CHAPTER 9. THE COTTON-BEES.

The evidence of the Leaf-cutters proves that a certain latitude is

left to the insect in its choice of materials for the nest; and this is

confirmed by the testimony of the Anthidia, the cotton-manufacturers.

My district possesses five: A. Florentinum, LATR., A. diadema, LATR., A.

manicatum, LATR., A. cingulatum, LATR., A. scapulare, LATR. None of them

creates the refuge in which the cotton goods are manufactured. Like the

Osmiae and the Leaf-cutters, they are homeless vagrants, adopting,

each to her own taste, such shelter as the work of others affords. The

Scapular Anthidium is loyal to the dry bramble, deprived of its pith and

turned into a hollow tube by the industry of various mining Bees, among

which figure, in the front rank, the Ceratinae, dwarf rivals of the

Xylocopa, or Carpenter-bee, that mighty driller of rotten wood.

The spacious galleries of the Masked Anthophora suit the Florentine

Anthidium, the foremost member of the genus so far as size is concerned.

The Diadem Anthidium considers that she has done very well if she

inherits the vestibule of the Hairy-footed Anthophora, or even the

ordinary burrow of the Earth-worm. Failing anything better, she may

establish herself in the dilapidated dome of the Mason-bee of the

Pebbles. The Manicate Anthidium shares her tastes. I have surprised the

Girdled Anthidium cohabiting with a Bembex-wasp. The two occupants of

the cave dug in the sand, the owner and the stranger, were living in

peace, both intent upon their business. Her usual habitation is some

hole or other in the crevices of a ruined wall. To these refuges, the

work of others, we can add the stumps of reeds, which are as popular

with the various cotton-gatherers as with the Osmiae; and, after we have

mentioned a few most unexpected retreats, such as the sheath provided

by a hollow brick or the labyrinth furnished by the lock of a gate, we

shall have almost exhausted the list of domiciles.

Like the Osmiae and the Leaf-cutters, the Anthidium shows an urgent need

of a ready-made home. She never houses herself at her own expense. Can

we discover the reason? Let us first consult a few hard workers who are

artificers of their own dwellings. The Anthophora digs corridors and

cells in the road-side banks hardened by the sun; she does not erect,

she excavates; she does not build, she clears. Toiling away with her

mandibles, atom by atom, she manages to contrive the passages and

chambers necessary for her eggs; and a huge business it is. She has, in

addition, to polish and glaze the rough sides of her tunnels. What would

happen if, after obtaining a home by dint of long-continued toil,

she had next to line it with wadding, to gather the fibrous down from

cottony plants and to felt it into bags suitable for the honey-paste?

The hard-working Bee would not be equal to producing all these

refinements. Her mining calls for too great an expenditure of time and

strength to leave her the leisure for luxurious furnishing. Chambers and

corridors, therefore, will remain bare.

The Carpenter-bee gives us the same answer. When with her joiner's

wimble she has patiently bored the beam to a depth of nine inches, would

she be able to cut out and place in position the thousand and one pieces

which the Silky Leaf-cutter employs for her nest? Time would fail her,

even as it would fail a Megachile who, lacking the Capricorn's chamber,

had herself to dig a home in the trunk of the oak. Therefore the

Carpenter-bee, after the tedious work of boring, gets the installation

done in the most summary fashion, simply running up a sawdust partition.

The two things, the laborious business of obtaining a lodging and the

artistic work of furnishing, seem unable to go together. With the

insect as with man, he who builds the house does not furnish it, he who

furnishes it does not build it. To each his share, because of lack of

time. Division of labour, the mother of the arts, makes the workman

excel in his department; one man for the whole work would mean

stagnation, the worker never getting beyond his first crude attempts.

