I confess, Judicia, that I have not shot or caught a single bird, beast,

or fish during all these past months, but I have seen a good many of

them, and I have been much interested in reading the accounts of those

who are initiated. One sportsman has amused himself and others by making

a collection of the names by which different groups of animals are

designated in the sporting world. He does not confine himself to Norway,

but goes far afield and finds no less than thirty-one different names,

all meaning “group.” Besides the common and well-known designations,

he speaks of a “nide” of pheasants, a “wisp” of snipe, a “muster” of

peacocks, a “siege” of herons, a “cast” of hawks, a “pride” of lions, a

“sleuth” of bears, and several others equally fantastic and unfamiliar.

The most peculiarly national animal in Norway, whether he is designated

collectively as a “pride” or a “muster” or a “siege” or otherwise, is

the lemming. The lemming is a fierce little brute, about the size of a

rat, but when brought to bay he is a most dangerous enemy. Ordinarily

he is a rather harmless, useless beast, but once in awhile he becomes a

national scourge. Such occasions are called “Lemming Years.” For some

unaccountable reason swarms of lemmings are born, and they come sweeping

over Norway in great waves. For days a ceaseless army of them marches

seaward, and nothing can stop them. They eat all that lies in their

path, and leave a track of devastation behind them like a plundering

army of soldiers. They look neither right nor left, but travel straight

on until they reach the open sea. They plunge down the mountain sides

into the fjords, blindly and madly, and are soon drowned. It would be

well for Norway if they all reached the sea, but alas, thousands fall

by the wayside. Wells are choked up with their bodies, and the water is

poisoned, so that “lemming fever” is the inevitable sequel to a lemming

raid. I believe there has not been a big raid since 1902, but every

summer the farmers expect them again and are filled with dread.

Returning to Domaas, we jog along in our carriole down to Otta in the

Gudbrandsdal. Between Domaas and Otta, at a place called Kringen, the

road “runs like a narrow ribbon between the steep cliff on the one side

and the foaming river on the other.” Here, in 1612, six hundred Scottish

mercenaries, hired by Gustavus Adolphus, landed at what is now Næs and

prepared to walk to Sweden by way of the Romsdal and Gudbrandsdal

valleys. At Kringen the Norwegians collected big boulders at the top

of the cliff. A peasant girl named Pillar Guri stood on the opposite

side and blew a horn to let her compatriots know just when the Scottish

soldiers were passing below. At the signal the fatal shower descended,

and it is said that not one of the six hundred escaped. Truly “into the

valley of death rode the six hundred.” A monument has been placed on the

spot to commemorate the event.

Now, Judicia, will you be an obliging chessman? If so, take two jumps

backward and one to the right and land at Loen on the Nordfjord. There

is an excursion from here to Lake Loen which offers something unique to

the weariest and most blasé globe-trotter. Lake Loen is buried in the

midst of the wildest, glacier-surmounted hills, and it almost seems an

intrusion for prying eyes to visit it, yet it must submit not only to

this indignity but to the positive disgrace of having a little steamer,

by name the _Lodölen_, chug through its quiet waters. In some places

great, jagged masses of glacial ice actually overhang the lake, hundreds

of feet in air, and at times fragments break off and plunge down into the

water.

Our little steamer _Lodölen_ is rather a curiosity, for its engine was

taken from the wreck of a former ship. Some years ago the _Lodölen’s_

predecessor was quietly making its way along the eastern end of the lake

when without warning a whole mountain, or at least a large part of a

mountain, tumbled bodily into the lake. A tidal wave was created which

caught the steamer and carried it far up the mountain side. To-day, from

the deck of the _Lodölen_, we can see the wreck of the old ship whose

engine is propelling the new. Perhaps the guardians of the lake rebelled

at the indignity of having a steamer invade its quietness, and took this

means of showing their displeasure; but persistent humanity seems to be

unwilling to be thwarted. Perhaps some day the _Lodölen_ will meet with a

similar fate and another steamer take its place.

