Tales of Ardennes. 1841.
CORNWALL (Barry) [Poet], _crypto._ [BRYAN WALLER PROCTER,
Barrister-at-Law].
A Sicilian Story, with Diego de Montilla, and other poems,
1820.--Mirandola, a tragedy, 1821.--English Songs, 1832, several
editions of the above; and others.
C. O. S. See: a Priest of the Church of England. 1862.
COUR (T. E.) _anagram_ of the Author’s name in Spanish [W. G. T.
BARTER, Barrister-at-Law].
Two Essays, in: Life, Law, and Literature, 1863, were signed by the
author as above. See the preface.
COURTENAY (Peregrine) _pseud._ [WILLIAM MACKWORTH PRAED]. In Knight’s
Quarterly Magazine. 1823-4.
C. P. M., _initialism_ [CHRISTOPHER PARR MALE].
Have you any fear of Death? Birmingham, 1851.
CRAWLEY (Rawdon) Captain, _pseudo-titlonym_ [GEORGE FREDERICK PARDON.
He generally dates from the Megatherium Club; we need scarcely say,
therefore, that he takes his pseudonym from Thackeray, whom, in one
of his dedications, he calls his biographer].
Several Handbooks on Billiards, Chess, Draughts. Under both his
names. We fear this is a use of a pseudonym we should condemn, for it
savours of book-making, as for example in:--The Book of Billiards.
_Longman_, 1865.
Chess: its Theory and Practice, to which is added a Chapter on
Draughts. 3rd edition. _Clarke_, 1858.
To C. Hardwicke, Esq., author of the “History of Preston,”
this little book is affectionately dedicated by his friend and
collaborateur, the author.
CRAYON (Crotchet) _pseud._ [ ].
The Rival Houses of the Hobbs and Dobbs; or Dress-Makers and
Dress-Wearers. 1854.
CRAYON (Geoffrey) Esq., _pseud._ [WASHINGTON IRVING].
The Sketch Book, 1820 (Written in England, and sheets sent to America
for publication.) Bracebridge Hall, or the Humourists, a Medley. New
York, 1822. Tales of a Traveller, 1824. The Alhambra. 1832. Editions
to the present time both in England and America.
C. R. E., _initialism_ [ ].
Buried Treasures. 2 parts, London, 1851, no more published.
The first contains: The Law of Liberty ... by J. Locke, with a
life by the editor (C. R. E.) The second: On the Civil Power in
Ecclesiastical Causes ... by J. Milton, with a historical sketch
and notes.
CREYTON (Paul) _pseud._ [J. T. TROWBRIDGE].
Father Brighthopes, or an old Clergyman’s Vacation. Boston (U.S.)
1853.
Martin Merrivale, his × mark, 1854. Hearts and Faces. 1855. Boston
(U. S.) 1855.
Burrcliff, its Sunshine and its clouds.... 6th thousand, 1855.
CRIB, _phrenonym_ [ ].
Secret Love; or the Phantom Barber: a burletta, adapted by Crib.
[1859]. In verse.
CRIB (Tom) _phren._ [THOMAS MOORE].
Tom Crib’s Memorial to Congress, with a preface.... By one of the
Fancy. 4th edition. London, 1819 (in Verse).
CRIBB (Tommy) _phren._ [ ].
To the Electors of the Borough of Southwark. The Presentation of the
Pipkin, etc. The whole taken in shorthand by ----. Lond., 1819.
CROFT (Zachary) _pseud._ [CHARLES KELSALL].
The first sitting of the Committee on the proposed Monument to
Shakespeare. 1823.
CROQUIS (Alfred) _pseud._ [DANIEL MACLISE, R.A.].
Portraits in Fraser’s Magazine.
CROWQUILL (Alfred) _pseud._ [ALFRED HENRY FORRESTER, Artist and
Author].
Leaves from my Memorandum Book.
His first publication under this pseudonym. For numerous others
we must refer to _Men of the Time_, and Allibone’s Critical
Dictionary of English Literature, 1859, under Crowquill.
CRUISER (Benedict) _pseud._ [GEORGE A. SALA].
How I tamed Mrs. Cruiser. By, etc. Edited by G. A. S., with
illustrations by Phiz [_pseud._]. 1858.
CRUSOE (Robinson) _fictitious name_ [DANIEL DEFOE].