Animal industry is a little like our own: it does not attain its

perfection save with the aid of obscure toilers, who, without knowing

it, prepare the final masterpiece. I see no other reason for this

need of a gratuitous lodging for the Megachile's leafy basket or the

Anthidia's cotton purses. In the case of other artists who handle

delicate things that require protection, I do not hesitate to assume

the existence of a ready-made home. Thus Reaumur tells us of the

Upholsterer-bee, Anthocopa papaveris, who fashions her cells with

poppy-petals. I do not know the flower-cutter, I have never seen her;

but her art tells me plainly enough that she must establish herself in

some gallery wrought by others, as, for instance, in an Earth-worm's

burrow.

We have but to see the nest of a Cotton-bee to convince ourselves that

its builder cannot at the same time be an indefatigable navvy. When and

newly-felted and not yet made sticky with honey, the wadded purse is

by far the most elegant known specimen of entomological nest-building,

especially where the cotton is of a brilliant white, as is frequently

the case in the manufacturers of the Girdled Anthidium. No bird's-nest,

however deserving of our admiration, can vie in fineness of flock, in

gracefulness of form, in delicacy of felting with this wonderful bag,

which our fingers, even with the aid of tools, could hardly imitate, for

all their dexterity. I abandon the attempt to understand how, with its

little bales of cotton brought up one by one, the insect, no otherwise

gifted than the kneaders of mud and the makers of leafy baskets, manages

to felt what it has collected into a homogeneous whole and then to work

the product into a thimble-shaped wallet. Its tools as a master-fuller

are its legs and its mandibles, which are just like those possessed by

the mortar-kneaders and Leaf-cutters; and yet, despite this similarity

of outfit, what a vast difference in the results obtained!

To see the Cotton-bees' talents in action seems an undertaking fraught

with innumerable difficulties: things happen at a depth inaccessible to

the eye; and to persuade the insect to work in the open does not lie

in our power. One resource remained and I did not fail to turn to

it, though hitherto I have been wholly unsuccessful. Three species,

Anthidium diadema, A. manicatum and A. florentinum--the first-named in

particular--show themselves quite ready to take up their abode in my

reed-apparatus. All that I had to do was to replace the reeds by glass

tubes, which would allow me to watch the work without disturbing the

insect. This stratagem had answered perfectly with the Three-horned

Osmia and Latreille's Osmia, whose little housekeeping-secrets I had

learnt thanks to the transparent dwelling-house. Why should it not

answer for its Cotton-bees and, in the same way, with the Leaf-cutters?

I almost counted on success. Events betrayed my confidence. For

four years I supplied my hives with glass tubes and not once did the

Cotton-weavers or the Leaf-cutters condescend to take up their quarters

in the crystal palaces. They always preferred the hovel provided by the

reed. Shall I persuade them one day? I do not abandon all hope.

Meanwhile, let me describe the little that I saw. More or less stocked

with cells, the reed is at last closed, right at the orifice, with

a thick plug of cotton, usually coarser than the wadding of the

honey-satchels. It is the equivalent of the Three-horned Osmia's

barricade of mud, of the leaf-putty of Latreille's Osmia, of the

Megachiles' barrier of leaves cut into disks. All these free tenants are

careful to shut tight the door of the dwelling, of which they have often

utilized only a portion. To watch the building of this barricade, which

is almost external work, demands but a little patience in waiting for

the favourable moment.

The Anthidium arrives at last, carrying the bale of cotton for the

plugging. With her fore-legs she tears it apart and spreads it out; with

her mandibles, which go in closed and come out open, she loosens the

hard lumps of flock; with her forehead she presses each new layer upon

the one below. And that is all. The insect flies off, returns the richer

by another bale and repeats the performance until the cotton barrier

reaches the level of the opening. We have here, remember, a rough task,

in no way to be compared with the delicate manufacturer of the bags;

nevertheless, it may perhaps tell us something of the general procedure

of the finer work. The legs do the carding, the mandibles the dividing,

the forehead the pressing; and the play of these implements produces the

wonderful cushioned wallet. That is the mechanism in the lump; but what

of the artistry?

