it is to be. Philadelphia and London, 1859.
Dr. Barclay has been accused of piracy, plagiarism, and theft from
Bartlett’s Jerusalem Revisited. The correspondence, which we shall
simply point out in this instance, will be found in the Athenæum for
1859.
BARROW (Rev. S.) _pseudo-titlonym_ [Sir R. PHILLIPS].
Another pseudonym which this gallant knight fabricated to give more
credit to the following than he probably thought his own name would
obtain. The Poor Child’s Library. Questions on the New Testament.
Sermons for Schools, 1812.
BEAUMONT (George) _abbreviation_ [GEORGE DUCKETT BARBER BEAUMONT].
This gentleman has written several works, chiefly legal, in some he
calls himself as above, in others George Barber.
BEDE (Adam) _pseud._ [ ].
The Natural History of Puseyism, with a short account of the Sunday
Opera at St. Paul’s, Brighton. Brighton [1860].
BEDE (Augustin) _pseud._ [ ].
Letters ... on ... the Book of Common Prayer. Baltimore, 1859.
BEDE (Cuthbert) _pseud._ [Rev. EDWARD BRADLEY].
The Adventures of Mr. Verdant Green, an Oxford Freshman, 1857.
This gentleman is the author of a great number of works under this
pseudonym, and a constant _letterist_ in “Notes and Queries.”
BEDE (Seth) _pseud._ [SAMUEL EVANS].
Seth Bede, “the Methody,” his life and labours; chiefly written by
himself. Lond. Ryde [_printed_] 1859.
BEE (Hookanit) Esq. _pseud._ [S. R. WIGRAM].
Flotsam and Jetsam: a cargo of Christmas Rhyme. _Saunders & Otley_,
1853.
BEE (Jon) _pseud._ [JOHN BADCOCK].
Slang. A Dictionary of the Turf, the Ring, the Chase, the pit of
bon-ton, and the varieties of Life, forming the completest Lexicon
Balatronicum of the Sporting World. Interspersed with Anecdotes and
Whimsies. 1823.
A living picture of London for 1828.
BELL (Acton) _pseud._ [ANNE BRONTË].
The Tenant of Wildfell Hall. 2 edit., 1848.
BELL (Currer) (Ellis) and (Acton) _polynym_ [CHARLOTTE, EMILY JANE,
and ANNE BRONTË].
Poems by C. E. and A. Bell, 1846.
The “Athenæum” thought these were by three brothers. They were always
in fact taken for men, and in letters used the masculine gender.
Charlotte Brontë gives the following account of the assumption of
these pseudonyms:
“Averse to publicity, we veiled our own names under those of
Currer, Ellis, and Acton Bell; the ambiguous choice being
dictated by a sort of conscientious scruple of assuming Christian
names positively masculine, while we did not declare ourselves
women, because--without at the time suspecting that our mode of
writing and thinking was not what is called ‘feminine,’--we had a
vague impression that authoreses are liable to be looked on with
prejudice.”--_Mrs. Gaskell’s Life of Brontë_, 1858, p. 240.
Having written a letter in the masculine gender to Miss Martineau,
the latter, in her reply, began “Dear Madam,” but addressed it to
“Currer Bell, Esq.”
BELL (Currer) _pseud._ [CHARLOTTE BRONTË, afterwards NICHOLLS].
Jane Eyre, an Autobiography, 1847.
The Professor, a tale [edited by A. B. Nicholls], 2 vols., 1857.
Shirley, a tale, 1849. Villette, 1853.
BELL (Ellis and Acton) _polynym_ [EMILY JANE and ANNE BRONTË].
Wuthering Heights [by E. B.] and Agnes Grey, [by A. B.], 1847.
BENENGELI (Cid Hamet) _oriental-pseud._ [THOMAS BABINGTON Lord
MACAULAY].
A squib printed at Leicester in 1826, entitled “Fragment of an
Ancient Romance.”
Reprinted in Lowndes by Bohn, 1861.
BENSON (Carl) _pseud._ [CHARLES ASTOR BRISTED, grandson of the
founder of the Astor Library].
BENSON (Edgeworth) _pseud._ [JOHN SCOTT, author of a Visit to Paris,
etc.].
Articles in the London Magazine, of which he was editor.
John Scott’s career was cut short at the age of 37. In a literary
quarrel Mr. Scott considered himself injured or insulted, and
challenged Mr. Christie. They fought by moon-light at Chalk
Farm, and Scott was shot dead! The survivors were tried for
murder, but acquitted. See _Gent. Mag._, 1821. An apology, in the
virulent language of the time, for Mr. Christie will be found in
Blackwood’s Magazine, xix.
