XLIX

Moscow—and old Christy! Bertram saw him on the platform amidst a group

of Red soldiers, bearded porters, and _droschke_ drivers in fur caps and

long blue coats. He was wearing the same old grey suit in which Bertram

had last seen him in London, with the addition of a sheepskin waistcoat.

His lean, ugly face was twisted into a humorous smile as he saw Bertram.

“Welcome to our city!”

“God in Heaven!” said Bertram. “This is a grand meeting.”

For some reason, inexplicable to himself, the sight of Christy was like

finding a solid raft after shipwreck.

“Follow me, and don’t rub shoulders with your fellow men,” said Christy.

He led the way from the platform into the station hall. It was a great

place with white-washed walls and filled with such a stench of human

filth that Bertram felt like vomiting. The great floor space was

entirely covered with the heaped-up bodies of men, women, and children.

They lay piled up on sacks and bags, and across each other’s legs and

arms, in a tangled mass of sheepskins, rags, and mangy fur, all brown

with mud and dirt as though they had been dipped in the slime of

Flanders, as Bertram had known it in war-time winters. It was nightfall,

and they were settling down to sleep, restlessly, so that there was a

heaving of bodies, and a tossing of arms. Some slept with stertorous

breathing. Children wailed. Girls who were almost women lay in the arms

of bearded men. One man lay dead among the living, as Bertram saw at a

glance, not unfamiliar with death. His head was thrown back on a bit of

sacking, showing a thin, turkey-like neck with loose wrinkled skin. His

eyes were wide open and glazed.

“What’s all this?” asked Bertram.

“Refugees from famine,” said Christy. “The end of the journey. To-morrow

they go into camp. Apart from typhus, they’re all right now.”

Bertram breathed deeply of fresh air when they emerged from the station.

“Can I get into a hotel?” he asked presently.

“Can you do what?”

Christy laughed quietly at the question.

“This is Bolshevik Russia! The Carlton doesn’t function at the moment.

There are no hotels. The _Narcomindjel_ provides you with a billet, if

they like the look of you.”

“Who may they be?”

“The Soviet Foreign Office. East side Jews from New York deal with us,

mostly. Not bad fellows, if you’re civil.”

“Supposing they don’t like the look of me?”

Christy smiled grimly.

“You’ll get another kind of billet. With bars to the windows.”

“Any chance of that?”

“Not now. Bolshevism is busted. They want help from the outside world.

That’s why they’ve let me stay and let you come. Things are changing

pretty rapidly. I’ll tell you all about it presently. First the Foreign

Office, and Mr. Weinstein.”

He hailed a _droschke_, spoke a few words of Russian—amazing

fellow!—and Bertram found himself driving through Moscow at night, with

Christy by his side. Moscow—or some fantastic city of a dream after a

goblet of absinthe? The moon was up, and shone brightly down upon a

vision of white palaces, red walls, turreted gateways, tall bell-towers,

and clusters of pear-shaped domes, all golden and glistening in the

white moonlight. Under the gateways were deep caverns of blackness, and

high walls with fan-shaped battlements flung black shadows across broad

squares all flooded with the moon’s milky radiance. The _droschke_,

pulled by a lean and wiry horse, lurched over cobbled roads like a boat

in a rough sea, and pitched into holes and pitfalls which more than once

brought the horse to its knees. Under a gateway, very narrow, with a

turret overhead, a red lamp was burning, and there seemed to be an altar

in the little chamber at the side, glinting with gilt candlesticks. The

driver pulled off his fur cap, and crossed himself.

“The shrine of the Iberian Virgin,” said Christy. “A thousand years old,

and more powerful than Lenin in the peasant mind!”

There was a great open square on the other side of the gateway, below a

steep wall of red brick. At one end of it was a fantastic church, with a

twisted dome painted in all the colours of the rainbow. In the high wall

were arched gateways, lit by hanging lanterns, guarded by Red soldiers

whose bayonets flashed like quicksilver. At one angle of the wall was an

open staircase of red brick, leading to a high turret. Each of its steps

was clear-cut by a light behind, with strange theatrical effect. Beyond

seemed an endless vista of golden cupolas, surmounted by shining

crosses, above white walls, all glamorous and shadow-haunted.