The Sognefjord south of the Nordfjord is not only the deepest, but also

the largest. For a hundred and thirty miles it stretches its branches

into the heart of Norway. Indeed, it is shaped like a tree, the trunk

being the main fjord. The great boughs which come out from this mighty

trunk twist and taper into the most delicate twigs, and here and there

diminutive _dals_ and hamlets present the appearance of leaves and buds,

if you will permit your fancy to roam so far. Many authors are tempted

into the most fanciful descriptions of Sogne’s grandeur. If you could see

the dramatic audacity of nature here I am sure you would forgive even the

extravagant imagination of the following description, which I quote from

O. F. W.:

“Ever since the dawn of time these mighty graystone giants of the

Sognefjord have sat there gloomy and stanch. Age has set deep marks on

them. Their visages are now furrowed and weather-beaten, and their crowns

snowy white. But their sight is still keen. When the storms of winter

come sweeping in with the wild sagas of the sea, there is a blaze under

those shaggy brows. They roar with hoarse voice across to one another

when the rains of spring set in. In the dark autumn nights they shake

their mighty limbs with such a crash and roar that huge masses scour down

the slopes to the fjord, sweeping away all the human vermin that has

crawled up and fastened itself upon them. Only during the light, warm,

summer nights, when the wild breezes play about them and all the glories

of the earth are sprinkled over them, when islands and holms rise out of

the trembling sea and swim about like light, downy birds, when the birch

is decked in green and the bird cherry is blossoming, the seaweed purling

and the sea murmuring—then the deep wrinkles are smoothed out, then there

falls a gleam of youth over the austere faces.”

[Illustration: _Copyright by Underwood & Underwood, N. Y._

Fishermen Arranging their Nets at Balestrand on the Sognefjord.]

There you have the Sogne, the poet’s Sogne perhaps, but I think not too

fanciful, for the Sogne is the poet’s fjord above all others, and anyone

who has no poetry in him should not invade its precincts. At Balholm, on

this fjord, the German emperor is commemorating the famous Fridthjof with

a statue. Longfellow translated the Fridthjof saga, so Balholm is thus

connected with him too, and adds another point in favor of Sogne’s claim

to the name of the poet’s fjord.

Longfellow wrote several poems connected with the northland. The most

famous, as you know, and the one which connects Norway with America, is

_The Skeleton in Armor_. I have read it half a dozen times since I came

to Norway, and it has done more than anything else to make me feel and

see the spell of the old vikings.

This has been a long letter and I have not touched upon Hardanger or

Sætersdal or the North Cape, but those will keep for another letter, and

if you will transform yourself into a “castle,” or, better still, remain

a queen and move several squares due north, you will arrive at Marok

again, where the gleaming Geiranger is beginning to be ruffled by evening

breezes. I will write to you soon, probably from Sætersdal, where I know

I shall find seventeenth-century Norway in all its charm.

As ever yours,

AYLMER.

ELEVENTH LETTER

Aylmer visits the North Cape; Narvik to Hammerfest; the

oft-imagined midnight sun a realization; Vanniman and the sun

compass; Hardanger Fjord and region; the Norwegian Sunday;

a country wedding; the snow tunnel at Haukeli Sæter; the

precipice of Dalen; a natural boomerang; the “Norwegian Rhine”;

the romance of Helgenotra; a “stave-kirke”; Henrik Ibsen;

educational difficulties in Norway; itinerant schoolmasters;

the charm of Sætersdal; wherein lies the Spell of Norway?

BREDVIK, SÆTERSDAL, August 18.

MY DEAR JUDICIA,

Before I tell you about Sætersdal I must say something about the North

Cape and the midnight sun. Perhaps you wonder why I don’t save the famous

North Cape for a climax instead of taking you up there first and then way

back to the southernmost tip of Norway. My reason, which I hope later

to justify, is this. To me the spell of Norway lies most of all in its

_dals_ and in its _sæter_ regions, where the simplicity of the natives is

untarnished and where the country is naturally beautiful. The place where

this is true to the fullest extent is in the region whose appropriate

name, Sætersdal, combines the thought of rugged upland and smiling _dal_.

I do not mean to minimize the glories of the North Cape. They are

superb and almost too wonderful for us. They make us gasp for breath,

and perhaps we feel almost tired after surveying them. I have felt

“timorous” about approaching that subject at all, for many thousands of

people, among them some noted writers, have visited the spot and have

seen the midnight sun. Certainly ninety-nine per cent of them have tried

to describe it, and many have had their attempts published.

I will not take you step by step, or port by port, on the long journey

to Hammerfest, for I took you up as far as Narvik when I went there

last winter, and the continuation is much the same. We pass Tromsö,

the northernmost of Norway’s six bishoprics, and the town which long

enjoyed the distinction of having the northernmost church in the world.

