XV

When he reached the hotel he felt an urgent need of warmth. By turns

he entered the library, the reception hall, the dining-room. All these

places were well heated, but their warmth did not suffice him. He

attributed his chill to walking so long in the damp.

He took the lift and rode up to his own rooms. He changed his clothes,

wrapped himself warmly, and sat down beside the radiator, in which the

steam hissed like a caged animal.

Yet he did not grow warm. At last he knew that his shivering was not

due to the moisture and the fog, but to some inner cause.

Toward eleven o’clock he arose and went out into the corridor. The

stuccoed walls were divided into great squares by gilt moulding; the

floor was covered by pieces of carpet that had been joined together to

appear continuous. Christian felt a revulsion against all this false

splendour. He approached the wall, touched the stucco, and shrugged his

shoulders in contempt.

At the end of the long corridor was Eva’s suite. He had passed the door

several times. As he passed it again he heard the sound of a piano.

Only a few keys were being gently touched. After a moment’s reflection

he knocked, opened the door, and entered.

Susan Rappard was alone in the room. Wrapped in a fur coat, she sat at

the piano. On the music rack was propped a book that she was reading.

Her fingers passed with ghostly swiftness over the keys, but she struck

one only quite rarely. She turned her head and asked rudely: “What do

you want, Monsieur?”

Christian answered: “If it’s possible, I should like to speak to

Madame. I want to ask her a question.”

“Now? At night?” Susan was amazed. “We’re tired. We’re always tired at

night in this hyperborean climate, where the sun is a legend. The fog

weighs on us. Thank God, in four days we have our last performance.

Then we’ll go where the sky is blue. We’re longing for Paris.”

“I should be very happy if I could see Madame,” Christian said.

Susan shook her head. “You have a strange kind of patience,” she said

maliciously. “I hadn’t suspected you of being so romantic. You’re

pursuing a very foolish policy, I assure you. Go in, if you want to,

however. Ce petit laideron est chez elle, demoiselle Schöntag. She

acts the part of a court fool. Everything in the world is amusing to

her--herself not least. Well, that is coming to an end too.”

Voices and clear laughter could be heard. The door of Eva’s rooms

opened, and she and Johanna appeared on the threshold. Eva wore a

simple white garment, unadorned but for one great chrysoprase that

held it on the left shoulder. Her skin had an amber gleam, the quiver

of her nostrils betrayed a secret irritation. The beautiful woman and

the plain one stood there side by side, each with an acute feminine

consciousness of her precise qualities: the one vital, alluring,

pulsing with distinction and freedom; the other all adoration and

yearning ambition for that vitality and that freedom.

Tenderly and delicately Johanna had put her arm about Eva and touched

her friend’s bare shoulder with her cheek. With her bizarre smile she

said: “No one knows how it came that Rumpelstilzkin is my name.”

They had not yet observed Christian. A gesture of Susan’s called their

attention to him. He stood in the shadow of the door. Johanna turned

pale, and her shy glance passed from Eva to Christian. She released

Eva, bowed swiftly to kiss Eva’s hand, and with a whispered good-night

slipped past Christian.

Although Christian’s eyes were cast down, they grasped the vision

of Eva wholly. He saw the feet that he had once held naked in his

hands; under her diaphanous garment he saw the exquisite firmness

of her little breasts; he saw the arms that had once embraced him

and the perfect hands that had once caressed him. All his bodily

being was still vibrantly conscious of the smoothness and delicacy

of their touch. And he saw her before him, quite near and hopelessly

unattainable, and felt a last lure and an ultimate renunciation.

“Monsieur has a request,” said Susan Rappard mockingly, and preparing

to leave them.

“Stay!” Eva commanded, and the look she gave Christian was like that

she gave a lackey.

“I wanted to ask you,” Christian said softly, “what is the meaning of

the name Eidolon by which you used to call me. My question is belated,

I know, and it may seem foolish to-day.” He smiled an embarrassed

smile. “But it torments me not to know when I think about it, and I

determined to ask you.”

Susan gave a soundless laugh. In its belated and unmotivated urgency,

the question did, indeed, sound a little foolish. Eva seemed amused

too, but she concealed the fact. She looked at her hands and said:

“It is hard to tell you what it means--something that one sacrifices,

or a god to whom one sacrifices, a lovely and serene spirit. It means

either or perhaps both at once. Why remind ourselves of it? There is no

Eidolon any more. Eidolon was shattered, and one should not exhibit the

shards to me. Shards are ugly things.”

She shivered a little, and her eyes shone. She turned to Susan. “Let me

sleep to-morrow till I wake. I have such evil dreams nowadays, and find

no rest till toward morning.”

The World's Illusion, Volume 1 (of 2): Eva · 第 125 / 137 题