I sent the cables.

And the second phase of my illness began. The swelling joints, the

atrophy of muscles, the inflammation of nerves, the--why go into it?

They sent to the largest institute for the best specialist in whatever

this sequel might be.

And there was G.T. Death again.

The specialist seemed seven feet tall--a skinny man--who wore such

a mustache as only the Poles can grow. He sat on my bed after the

torturesome examination and told me about it, in French.

"I am afraid, my American friend, that I have bad news for you. You

are a man. You will want the truth. It is a progressive malady. Your

foot--your arm--already crippled. When it reaches the heart--"

He went away.

My nurse wept.

Ted was the one we counted on to be the great man. The strong, the

good-humored, the precocious, the gifted, the good, the young Paul

Bunyan of the family. Dead.

And now I had a turn at it.

I, the elder brother.

I, who had taken Ted on his first trip abroad.

I, who had led him to miserable accident, to foul execution, or to

horrible impulse--bred, perhaps, in the vile durances of the vast

nation we had traversed.

Abrupt hate of life.

I lay in that hotel bedroom--they had told me that a Warsaw hospital

was to be avoided--and rehearsed the placid, polite syllables of the

specialist.

He had been interested, as one foreigner inspecting another, to observe

reactions.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 44 / 346 题