Of course, thriving little Hammerfest has now robbed it of that honor.

Hammerfest, I suppose, is more widely known, by name at least, than

almost any other village of its size in the world, with the possible

exceptions of Oberammergau and Stratford-on-Avon, which have earned their

distinction in quite different ways. Every schoolboy and schoolgirl

learns that Hammerfest is the most northerly town in the world. It has

only two thousand inhabitants, but with the inpouring waves of tourists

in the summer it becomes a most lively place. The whole town is pervaded

winter and summer with a nauseating smell of boiling cod-liver oil.

Doubtless the product is a fruitful source of income to the inhabitants,

but personally I should hardly care to live in the reeking smell of it

all my life.

[Illustration: _Copyright by Underwood & Underwood, N. Y._

Three Little Belles of the Arctic at Tromsö.]

On the Fulgnæs, a promontory a little to the north of the town,

there is the _Meridianstötten_, a column of granite with a bronze

globe surmounting it, marking the spot, as the Latin and Norwegian

inscriptions indicate, where the “geometers of three nations, by order of

King Oscar I and Czars Alexander I and Nicholas I,” completed in 1852 the

arduous task of measuring the degrees.

Our steamer, in going from Hammerfest to the North Cape, passes the

Hjelmöstoren cliff, the home of millions, perhaps of billions of

flapping, shrieking sea birds. Although the old birds and the wise ones

are never disturbed by the passing steamer, even when it fires off a gun,

the young fledgelings flap about in such clouds that they actually darken

the face of the sun.

Finally we reach the grand old North Cape on the island of Magerö. The

steamer drops anchor in Hornvik Bay, and we leave it and zigzag up the

newly built road to the famous cliff. Our good ship _Kong Harald_ looks

like a beetle floating on the water’s surface. The waves, which seemed

rather formidable to us from the little boat which took us ashore, have

now assumed the appearance of almost invisible ripples.

Come to the edge of the cliff with me, Judicia, and you will see a

sight which you will never forget. If your nerves are strong and your

conscience is clear, you may not tremble at the awfulness of the scene.

But unless you are dead to emotion, something must stir within you. Far

below and far beyond stretches the apparently limitless Arctic Sea—the

vast, fatal, compelling sea which brave men of many nations have died in

exploring. And there surely is the midnight sun. It must be that, for it

is just midnight, and that great red ball of fire hanging a little above

the horizon is very evidently not the moon. It is easy, isn’t it, to

speak of the midnight sun, and hard to realize it. That mysterious golden

globe bowling lazily along the northern horizon is in process of making

a million sunsets and a million sunrises in other parts of the world,

but here all is blended into one. Doctor John L. Stoddard, in a burst of

eloquence, has thus described the color scheme which nature here presents:

“Far to the north the sun lay in a bed of saffron light over the clear

horizon of the Arctic Ocean. A few bars of dazzling orange cloud floated

above, and still higher in the sky, where the saffron melted through

delicate rose color into blue, hung light wreaths of vapor touched with

pearly opaline flushes of pink and golden gray. The sea was a web of pale

slate color shot through and through with threads of orange and saffron,

from the dance of a myriad shifting and twinkling ripples. The air was

filled and permeated with a soft, mysterious glow, and even the very

azure of the southern sky seemed to shine through a net of golden gauze.

Midway … stood the midnight sun, shining on us with subdued fires and

with the gorgeous coloring of an hour for which we have no name, since it

is neither sunset, nor sunrise, but the blended loveliness of both.…”

Flowery as the language is, it is not one particle exaggerated.

Exaggeration would be impossible.

A less ambitious author frankly admits his inability to describe a

northern midsummer night. “The memory of one night in Norway,” he says,

“makes one feel how powerless language is to describe the splendor of

that … glory—glory of carmine and orange and indigo, which floods not

only the heavens, but the sea, and makes the waves beneath our keel a

‘flash of living fire.’”

A more scientific, if less poetic person, who visited the northland

was Vanniman, the American engineer, who was with Wellman when he made

his unsuccessful attempt to reach the North Pole by airship. Vanniman

perhaps neglected the beauties of nature for the more sordidly practical

occupation of inventing a sun compass. The principle of this instrument

is most interesting. Reasoning that at the precise moment of midnight the

sun is due north, he “constructed a clock the hour hand of which traveled

in the opposite direction to the sun, so that, on being pointed at the

midnight sun and set going, it continued to point due north.”

