"Of the seven volumes constituting the first edition, two were

issued in November, 1747; two more in April, 1748 (making

"the 4 Vols. you have," above referred to); and the remaining

three, which, according to Mr. Urban's advertisement,

"compleats the whole," in December, 1748."

The second and succeeding volumes have the line, _And Sold

by John Osborn, in Pater-noſter-Row_, added to the imprint,

after Richardson's name.

Bishop Warburton presented the author with a preface in which

he pointed out the variety of the characters in the book, and

commended the moral tendency of the work. This, by the

way, serves to remind us that he afterward quarrelled with

Richardson because the novelist ventured to censure Pope's

sentiment, "Every woman is at heart a rake."

In a catalogue like this, no name has more interest than that

of Samuel Richardson, "The Father of the English Novel," and a

printer and publisher of distinction. At the age of seventeen

he chose the profession of printer, because he thought that in

it he would be able to satisfy his craving for reading. After

a diligent apprenticeship to John Wilde, whose daughter was

his first wife, he gradually won his way until he became one

of the leading printers of his time. He issued twenty-six

volumes of _Journals_ of the House of Commons, though he found

the position more honorable than lucrative; he was the printer

of the _Daily Journal_ from 1736 to 1737, and of the _Daily

Gazetteer_ in 1738; he was chosen printer to an interesting

_Society for the Encouragement of Learning_, for whom

he printed and edited their first and only volume, _The

Negociations of Sir Thomas Roe in his Embassy to the Ottoman

Porte from the year 1621 to 1628 inclusive_. He also printed,

among other books, an edition of _Æsop's Fables_, De Foe's

_Tour through Great Britain_, Young's _Night Thoughts_, and

the second volume of De Thou's _Historia Sui Temporis_, 1733.

He became a member of the Stationers' Company in 1689, and its

master in 1754.

Duodecimo.

COLLATION: _Seven volumes._

HENRY FIELDING

(1707-1754)

48. The | History | Of | Tom Jones, | A | Foundling. | In Six Volumes

| By Henry Fielding, Eſq; | [Quotation] London: | Printed for A.

Millar, over-againſt | Catharine-ſtreet in the Strand. | MDCCXLIX.

The announcement of the appearance of the work in the _General

Advertizer_ for February 28, 1749, reads as follows:

"This day is published, in six vols., 12mo, The History of Tom

Jones, A Foundling.--Mores hominum multorum vidit. By Henry

Fielding Esq.

"It being impossible to get sets bound fast enough to answer

the demand for them, such Gentlemen and Ladies as please may

have them served in Blue Paper and Boards, at the price of

16s. a set, of A. Millar, over against Catharine Street, in

the Strand."

The sale was really enormous for those days, and Millar, the

successful publisher, could afford to be generous to Fielding,

as he had been to others, thus winning for himself the

position of a patron as well as publisher. Johnson called him

"the Mæcenas of literature." "I respect Millar, sir;" said he,

"he has raised the price of literature."

Horace Walpole gives us an account of the dealing of this

remarkable man in this case. He says, in a letter to George

Montagu: "Millar, the bookseller, has done very generously

by him [Fielding]; finding 'Tom Jones' for which he gave him

£600. sell so greatly, he has since given him another £100."

A second edition in four volumes was issued the same year, and

a third, also in four volumes, the year following. The book

has been translated into French, German, Spanish, Dutch,

Russian, and Swedish. It was frequently dramatized, and was

also turned into a comic opera.

An original document in the possession of the owner of the

book from which the facsimile was made shows that the value

of _Tom Jones_ had not decreased with successive editions, or

else the various partners, whose well-known names are

signed to it, would not have thought it worth their while to

prosecute.

"Memorandum July, 24. 1770.

"At the Chapter Coffee-house, it is agreed by the Partners

in Joseph Andrews and Tom Jones, to prosecute Alexander

Donaldson, Bookseller in the Strand, for printing the above

Books, in the Court of Chancery, and do agree to pay our

respective Shares of the Expence of the Proscecution.

WILL: STRAHAN

THO^S. LONGMAN

W. JOHNSTON

ROBERT HORSFIELD

THO: CADELL

T BECKET

ROBINſON & ROBERTS

HAWES, CLARKE & COLLINS

STANLEY CROWDON

EDM^D. & CH^S DILLY

WM. & J. RICHARDſON

THO^S. LOWNDES

THOMAS CASLON"

Duodecimo.