Let us leave the unknown for facts within the scope of observation. I

will question the Diadem Anthidium in particular, a frequent inmate

of my reeds. I open a reed-stump about two decimetres long by twelve

millimetres in diameter. (About seven and three-quarter inches by

half an inch.--Translator's Note.) The end is occupied by a column of

cotton-wool comprising ten cells, without any demarcation between

them on the outside, so that their whole forms a continuous cylinder.

Moreover, thanks to a close felting, the different compartments are

soldered together, so much so that, when pulled by the end, the cotton

edifice does not break into sections, but comes out all in one piece.

One would take it for a single cylinder, whereas in reality the work

is composed of a series of chambers, each of which has been constructed

separately, independently of the one before, except perhaps at the base.

For this reason, short of ripping up the soft dwelling, still full of

honey, it is impossible to ascertain the number of storeys; we must

wait until the cocoons are woven. Then our fingers can tell the cells by

counting the knots that resist pressure under the cover of wadding. This

general structure is easily explained. A cotton bag is made, with the

sheath of the reed as a mould. If this guiding sheath were lacking, the

thimble shape would be obtained all the same, with no less elegance,

as is proved by the Girdled Anthidium, who makes her nest in some

hiding-place or other in the walls or the ground. When the purse is

finished, the provisions come and the egg, followed by the closing of

the cell. We do not here find the geometrical lid of the Leaf-cutters,

the pile of disks tight-set in the mouth of the jar. The bag is closed

with a cotton sheet whose edges are soldered by a felting-process to the

edges of the opening. The soldering is so well done that the honey-pouch

and its cover form an indivisible whole. Immediately above it, the

second cell is constructed, having its own base. At the beginning of

this work, the insect takes care to join the two storeys by felting the

ceiling of the first to the floor of the second. Thus continued to the

end, the work, with its inner solderings, becomes an unbroken cylinder,

in which the beauties of the separate wallets disappear from view. In

very much the same fashion, but with less adhesion among the different

cells, do the Leaf-cutters act when stacking their jars in a column

without any external division into storeys.

Let us return to the reed-stump which gives us these details. Beyond the

cotton-wool cylinder wherein ten cocoons are lodged in a row comes

an empty space of half a decimetre or more. (About two

inches.--Translator's Note.) The Osmiae and the Leaf-cutters are also

accustomed to leave these long, deserted vestibules. The nest ends, at

the orifice of the reed, with a strong plug of flock coarser and less

white than that of the cells. This use of closing-materials which are

less delicate in texture but of greater resisting-power, while not an

invariable characteristic, occurs frequently enough to make us suspect

that the insect knows how to distinguish what is best suited now to the

snug sleeping-berth of the larvae, anon to the defensive barricade of

the home. Sometimes the choice is an exceedingly judicious one, as is

shown by the nest of the Diadem Anthidium. Time after time, whereas the

cells were composed of the finest grade of white cotton, gathered from

Centaurea solsticialis, or St. Barnaby's thistle, the barrier at the

entrance, differing from the rest of the work in its yellow colouring,

was a heap of close-set bristles supplied by the scallop-leaved mullein.

The two functions of the wadding are here plainly marked. The delicate

skin of the larvae needs a well-padded cradle; and the mother collects

the softest materials that the cottony plants provide. Rivalling the

bird, which furnishes the inside of the nest with wool and strengthens

the outside with sticks, she reserves for the grubs' mattress the finest

down, so hard to find and collected with such patience. But, when it

becomes a matter of shutting the door against the foe, then the entrance

bristles with forbidding caltrops, with stiff, prickly hairs.