“The Kremlin,” said Christy. “From that high tower—old Ivan

Velike—Napoleon saw Moscow burning, and read his doom in its smoke and

flame. We’re passing through the Red Square. Every stone of it has been

wet with blood. Those walls have looked down on a thousand years of

human cruelty—not ended yet. . . .”

“A cut-throat looking place,” said Bertram, and shivered a little. There

were few people about. There was no sound in the city except the

klip-clop of the lean horse, and the footsteps of sentries pacing under

the Kremlin walls.

“It holds the biggest drama in the world,” answered Christy. “What’s

happening here is going to alter history everywhere. Peace or war,

perhaps civilisation itself, is going to be decided by the brain that is

working at this hour of midnight, beyond those walls. The ruthless brain

of a fanatic who is also a realist. He experiments with human nature

like a vivisector with guinea-pigs, without compassion, in the interests

of science. To prove or disprove a theory.”

“Lenin?”

“Lenin. . . . Genius or maniac? Damned if I know!”

The Foreign Office, which Christy called by its incomprehensible name,

was in a big block of buildings at the corner of an open place beyond

the Red Square. A young soldier in an overcoat made for a bigger man, so

that the sleeves came below his hands, barred the way with his rifle at

the foot of a staircase, until Christy said, “Tavarish Weinstein.”

At the top of the staircase, Christy plunged down a corridor, turned

sharply to the left, knocked at a door, and opened it without waiting

for an answer. It was well past midnight, but at a desk heaped with

papers, a man sat working. He was a delicate-looking man, past middle

age, with a pointed beard and moustache, like a French painter. Like

such a type, also, he wore a jacket of brown velveteen. He looked up at

Christy’s entrance, and Bertram saw that the pleasant aspect of his face

was spoilt by “crossed” eyes.

“Good evening, Mr. Weinstein! This is my friend, Bertram Pollard of _The

New World_.”

“Glad to meet you, Mr. Pollard. A tiring journey, I’m sure.”

He shook hands with Bertram, with a limp, soft touch, and spoke in a

gentle, tired voice. As chief of the propaganda department of the Soviet

Republic, he did not come up to Bertram’s expectations of a leading

Bolshevik. He might have been the editor of _The Ladies’ Home Journal_,

or one of the most respectable members of the Royal Academy. He did not

even look like a Jew.

“You purpose to visit the Famine region of the Volga?” he asked Bertram,

and then, in a melancholy voice, said something about the tragic

conditions in that part of Russia. The Republic was doing its best to

cope with them. But it was very difficult. They needed foreign help.

From England and the United States.

“We have nothing to hide,” he said presently. “Go where you like, see

what you like. Write what you like. We only ask you to tell the truth.

So many lies have been told about us. Incredible! We welcome the truth.

We wish the world to know.”

“My friend Pollard is a glutton for truth,” said Christy, with just the

flicker of a wink at Bertram. “Where are you going to billet him, Mr.

Weinstein? With me, I hope?”

“Certainly. You are comfortable?”

“Luxurious, even.”

“That is good. We like to treat our guests well.”

He rang up a number on the telephone, and spoke rapid Russian. Then he

turned to Christy again.

“It is settled. Sophieskaya, 14. They have prepared a room for him. Good

evening, Mr. Pollard. I shall read your articles with interest, I am

sure.”

Christy led the way out of the building, and asked Bertram to get into

the _droschke_ again. They drove across a bridge, turned at right angles

along the bank of the river. On the other side was an astonishing view

of the Kremlin again in the white moonlight, with great blocks of

darkness between its churches and palaces and towers.

“An ‘Arabian Nights’ Dream!” said Bertram, in a low voice.

Christy did not answer him directly.

