I shook my head. "I'm going after Paul."

"Where?"

"Here and there." I had one idea, anyway.

She undid her dress and stepped out of it and threw it over her

arm. She looked at me for another moment with eyes both jumpy and

expressionless. "You wouldn't regret it."

"Some other time, baby. I got to go find that cluck."

"See you," she said and swept out in her bra and petticoat.

This time, when I heard her shower begin, I locked my door. Then I put

on a dry, newly pressed seersucker, a light silk tie, and went out

before she decided to try again.

The cab tooled along Fifth Avenue a ways, dove through the Park, and

rattled into a semislum section--an area of delicatessens and bowling

alleys, dated, disreputable hotels, massage parlors, shrieking truck

brakes, trickling electric signs, jaded cafeterias, and a crosshatch

of streets narrower than the avenues, darker, lined on both sides with

identical brownstones that exuded a smell of senescence and rotted

brick tenements upon the façades of which hung rusty fire escapes. On

the fire escapes were people, their pets, bedding and potted plants,

beer pails and radios, along with their accents of Crete, Sicily and

the Balkans, Bohemia and Slovakia and Sudetenland--the wonderful poor,

the authority for democracy--they said, the intellectuals who had made

gods of them without touching them.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 237 / 346 题