COLLATION: _Six volumes._

THOMAS GRAY

(1716-1771)

49. An | Elegy | Wrote In A | Country Church Yard | London: |

Printed for R. Dodsley in Pall-mall; | And ſold by M. Cooper in

Pater-noſter-Row. 1751. | [Price Six-pence.]

In 1750 Gray finished a poem which he had begun eight years

before, and it was circulated freely, in manuscript, among his

delighted friends. One of them, Horace Walpole, received the

following communication from the author, dated at Cambridge,

February 11, 1751:

"As you have brought me into a little sort of distress, you

must assist me, I believe, to get out of it as well as I can.

"Yesterday I had the misfortune of receiving a letter from

certain gentlemen (as their bookseller expresses it), who have

taken the Magazine of Magazines into their hands. They tell

me that an _ingenious_ Poem, called reflections in a Country

Church-yard has been communicated to them, which they

are printing forthwith; that they are informed that the

_excellent_ author of it is I by name, and that they beg not

only his _indulgence_, but the _honour_ of his correspondence.

As I am not at all disposed to be either so indulgent or so

correspondent as they desire, I have but one bad way left to

escape the honour they would inflict upon me; and therefore am

obliged to desire you would make Dodsley print it immediately

(which may be done in less than a week's time) from your copy,

but without my name, in what form is most convenient for him,

but on his best paper and character; he must correct the

press himself, and print it without any interval between the

stanzas, because the sense is in some places continued beyond

them; and the title must be,--Elegy, written in a Country

Church-yard. If he would add a line or two to say it came into

his hands by accident, I should like it better. If you behold

the Magazine of Magazines in the light that I do, you will not

refuse to give yourself this trouble on my account, which you

have taken of your own accord before now. If Dodsley do not do

this immediately, he may as well let it alone."

"You have indeed, conducted with great decency my little

_misfortune_:" (this was written to Walpole on Ash-Wednesday,

after the book was published): "you have taken a paternal care

of it, and expressed much more kindness than could have been

expressed from so near a relation. But we are all frail; and I

hope to do as much for you another time.

"Nurse Dodsley has given it a pinch or two in the cradle, that

(I doubt) it will bear the marks of as long as it lives. But

no matter: we have ourselves suffered under her hands before

now; and besides it will only look the more careless and by

_accident_ as it were. I thank you for your advertisement [the

preface, signed 'The Editor'], which saves my honour, and in a

manner _bien flatteuse pour moi_, who should be put to it even

to make myself a compliment in good English."

Dodsley's promptness was noteworthy; on February 16 the book

was issued, having been six days, at most, in the printer's

hands. The author, even if he had desired, could hardly have

complained about the ornaments on the title-page, since he had

given Dodsley a free hand. It would be pleasant to see in

the woodcuts, with their death's-heads, spades, cross-bones,

hour-glasses, pickaxes and crowns, an argument for a sense

of decoration, or even of a sense of humour, rather than the

evidences of a habit of the use of such things for funeral

sermons.

Speaking of Nurse Dodsley's "pinches," the following extract

from a letter to Walpole, dated March 3, 1751, proves of

additional interest: "I do not expect any more editions; as

I have appeared in more magazines than one. The chief errata

were _sacred_ bower for _secret_; _hidden_ for _kindred_ (in

spite of dukes and classics); and "_frowning_ as in scorn" for

_smiling_. I humbly propose, for the benefit of Mr. Dodsley

and his matrons, that take _awake_ for a verb, that they

should read _asleep_, and all will be right."

The two versions of the poem probably appeared on the same

day.

_The Magazine of Magazines Compiled from Original Pieces,

With Extracts from the moſt celebrated Books And Periodical

Compoſitions Publiſhed in Europe_, was issued by William

Owen, maker of mineral water, at Homer's Head, near Temple

Bar. Owen's compositor, having had more time, avoided some

of the errors of the printers of the book, but he fell into

others of his own; and he completely frustrated Gray's desire

to be anonymous. The poem is introduced, amidst a running fire

of talk, in this way: "Gentlemen, ſaid _Hilario_, give

me leave to ſooth my own melancholy, and amuſe you in a

moſt noble manner, with a fine copy of verſes by the

very ingenious Mr. Gray, of _Peterhouſe_, Cambridge.--They

are--"Stanza's written in a Country Church-yard.""

The book proved immensely popular. Gray himself received

no pecuniary reward from it, having given the copyright

to Dodsley in accordance with a notion, very common in the

preceding century but seeming quixotic now, that it was

beneath a gentleman to receive money from a bookseller, a view

in which, we are told, Dodsley warmly concurred. Later, Mason,

Gray's friend, attempted to regain possession of the copyright

by means of litigation.