“That fellow Weinstein is not a bad fellow. As gentle as an invalid lady

at Bournemouth. As subtle as a Chinese mandarin. I don’t think he’d hurt

a spider, willingly. But of course he’d vote for the death of any

counter-revolutionary, man, woman, or child. That’s fear. Fear is the

father of cruelty. Well, here we are.”

The _droschke_ driver pulled up his horse with a clatter of hoofs. Two

soldiers standing by a sentry-box came forward with a lantern, and held

it up to Christy’s face, and Bertram’s.

“That’s all right, my children,” said Christy. “Now for a hundred

thousand roubles.”

“In Heaven’s name, what for?” asked Bertram, still ignorant of Russian

money.

“To pay the _isvostchik_—meaning the cabby. Hear him howl when I give

it him.”

Christy was right. The man wailed and whined, raised his hands to

heaven, called upon the moon as witness, flung his fur cap on the

ground, spat on the mass of paper which Christy had given him.

“_Skolka?_” said Christy.

The man renewed his loud plaint, until one of the Red soldiers struck

him on the chest with the butt-end of his rifle.

“I paid him forty thousand roubles too much,” said Christy. “He wanted

fifty thousand more. Such is the greed and dishonesty of man!”

“What’s this house?” asked Bertram, staring up at a great mansion with a

classical façade. “It looks like a palace.”

“That’s exactly what it is,” said Christy. “This is where I live.

Nothing less than a palace for dear old Christy! An English aristocrat

must have his four-poster bed and Louis Quinze suite.”

He went up a flight of steps and pulled a chain. There was the loud

jangling of a bell, and presently a great rattling of bolts.

“They keep us under lock and key, so that we don’t escape without paying

our bill,” said Christy. “You’ll find these Bolsheviks bleed the Western

capitalist.”

The door was opened by a pretty, sleepy girl, with a shawl round her

head. She greeted Christy with a smile, a yawn, and a German “_Güten

Abend_.”

“Don’t be frightened at anything you see,” said Christy. “What you don’t

see is much more alarming.”

The first aspect of things was not frightening. Bertram found himself in

a great and splendid hall, panelled in richly carved oak, with gilded

decorations. Beyond was a wide flight of stairs, leading up to a

corridor hung with tapestries. It was at the corner of the corridor that

he had his first shock. From behind a curtain, or through some door

which he had not seen, six figures appeared in single file, utterly

silent. They looked like Chinese mandarins in wonderful robes of cloth

of gold. Their pig-tails swung as they passed.

Christy turned round and winked at Bertram, and then led the way through

a noble salon, all gilt and brocade, in the Louis Quinze style. Round

the walls were portraits of men and women of the old régime, in white

wigs and flowered silks. Immense candelabra, like those at Versailles,

were suspended from a ceiling painted with cherubs and naked goddesses.

At the farthest door another unexpected figure stood motionless. It was

a Turkish soldier in a red fez, and embroidered sash round blue baggy

breeches. Christy passed through the salon, and led the way down another

corridor where Bertram was startled again by a man suddenly opening a

door, looking out, and shutting it with a bang. In that brief glimpse

Bertram had seen an Indian prince, as he seemed, in a high white turban,

and robe of cream-coloured silk.

Further down the corridor, another door opened, and a man came right out

into the passage. He wore a flannel shirt and pepper-and-salt trousers,

with his braces hanging down. His feet were bare, and he was carrying a

wine-bottle in one hand and a wet sponge in the other. He looked like a

respectable butler in a good English household, retiring for the night.

As he passed Christy, he crossed himself with the wine bottle, and

squeezed a drop of water out of the sponge on to the polished boards.

“_Le diable est mort!_” he said, with great joyfulness.

Christy passed into another room, which was an almost exact reproduction

of the Louis Quinze salon. A grand piano was open, and a young man

without a collar was playing “Three Blind Mice,” with one finger.

“This way,” said Christy.

He pulled back a heavy curtain, opened a door, and led Bertram into a

room which might have been a king’s study. It was panelled with oak, and

furnished with oak chairs and tables, elaborately carved with Gothic

decoration. A marble Venus stood on a high pedestal in the corner of the

room, and on one of the tables was a bust of Napoleon. A figure of St.