The Life and surprising Adventures of Robinson Crusoe, of York,
Mariner. Written by himself. 1st edition, 1719.
The most popular fiction in our language.
“It is remarkable that two of the most interesting tales
that ever were written,--‘Robinson Crusoe’ and ‘Uncle Tom’s
Cabin,’--are without that which forms the chief source of
interest in most other tales--a love story.
“Robinson Crusoe” and “Gulliver,” are two works which probably
will remain as long as the English language. One of them has
even introduced a new word into our language; for _lilliputian_
is often used to denote something excessively minute. And it is
remarkable that the authors of these works, Defoe and Dean Swift,
who have never been surpassed--perhaps never equalled--in any age
or country in their own peculiar art of giving to fiction the
air of reality, were contemporaries, and held each other in the
greatest contempt and abhorrence. Their designs were different.
“Gulliver” was, of course, not expected to be believed, but
affords part of its amusement from the striking contrast between
the sober, matter-of-fact style of the narrative, and the
monstrous extravagance of the matter; as where mention is made in
his quiet way of the house in Redriff, which brought in a rent of
£30 a year; and of the little daughter Betsy, who was sewing her
sampler, and who afterwards married and had children.
“Robinson Crusoe,” on the contrary was originally put forth as a
true history (Defoe not being very scrupulous on that point) and
long after, and probably even down to the present time, was by
many considered as substantially true, and as being merely the
history of Alexander Selkirk, on the Island of Juan Fernandez;
only a little dressed up, and with a change of names. It is
possible that Defoe may have heard that history, and that it may
have suggested to him the idea of his tale; but if this be so,
it is the very utmost that could be said; for the two histories
are totally unlike, except that in each there is an island in the
South Sea, with goats upon it. Alexander Selkirk had no tools, or
stores, or arms, saved from a wreck; he had no implements, save
a pocket knife; and used to capture the goats, on whose flesh he
fed, by running them down. He never met with any savages, nor
had any friendly intercourse with the Spaniards; and there were
only two remarkable incidents that occurred during his sojourn on
the island, neither of which is found in the history of Robinson
Crusoe. One was, his being pursued by a party of Spaniards who
had landed on the island, and from whom he fled for his life,
well knowing that their design was to murder him, as was the
practice of the Spaniards with all strangers found in those seas.
He escaped by climbing into a tree with thick foliage, where he
lay hidden like King Charles in the oak.
His other adventure was catching hold of a goat.... Now both
these remarkable incidents being wanting in “Robinson Crusoe,”
it is plain that the notion above alluded to, of the one history
being taken from the other, is altogether groundless.
One part of the art by which Defoe gives his tale the air of
reality, consists in the frequently recording minute particulars
and trifling occurrences which lead to no result.... Another
apparent indication of reality is that such improbabilities as
there are lie precisely in the opposite quarter from that in
which we should expect to find them. A writer of fiction would
have been likely (as we may see for instance, in some of the
imitations of “Robinson Crusoe”) to attribute to the hero _more_
ingenuity and _greater_ success than is accordant with the rules
of probability. With Robinson Crusoe it is just the reverse....
It would be a curious and not unprofitable task to draw up a
criticism of Robinson Crusoe, showing that there are, in a
tale which, beyond all others, has been the oftenest mistaken
for a true history, such improbabilities as amount to complete
disproof. Such a work would be a kind of companion and supplement
to the “Historic doubts respecting Napoleon Bonaparte” [published
anonymously by Archbishop Whately].... His culture of _rice_
may be pronounced an absolute impossibility. He threw out, it
seems, before the entrance of his habitation, among dust and
husks, some unperceived grains of barley and rice, which grew and
came to perfection, and enabled him thenceforward, to cultivate
those crops. Now this is probable enough as far as regards the
_barley_; but Defoe was probably ignorant that _rice_, when
designed for human food, is divested of its husk by a process
which destroys its power of germinating; so that to sow rice in
the state in which it comes to market would be as vain as to sow
pearl-barley.... When Friday is pursued by three savages, and
they come to a creek, one of them turns back, as being _unable to
swim_.... A Brazilian sea-coast savage, unable to swim, may be
pronounced a total impossibility.... When Robinson Crusoe comes
forward to rescue the Spaniards who are about to be slaughtered,
he addresses one of them in _Spanish_.... Alexander Selkirk,
after only three years, could scarcely express himself even in
his own mother-tongue.
