I looked at her again--at her opalescent hair and her blue eyes.

And she looked back.

For a moment, the shadow stood still--stood still, and dissipated.

A wanton expression, brief and Lilith-like, reshaped the sharp, carmine

edges of her mouth. She saw me not as the uncle of her now-beloved,

but as the detached person--another man--and in this seeing me, she

involuntarily recalled her long affair with lust. I have heard a woman

say that, by merely quivering her underlip in a certain fashion, she

had been able to change the tone, attention, and interest of nine

men in ten with whom she'd ever talked--and there was nothing in her

history to make me doubt the statement. And I have heard another woman

say that all there was to Rudolph Valentino was the dilation of his

nostrils. Watching Marcia's mouth, I could understand the sense of

such matters.

So I was sure of still another thing.

Hattie Blaine had been dubious of her. Hattie had made the

suggestion--the to me profoundly immoral suggestion--of tempting this

girl.

Hattie had done it out of an unconscious notion that Marcia had some

point in her nature which could not be lent to the kind of marriage

Paul would need.

It wasn't money.

It was mood.

Marcia caught me making this observation. She blushed a little, glanced

at the table, and then raised her eyes--but whether anxiously or in a

repetition of the look, I could not tell.

Passionate women are seldom ashamed of their passion.

What she felt was not bold; it was not arch; it was not mercenary; it

was--simply--an essence of her own responses. A belonging, like the

curved shape of her eyebrows or the narrowness of her red nails--which

she accepted as no more and no less than that, and revealed as

naturally.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 112 / 346 题