LETTER XVII.

PARIS, September, 1805.

MY LORD:--When preparations were made for the departure of our army of

England for Germany, it excited both laughter and murmuring among the

troops. Those who had always regarded the conquest of England as

impracticable in present circumstances, laughed, and those who had in

their imagination shared the wealth of your country, showed themselves

vexed at their disappointment. To keep them in good spirits, the company

of the theatre of the Vaudevilles was ordered from hence to Boulogne, and

several plays, composed for the occasion, were performed, in which the

Germans were represented as defeated, and the English begging for peace

on their knees, which the Emperor of the French grants upon condition

that one hundred guineas ready money should be paid to each of his

soldiers and sailors. Every corps in its turn was admitted gratis to

witness this exhibition of the end of all their labours; and you can form

no idea what effect it produced, though you are not a stranger to our

fickle and inconsiderate character. Ballads, with the same predictions

and the same promises, were written and distributed among the soldiers,

and sung by women sent by Fouche to the coast. As all productions of

this sort were, as usual, liberally rewarded by the Emperor, they poured

in from all parts of his Empire.

Three poets and authors of the theatre of the Vaudevilles, Barrel, Radet,

and Desfontaines, each received two hundred napoleons d’or for their

common production of a ballad, called “Des Adieux d’un Grenadier au Camp

de Boulogne.” From this I have extracted the following sample, by which

you may judge of the remainder:

Memoirs of the Court of St. Cloud (Being secret letters from a gentleman at Paris to a nobleman in London) — Complete · 第 81 / 107 题