But the most wide-spread (if I may so speak) of the
improbabilities; though the one the most likely to be overlooked
by the generality of readers, is the character ascribed to
savages ... if we examine attentively all the accounts that
are given of savages by those who have had actual intercourse
with them, we shall inevitably come to the conclusion that the
representation of savages, as given by Defoe, involves a complete
moral impossibility.--_Miscellaneous Remains of Archbishop
Whately_, to which the reader is referred for the whole of this
interesting discussion.
We greatly regret that want of space prevents our giving the
whole of the Archbishop’s essay, as we consider it conclusive.
C. S., _initialism_ [C. STAUNTON].
Life and Humours of Falstaff. 1829.
J. R. S.
C. S. C., _initialism_ [C. S. CALVERLEY].
Verses and Translations. Camb., 1862. 3rd edit. 1865.
CUMBERMERE (Lord Claudius Hastings) _pseudo-titl._ [ALFRED ASSOLANT].
Les Aventures de K. Brunner, docteur en Théologie par Lord, etc.
Paris, 1861.
C. W. S., _init._ [CHARLES WILLIAM SHORT, a Captain and
Lieutenant-Colonel, Coldstream Guards].
A Treatise on Swimming, as taught at Berlin, in the Military College.
From a German MS. _Ollivier_, 1846.
Preface signed.
C. W. S., _init._ [SMITH].
The Big Bulls of Europe and the Blasphemous “Te Deum” (two letters
reprinted from the Morning Post) [1855].
CYCLA, _pseud._ [Mrs. ELLEN CLACY].
Aunt Dorothy’s Will, a novel. 1860.
D.
Δ, _Greek pseudonym_ [D. M. MOIR].
Biographical Memoir of the late Mrs. Hemans. 1836.
Memoir of Galt.
Δ, _initialism_ [Right Hon. BENJAMIN DISRAELI].
Venetia, 1857. The Tragedy of Count Alarcos. By the author of Vivian
Grey. 1839.
Δ, _pseud._ [F. BARHAM].
A loyal Address to the Queen [1840].
D. (Dr.) _init._ [Dr. N. DELUIS].
Shakespeare, edited by ----. 1854.
D---- (J. R.) _disguised-author_ [JAMES REID DILL].
A Sermon from the Grave. 1862.
DAGOBERT (Chrysostôme) _pseudonym_ [JEAN BAPTISTE ALPHONSE LED’HUY].
A bon Chat bon Rat, Tit for Tat, a new and idiomatic course of
instruction in the French language. 1855.
We have numerous other works on teaching French from the pen of this
gentleman, all under this pseudonym.
DASH (La Comtesse) _pseud._ [the Vicomtesse de SAINT-MARS].
A great number of Novels (French) from 1853 to the present time.
Amongst other masks this lady has “Henri Desroches” and “Jacques
Reynaud.”
DE BERNARD (Charles) _abbreviation_ [CHARLES BERNARD DUGRAIL DE LA
VILLETTE].
The Lion’s skin, and the Lover Hunt [from the French]. New York, 1853.
DE BOSCOSEL DE CHASTELARD (Pierre) _aristonym_ [W. H. IRELAND].
Effusions of Love from Chatelar to Mary Queen of Scotland. Translated
from a Gallic MS. in the Scotch College at Paris. Interspersed with
songs, sonnets, and notes explanatory by the Translator. To which
is added Historical Fragments, Poetry, and Remains of that most
unfortunate Princess. 1808.
DECANUS, _titlonym_ [Very Reverend EDWARD NEWENHAM HOARE, M.A., Dean
of Achonry].
English Settlers’ Guide through Irish Difficulties. 1850.
DE COMYNE (Alexander) _aristo._ [CHARLES THOMAS BROWNE, of Trinity
College, Dublin].
See Men of the Time.
DEENE (Kenner) _pseudandry_ [CHARLOTTE SMITH].
The Dull Stone House, 1862. Christmas at the Cross Keys, 1863. The
Schoolmaster of Alton, 1863. Anne Cave, 1864. Rutly Rivers, a story
in four books. 1864.
DE K---- (E.) Madame, _disguised-author_ [Madame EMMA DE K?]
Holly Grange, a tale, by ----, edited by William Hazlitt Esq. _Joseph
Cundall_, 1844.