We are indebted to our Author for the following

bibliographical note: "Publish'd in Feb^{ry}, 1751, by

Dodsley, & went thro' four editions, in two months; and

afterwards a fifth, 6th, 7th, & 8th, 9th, & 10th, & 11th;

printed also in 1753 with Mr. Bentley's Designs, of w^{c}h

there is a 2d Edition, & again by Dodsley in his _Miscellany_,

Vol. 7th & in a Scotch Collection call'd the _Union_;

translated into Latin by Ch^{r} Anstey, Esq., and the Rev^{d}.

Mr. Roberts, & published in 1762, & again in the same year by

Rob. Lloyd, M.A."

Dodsley figures so prominently in the publication of the

_Elegy_ that we are reminded that he was himself a poet and

also a dramatist. His epitaph in the churchyard of Durham

cathedral lays stress on this point:

"If you have any respect

for uncommon industry and merit,

regard this place,

in which are deposited the remains of

Mr. Robert Dodsley;

who, as an Authour, raised himself

much above what could have been expected

from one in his rank in life,

and without a learned education;

... ... ... ..."

Quarto.

COLLATION: _11 pp._

SAMUEL JOHNSON

(1709-1784)

50. A | Dictionary | Of The | English Language: | [Ten lines] By

Samuel Johnson, A.M. | In Two Volumes | Vol. I. | [Quotation] London,

| Printed by W. Strahan, | For J. and P. Knapton; T. and T. Longman;

C. Hitch and L. Hawes; | A. Millar; and R. and J. Dodsley. | MDCCLV.

Robert Dodsley first suggested to Johnson that a dictionary of

the English language would take well with the public; though

Johnson afterward told Boswell that he had long thought of it

himself. But it was Dodsley who, in accordance with the

custom of the time of placing books under the patronage of

an influential person, suggested the Earl of Chesterfield as

patron for the work; and Johnson addressed him as such in _The

Plan Of A Dictionary Of The English Language; Addreſſed to

the Right Honourable Philip Dormer, Earl of Chesterfield: ...

London_, 1747, a pamphlet of thirty-four pages.

This step eventually led to the letter called by Carlyle "the

far famed blast of doom proclaiming into the ears of Lord

Chesterfield, and through him to the listening world, that

patronage should be no more." For the Earl was tardy in

acknowledging the inscription (his commendatory letters did

not appear until the November and December issues of _The

World_, 1754), and did little to encourage the enterprise;

"Upon which," said the irritated author, "I wrote him a letter

expressed in civil terms, but such as might show him that I

did not mind what he said or wrote, and I had done with him."

It was dated February 7, 1755, and ends with the famous words:

"Is not a patron, my lord, one who looks with unconcern upon a

man struggling for life in the water, and when he has reached

ground encumbers him with help?"

Johnson undertook his great work single-handed, expecting

to finish it in three years; but the labor was enormous, and

eight years were consumed (the work appeared on February

20, 1755), though not all of the time was spent upon the

Dictionary, for he was editor of _The Rambler_, also, at this

period. In this connection his own words written at the end

of the Preface are: "I have protracted my work till moſt

of thoſe whom I wiſhed to pleaſe have ſunk into the

grave, and ſucceſs and miſcarriage are empty ſounds:

I therefore diſmiſs it with frigid tranquillity, having

little to fear or hope from cenſure or from praiſe."

The _A.M._ after the author's name was procured for him

at Oxford through the good offices of his friend, the

poet-laureate, Thomas Warton, since it "was thought desirable

that these letters should appear on the title-page of the

dictionary for the credit both of himself and the university."

The publishers whose names are given in the imprint were joint

proprietors of the work, having paid Johnson 1575l. for the

copyright. "The payment included the whole work of preparing

for the press; and Johnson lost 20l. on one occasion for a

transcription of some leaves which had been written on both

sides. He employed six amanuenses, five of whom, as Boswell is

glad to record, were Scotsmen ... they received 23s. a week,

which he agreed to raise to 2l. 2s., not, it is to be hoped,

out of the 1,575l." Boswell would lead us to think that even

if these extras did come out of Johnson's pocket, he was not

dissatisfied. "I once said to him, "I am sorry, sir, you did

not get more for your Dictionary." His answer was "I am

sorry too. But it was very well. The booksellers are generous

liberal-minded men.""

