I wanted to go, even more.

One can pick patterns in one's life--rhythms, cadences, aggregates,

cross sections, events that occur in pairs and threes--and the

phenomenon is undoubtedly the result of chance. But one notices, one

superimposes the pattern subjectively--and decides it is not chance but

some obscure order, because one likes to feel that obscure orders occur

in life. It is difficult to keep the ego perpetually lined up with

statistical reality.

In twenty-four hours I'd looked at, talked to, explored, and somewhat

learned three different, very handsome young women. Mrs. Yvonne

Prentiss. Gwen Taylor--at Hattie's. And Marcia.

They come in threes, I thought. I thought it had been a long time since

I'd met even one girl so pretty as all these. I reminded myself not to

be an ass--to keep the view that grouping and variation in no way warp

mathematical principle. The obsessive quality of all such ideas weighed

on me. I hardly heard her account of their junket, on the preceding

Saturday, to Jones' Beach.

I began to invent an excuse for present departure--to think ahead about

apologizing--my work--the check, please--

Then the busboy dropped the tray.

He had tripped, it proved, on a napkin.

There were heavy stacks of plates and side dishes on the tray--glasses

of water--metal domes.

The boy staggered--and the wild gesticulation of his free arm was

caught by my peripheral vision. So I saw the tray slant--saw its burden

slide and crash onto the heads of a pair of buttressed dowagers, a few

tables away. The noise seemed to continue for a long time and a scream

permeated it as the boy lost hold entirely on his tray, fell against

a chair-back, and dish after soiled dish cascaded onto flower hats,

bright blouses, fat shoulders, and freckled necks.

A rush of waiters masked the scene. Guests stood to see better.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 113 / 346 题