One of Hazlitt’s Holiday Library.
DELTA, _greek-pseudonym_ [D. M. MOIR].
Poems, 1852. First published in Blackwood’s Mag.
DE MIRECOURT (Eugene), _aristonym_ [CHARLES-JEAN-BAPTISTE JACQUOT, de
MIRECOURT, Vosges, France].
Fabrique de Romans. Maison Alexandre Dumas et compagnie. Paris, les
marchands de nouveautés. 1845.
Dumas brought an action against the author for this tremendous
attack, provoked by his own unfair treatment of its author.
Histoire Contemporaine. Paris, 1867.
Under this title he is writing a series of biographical sketches of
celebrated or popular Frenchmen.
DE PEMBROKE (Morgan) _aristonym_ [MORGAN EVANS].
The following letter to the editor of the “Athenæum”, from the number
for Oct 4th, 1862, requires no comment:
Mabus, Pembrokeshire, Sept. 20th, 1862.
I read with great interest your notice of Mr. Kendall’s [MS.]
“Verses.” In the Poem called “Kiama” the following line occurs:
A white sail glimmers out at sea--a vessel walking in her sleep.
In the _Athenæum_ for the 17th Nov., 1860, you noticed a small
volume of mine, viz., “Poems, by Morgan de Pembroke,” _Bennett_.
In your review of my book under that name, one of the verses
favourably noticed contained two lines, which you printed thus:
A white sail glimmers on the deep--
A vessel walking in her sleep.
The similarity between my two lines and Mr. Kendall’s one line is
remarkable. I write this to forestall any accusation against me
of plagiarism should I reproduce my poem in another form at some
future time.--Yours, etc.
MORGAN EVANS.
DE PONTAUMONT (M. E. Lechanteur, inspector of the Imperial Marine,
Cherbourg) _plagiarist_.
La Rosïere de Bricquebec. Liege, 1861.
The above is translated, word for word, from “The Pride of the
Village,” by Washington Irving.--_De Manne._
D----G, _anastroph_ [GEORGE DANIEL, author of the Modern Dunciad].
Cumberland’s British Theatre, with Remarks biographical and critical,
by D----G. 1829-43.
D. G. M. _init._ [MITCHELL]. See Marvel Ike, _ps._
DOBLADO (Don Leucadio) _Spanish-pseudonym_ [JAMES BLANCO WHITE].
Letters from Spain. 1822.
DODD (Charles) _pseud._ [HUGH TOOTELL].
Dodd’s Church History of England, etc. 1839-43. 5 vols.
DOESTICKS (Q. K. Philander) P.B., (_i.e._, Perfect Brick) _phren._
[MORTIMER THOMPSON, son-in-law to “Fanny Fern”].
Doesticks, what he says. New York. 1855.
Plu-Ri-Bus-Jah: a song that’s by no author. Perpetrated by, etc.
1857. The Witches of New York. 1859.
DOLORES, _pseudonym_ [Miss DICKSON].
Music to numerous songs, upwards of 50, since 1854.
DOWELL (Samuel) _pseud._ [JOHN CLOSE].
A Month in London, or the select adventures of S. D., the Village
Bard, edit, by A. M. Writewell [_pseudonym_]. _Appleby_, 1844. Four
numbers of another edition were published as follows:
Adventures of an Author [S. D.], or the Westmoreland Novelist. Edited
by T. Caxton [_pseud._] 1846.
DOWNING (Jack) Major, _ps.-titlonym_ [SEBA SMITH].
The Life and writings of Major Jack Downing, of Downingville, away
down East in the State of Maine, written by himself. Boston, 3rd
edition, plates. 1834.
Letter of J. D., Major, Downingville Militia, Second Brigade, to his
old friend, Mr. Dwight, of the New York Daily Advertiser. 1834, and
Lond., 1866.
DRYDOG (Doggerel) _phren._ [CHARLES CLARK].
September; or Sport and Sporting! Colchester, 1856.
Privately printed at the Great Totham Press.
DUMAS (Alexandre Davy) calling himself Marquis de la Pailleterie.
L’homme de génie ne vole pas, il conquiert.
_Alex. Dumas._
Aventures de John Davy. Paris, 1840. 4 vols.
This romance, borrowed from the “Revue Britannique,” is said
to be superior to many productions of Dumas of the same kind.
