She thought awhile. "You meet a lot of woman."

"I meet a few."

"Famous ones, I mean. What's your wife like? Blonde? Brunette?"

"You know a movie actress named Maureen O'Sullivan?"

She nodded.

"Ricky--my wife--gets mistaken for her. We go into night clubs and

sometimes they give us a swell table and people begin asking each other

who the hell I am--thinking they've identified Ricky."

"She's sweet--Miss O'Sullivan."

"Ricky is, too."

"Who's the most beautiful one you ever met?"

"The most beautiful one--I never met. Hedy Lamarr."

"You could, though. Celebrities can meet each other."

"I'm only about a Class D celebrity."

"Suppose--?" She eyed me speculatively. "Suppose some glamorous dame

and you met. Suppose you got a yen for her? What would you do?"

"God knows."

"I'm serious. After all, you've written enough articles and books and

stories about it. Do you mean what you say? Or are you just trying to

be sensational?"

"Would I, in other words, after meeting the gorgeous Miss or Mrs.

So-and-so, invite her to take a long drive in the country--or to picnic

on a beach--to look at etchings? Would I, personally? I might. Sure."

"What would Mrs. Wylie say?" The gray eyes were troubled--perhaps

afraid.

"Maybe nothing. She would never hear of it. Does marriage have to end

privacy entirely--every hour of it in a life? If she did hear--she

might still say nothing. She might laugh at me. She might be hurt. She

might be angry. It would depend on her mood at the moment."

"Her mood just at the moment!"

"Sure."

"Isn't that--pretty"--she sought a term--"unstable?"

"Extremely stable. It would show that she regarded what we have been

led to call infidelity a matter of so superficial a nature as to be

colored by a superficial mood. This, in turn, would indicate that

her more profound attitude toward me--and my feelings for her--was

unshaken. Stable, as you would say. If, on the other hand, I knew she

would have only one, single conceivable reaction--whether noncommittal

or aggrieved--I could be certain that her feelings for me, and her

deepest sense of my feelings, had become absolutist, rigid, probably

dominating and demanding, certainly doctrinaire. I could deduce that

she was in a most unstable situation--since people resort to the

projection of absolutes on other people only when they are torn by

uncertainty of themselves. Notice this in religions. The absolutes are

defined to a hair--with different sorts of steeples, doorways, fonts

and crucifixes marking infinitesimal splits over dogma--but with no

commensurate variation in the effect on human conduct whatever. Is a

Baptist nobler than a Methodist? Kinder? Wiser? No. So the different

absolutes of both, seen detachedly, represent nothing more than the

uncertainty, instability, self-doubt, inconfidence, distrust, and lack

of magnanimity of both. Their passion to lay down the law, taken with

the minuscule variants that ensue, is proof that Christians have no

stability whatever. Sex follows the same rule--and so does everything

else."

"I would have been furious, though."

She referred, still, to my hypothetical infidelity. And her reference

was interesting. Without thinking, she had used the past perfect

subjunctive. If, that is to say, her husband--the apparent supplier

of the opulent rings--had trifled with a strange brunette at some

lodge convention, this young lady's reaction _would have been_

fury. It apparently would not be, now. The assured presumption was,

therefore, a rift between herself and her spouse. Coupled with her

way of drinking cocktails while eating a sandwich, the brandy in her

coffee, her reading matter, and, particularly, the blur of suffering I

had seen in her eyes, this presumption led to further inference: the

rift was recent and she was in flight from it, while yet attempting to

understand its causes.

She was, that is to say, no habitual Martini drinker; these do not mix

their cocktails with their viands. She was reading Kinsey not from the

starved cupidity of hundreds of thousands of other women (for if she

had been even that uninhibited she would have read it sooner) but in

the effort to discover something. She was drinking not to drown her

sorrow but to take away its edge: she had mixed her latest drink with

the antidote of coffee. And, inasmuch as I had never seen her with

her husband at the Astolat, it was a good guess, at least, that she

was here as part of an act of abandonment rather than as a result of

being abandoned by him. Her accent was vaguely eastern--but eastern

rubbed against, and somewhat eradicated by, the flatter tones of the

West. Like numberless other such women, she had fled to New York for

refuge--and from a considerable distance. Texas, perhaps, or Arizona.

And probably she had lived in Manhattan before now: the Knight's Bar

was unknown to tourists--with the exception of Europeans visiting

America.

"You would have been furious," I finally said. "Think that over. Here

we are, engaged in a favorite national pastime--imagining flirtations

with handsome persons in the public eye. I often reflect that picture

stars--male and female--are lucky to have so little imagination,

on the average. If you can kill a person by sticking pins into a

statue of him--which you cannot, unless he believes it--think of the

possible result on a star of the lurid, lewd fantasies poured upon his

photographs, or hers, by millions and millions of people. Grant any

validity in the pin-sticking process and you have, in the photo-doting

parallel, a curious possible explanation of what the press knows as

Hollywood high jinks. Psychogenic. The effect, on the poor individual,

of mass assault, mob lechery. But skip all that. The point I want to

make is this: some ladies we have hypothesized are married. You can see

yourself as enraged, if any husband of yours had his head turned--to

continue the euphemisms--by one such. But it does not seem to occur to

you that any possible husbands of the ladies also might feel themselves

involved in the matter--and even experience traces of pain?"

"Men!" she said. "Why should anyone care what they feel?"

"O-h-h-h, because they're so plentiful."

She smiled a little--and poured plain coffee. "You haven't asked me my

name."

"Naturally."

"Naturally?"

"You've been wondering when I would. In such a case, the obvious thing

to do is to let a girl go on wondering. Besides--my inquisitiveness is

never casual. It might be a convenience to know your name. But very

little else. A clue, maybe, to the good taste of your parents--or lack

of it--and to the national strain of your husband's paternal line."

"It's Yvonne Prentiss."

"See what I mean? A handy--but otherwise irrelevant fact."

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 32 / 346 题