That made her smile a little. "You might be asking quite a question."

"Any question is quite a question. If I merely asked you how to get to

Fifth Avenue, you would be telling me, in answering, where to take my

life. I might be run over, doing it. I might get into a street fight.

Or meet a blonde. If I asked you why you've been crying so much--that

would be quite a question, too. If I were a woman, I might ask,

simply--what you wore under what, and where you bought it. The answer

to that one would describe dozens of your attitudes toward dozens of

important matters."

She didn't say anything. If she nodded, it was the smallest of her

nods. She twirled her cocktail glass, sipped the last of the amber

drink, and returned to her reading.

She wanted me to know that she didn't flirt. I expressed my

apperception by ordering lemon pie, which I didn't want, and coffee,

which I did--and further, by leaving my table and the restaurant while

my place was being cleared and my dessert brought. I went across the

hot street to the newsstand and bought _Time_ magazine--which I used to

read for information and read now to keep abreast of the Biases--and

the _Telegram_. When I came back to the bar I found the girl had also

ordered coffee--and brandy. That settled it.

"My name," I said immediately, "is Philip Wylie. I'm a writer. The

waiters will vouch for me. I live here."

The strain left her eyes and they widened slightly. "I've read lots of

things you've written! For _heaven's sake_!"

Most Americans who get around have read lots of the things I've

written. This is a great instant advantage--though often a present

handicap--in picking up strangers. They are at first agreeably

surprised; but they generally expect writers to "be like" the

characters in their books--from God alone knows what an abysmal lack of

imagination--and are therefore eventually disappointed.

Since I said nothing, she went on, "You're the author who hates women!"

There was shine in her eyes, then--challenge--amusement. Spite, too.

"Only moms," I answered. "And not 'hate'--deplore."

"And Cinderellas, too!"

"Oh, yes. I'd forgotten the Cinderellas. I deplore them, also."

"Maybe I'm one."

"A superior specimen--if true." I am semigallant.

"What made you hate women so violently? Did your mother beat you?

And why do you blame everything that goes wrong on women?" Two hard

lines showed the muscles around her teeth. "Don't you realize that for

everything you've written against women--you could say the same--and a

hundred times as much--against men?"

"Lookie," I said. "Many years ago, when I was younger and foolish, I

wrote a book about a few of the more conspicuous and lethal flaws in

our fair nation. The book was some three hundred and seventy pages

long. I devoted all but about twenty pages to the calamitous follies

of males. Men, as you call them. But I did, for some twenty pages of

light blast, violate the ironclad altar of femininity and point out

mom's big mouth and little brain, her puffed crop and shaky pins. A

few things. I hardly thought I had loaded the dice--inasmuch as half

the people are female and I gave females only about a fifteenth of my

slightly caustic attention. But ever since that book came out, almost

every woman I've met has accused me of outrageously laying the blame

for a manifestly hell-bound society on females. In the first place,

this is not true. In the second place, such statements--the hundreds

I've collected--tend to show that American women positively refuse to

take any blame for anything whatever. They have no conscience and no

sense of responsibility. They believe themselves to be as spotless as

United States senators say they are, in campaign orations. They lack

the capacity for admitting guilt. They are nearly all--I have thus

found--psychologically far, far, far more destitute than I claimed only

certain kinds of them to be."

She laughed. "You're _still_ mad! Someday you'll break down and write

a wonderful novel about the woman who really poisoned you against them

all."

"I'll break down," I agreed. "But I'll never write the novel! One

reason is--there's no such novel. Women have always been good to

me--with a few exceptions I can tolerate. Women have made love to me

and they have been generous with me, and taught me, and they have been

sensitive toward me. My daughter--who is sixteen--adores me. My first

wife tried every combination she could think of to make me happy--and

put up with me for ten years, when I was a drunkard. My second wife

has gone even further. Past ten years--for one thing. And I quit

drinking altogether, after we'd been married for a while. I--to repeat

the most readily understandable expression--adore her. And I adore my

daughter. I adore women, as a matter of fact. Such vexation as I have

shown represented an aspect of that reverence: a good many women are

fundamentally disappointing to anybody who cares much for women. And

I resent the general damage such women do. A man"--I looked at her as

loftily as I could--"has a curious faculty for resenting human sabotage

even when he is not, himself, directly involved in the matter. A woman,

as a rule, sees harm in the ruinous excursion of a nitwit only if she

sees it as a real or potential menace to herself, loved ones, and

assigns. It is a comfortingly personal outlook toward which I am hotly

antipathetic."

"You talk like your books," she said.

"Why not? I wrote the damned things!"

She poured her brandy into her coffee and drank a little.

"Men," I went on, "in this century, are deeply imbued with just that

personal, feminine attitude. They refuse to meddle with evils that do

not immediately threaten them. They have sold out their duty toward

the whole species, for local, temporal advantages. They no longer

live lives but merely cadge existences. If a guy is successful and

well fixed, the ordinary American does not and cannot see that he has

the reason or the right--let alone the need!--to take a dim view of

anything on earth." I picked up my copy of _Time_ magazine and waved

it at her. "Whenever one of my morally indignant volumes appears, this

self-righteous periodical, for instance, usually begins its reviews

by saying that I own a palatial residence in Florida, earn big money

writing commendable hack stories for the magazines, fish all the time,

and yet--blackguard!--I have the gall to gripe! The inference is that

I am a lunatic. Indeed, it has become more than an inference. This

carburetor of the news called my latest effort a 'whiff into midnight.'

Who is nearer the witching hour--the well-heeled gent who still sees

imperfections in the planet and says so or the editor who unconsciously

imagines that prosperity and criticism are incongruent? That is the

Ivy League philosophy--suitable to cover the ruins it soon will bring

about."

"You're mad at Clare Luce," the girl said.

"There you go! Personal again! See here, ma'am. A man can get as

intense feelings from statistical tables as a woman can from Sinatra's

brow wave. Vital statistics give them to me. I had such sensations

when, after the publication of the Smythe Report, I pensively ran over

the Periodic Table. Many other charts and graphs deeply affect me. I

hardly know Clare Luce. I had cocktails with her once--though. Very

attractive. Very--not bright--ardent. That's the important thing in

women, too. We disagreed about everything we discussed. But a woman

who enters the field of ideas is obliged, naturally, to follow some

man or men. Women have never left any ideas around for men or women

to follow. Clare said she follows Monseigneur Fulton Sheen--another

glitteringly ardent soul. I'm not mad at Clare Luce. In my situation I

find it impossible to be mad at anybody on earth. And it was generally

difficult for me, even before now."

"What's happened that made you change?"

"God has sent for me," I said sarcastically.

"You mean--you've been converted?"

"If I am ever converted--in the common sense--it will be the hard way:

posthumously and in the Presence. No. The change in me, what little I

have so far discovered, probably comes from atrophy. The peace and

mellowness that men mistake for wisdom--that is in fact the result of

calcium deposits, excess urea in the cells, and so on."

"You're forty!"

"And you're twenty--instead of twenty-six."

"You don't look it."

"You do. And as you well know, it's a damn good age for a woman to

look."

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 31 / 346 题