BIGLOW (Hosea) _apocryph_ [JAMES RUSSELL LOWELL].
Melibœus-Hipponax, The Biglow Papers, edited with an Introduction,
notes, glossary and copious index, by H. Wilbur. Camb, U.S., 1848,
and Lond. [1st and 2nd series, 1865].
BIGLY (Cantell A.) _enigmatic-pseudonym_ Can tell a Big Lye. [ ].
Aurifodina, or Adventures in the Gold Region. New York, 1849.
BILLINGS (Josh.) _pseud._ [A. W. SHAW].
His Book of Sayings. 1866.
BLACKMANTLE (Bernard) _phren._ [CHARLES MOLLOY WESTMACOTT].
The English Spy, an original work, characteristic, satirical, and
humorous. 1826, 2 vols, and continued by the same editor under the
title of “The St. James’s Royal Magazine.”
BLAIR (Rev. David) _pseudo-titlonym_ [Sir RICHARD PHILLIPS, author
of, amongst numerous very useful and valuable works, “A Million of
Facts”].
The Class-Rook.--English Grammar.--Models of Juvenile
Letters.--Reading Exercises.--Grammar of Natural and Experimental
Philosophy.--The Universal Preceptor, 1816--Mother’s Question
Book.--Reading Exercises.--School Dictionary.--Tutor’s Key to
Questions.--Editions to the present time.
BLUEBELL, [Lady HESTER G. BROWNE], KINGCUPS [Misses KNATCHBULL], and
MIGNIONETTE [Miss HUME MIDDLEMASS], _polynym_.
The Bouquet culled from Marylebone Gardens by ----, and arranged by
Thistle [_pseud._] [1851-55]. Printed for private circulation.
BOGUE (David) Publisher.
In 1846, Henry G. Bohn, the well known publisher, obtained an
injunction against Bogue for _pirating_ part of a work published
by him entitled, “Illustrations of the Life of Lorenzo de Medici
by William Roscoe.” It appeared that William Hazlitt had “gutted”
this work, rejecting what he had not quoted as worthless. Bogue
was therefore restrained from publishing his work in “The
European Library,” entitled “A Life of Lorenzo de Medici.”
The case is one of great interest, and will be found in “The
Jurist,”--vol. x.
BOSSUT (M. l’Abbé) Professor of Languages _pseudo-titlonym_ [Sir
RICHARD PHILLIPS].
The first French Grammar.--A Key to French Conversation and
Idiom.--The French Syntax, 1807.--3,000 Words.--2,000 Phrases.--Easy
Exercises.
Another pseudonym we have to record against Sir Richard. He did it in
a good cause--that of education--so perhaps it is not right to blame
him as if he had used them in a less worthy cause.
“Bossut’s Philological Works.”
“Early in the present century the Abbé Bossut developed that
simple natural system of acquiring languages, which, with slight
variations, has been seized on by Hamilton and others. It is
exactly described in the Preface to his little French Grammar
printed in 1805, and is the system by which every language is
acquired in the nursery, etc., etc.”
It was no doubt his intention that the Abbé Ch. Bossut, the
celebrated Mathematician, who died in 1814, at Paris, should be
taken for the above.
BOZ, _pseud._ [CHARLES DICKENS].
Sketches by Boz, illustrative of Every-day Life. 1836. 1837. Memoirs
of Grimaldi. 1838. Oliver Twist and Nicholas Nickleby, in German,
1838-40. Frequently republished.
BROWN (Thomas) the Younger, _ps._ [THOMAS MOORE].
Intercepted Letters, or the Two-penny Post Bag. 8th edit., 1813. The
Fudge Family in Paris. 8th edit., 1818. The Fudges in England, 1835.
The latter was reviewed in The Edinburgh, 1836.
BRYANT (William Cullen).
A literary hoax was played off in the name of this celebrated
American poet by the editor of the _Buffalo Republic_ in order,
as he alleged, to establish what we believe to have been fully
established long since, viz., that no matter how atrocious an
effusion might be, the name of a known poet appended to it, would
render it true poetry in the eyes of a large majority of poetry
readers. Having succeeded in deluding his readers, who, no doubt
felt delighted with the amusing trick, it afterwards came out
that the trashy verses were the editor’s own.--_Notes & Queries_,
2 s., vii.