This ingenious system of defence is not the only one known to the

Anthidia. More distrustful still, the Manicate Anthidium leaves no space

in the front part of the reed. Immediately after the column of cells,

she heaps up, in the uninhabited vestibule, a conglomeration of rubbish,

whatever chance may offer in the neighbourhood of the nest: little

pieces of gravel, bits of earth, grains of sawdust, particles of mortar,

cypress-catkins, broken leaves, dry Snail-droppings and any other

material that comes her way. The pile, a real barricade this time,

blocks the reed completely to the end, except about two centimetres

(About three-quarters of an inch.--Translator's Note.) left for the

final cotton plug. Certainly no foe will break in through the double

rampart; but he will make an insidious attack from the rear.

The Leucopsis will come and, with her long probe, thanks to some

imperceptible fissure in the tube, will insert her dread eggs and

destroy every single inhabitant of the fortress. Thus are the Manicate

Anthidium's anxious precautions outwitted.

If we had not already seen the same thing with the Leaf-cutters, this

would be the place to enlarge upon the useless tasks undertaken by the

insect when, with its ovaries apparently depleted, it goes on spending

its strength with no maternal object in view and for the sole pleasure

of work. I have come across several reeds stopped up with flock though

containing nothing at all, or else furnished with one, two or three

cells devoid of provisions or eggs. The ever-imperious instinct

for gathering cotton and felting it into purses and heaping it into

barricades persists, fruitlessly, until life fails. The Lizard's tail

wriggles, curls and uncurls after it is detached from the animal's body.

In these reflex movements, I seem to see not an explanation, certainly,

but a rough image of the industrious persistency of the insect, still

toiling away at its business, even when there is nothing useful left to

do. This worker knows no rest but death.

I have said enough about the dwelling of the Diadem Anthidium; let us

look at the inhabitant and her provisions. The honey is pale-yellow,

homogeneous and of a semifluid consistency, which prevents it from

trickling through the porous cotton bag. The egg floats on the surface

of the heap, with the end containing the head dipped into the paste. To

follow the larva through its progressive stages is not without interest,

especially on account of the cocoon, which is one of the most singular

that I know. With this object in view, I prepare a few cells that lend

themselves to observation. I take a pair of scissors, slice a piece off

the side of the cotton-wool purse, so as to lay bare both the victuals

and the consumer, and place the ripped cell in a short glass tube.

During the first few days, nothing striking happens. The little grub,

with its head still plunged in the honey, slakes its thirst with long

draughts and waxes fat. A moment comes...But let us go back a little

farther, before broaching this question of sanitation.

Every grub, of whatever kind, fed on provisions collected by the mother

and placed in a narrow cell is subject to conditions of health unknown

to the roving grub that goes where it likes and feeds itself on what it

can pick up. The first, the recluse, is no more able than the second,

the gadabout, to solve the problem of a food which can be entirely

assimilated, without leaving an unclean residue. The second gives no

thought to these sordid matters: any place suits it for getting rid

of that difficulty. But what will the other do with its waste matter,

cooped up as it is in a tiny cell stuffed full of provisions? A most

unpleasant mixture seems inevitable. Picture the honey-eating grub

floating on liquid provisions and fouling them at intervals with its

excretions! The least movement of the hinder-part would cause the

whole to amalgamate; and what a broth that would make for the delicate

nursling! No, it cannot be; those dainty epicures must have some method

of escaping these horrors.

They all have, in fact, and most original methods at that. Some take

the bull by the horns, so to speak, and, in order not to soil things,

refrain from uncleanliness until the end of the meal: they keep the

dropping-trap closed as long as the victuals are unfinished. This is

a radical scheme, but not in every one's power, it appears. It is

the course adopted, for instance, by the Sphex-wasps and the

Anthophora-bees, who, when the whole of the food is consumed, expel at

one shot the residues amassed in the intestines since the commencement

of the repast.