I would feel more reluctant to tear myself and you from the glories of

the North Cape were it not that quieter, gentler glories await us farther

south. In the deep blue Hardanger Fjord and its surroundings we find

all nature gentler and milder, even in its grandeur, than the nature of

the far north or even of the rugged Sogne. The Hardanger district is

fir-clothed and alder and birch-clothed as well, and presents a softer

loveliness than the knotted, “brawny” aspect of other fjords. I’ll

venture to say that the word Hardanger suggests to you, Judicia, only a

species of embroidery, but if you had only seen the district it would

suggest warmth of forest-clothed _dal_, majesty of lofty waterfall,

and depth of cool fjord. Hardanger is famous, even in Norway, for its

waterfalls. It outdoes the Romsdal. The Skjeggedalsfos is quite the

finest in all Europe, and would not blush if placed beside Niagara, while

several other _foses_ in the Hardanger district are nearly as fine.

Sometimes the Hardanger’s gentle smile has savored of the nature of a

mask, for in one of its _foses_ it has kept a lurking danger. Far inland

through the Eidfjord and the Simodal there is on a high plateau a glacier

named the Rembesdal. From this a stream trickles into a mountain lake,

then to plunge over a cliff into the Simodal. In former years, whenever

the snow melted suddenly on the Rembesdal Glacier, the water thus formed

would collect in a rocky upland valley choked off by the glacier itself

from every exit. The water would gradually collect here until it was a

small lake in itself, and still the glacier barred its way to freedom.

Finally the strain would become too great, the barrier would give away,

and the irresistible mass of ice, pushed on by the lake which it had

formed, would plunge madly down into the lower lake, then over the cliff,

and down into the peaceful, unsuspecting Simodal, where it would drown

and destroy all that lay in its path. Finally human skill came to the aid

of nature, and Norwegian engineers built under the glacier an iron tunnel

through which the waters of the upper, artificial lake may drain down

into the lower, natural lake.

[Illustration: _Copyright by Underwood & Underwood, N. Y._

The Hardanger Glacier and Rembesdal Lake.]

To me the most interesting thing about the Hardanger district is its

people. On Sundays they appear in all their finery, and the women make

a gorgeous showing. They wear long skirts of dark blue, trimmed with

black velvet and silver braid; white chemisettes with full sleeves, over

which shines a gorgeous red bodice, with the most varied assortment of

ornaments, some of them made of brass, and saucer-shaped. A belt adorned

with huge metal buttons adds considerably to their festive appearance.

The headdress is most elaborate, and it must require great skill to

arrange it well. It is of snow-white linen stretched on a wire frame

in something the shape of a half moon, and plaited very precisely and

carefully. Judicia, I am not an authority on women’s clothing, and I

feel utterly at a loss to attempt to describe these Hardanger women as

they appear. Please lend your most charitable imagination to my meager

description.

Sunday is rather a gala day in Norway, after church is over. The people

as a rule are sincerely religious, but Sabbath observance such as was

known in Puritan America or England is unheard of. King Haakon VII, who

is himself an Evangelical Lutheran, reports with pride that when he

traveled through the country districts of his kingdom he found a Bible

in every peasant’s cottage. He adds that he considers this one of the

hopeful features of his nation. Ninety-seven and six tenths per cent of

the people are Lutherans, and they will no doubt cling to that form of

the Protestant faith for centuries to come.

This gala Sunday is invariably discussed and commented upon by all

writers about Norway. One or two authors frankly delight in it, rejoicing

that in this free country no such thing is known “as that sour,

narrow Sabbatarianism which we find in England.” Another author, while

finding good qualities in it, guardedly believes that perhaps on the

whole it does not make for the advancement of religion. Still others

mourn it as a sure sign of national decay. These latter are perhaps too

pessimistic, for, however you may regard the day, there is certainly no

more devotedly, healthfully religious people in the world than those

in the country districts of Norway. I am afraid that this cannot be

said so strongly of the cities. Certainly the gala Sunday has made vast

inroads into Christiania church congregations. Many who are of mediocre

tendencies, religiously speaking, go up to Holmenkollen early of a Sunday

morning, coast all the forenoon (perhaps intending to drop in for a

half-hour’s service in the Holmenkollen chapel), and spend afternoon and

evening in great hilarity. The chapel service seems rather a farce, as

very few of the sport-seekers really avail themselves of the opportunity

of attending. So you can see that some of the Christiania pastors have

good cause to mourn their national hilarious Sunday.