BUNTLINE (Ned) _pseud._ [EDWARD Z. C. JUDSON].
The King of the Sea, 1848. The G’hals of New York, 1850. Grassbeak
Mansion, a Mystery of New York, 1864. Life in the Saddle, New York,
1866. And others.
BURKE (Edmund) _imitator_ [Rt. Hon. EDMUND BURKE].
A Vindication of Natural Society.... In a letter to Lord * * * * by a
Late Noble Writer [_impostor_], 1756.
In this Burke imitated the style of “A late Noble Writer” so
closely, that Mallett, his executor, went to Dodsley’s, the
publisher’s shop, when full, and publicly disavowed it. Burke had
also written in 1749, some pieces in imitation and ridicule of
Dr. Charles Lucas. The “imitation” was so complete as to deceive
the public.--_Life by Peter Burke._
Burke’s “imitation,” as it is mildly termed, of Lord Bolingbroke was
a cheat and fraud on the public, and is so highly to be condemned,
that any writer of the present day who attempted a deceit of this
kind, would deserve the utmost censure.
BURNS (Robert), Poet.
Many readers will doubtless wonder why this name figures in our
list. It is not a pseudonym! and surely Nature’s Poet could not
have been a plagiarist, or impostor! No. Burns was no impostor,
but he was himself deceived by an imposture, and as is generally
the case, for the sake of gain. We have it on the very excellent
authority of Mr. William Chappell, that the result of the
deception practised upon Burns and the Scottish public is, that
whereas Burns intended to write only to Scotch tunes, literally
one half of his songs, were written, and are still published to
_English_ or Irish airs--principally to English.
See Notes and Queries.
C.
C., _init._ [ARTHUR CLEAVELAND COXE].
Christian Ballads. New York, 1840.
C., _initialism_ [Rt. Hon. JOHN WILSON CROKER].
Notes in “Notes and Queries,” see 2nd s., viii. 52, 1859.
C * * * * * * (Hugh) _disg.-aut._ [HUGH CAREW].
Life of Sir R. Carew. 1811.
CŒLEBS (of the Portland Club) _demonym_ [CARLYON].
The Law and Practise of Whist. _Hardwicke_, 1851. Several editions.
CAM, _pseud._ [WALLER LEWIS, M.D.].
Whist: what to Lead. 3rd edit. _Longman_, 1866.
C. A. M. W. _initialism_ [CHARLES WOOLEY].
Uncle Clive, a tale, 1865. My Sister Dagmar, 1867.
CARLTON (George) Admiral, _pseudonym_ [GEORGE IV., King of Great
Britain and Ireland].
The Voyage of ---- in search of Loyalty, a poetic Epistle. 2nd
edition, 1820.
CASTEL CHIUSO (Giorgione di) _ps._ [PETER BAYLEY].
Sketches from St. George’s Fields. 1st Series. _Stodart_, 1820. 2nd
S., 1821. Illustrations. Ded. of 2nd S. signed: An Unknown Author.
CAVENDISH _pseud._ [ ]
To all who smoke: a few words in defence of Tobacco. 1857.
CAVENDISH, _ps._ [HENRY JONES, M.R.C.S.].
The Laws and Principles of Whist. Eighth edition. De La Rue & Co.,
1864. This work has been pirated by D. Appleton & Co., of New York.
The Pocket Series of Whist, and several others.
In London Society, 1865 and 1866. Chamber’s Encyclopædia, Art.:
Whist. And numerous Articles in the Field, commencing Dec., 1862,
under other pseudonyms.
CAXTON (Pisistratus) _pseud._ [EDWARD GEORGE EARLE LYTTON BULWER
LYTTON, Baron LYTTON].
My Novel, 1853. What will he do with It? 1859.
Caxtoniania; a series of Essays on Life, Literature, and Manners, 2
vols., 1863. The Boatman, a poem. 1864.
Lord Lytton frequently publishes in Blackwood’s Magazine first.
CAXTON (Tim.) _ps._ [JOHN CLOSE]. See DOWELL (S.) _ps._
C. B., _initialism_ [CHARLES BATHURST].
Remarks on the Differences in Shakespeare’s Versification, in
different periods of his Life. 1857.
Selections from Beaumont and Fletcher. _Parker._
C. C., _init._ [CHARLES CLARK, of Great Totham Hall, Essex].
Tiptree Races: a comic punning Poem, _à la_ Hood’s celebrated “Epping
Hunt.” By “C. C.” or,
“A _Clark_--foredoom’d his father’s soul to cross,
Who pens a stanza when he should engross!”