To Andrew Millar fell the responsibility of seeing the book

through the press; and his patience, we are told, was sorely

tried by Johnson's dilatoriness. When the last sheet was

brought to him, he exclaimed: "Thank God I have done with

him!" This was repeated to Johnson, who said, with a smile: "I

am glad that he thanks God for anything."

Folio.

COLLATION: _Two volumes. Without pagination._

BENJAMIN FRANKLIN

(1706-1790)

51. Poor Richard improved: | Being An | Almanack | And | Ephemeris

| [Eight lines] For The | Year of our Lord 1758: | [Ten lines] By

Richard Saunders, Philom. | Philadelpeia: | Printed and Sold by B.

Franklin; and D. Hall. [1757.]

Franklin says in his _Autobiography_:

"In 1732 I first publish'd my Almanack, under the name of

_Richard Saunders_; it was continu'd by me about twenty-five

years, commonly call'd _Poor Richard's Almanac_. I endeavor'd

to make it both entertaining and useful, and it accordingly

came to be in such demand, that I reap'd considerable profit

from it, vending annually near ten thousand...." The price

was five pence. So great was its popularity that it was found

necessary to issue three editions in the first month. In 1747

we are told in a note, "This Almanack us'd to contain but 24

Pages, and now has 36; yet the Price is very little advanc'd,"

and to fit the new conditions the title was changed to _Poor

Richard Improved_.

The _Almanac_, whose title-page is here facsimiled, was the

last of the series edited by Franklin. A collection of the

proverbial sentences which had "filled all the little spaces

that occur'd between the remarkable days in the calendar" in

former issues, were collected into one speech, supposed to be

delivered by an old man, named _Father Abraham_, to the

people at an auction sale. "The bringing all these scatter'd

counsells thus into a focus enabled them to make a greater

impression." The discourse was quickly reprinted, and is

famous now under various titles, _The Speech of Father

Abraham_; _The Way to Wealth_, and _La science du bonhomme

Richard_. It has been translated and reprinted oftener "than

any other work from an American pen." "Seventy editions of

it," says Mr. Paul L. Ford, "have been printed in English,

fifty-six in French, eleven in German, and nine in Italian.

It has been translated into Spanish, Danish, Swedish, Welsh,

Polish, Gaelic, Russian, Bohemian, Dutch, Catalan, Chinese,

Modern Greek and Phonetic writing. It has been printed at

least four hundred times, and is to-day as popular as ever."

Franklin borrowed for his pseudonym the name of an English

"philomath" of the seventeenth century, because, as he says,

he knew "that his name would hardly give it [the _Almanack_]

currency among readers who still looked upon it as dealing in

magic, witchcraft and astrology."

In 1747 or 1748 our author-printer entered into partnership

with David Hall, who took the sole management of the business

until 1766, when the firm was dissolved.

Octavo.

COLLATION: _36 pp._

SIR WILLIAM BLACKSTONE

(1723-1780)

52. Commentaries | On The | Laws | Of | England. | Book The First. |

By | William Blackstone, Esq. | [Three lines] Oxford, | Printed At The

Clarendon Press. | M.DCC.LXV. [--M.DCC.LXIX.]

The story of the publication of Blackstone's lectures, as

Professor of Law at Oxford, reminds us of Bacon's "orchard

ill-neighbored." The author relates the circumstances in his

preface: "For the truth is, that the preſent publication is

as much the effect of neceſſity, as it is of choice. The

notes which were taken by his hearers, haue by ſome of them

(too partial to his favour) been thought worth reuiſing and

tranſcribing, and theſe tranſcripts haue been frequently

lent to others. Hence copies haue been multiplied, in their

nature imperfect, if not erroneous; ſome of which haue

fallen into mercenary hands, and become the object of

clandeſtine ſale. Having therefore ſo much reaſon to

apprehend a ſurreptitious impreſſion, he choſe rather

to ſubmit his own errors to the world, than to ſeem

anſwerable for thoſe of other men."

The volumes were not all issued at once, but followed one

another at different times during a period of four years. They

were printed at the Clarendon Press, which Blackstone, when

appointed a delegate in 1755, had "found languishing in a lazy

obscurity," and whose quickening was in no small measure due

to his "repeated conferences with the most eminent masters, in

London and other places, with regard to the mechanical part

of printing," his recommendations, and to his own examples of

good typography supplied in the _Magna Charta_, published in

1759, and in this his _magnum opus_.

The wonderful success of the work is attested by the number

of its editions. A second was issued in 1768, and six more

appeared before the author's death. From then until now, it

has been frequently reprinted. Blackstone is reputed to have

received from the sale of the _Commentaries_, and from his

lectures, about £14,000.

