printed in every sheet, saw no escape

In any nook of earth, returned and walked

In Merival's office: trembling, white as snow.

So Barrett Bays was sworn, before the jury

Sat and replied to questions, said he knew

Elenor Murray in the fall before

She went to France, saw much of her for weeks;

Had written her these letters before she left.

Had followed her in the war, and gone to France,

Had seen her for some days in Paris when

She had a furlough. Had come back and parted

With Elenor Murray, broken with her, found

A cause for crushing out his love for her.

Came back to win forgetfulness, had written

No word to her since leaving Paris--let

Her letters lie unanswered; brought her letters,

And gave them to the coroner. Then he told

Of the day before her death, and how she came

By motor to Chicago with her aunt,

Named Irma Leese, and telephoned him, begged

An hour for talk. "Come meet me by the river,"

She had said. And so went to meet her. Then he told

Why he relented, after he had left her

In Paris with no word beside this one:

"This is the end." Now he was curious

To know what she would say, what could be said

Beyond what she had written--so he went

Out of a curious but hardened heart.

BARRETT BAYS

"I was walking by the river," Barrett said,

"When she arrived. I took her hand, no kiss,

A silence for some minutes as we walked.

Then we began to take up point by point,

For she was concentrated on the hope

Of clearing up all doubtful things that we

Might start anew, clear visioned, perfect friends,

More perfect for mistakes and clouds. Her will

Was passionate beyond all other wills,

And when she set her mind upon a course

She could not be diverted, or if so,

Her failure kept her brooding. What with me

She wanted after what had stunned my faith

I knew not, save she loved me. For in truth

I have no money, and no prospects either

To tempt cupidity."

Domesday Book · 第 14 / 18 段