“John Davy” is an English sailor, having a close relationship to
Captain Marryat’s of the same name. In a somewhat prosy letter of
Michael Angelo Titmarsh [Thackeray] to the most noble Alexandre
Dumas, Marquis Davy de la Pailleterie, in Fraser’s Magazine,
for 1846, he directly accuses him of having adopted it from the
English.
Les Trois Mousquetaires [written by Auguste Maquet], Paris, 1844. 8
vol. Vingt ans après suite des Trois Mousquetaires [by the same].
Paris, 1845, 10 vol. Dix ans après, ou le Vicomte de Bragelonne,
deuxième suite des Trois Mousquetaires, 6 vols [by the same].
Dumas is said to have taken the idea of his almost interminable
novels from Richardson. Twenty-four volumes! When, however, the
ample margin is reduced, the type decreased in size, and the
blank paper extracted, these 24 vols are reduced to something
like reasonable proportions.
As he acknowledged in his preface, Alexander Dumas, or rather,
Aug. Maquet, made free use of the “Mémoires d’Artagnan,”
capitaine-lieutenant des Mousquetaires, [written by Sandraz
de Courtilz, 1702]. He also gives the title of a MS. he
found:--Mémoires de M. le Comte de la Fère, etc.--from which he
had also drawn much matter. This latter announcement induced a
learned French bibliograph to mention “the Three Musqueteers” as
a reprint of an old MS. The first-mentioned work exists, but the
MS. is a creation of the fertile novelist.
The great and deserved success of this romance, though in
point of morals it is not as unexceptionable as Monte Christo,
drew attention to an historical personage who had been totally
neglected, viz. Charles de Batz de Castelmore, known by the title
of the “comte d’Artagnan.”
Le Comte de Monte Christo. 1844-5. 18 vols.
The first part, the Château d’If, published separately, is
written by P. A. Fiorentino. Monte Christo, which is a sequel
to it, is written by Aug. Maquet. Two episodes are said to be
literally taken from Mémoires, etc., de la Police de Paris,
by J. Peuchet, 1837-8. They are “François Picaud, histoire
contemporaine,” and “Madame de Vartelle, ou un crime de famille.”
The only alteration in the last being in the title and names. “La
Roue de fortune,” of Auguste Arnould was made to contribute the
completion of the history of “M. Morel.” And there are probably
other “conquests” of the same nature undiscovered. Many pages are
said to have been taken from the German.
Our readers are doubtless aware that this most successful and
interesting piece of manufacture, was dramatised by the author,
and occupied _two nights_ in representation.
Innumerable are the tales of Dumas’ method of allotting and
selling his _manufactures_. He himself explains one: “Mr. Véron
came to me and said, ‘We are lost if we do not give in a week
from this, an amusing, brilliant, and sensational romance’ ...
You want a volume, that is 6,000 lines; 6,000 lines are 135
pages of my writing. Take this paper, number, and divide into
paragraphs 135 pages....”
We have contented ourselves with the dates when these works were
first published. They have been reprinted in every imaginable
form; and three different translations sometimes published in the
same language at one time.
The number of authors who claim or are said to have written
for Dumas is upwards of seventy. August Maquet alone furnished
him with twenty-four volumes: the Chevalier d’Harmental,
Sylvandire, the Guerre des Femmes, the Reine Margot, Chevalier de
Maison-Rouge, Mémoires d’un Médecin, those mentioned above, and
others.
The new editions of Monte Christo, Twenty Years After, etc., have
the joint names of Dumas and Maquet on the title-page.
In 1845 he published sixty volumes, whereupon de Mirecourt (see
Dumas Père, 1867) makes this calculation:
The most skilful copyist, writing 12 hours a day, can with
difficulty do 3,900 letters in an hour, which gives him at the
end of a day 46,800 letters, or 60 pages of a romance. Thus
he could copy five volumes octavo a month, and sixty a year,
supposing that he does not lose a second during the time.
For the facts above we are indebted to Quérard and De Mirecourt.
Some interesting notes on Dumas will be found in our “notice of
the life and works of Quérard, 1867.”
DUNDREARY (Lord) _pseudo-titl._ [CHARLES KINGSLEY].
Speech of Lord D, in section D ... on the great Hippocampus Question.
Cambridge, 1862.
There have been numerous other publications under Mr. Sothern’s
representative name.