_Longman & Co._ 1834.
C. E., _initialism_ [CHARLOTTE ELIZABETH, q.v.].
Maternal Martyrdom, a fact, illustrative of the Improved Spirit of
Popery in the 19th century. [1830].
CECIL, _pseud._ [WILLIAM HONE].
Cecil’s Sixty Curious, Interesting, and Authentic Narratives. Lond.
_Beckley_, 1824, and Boston, U.S., 1825.
CECIL, _pseud._ [CORNELIUS TONGUE].
The Stud Farm, 1851 and 1856.--Stable Practice, 1852.--Records of the
Chase, 1854.--Hints on Agriculture, 1858.--Hunting Tours, 1864.
C. E. K., _init._ [KELLY].
Little Apple Blossom. Boston, 1863.
CELATUS, _pseudonym_ [OWEN].
The Public Pearl, or Education the People’s Right and the National
Glory. 1854.
C. F. G., _initialism_ [Mrs. GORE].
Quid Pro Quo: or the Day of Dupes; the Prize Comedy. 3rd edit. [1844].
C. G. H., _initialism_ [HAMILTON].
The Exiles of Italy, Edinb., 1837. The Curate of Linwood, 1845.
Margaret Waldegrave, Edinb., 1846. Amy Harrington, or a Sister’s
Love, 1848. Constance Lindsay, or the Progress of Error, Edinb., 1849.
CHAM, _pseud._ [DE NOÉ, second son of the Comte de Noé, “pair de
France”].
A Parisian draughtsman and author, of great celebrity for the
comicality of his Characters, chiefly in the “Charivari,”
“l’Illustration,” &c.
CHARFY (Guiniad) _pseud._ [GEORGE SMEETON, printer of St. Martin’s
Lane, who, with his wife, was burned to death].
The Fisherman, or the Art of Angling made easy [1800?] A Compilation,
of no value.
J. R. S.
CHARLOTTE ELIZABETH, _prenonym_ [PHELAN, afterwards TONNA].
Under her Christian names this lady wrote upwards of fifty books for
children, tales, etc. 1825-62.
CHATTERTON (Thomas) _literary forger_.
When very young, his sister says, a manufacturer promised to make
Mrs. Chatterton’s children a present of some earthenware; on
asking the boy what device he would have painted upon his--“Paint
me (said Chatterton) an angel, with wings, and a trumpet, to
trumpet my name over the world.”--_Life by Dr. Gregory_, 1803.
The Execution of Sir C. Bawdin [a poem]. By Thomas Rowley. 1772. 4to.
Poems supposed to have been written at Bristol, by Thomas Rowley [a
monk], and others in the 15th Century; the greatest part now first
published from the most authentic copies, with an engraved specimen
of one of the MSS., to which are added a preface, an introductory
account of the several pieces, and a glossary [edited by T. Tyrwhitt,
with a frontispiece]. Lond. 1777. 8vo. Numerous editions.
For much of the following brief notice of the impostures of this
unfortunate, mad genius, we are indebted to an article by our
respected friend, Mr. Frederick Lawrence, who has kindly given us
permission to make such use of his articles in Sharpe’s London
Magazine as suit our purpose.
“Chatterton’s _first_ forgery, although of the nature of an
innocent hoax--a mere schoolboy’s trick--is deserving of some
little attention, as illustrating in a striking manner, not
merely his profound skill in the art of deception, but his ready
insight into human character, and quick perception of individual
weakness and peculiarities. A pewterer of Bristol, named Burgum,
had taken some notice of him, and whilst treating him as a mere
boy, had encouraged a degree of intimacy which gave Chatterton
an opportunity of practising on his credulity. He soon found
that Burgum was a vain man, and just the person to be tickled
and inflated with the pride of ancestry; so he set to work and
deduced his pedigree from one of the companions of the Conqueror.
From documents which he pretended to have discovered in the
muniment room of the Church of St. Mary, Redcliffe, he compiled
a history of the ‘De Bergham’ family; and furthermore produced a
poem, entitled ‘the Romaunt of the Cnyghte,’ written by one John
de Bergham, who flourished in the 14th century. As Chatterton had
suspected, the worthy pewterer was too well pleased to permit
himself to doubt the authenticity of the document which conferred
on him such an amount of ancestral dignity; and thus auspiciously
commenced the course of Fraud which ended in the production of
Rowley.”