George and the Dragon in coloured marble inlaid with gold, was in front

of the window, which looked across the river to the Kremlin.

On an enormous hearth, with iron dogs, some big logs were burning.

Two candles were alight in beer bottles, next to the bust of Napoleon,

and in the centre of the room was an iron bedstead and a tin bath.

“Here we are,” said Christy. “Home at last!”

Bertram was silent for a moment, looking unutterable things. Then he

asked a series of questions, quietly but firmly.

“Tell me, have I gone raving mad? Or is this a real house in Bolshevik

Russia? Who were all those strange people? Or did I only think I saw

them?”

“It’s quite all right,” said Christy, soothingly. “I know how you feel,

because I’d the jim-jams myself when I first came here. This is the

Guest House of the Soviet Republic. It is also infested with the _Cheka_

or secret police, who will take down anything you say as evidence

against you, as the London Bobbies say, if you speak too loud, and

unwisely of dangerous things. It used to be the palace of the Sugar King

of Russia. It’s one of the few houses in Moscow which was left untouched

by the Revolution.”

“Those Orientals?” asked Bertram.

“A mission from the Far Eastern Republic.”

“That fellow with the wine bottle and the wet sponge?”

“An American newspaper correspondent. Jemmy Hart. One of the best.”

“And the dreamy fellow playing ‘Three Blind Mice’?”

“Kravintzki—one of the bright spirits of the Cheka. His signature is

necessary for all executions. That’s why he plays the piano with one

finger.”

“I don’t follow that.”

“Not to tire his wrist.”

“Well, now I know!”

He took hold of Christy’s arms and squeezed him tight.

“It’s good to see you again, you ugly old chameleon. Let’s sit and talk.

I’ve a thousand things to tell and to ask. Since you left me I’ve been

through the Slough of Despond, and the Valley of Doubt. I’m carrying a

dead heart in my body. I’m in darkness, and can’t see a ray of light

ahead.”

“Well, you’re a cheerful kind of blighter to come to Moscow!” said

Christy, with a grin. “You won’t find any rosy hope in the Volga Valley!

Nor any blaze of light ’twixt Moscow and Petrograd. But let’s talk in

front of the fire. God, how good it is to talk! How good and useless,

except to one’s own soul!”

All through the night in a Guest House of Bolshevik Russia, they talked

as only men can whose friendship is proved. Bertram spoke a little of

Joyce, and learnt that Christy’s wife was dead. They were both lonely

men, and glad of this comradeship.

L

Moscow by day was more squalid, but more cheerful, than Moscow by night.

The Kremlin as seen from Bertram’s “billet” in the Sugar King’s palace

was still magnificent and glittering under the sun’s rays, but lost some

of its mystery and fantasy as he had seen it under moonlight. The

streets were no longer deserted, but crowded with every type of Russian

life, with Asiatics among them, as they existed after a revolution which

had destroyed one of the richest, most luxurious, and most corrupt

aristocracies in Europe.

In Europe geographically, but Oriental in character and race. It did not

need Christy’s remark, “This is the East and not the West, which

explains a lot,” for Bertram to see that. Many of the people in the

streets of Moscow were Eastern types, Slav and Tartar, and Semitic. The

typical peasants of Moscow had blue eyes and straw-coloured hair, but

the flatness of cheek-bone did not belong to Western physiognomy. Some

of them were Mongolian in the slant of their eyes, in the blackness of

their hair, and the sparseness of their beards. They wore shaggy

goatskin caps brought far back behind their heads, with a mass of mangy

hair,—distinguished from the fur cap of the usual Russian peasant. Men

from the Caucasus, wearing the astrachan fez passed by, with Cossacks of

the Don in long black coats, square cut across the shoulders and falling

to their feet.

