I looked, listened, sniffed attentively.

Last chance.

And I remembered.

Not far away, probably torn down, probably only a greasy ghost sharing

the fourth dimension of some new structure with a marquee and a

doorman, was a hall bedroom within spitting distance of the curved

rails of an extinct elevated railroad where I'd made my abode for a

year. Not far away, the loft in which I'd earned my eighteen simoleons

a week with the other sweated youths. The counters of that department

store where, with the stupendous poor, I'd cut yard goods. Far away,

though, the farms I'd labored on and farther still the crewmen of the

freighter. In time, however, Rushford was near--the American rustic

who will not call himself a peasant because he drives a Ford. Cruel,

unwashed, suspicious, insanitary louts and ugly lasses--poor.

Salt of the earth. Savor of dung.

Backbone of the nation. Spineless.

In a properly informed electorate, the majority will make intelligent

decisions.

Agreed.

Then, gentlemen,

shall we not inform the electorate that this is the age of knowledge?

Shall we not rectify the schizoid discrepancies between these people on

the fire escapes, bumpkins, and the inhabitants of penthouses? Give the

good-natured fornications of the poor back to the taut middle classes?

Inform the poor of the ways of children? Release the entombed libido of

them all? Having done that, so they may vote sanely--having revealed

the democracy of desire--how shall we set about to teach them advanced

algebra, genetics, relativity, and bacteriology--so that their acts

will be in some small measure relevant to the exigencies of our times?

Freedom of the mind is immured in the vaults of the Navy and the War

Department and the Air Forces.

Freedom of speech is chained in the cellars of the churches.

Freedom of action is spread-eagled on the wheel of business.

There is no information in the electorate.

Instinct only.

It is a fact we had better face unless we are prepared to lose our own

selves in the stunted years of an American feudalism.

Liberty, or death, gentlemen.

We who would not fight for liberty because we did not see the

involvement of it are staring into the hot barrels of death.

The time for sacrifice is at hand. What have we? Production, instead!

And compulsory reproduction.

I went up to Hattie's bagnio because I am a middle-class American male

in the higher brackets, of Princeton extraction, who was denied the

poor man's access to females during adolescence and early maturity

and who (owing probably to that abnormal deprivation) belongs to a

distinguished group that makes blah per cent of its sex contacts

with prostitutes, blah per cent by unorthodox means, and blah per

cent with males. That is evidently why I knew the address. I went,

owing to the fact that a member of the generation behind me--a

prodigy, similarly conditioned--of superior stature, superior health,

superior life expectancy, superior stability (_sic_), and a superior

happiness quotient--far above the average by the tables!--had come a

psychological cropper in a tart's arms owing to the fact that the Age

of Kinsey is also the Atomic Age and he, briefed in the latter, was

emotionally distrait over the conundrum: how to tell the people on the

fire escape all about the effect of neutrons on chromosomes--a datum

to be regarded as utterly essential for political judgment. And other

troubles.

Personally, I was of the opinion the poor could not be told at this

late date and would have to learn by doing. Also the rich. And this

judgment, while it in no way impaired my faith in democracy, and while

it gave me a good assurance of the long future, singularly blighted my

assessment of so-called democratic practices in the land during the

past century and filled me with a ribald contumely for the poor-doting,

poor-blind, wisdom-spurning, technologically blank intellectuals,

together with nearly everybody else.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 238 / 346 题