Then came the forged account of the opening of an old bridge,
sent to the printer of Farley’s Bristol Journal, introduced by a
letter, signed ‘Dunhelmus Bristoliensis,’ intimating that it was
taken from an old MS.
This again went down, and the game went on merrily: it was
followed by another. Chatterton was found out, and told a good
round lie to account for his possession of the MSS.
His next fraud was perpetrated at the expense of a Mr. Catcott,
who was then writing a history of Bristol, and for whose benefit
Chatterton manufactured an account of Bristol, by Turgot or
Turgotus, “translated by T. Rowley, out of Saxon into English.”
Chatterton emboldened by success, next wrote to Horace Walpole,
who, though at first deceived, soon discovered the cheat, and
gave him kindly advice. “Too cautious and sensitive to become the
dupe of a lawyer’s apprentice, he now drew back, and wrote the
young enthusiast an edifying homily on the danger and disgrace of
forgeries, and urged him to stick to his business, and relinquish
his poetical aspirations.”
Horace Walpole had just before been made the instrument
of introducing into the world the Macpherson forgeries.
Chatterton, instead of following it, was indignant at the advice
given--advice which certainly did not come from one who himself
had acted on it; for, be it remembered, “The Castle of Otranto”
was said in the preface to have been discovered “in the library
of an ancient Catholic family in the north of England, and
printed at Naples, in black letter, in the year 1529!”
“Chatterton took his revenge on Walpole, and expressed his
resentment in some spirited lines, which have been published in
a recent memoir. We select a few couplets as _apropos_ to our
remarks:
“Thou mayst call me cheat;
Say didst thou never practice such deceit?
Who wrote Otranto?--But I will not chide;
Scorn I’ll repay with scorn, and pride with pride;
Still, Walpole, still thy prosy chapters write,
And twaddling letters to some fair indite;
Laud all above thee, fawn and cringe to those
Who for thy fame were better friends than foes.”
It is not our purpose to linger on Chatterton’s ultimate
unfortunate fate. That of literary forgers seems almost as
sure and inevitable as those of a commoner order, and though
not visited upon them physically by the law of the land, the
punishment has hitherto been unerring, and even more severe.
For the controversy which these forgeries excited, we must refer
our readers to the works mentioned in Lowndes by Bohn, and to the
article in Allibone’s Dictionary of English Literature.
CHRISTABEL, _pseud._ [Miss MAHONY, of Kenmare].
Poems on various subjects and occasions.
CHURNE (William) _pseud._ [F. E. PAGET].
The Hope of the Katzekopfs; a fairy tale, 1845.
C. H. R., _init._ [ROSS].
Ye Comical Rhymes of Ancient Times Dug up into Jokes for small folks
[1862]. Roundabout Papers, and Roundabout Stories, with square about
pictures by ---- [1866].
CIVIS, _pseud._ [GEORGE THOMSON].
Statement and Review of a recent Decision of the Judge of Police in
Edinburgh, authorising his Officers to make domiciliary visits in
private to stop Dancing, etc. Edinb., 1807.
“This statement is by George Thomson, the correspondent of Burns
and the editor of his songs. The judge was a hot-headed blockhead
of the name of Tait, who first rode on the rigging of his
commission, till he spoiled the first police system, and then had
the good luck to get about £300 a year to give up his office.” H.
C.
MS. note in the copy at the British Museum by Lord Cockburn.
CIVIS, _pseud._ [A. PETERKIN?]
A Letter to the Rt. Hon. E. Erskine ... relative to the act ... for
regulating the Police of Edinburgh. Edinb., 1806. A second Letter,
1807.
CIVIS, _pseud._ [Baron STOWELL].
Some Observations upon the Argument drawn by Mr. Huskisson and the
Bullion Committee from the High price of Gold Bullion ... 1811.
CIVIS, _pseud._ [JOHN COLES].
The Corporation Commission and the Municipal Companies of London.
Letters of CIVIS on the Opinions of Sir J. Scarlett, Mr. Follett, and
Mr. Rennell. 1834.
C. K., see A Minute Philosopher. [KINGSLEY].
CLADPOLE (Tim) _phrenonym_ [RICHARD LOWER, of Chiddingly].
Tom Cladpole’s Journey to Lunnun, told by himself, and written in
pure Sussex doggerel by his Uncle Tim. Brighton, 1831. The sixth
thousand, 1849. New edition, 1850.
J. R. S.
Jan Cladpoles’s Trip to ’Merricur ... written all in rhyme by his
Father, T. C. Hailsham [1844].
CLARIBEL, _pseud._ [Mrs. BARNARD].