DUNSHUNNER (Augustus) _pseudonym_ [WILLIAM EDMONSTOUNE AYTOUN].
Contributions to Blackwood’s Magazine.
E.
E. A. M., _initialism_ [Mrs. MADDOCK].
The Liturgy of the Church of England catechetically explained. 3
vols. Winchester [1845?]
EBEN-EZER, _ps._ [Rev. EBEN. ALDRED, Unitarian Min.].
The Little Book, etc. Derbyshire, 1811.
An extraordinary book by an eccentric character. See Martin.
E. C. A., _initialism_ [AGNEW].
Geraldine, a tale. 1837, 3 vols.
E. F. L., _initialism_ [LLOYD].
John Brown’s Trouble; and the good that came of it. Founded on Fact.
By a Clergyman’s Daughter (q.v.) 1863.
Susan Brown’s Victory, a sequel to J. B., etc., by the author of J.
B.’s trouble. 1864.
E. H. C. M., _enigmatic-pseudonym_ (Editor of the Hebrew Christian’s
Magazine) [Rev. NATHAN DAVIS].
Israel’s true Emancipation (two letters to Dr. Adler). 1852.
E. H. R., _pseud._ [ELIZABETH HARCOURT MITCHELL].
First Fruits, Poem. _Hurst & Blackett_, 1827.
Athenæum, No. 1757.
E. H. S., _init._ [Lord STANLEY].
Six Weeks in South America. 1850.
Privately printed, only 150 copies. See Martin’s Cat.
E. L., _initialism_ [E. LORD].
Discursive Remarks on Modern Education. Lond., 1841.
ELIA, _pseud._ [CHARLES LAMB].
Essays which first appeared under that signature in the London
Magazine. 1823.
ELIOT (George) _pseudonym_ [MARIAN EVANS].
Scenes of Clerical Life (originally in Blackwood.) 1858.
Adam Bede. 1858, 3 vols.
Mill on the Floss. 3 vols., 1860. Silas Marner. 1861. Romata, 1863.
Felix Holt, the Radical. 1866. All Edinb. and Lond.
Nor can we omit, in concluding this notice of a most remarkable
book, some notice of the disputes as to its authorship. The
newspapers have been full of them. Mr. Anders, rector of Kirkby,
writes early in April of this year to assure the world that “the
author of Adam Bede is Mr. Liggins, of Nuneaton, Warwickshire,
and the characters whom he paints in Scenes of Clerical Life,
are as familiar there as the twin spires of Coventry.” But just
as we have satisfied our minds that this is the true state of
the case, and are feeling greatly obliged to Mr. Anders, a
wrathful letter from “George Eliot” disturbs us; asking (not
unreasonably) whether “the act of publishing a book deprives a
man of all claim to the courtesies usual amongst gentlemen?”...
Then some gentleman is “receiving subscriptions” as the ill-used
author of Adam Bede. Finally, the Messrs. Blackwood, turning
at last to throw a stone, declare that, “those works are not
written by Mr. Liggins, or by any one with a name like Liggins.”
... Now upon all this we have only to remark, that we cordially
agree in the dictum of Mr. Eliot, that “the attempt to pry into
what is obviously meant to be withheld,--his name,--is quite
indefensible.”--_Edinb. Rev._, 1859.
E. M., _initialism_ [MAGRATH].
A Letter on Canada, in 1806 and 1817, during the administration of
Governor Gore. 1853.
EMPTOR (Caveat) Gent. One, etc., _Latin pseud._ [GEORGE STEPHEN,
Solicitor].
The Adventures of a Gentleman in Search of a Horse. Longman 1835. 2nd
edit., 1861.
This gentleman was afterwards called to the Bar, and is now Sir
George Stephen.
E. O. A. B., _initialism_ [Mrs. BULL].
A sequel to Mrs. Sherwood’s Easy Questions. 1848.
EPHEMERA, _phrenonym_ [E. FITZGIBBON].
Handbook of Angling. 1866, 8vo.
Several editions. He is also a contributor to Bell’s Life under the
above pseudonym.
E. R. C. _init._ [EUSTACE R. CONDER].
An Order for the solemnization of Matrimony. 1854 and 1859.
ERITH (Lynn) _pseud._ [EDWARD FOX, of Wellington, Somerset]. Poetical
Tentatives. 1854.
E. S. A., _init._ [ERNEST SILVANUS APPLEYARD].