Others, the Osmiae in particular, accept a compromise and begin to

relieve the digestive tract when a suitable space has been made in

the cell through the gradual disappearance of the victuals. Others

again--more hurried these--find means of obeying the common law pretty

early by engaging in stercoral manufactures. By a stroke of genius, they

make the unpleasant obstruction into building-bricks. We already know

the art of the Lily-beetle (Crioceris merdigera. Fabre's essay on this

insect has not yet been translated into English; but readers interested

in the matter will find a full description in "An Introduction to

Entomology," by William Kirby, Rector of Barham, and William Spence:

letter 21.--Translator's Note.), who, with her soft excrement, makes

herself a coat wherein to keep cool in spite of the sun. It is a very

crude and revolting art, disgusting to the eye. The Diadem Anthidium

belongs to another school. With her droppings she fashions masterpieces

of marquetry and mosaic, which wholly conceal their base origin from the

onlooker. Let us watch her labours through the windows of my tubes.

When the portion of food is nearly half consumed, there begins and goes

on to the end a frequent defecation of yellowish droppings, each hardly

the size of a pin's head. As these are ejected, the grub pushes them

back to the circumference of the cell with a movement of its hinder-part

and keeps them there by means of a few threads of silk. The work of

the spinnerets, therefore, which is deferred in the others until the

provisions are finished, starts earlier here and alternates with the

feeding. In this way, the excretions are kept at a distance, away from

the honey and without any danger of getting mixed with it. They end by

becoming so numerous as to form an almost continuous screen around the

larva. This excremental awning, made half of silk and half of droppings,

is the rough draft of the cocoon, or rather a sort of scaffolding on

which the stones are deposited until they are definitely placed in

position. Pending the piecing together of the mosaic, the scaffolding

keeps the victuals free from all contamination.

To get rid of what cannot be flung outside, by hanging it on the

ceiling, is not bad to begin with; but to use it for making a work of

art is better still. The honey has disappeared. Now commences the final

weaving of the cocoon. The grub surrounds itself with a wall of silk,

first pure white, then tinted reddish-brown by means of an adhesive

varnish. Through its loose-meshed stuff, it seizes one by one the

droppings hanging from the scaffold and inlays them firmly in the

tissue. The same mode of work is employed by the Bembex-, Stizus-and

Tachytes-wasps and other inlayers, who strengthen the inadequate woof

of their cocoons with grains of sand; only, in their cotton-wool purses,

the Anthidium's grubs substitute for the mineral particles the only

solid materials at their disposal. For them, excrement takes the place

of pebbles.

And the work goes none the worse for it. On the contrary: when the

cocoon is finished, any one who had not witnessed the process of

manufacture would be greatly puzzled to state the nature of the

workmanship. The colouring and the elegant regularity of the outer

wrapper of the cocoon suggest some kind of basket-work made with tiny

bits of bamboo, or a marquetry of exotic granules. I too let myself be

caught by it in my early days and wondered in vain what the hermit of

the cotton wallet had used to inlay her nymphal dwelling so prettily

withal. To-day, when the secret is known to me, I admire the ingenuity

of the insect capable of obtaining the useful and the beautiful out of

the basest materials.

The cocoon has another surprise in store for us. The end containing the

head finishes with a short conical nipple, an apex, pierced by a narrow

shaft that establishes a communication between the inside and the

out. This architectural feature is common to all the Anthidia, to the

resin-workers who will occupy our attention presently, as well as to the

cotton-workers. It is found nowhere outside the Anthidium group.

What is the use of this point which the larva leaves bare instead of

inlaying it like the rest of the shell? What is the use of that hole,

left quite open or, at most, closed at the bottom with a feeble grating

of silk? The insect appears to attach great importance to it, from what

I see. In point of fact, I watch the careful work of the apex. The grub,

whose movements the hole enables me to follow, patiently perfects the

lower end of the conical channel, polishes it and gives it an exactly

circular shape; from time to time, it inserts into the passage its

two closed mandibles, whose points project a little way outside; then,

opening them to a definite radius, like a pair of compasses, it widens

the aperture and makes it regular.

