His tender passion became tenderer still. "Would you be afraid to, son?"

"No."

"Do you believe in God?"

"Of course."

"Want to live--still?"

_Still_, he had said. He could see--what I could only feel.

"Yes."

"Then--fight."

That time I looked right smack into George T. Death's eye sockets and

fought. But I was a kid then--and kids are brave if they have brave

parents.

In some ways, my father is the bravest man I've ever known; in others,

a coward. Who's different?

Who's different without being more coward?

There was the time in Warsaw.

My half brother Ted and I had finished our tour of Russia and come

shaken across the Polish frontier--like two unconvinced readers of

Dante who had gone there ourselves to be sure which part was poetry

and which was accurate reporting. We found out. Our Dante was a good

journalist.

In Tiflis, after too much vodka, in the biggest, best restaurant where

the rats were so bold they would sit under your table and nibble your

crumbs and run off a little way if you took the trouble to skid your

feet at them--in Tiflis, where every kind of man goes by on the street,

Negro and Turk, redhead and ash-blond, because every kind of man has

poured through the Caucasus for thousands of years on the way to

conquer Europe or the way back in conquest of Asia--in purple-walled

Tiflis where the archeological strata are as clear as the story of

the stones in a cross-cut syncline and bare human feet have drilled

deep paths in the rock floor of the old Roman baths--in Tiflis where

Persians still sit cross-legged on tables and play what Ted called

snake-charmer music on bulbous pipes--we talked too much.

We drank too much and talked too much--to a dozen tourists who sat

about the big table, waiting for their late dinner--waiting an hour or

two, as you do in Russia. Tourists who, for the most part, had come

from France, Germany, England, and the United States so pre-entranced

with communism, so ignorant of farming and industrial process, so

self-blinded to horror and despair as to imagine, even after seeing

some of it, that the Soviet Experiment offered hope to any man. Not

being blind--being noncommittal at the outset--we had seen better.

Wait till we get home, Ted and I told them.

We'll put the truth in America's magazines.

Police state. Prison. Human abattoir. Endless steppes of horror.

Perversion of the mind. Destruction of the spirit. A factory of torture

to keep the factories running. Hunger and helpless hatred. Dirt.

The old, old, old abomination in new clothes: tyranny.

We'll tell them.

It began, after that.

The GPU men everywhere we went--pretending they spoke no English and

reddening when Ted and I blasphemed and insulted them in their hearing.

The trip to the tea plantation in Batum--on a bus that deposited its

other passengers and started up a series of hairpin turns--with a

driver and Ted and myself on board. The slide--the driver jumping out.

Ted and I jumped, too--but the bus didn't go over the cliff. It merely

caught on the edge and hung there. (Was the driver chagrined because it

failed to go over--or because we jumped also--or because he had steered

so incompetently? How could you tell?)

Odessa.

The bartender offered us a bottle of Scotch--the first we'd seen in the

long, grim way from Leningrad. We drank some and gave the rest away.

And took the night train for Shepatovka, exulting in the thought that

we would never see the UCCP again, come the morrow.

There was no water on the train.

All night, we turned on the hard boards.

In the blazing forenoon our car was shunted onto a siding and the Red

Army soldiers--its only other occupants--marched away. Nothing was in

sight but the sparse wheat of the Ukraine and its scalding mirages. We

waited--with our thirst. Hung-over, desperate. Another train finally

picked up our car and we went on--at the galling pace of communist

transportation.

I found the carafe of water in the toilet--where no water had been

before. Recklessly, tremblingly, we drank it--equally dividing the

thankful drops. And late that day, without further ado, we crossed the

border to the relaxation, the seeming luxury, the comparative freedom

of Poland.

It was some days later, in the Palace Polonia Hotel, in Warsaw, when I

woke with the cramps in my belly and legs. With a climbing fever.

Time spun--hours commingled in the familiar wastes of pain. I knew

belly-fire. I did not know my legs could hurt so hideously or curl up

against my will. I lay vomiting, fainting, crawling to the bathroom and

there, too weak to lift myself, pouring out rice water. Areas of my

skin turned purple.

Ted, untouched by an affliction neither of us recognized, took care of

me. On the fourth day he brought a doctor and a nurse. On the fifth, I

was briefly better.

That evening, on my insistence, he left me for the first time since I'd

fallen sick.

He came back to the hotel alone, late, and sober--for he talked awhile

with the concierge. He went to his room--beside the one where I lay

ill--and opened the French windows, apparently to stare at Warsaw

in the vermilion dawn. They found him on the sidewalk five floors

below--dead.

When the consul came to see me, and the pleasant young men from the

embassy, we were unable to make out what had happened. Had he stepped

too far out? Climbed up on the roof for a better view? Had the

concierge mistaken his condition and had he lost his balance? Jumped?

Or had he been pushed--in the fashion of political assassins who pursue

their foes into other nations so as to conceal their bloody reach?

We can never know.

The embassy and the consulate thought he was murdered.

And when I told Tom, my friend and doctor, the step-by-step progress of

the first phase of my sudden sickness--when I remembered the thirst and

the miraculous appearance of a carafe of water--Tom said, "I think you

had cholera. It could have been in the water. Some people are immune to

it. Maybe Ted was."

Maybe.

He was not immune to a five-story fall onto a cement sidewalk.

What matter?

Ted was dead.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 43 / 346 题