II

There lived in the yard a tame crane and two dogs. It must be said that

Anton Chekhov loved all animals very much with the exception of cats,

for whom he felt an invincible disgust. He loved dogs specially. His

dead "Kashtanka," his "Bromide," and "Quinine," which he had in

Melikhovo, he remembered and spoke of, as one remembers one's dead

friends. "Fine race, dogs!"--he would say at times with a good-natured

smile.

The crane was a pompous, grave bird. He generally mistrusted people, but

had a close friendship with Arseniy, Anton Chekhov's pious servant. He

would run after Arseniy anywhere, in the garden, orchard or yard and

would jump amusingly and wave his wide-open wings, performing a

characteristic crane dance, which always made Anton Pavlovitch laugh.

One dog was called "Tusik," and the other "Kashtan," in honor of the

famous "Kashtanka." "Kashtan" was distinguished in nothing but stupidity

and idleness. In appearance he was fat, smooth and clumsy, of a bright

chocolate color, with senseless yellow eyes. He would bark after "Tusik"

at strangers, but one had only to call him and he would turn on his back

and begin servilely to crawl on the ground. Anton Pavlovitch would give

him a little push with his stick, when he came up fawning, and would say

with mock sternness:

--"Go away, go away, fool.... Leave me alone."

And would add, turning to his interlocutor, with annoyance, but with

laughter in his eyes:

--"Wouldn't you like me to give you this dog? You can't believe how

stupid he is."

But it happened once that "Kashtan," through his stupidity and

clumsiness, got under the wheels of a cab which crushed his leg. The

poor dog came home running on three legs, howling terribly. His hind leg

was crippled, the flesh cut nearly to the bone, bleeding profusely.

Anton Pavlovitch instantly washed his wound with warm water and

sublimate, sprinkled iodoform and put on a bandage. And with what

tenderness, how dexterously and warily his big beautiful fingers touched

the torn skin of the dog, and with what compassionate reproof he soothed

the howling "Kashtan":

--"Ah, you silly, silly.... How did you do it? Be quiet ... you'll be

better ... little stupid ..."

I have to repeat a commonplace, but there is no doubt that animals and

children were instinctively drawn to Chekhov. Sometimes a girl who was

ill would come to A. P. and bring with her a little orphan girl of three

or four, whom she was bringing up. Between the tiny child and the sad

invalid man, the famous author, was established a peculiar, serious and

trusting friendship. They would sit for a long time on the bench, in the

verandah. Anton Pavlovitch listened with attention and concentration,

and she would whisper to him without ceasing her funny words and tangle

her little hands in his beard.

Chekhov was regarded with a great and heart-felt love by all sorts of

simple people with whom he came into contact--servants, messengers,

porters, beggars, tramps, postmen,--and not only with love, but with

subtle sensitiveness, with concern and with understanding. I cannot help

telling here one story which was told me by a small official of the

Russian Navigation and Trade Company, a downright man, reserved and

perfectly direct in receiving and telling his impressions.

It was autumn. Chekhov, returning from Moscow, had just arrived by

steamer from Sebastopol at Yalta, and had not yet left the deck. It was

that interval of chaos, of shouts and bustle which comes while the

gangway is being put in place. At that chaotic moment the porter, a

Tartar, who always waited on Chekhov, saw him from the distance and

managed to climb up on the steamer sooner than any one else. He found

Chekhov's luggage and was already on the point of carrying it down, when

suddenly a rough and fierce-looking chief mate rushed on him. The man

did not confine himself to obscene language, but in the access of his

official anger, he struck the Tartar on the face.

"And then an unbelievable scene took place," my friend told me--"the

Tartar threw the luggage on the deck, beat his breast with his fists

and, with wild eyes, was ready to fall on the chief mate, while he

shouted in a voice which rang all over the port:"

--"'What? Striking me? D'ye think you struck me? It is him--him, that

you struck!'"

"And he pointed his finger at Chekhov. And Chekhov, you know, was pale,

his lips trembled. He came up to the mate and said to him quietly and

distinctly, but with an unusual expression: 'Are not you ashamed!'

Believe me, by Jove, if I were that chief mate, I would rather be spat

upon twenty times in the face than hear that 'are not you ashamed.' And

although the mate was sufficiently thick-skinned, even he felt it. He

bustled about for a moment, murmured something and disappeared

instantly. No more of him was seen on deck."

Reminiscences of Anton Chekhov · 第 7 / 15 题