[Illustration: _Copyright by Underwood & Underwood, N. Y._

View from Hammerfest.]

But to return to Hardanger. At the occasional country weddings in

Hardanger the bride’s costume would bear comparison with the plumage

of the bird of paradise. It is only in the depths of the country that

you can now see a real Norwegian wedding, for Norway is becoming sadly

internationalized in this respect, and plain white for the bride and

funereal black for the groom are fast supplanting the old gay costumes.

In Sætersdal you may stand a better chance than in the Hardanger

district of seeing a good, old-fashioned country wedding.

A tough, spudding little pony draws a two-seated _stolkjaerre_, on which

is seated the bride in all her finery, and adorned for the occasion in a

magnificent crown of brass. Beside her sits the groom, and on the step of

the carriage the master of ceremonies, the ancient fiddler. He must be

ancient, white-haired, toothless, and a bit doddering, or it is hardly a

genuine wedding. All along the bridal procession this doddering fiddler

plies his bow at a tremendous rate, and if you are some distance away

it really sounds very well. All Norway has for ages been devoted to the

violin. It seems to me that half the people in Norway must either play it

or play at it; it is the national instrument.

You will not find the full charm of seventeenth-century Norway until

you get up here in the Sætersdal. It is an interesting trip, too, from

Odda on the Hardanger Fjord overland by the Telemarken route to Skien,

the birthplace of the famous Henrik Ibsen, and from there down to

Christiansand, and up here through the Sætersdal to Bredvik. Not far from

Odda we pass a hotel in the Seljestad glen where, as a certain guide

book proudly points out, Mr. Gladstone, Lady Brassey, and the rest of

the party of The _Sunbeam_ greatly enjoyed the view in 1885. Certainly

Mr. Gladstone and Lady Brassey and the others were justified in their

admiration, for there is no more beautiful spot in all the Hardanger

district. At the top of the pass there is a mountain chalet called

Haukeli Sæter, and here the snow falls in such immense quantities that

even in summer the road passes through a tunnel dug through a snow drift.

Farther on, near Dalen, there is a precipice nine hundred feet high

called the Ravnegjuv, under which a wild, mad river tears along. Whether

this river is responsible I cannot say, but there is here a strong draft,

blowing upward and back over the precipice. Throw over paper or leaves,

or something equally light, and it will come sailing back to you like a

boomerang. It is also stoutly claimed that the breeze is strong enough to

blow back a hat, but I never heard of anyone who wanted to risk it. It

would be an interesting experiment, and even if it failed the hat might

not be a total loss; probably it would fall into the torrent below and go

whirling down toward the Skager-Rack. The hatless experimenter could then

hurry down to the mouth of the stream by carriage and train and there

lie in wait for his wandering hat. This draft over the Ravnegjuv sinks

into insignificance compared with the draft which swirls against certain

parts of the Nærö _dal_ in the Sogne district. Here the farmhouses are

surrounded by earthworks to protect them from the blasts of air caused by

avalanches descending _on the other side of the valley_.

Farther down the Telemark route from Ulefos there is a fine excursion

up the Saur River and the Nordsjö to Notodden and the Rjukan Falls.

This Saur River is erroneously called the “Norwegian Rhine.” The Rhine

should be called the “Swiss-German-Dutch Saur,” for I maintain that

Norway is the fatherland of natural scenery, and the mere fact that the

Rhine is situated within easy access of all Europe does not justify the

implication that it is the last word in river scenery and that the Saur

is rather a poor, second-rate, Norwegian imitation of it.

Opposite Notodden there is a romantic mountain called Helgenotra,

from an old heroine named Helga Tveiten. As she was walking over this

mountain, she met a _trold_ disguised as a handsome cavalier. She allowed

herself to be beguiled by him, and together they strolled into a cave,

which immediately closed behind them, leaving the girl entombed in the

mountain. However, the ringing of church bells broke the spell; she was

released from her prison, and had nearly reached home when the bell rope

broke. The spell came back in full force, and she was dragged by magic

back to her mountain tomb, where she is to this day buried.

I may say, as the comforting guide book says of Bishop Pontoppidan’s

monstrous sea serpent with a back “an English mile and a half in

circumference,” that “there seems to be no doubt that the whole thing is

purely an illusion.”

The Charm of Scandinavia · 第 18 / 19 段