I imagine, without venturing, however, to make a categorical statement,

that the perforated apex is a chimney to admit the air required for

breathing. Every pupa breathes in its shell, however compact this may

be, even as the unhatched bird breathes inside the egg. The thousands

of pores with which the shell is pierced allow the inside moisture to

evaporate and the outer air to penetrate as and when needed. The stony

caskets of the Bembex- and Stizus-wasps are endowed, notwithstanding

their hardness, with similar means of exchange between the vitiated and

the pure atmosphere. Can the shells of the Anthidia be air-proof, owing

to some modification that escapes me? In any case, this impermeability

cannot be attributed to the excremental mosaic, which the cocoons of the

resin-working Anthidia do not possess, though endowed with an apex of

the very best.

Shall we find an answer to the question in the varnish with which the

silken fabric is impregnated? I hesitate to say yes and I hesitate to

say no, for a host of cocoons are coated with a similar lacquer though

deprived of communication with the outside air. All said, without being

able at present to account for its necessity, I admit that the apex of

the Anthidia is a breathing-aperture. I bequeath to the future the task

of telling us for what reasons the collectors of both cotton and resin

leave a large pore in their shells, whereas all the other weavers close

theirs completely.

After these biological curiosities, it remains for me to discuss the

principal subject of this chapter: the botanical origin of the materials

of the nest. By watching the insect when busy at its harvesting, or else

by examining its manufactured flock under the microscope, I was able to

learn, not without a great expenditure of time and patience, that the

different Anthidia of my neighbourhood have recourse without distinction

to any cottony plant. Most of the wadding is supplied by the Compositae,

particularly the following: Centaurea solsticialis, or St. Barnaby's

thistle; C. paniculata, or panicled centaury; Echinops ritro, or

small globe-thistle; Onopordon illyricum, or Illyrian cotton-thistle;

Helichrysum staechas, or wild everlasting; Filago germanica, or common

cotton-rose. Next come the Labiatae: Marrubium vulgare, or common white

horehound; Ballota fetida, or stinking horehound; Calamintha nepeta,

or lesser calamint; Salvia aethiopis, or woolly sage. Lastly, the

Solanaceae: Verbascum thapsus, or shepherd's club; V. sinuatum, or

scollop-leaved mullein.

The Cotton-bees' flora, we see, incomplete as it is in my notes,

embraces plants of very different aspect. There is no resemblance in

appearance between the proud candelabrum of the cotton-thistle, with its

red tufts, and the humble stalk of the globe-thistle, with its sky-blue

capitula; between the plentiful leaves of the mullein and the scanty

foliage of the St. Barnaby's thistle; between the rich silvery fleece

of the woolly sage and the short hairs of the everlasting. With the

Anthidium, these clumsy botanical characteristics do not count; one

thing alone guides her: the presence of cotton. Provided that the plant

be more or less well-covered with soft wadding, the rest is immaterial

to her.

Another condition, however, has to be fulfilled, apart from the fineness

of the cotton-wool. The plant, to be worth shearing, must be dead and

dry. I have never seen the harvesting done on fresh plants. In this

way, the Bee avoids mildew, which would make its appearance in a mass of

hairs still filled with sap.

Faithful to the plant recognized as yielding good results, the Anthidium

arrives and resumes her gleaning on the edges of the parts denuded by

earlier harvests. Her mandibles scrape away and pass the tiny fluffs,

one by one, to the hind-legs, which hold the pellet pressed against the

chest, mix with it the rapidly-increasing store of down and make the

whole into a little ball. When this is the size of a pea, it goes back

into the mandibles; and the insect flies off, with its bale of cotton

in its mouth. If we have the patience to wait, we shall see it return to

the same point, at intervals of a few minutes, so long as the bag is not

made. The foraging for provisions will suspend the collecting of cotton;

then, next day or the day after, the scraping will be resumed on the

same stalk, on the same leaf, if the fleece be not exhausted. The owner

of a rich crop appears to keep to it until the closing-plug calls for

coarser materials; and even then this plug is often manufactured with

the same fine flock as the cells.