These crowds were tramp-like in their way of dress, careless of rags and

broken boots. It was difficult to distinguish any difference of class or

caste among them, except that Red Army officers and officials were

smarter than the rest, with top boots more weather tight, and fur caps

less shaggy. In the coldness of early autumn, when the first snow began

to fall, every one in Moscow was muffled up to the ears with shawls or

bits of fur, and those who had no boots swathed their legs around with

wrapping over sandals or clogs and seemed warm enough, and well enough

shod for the mud and slush.

There was no visible sign of hunger in the faces of the passers-by, and

the children especially looked fairly plump and healthy, surprisingly

well.

“There’s no famine here—yet,” said Christy. “There’s an old proverb,

‘All things roll down to Moscow.’ It holds good now. This is the seat of

the Administration. It’s stuffed with Soviet officials. They’ve a call

on the supplies of the country. And the kids get first serve. It’s fair

to say that.”

Christy was scrupulously fair to the Soviet Republic, and Bertram

thought he erred on the side of generosity. He accused him even, though

not seriously, of having been “converted” to the black cult of

Bolshevism.

But Christy in that long night talk had been illuminating, and

impartial. He had studied the Bolshevik theory and practice, as he had

seen it working, with a penetrating vision. Theoretically, he thought

there was a lot to be said for the Communist idea. What was it, after

all, but an endeavour to carry out the commands of Christ to His

apostles who had “all things in common”? It was a fanatical revolt

against the crimes of Capitalism and Individualism—Sweated Labour,

Profiteers, Warmongers, the blackguardism of Trusts, the corruptions and

cruelties of Caste.

“We can’t deny these things,” said Christy. “We can’t pretend that all

is well with Western civilisation. As we know, Pollard, it stinks with

iniquity!”

The Soviet system was simple—in theory. In return for service to the

state, the citizen would receive food, shelter, clothing, education, all

the elementary needs of life, and even its arts, graces, and amusements.

Service to the state was recognised by the membership of a Trade Union.

Once a man had his “ticket,” whatever his class of work—it applied, of

course, to women too—he drew his ration of food, clothes, and so on,

received his opera and theatre passes, was entitled to all the culture

and gifts of the state.

“Very much like a soldier in the British Army or any other,” said

Christy.

The Soviet Government was made up of a body of men elected as the

Central Executive Committee by a series of Soviets starting with the

villages and sending one of their members to a big and more important

body. They elected members in their turn to still more important groups,

until finally the Central Committee was reached.

“Very indirect,” said Bertram.

“Precisely. Not democratic. A weak point in the system. The Central

Executive is as far removed from the people as the Greek tyrants.”

Theoretically, however, the idea of common reward for common service,

thought Christy, was the ideal towards which mankind had always been

groping.

“And actually,” said Bertram, “how has it worked?”

“It hasn’t,” answered Christy. “It’s failed to work, hopelessly. It’s

landed them all into an unholy ruin. They admit, with reservations,

their own ghastly failure.”

The chief cause of failure, beyond any doubt, was the resistance of the

peasant to the system of requisition. To ration every citizen, it was,

of course, necessary to commandeer the peasant’s labour and produce. All

that he produced over and above his own needs belonged to the State. Red

soldiers went down to his farmstead to remind him of the fact, and to

collect his grain, potatoes, flax, butter, vegetables, eggs, poultry,

and milk. The peasant said, “Why should I sow that others should reap?”

He concealed his produce, bartered it secretly for jewels, furs,

trinkets, any old thing, with city folk who didn’t find their daily

ration enough for daily life. When caught, he was shot or imprisoned.

When many had been shot, the others ceased to sow, undercultivated their

fields,—even burnt their grain!

This peasant revolt against Communism broke the country, already ruined

by war, revolution, and counter-revolutionary armies. The Central

Executive could not get their supplies to ration the city folk. Factory

workers, not getting food, abandoned the factories for the fields. No

more engines could be made or repaired. The transport system broke down.

It became more difficult to convey food to the cities. They

disintegrated. In Petrograd there were three million people at the

beginning of the war. There were now seven hundred and fifty thousand.