Fireside Thoughts, Ballads, etc. 1865. This lady is well known for
numerous popular songs.
CLARK (Rev. T.) _pseudo-titlonym_ [JOHN GALT, the Novelist. and
Traveller].
A tour of Asia, abridged from the most popular modern Voyages
and Travels, etc. 2nd edition, _Souter_ [1820]. Modern Tour of
Europe.--The Wandering Jew, or The Travels and Observations of
Hareach the Prolonged. 1820.
The first letters of the last four sentences in the book make the
author’s name: G[reatness], A[ll], L[iterally], T[o].
CLARKE (Rev. C. C.) _pseud._ [Sir R. PHILLIPS?]
The Hundred Wonders of the World, by ----, Author of Readings in
Natural Philosophy. 1818.
CLARKE (John) _pseud._ [Rev. T. H. HORNE].
Bibliotheca Legum. 1810.
It is said that the materials were collected by the publisher
Clarke, but that the whole were arranged, corrected, and edited
by Horne. The materials for this volume might have been easily
collected in a single day. Clarke’s name has no right to appear
as the editor.
CLEISHBOTHAM (the Younger) [ ].
A Handbook of the Scottish Language. Edinb., 1858.
CLEISHBOTHAM (Jedediah) Schoolmaster and Parish Clerk of
Gandercleugh, _ps._ [Sir WALTER SCOTT, Bart.]. Tales of my Landlord,
collected and arranged by ----. Edinburgh, 1817-1832.
The reader may search and search in vain, in Lockhart’s Life of
Scott, which is as miserably deficient of bibliography as it is
replete with biography, for information as to the Tales of my
Landlord having been sent forth under a pseudonym.
“Why he [the author of Waverley] should industriously endeavour
to elude observation by taking leave of us in one character,
and then suddenly popping out upon us in another, we cannot
pretend to guess without knowing more of his personal reasons for
preserving so strict an incognito than has hitherto reached us.
We can, however, conceive many reasons for a writer observing
this sort of mystery; not to mention that it has certainly had
its effect in keeping up the interest which his works have
excited.”--_Quar. Rev._, Jan. 1817.
CLERICUS, _dem._ [Rev. W. CARTWRIGHT].
Rambles and Recollections of a Fly-fisher. 1854.
J. R. S.
CLIFFORD (Charles) _pseud._ [W. H. IRELAND].
The Angler, a Didactic Poem. 1804.
CLINKER (Humphrey) _pseud._ [ ].
The History of the Haverel wives.... To which is added an oration on
the virtues of the Old Women, and the pride of the Young, dictated by
J. Clinker, etc. Glasgow, 1805; another edition, Stirling [1820?]
C. M. See the author of The Cottage on the Common. 1848.
C. M., _ps._ Scraps in Poetry (religious). _Hope & Co._, 1852.
C. M., J. H. G., M. R., _polynym_ [CAMPBELL MACKINNON, now of
Jamaica] [JOSEPH H. GIBBS] [MONTGOMERIE RANKING].
The Quadrilateral.
Some said, ‘John, print it!’
Others said ‘Not so!’
Some said, ‘It may do good!’
Others said, ‘No!’
BUNYAN’S _Apology for the Pilgrim’s Progress_.
_Saunders, Otley & Co._, 1865.
Poems dedicated by the three authors, who sign the preface, to C.
M. Crawford, who makes the fourth.
COFFIN (Joshua) _pseud._ [HENRY W. LONGFELLOW].
A sketch of the History of Newbury. Boston, Mass., 1845.
COLLETT (Stephen) _pseud._ [THOMAS BYERLEY].
Relics of Literature. 1823.
COLWAN (Robert Wringham) _pseud._ [JAMES HOGG, the Ettrick Shepherd].
The Private Memoirs of a Justified Sinner. 1824.
COMMON SENSE, _phrenonym_ [Sir R. PHILLIPS, in the Monthly Magazine,
of which he was formerly editor and proprietor for about 30 years, 50
years ago].
CONTRIBUTORS TO TRACTS FOR THE TIMES, _phraseonym_, Plain Sermons. 10
vols. _Rivington_, 1840-8.
A. [JOHN KEBLE]. B. [ISAAC WILLIAMS]. C. [Dr. PUSEY]. D. [J. H.
NEWMAN]. E. [THOS. KEBLE]. F. [Sir GEO. PROVOST, Bart.]. G. [Rev. R.
F. WILSON, of Oriel].
_N. & Q., 3 s._