After ascertaining the diversity of cotton-fields among our native

plants, I naturally had to enquire whether the Cotton-bee would also

put up with exotic plants, unknown to her race; whether the insect would

show any hesitation in the presence of woolly plants offered for the

first time to the rakes of her mandibles. The common clary and the

Babylonian centaury, with which I have stocked the harmas, shall be the

harvest-fields; the reaper shall be the Diadem Anthidium, the inmate of

my reeds.

The common clary, or toute-bonne, forms part, I know, of our French

flora to-day; but it is an acclimatized foreigner. They say that a

gallant crusader, returning from Palestine with his share of glory and

bruises, brought back the toute-bonne from the Levant to help him cure

his rheumatism and dress his wounds. From the lordly manor, the plant

propagated itself in all directions, while remaining faithful to the

walls under whose shelter the noble dames of yore used to grow it for

their unguents. To this day, feudal ruins are its favourite resorts.

Crusaders and manors disappeared; the plant remained. In this case, the

origin of the clary, whether historical or legendary, is of secondary

importance. Even if it were of spontaneous growth in certain parts

of France, the toute-bonne is undoubtedly a stranger in the Vaucluse

district. Only once in the course of my long botanizing-expeditions

across the department have I come upon this plant. It was at Caromb, in

some ruins, nearly thirty years ago. I took a cutting of it; and since

then the crusaders' sage has accompanied me on all my peregrinations.

My present hermitage possesses several tufts of it: but, outside the

enclosure, except at the foot of the walls, it would be impossible to

find one. We have, therefore, a plant that is new to the country for

many miles around, a cotton-field which the Serignan Cotton-bees had

never utilized before I came and sowed it.

Nor had they ever made use of the Babylonian centaury, which I was the

first to introduce in order to cover my ungrateful stony soil with

some little vegetation. They had never seen anything like the colossal

centaury imported from the region of the Euphrates. Nothing in the local

flora, not even the cotton-thistle, had prepared them for this stalk

as thick as a child's wrist, crowned at a height of nine feet with a

multitude of yellow balls, nor for those great leaves spreading over the

ground in an enormous rosette. What will they do in the presence of such

a find? They will take possession of it with no more hesitation than if

it were the humble St. Barnaby's thistle, the usual purveyor.

In fact, I place a few stalks of clary and Babylonian centaury,

duly dried, near the reed-hives. The Diadem Anthidium is not long in

discovering the rich harvest. Straight away the wool is recognized as

being of excellent quality, so much so that, during the three or four

weeks of nest-building, I can daily witness the gleaning, now on the

clary, now on the centaury. Nevertheless the Babylonian plant appears to

be preferred, no doubt because of its whiter, finer and more plentiful

down. I keep a watchful eye on the scraping of the mandibles and the

work of the legs as they prepare the pellet; and I see nothing

that differs from the operations of the insect when gleaning on

the globe-thistle and the St. Barnaby's thistle. The plant from the

Euphrates and the plant from Palestine are treated like those of the

district.

Thus we find what the Leaf-cutters taught us proved, in another way,

by the cotton-gatherers. In the local flora, the insect has no precise

domain; it reaps its harvest readily now from one species, now from

another, provided that it find the materials for its manufactures. The

exotic plant is accepted quite as easily as that of indigenous growth.

Lastly, the change from one plant to another, from the common to the

rare, from the habitual to the exceptional, from the known to the

unknown, is made suddenly, without gradual initiations. There is no

novitiate, no training by habit in the choice of the materials for

the nest. The insect's industry, variable in its details by sudden,

individual and non-transmissible innovations, gives the lie to the two

great factors of evolution: time and heredity.

Bramble-Bees and Others · 第 9 / 14 章