All industry had ceased. No spades, ploughs, reaping machines could be

replaced. The whole machinery of Russian life had collapsed. Now the

Famine on the Volga threatening twenty-five million people with

starvation, had hit the only class which was comparatively comfortable,

the peasants of Russia.

“How much is the famine due to Bolshevism?” asked Bertram.

Christy pondered.

“It’s due to the drought. Last year and this. An act of God, as men say,

though I don’t believe it, if there is a God, and He is kind. But its

severity was increased by the System. The Bolsheviks requisitioned the

peasants’ reserves to feed the Red Army defending Russia against

Koltchak, Denikin, Wrangel, and the rest. There were droughts and

famines in Russia before. The peasants expected them, and kept reserves

of grain for a lean year. Now there are no reserves. In that way

Bolshevism is responsible for the famine. But in no other way. Let’s be

fair.”

“You’re too damned fair,” said Bertram. “How about the atrocities—the

inhuman cruelties—the Chinese tortures?”

Christy lowered his voice. They were talking in the palace of the Sugar

King, infested with secret police.

“I’ve no personal knowledge. The _Cheka_ keeps its secrets. There have

been many executions—in batches. Men and women, without mercy. Perhaps

in Eastern Russia Mongols have done the dirty work. But I’ll say just

this—to be fair again. All Governments, especially in time of

Revolution, are ruthless against those who challenge their authority and

seek to overthrow their power. So it would be in any country in some

degree. These people hold their place against hordes of enemies, within

and without. They proclaimed the Reign of Terror against all plotters

and counter-revolutionaries. Fear made them cruel. Fear made them kill

the Czar, as the French killed poor old Louis and Marie Antoinette. Now

there are no more counter-revolutions, and the Terror has abated.”

“Why have counter-revolutions ceased?” asked Bertram.

“The people are sick of bloodshed. The game’s too dangerous. And Russia

is so stricken that even the last of the old régime, who still linger on

in holes and corners, believe that the overthrow of the Soviet Republic

would be the last blow to the life of Russia. At least it functions. It

makes a train move, now and then. It gets some supplies from the

peasants. It sends some seeds to the Volga valley. It works. . . . And

it has abandoned Communism.”

“What’s that?” asked Bertram, astounded.

“The whole thing has been scrapped by Lenin, its chief, author and

organiser. On October the eighteenth he ‘blew the gaff’ on the whole

show, confessed the utter breakdown of the Communist system—for the

reasons I’ve given, and some others. ‘We’ve suffered a terrible defeat

on the Economic front,’ he said. ‘The only way by which we may save

ourselves is by a strategic retreat on prepared positions. He’s restored

private property, to a great extent, and the right of private trading,

as you’ll see. He has abandoned rationing, and re-established money for

wages and payment. The kind of money I paid to our _isvostchik_ last

night—the _droschke_ driver! Four hundred thousand roubles to the

English pound. One has to carry a carpet-bag instead of a purse.”

“God!” said Bertram. “An awful mess!”

“The worst mess in the world. The greatest tragedy in modern history.

Another experiment in human progress has ended in disaster to a hundred

and fifty million people. Famine has stricken them, and will creep even

to the edge of Moscow before the winter is out. Pestilence sweeps them

like a scourge. And Lenin, in the Kremlin, is trying to think of some

way out of ruin. I think he’s found a way, which at least he will try.”

“Tell me.”

Christy lowered his voice still further.

“Alliance with Germany. Red soldiers in exchange for railway engines.

Arsenals in return for economic aid. A threat of war to France and

Poland, with all the Continent afire, unless Europe comes to her aid.

International blackmail.”

“That’s Hell,” said Bertram.

“If it happens,” answered Christy. “You’ve just come in time to see the

transition from Communism to Capitalism. You’ll find it interesting

before you get down to the Famine. This city is a melodrama, if you keep

your eyes open.”

Bertram kept his eyes open, and his ears. Building on Christy’s outline

of information, he was able to fill in the details of Russian life from

personal observation, and plunged into it.

The Middle of the Road: A Novel · 第 49 / 61 题