Quarto.

COLLATION: _Four volumes._

OLIVER GOLDSMITH

(1728-1774)

53. The | Vicar | Of | Wakefield: | A Tale. | Suppoſed to be

written by Himself. | Sperate miſeri, cavete f[oe]lices. | Vol.

I. Salisbury: | Printed by B. Collins, | For F. Newbery, in

Pater-Noſter-Row, London. | MDCCLXVI.

Boswell, Mrs. Piozzi, Sir John Hawkins and others have given

slightly different versions of the well-known story of the

sale of the manuscript of the _Vicar_; but aside from throwing

light on the character of Goldsmith, none of them have

helped us to a definite understanding of the transaction. The

earliest account was written by Mrs. Piozzi in 1786, under the

title of _Anecdotes of the late Samuel Johnson, LL.D., during

the last Twenty Years of his Life_. At pp. 119-120 she says:

"I have forgotten the year, but it could scarcely I think be

later than 1765 or 1766, that he [Johnson] was called abruptly

from our house after dinner, and returning in about three

hours, ſaid, he had been with an enraged author, whose

landlady pressed him for payment within doors, while the

bailiffs beset him without; that he was drinking himself drunk

with Madeira to drown care, and fretting over a novel which

when finished was to be his whole fortune; but he could not

get it done for distraction, nor could he step out of doors to

offer it to sale. Mr. Johnson therefore set away the bottle,

and went to the bookseller, recommending the performance, and

desiring some immediate relief, which when he brought back

to the writer, he called the woman of the house directly to

partake of punch, and pass the time in merriment."

Boswell adds, in his account, that Johnson sold the novel for

£60. There seems to be no evidence to prove this, nor yet to

show who bought it. It has generally been supposed that the

publisher, "F. Newbery," or his uncle, John Newbery, with whom

he was inseparably connected, was the purchaser, until Mr.

Charles Welsh made the discovery which he relates in his _A

Bookseller of the Last Century_. He says:

"In a book marked 'Account of copies, their cost and value,

1764,' I find the following entry:--"'Vicar of Wakefield,'

2 vols. 12mo., 1/3 rd. B. Collins, Salisbury, bought of Dr.

Goldsmith, the author, October 28, 1762, £21.""

From this entry of Collins, the Salisbury printer, we may

conclude that the amount Johnson is said to have received for

the distressed author (from Newbery, perhaps) was an advance

on the unfinished story; and that Collins bought his third

interest some time afterward. In 1785, when Collins sold out

his interest, Mr. Strahan owned one third, and Carnan and

Newbery the other third.

There are several circumstances, besides the date given by

Collins, which show that the _Vicar_ was sold, in whole or in

part, at least four years before it was published, and not a

few months before, as Mrs. Piozzi thought. The occasion for

the delay has been explained in various ways. One explanation

is that it was held back until the _Traveller_, which came out

in 1765, should have increased the author's reputation. It may

have been, as Johnson told Boswell, that the publishers were

afraid that the book would not sell. Certainly the results

would seem to bear them out in any doubts they may have had of

its financial success. Mr. Welsh says:

"All the writers who have spoken of the "Vicar of Wakefield"

have jumped to the conclusion that it brought a golden harvest

to its publishers.... The first three editions ... resulted in

a loss and the fourth, which was not issued until eight years

after the first, started with a balance against it of £2 16s.

6d., and it was not until the fourth edition had been sold

that the balance came out on the right side."

After being three months in the press, the book appeared March

27, 1766. The advertisement in the _Public Advertiser_ reads:

"This Day is publiſhed, In two Volumes in Twelves, Price

6s. bound, or 5s. ſewed, The Vicar of Wakefield, A Tale.

Supposed to be written by Himself. 'Seperate [ſic] miſere

cavete f[oe]lices.' Printed for F. Newbery, at the Crown in

Pater-Noſter Row, of whom may be had, Price 1s. 6d. The

Traveller, or, a Proſpect of Society, a Poem. By Dr.

Goldsmith." The author's name was signed to the preface, or

"Advertisement" of the book, so it was not really anonymous,

as the title-page and newspaper advertisement would lead us

to think. If it was not a financial success the tale seems to

have met with popular favor. The second edition, bearing the

imprint _London: Printed for F. Newbery, in Pater-Noster-Row,

MDCCLXVI._, was issued May 31, and the third on August 29.

Ninety-six editions were issued before 1886, and there are

translations in every European language.

Bibliographic Notes on One Hundred Books Famous in English Literature · 第 8 / 15 段