The stone itself was an intaglio, and had engraved on its surface the

figure of a mythological animal, together with some nearly obliterated

letters, of which the only ones remaining legible were those forming

the word 'Has.' As a sure precaution against the loss of the gem,

another cup had been made and engraved in an exactly similar manner,

inside of which, to complete the delusion, another stone of the same

size and cut, but of comparatively valueless material, had been placed.

Sir Jocelin Saul, a man of intense nervosity, lived his life alone in a

remote old manor-house in Suffolk, his only companion being a person of

Eastern origin, named Ul-Jabal. The baronet had consumed his vitality

in the life-long attempt to sound the too fervid Maelstrom of Oriental

research, and his mind had perhaps caught from his studies a tinge of

their morbidness, their esotericism, their insanity. He had for some

years past been engaged in the task of writing a stupendous work on

Pre-Zoroastrian Theogonies, in which, it is to be supposed, Ul-Jabal

acted somewhat in the capacity of secretary. But I will give _verbatim_

the extracts from his diary:

'_June 11_.--This is my birthday. Seventy years ago exactly I slid from

the belly of the great Dark into this Light and Life. My God! My God!

it is briefer than the rage of an hour, fleeter than a mid-day trance.

Ul-Jabal greeted me warmly--seemed to have been looking forward to

it--and pointed out that seventy is of the fateful numbers, its only

factors being seven, five, and two: the last denoting the duality of

Birth and Death; five, Isolation; seven, Infinity. I informed him that

this was also my father's birthday; and _his_ father's; and repeated

the oft-told tale of how the latter, just seventy years ago to-day,

walking at twilight by the churchyard-wall, saw the figure of _himself_

sitting on a grave-stone, and died five weeks later riving with the

pangs of hell. Whereat the sceptic showed his two huge rows of teeth.

'What is his peculiar interest in the Edmundsbury chalice? On each

successive birthday when the cup has been produced, he has asked me to

show him the stone. Without any well-defined reason I have always

declined, but to-day I yielded. He gazed long into its sky-blue depth,

and then asked if I had no idea what the inscription "Has" meant. I

informed him that it was one of the lost secrets of the world.

'_June l5_.--Some new element has entered into our existence here.

Something threatens me. I hear the echo of a menace against my sanity

and my life. It is as if the garment which enwraps me has grown too

hot, too heavy for me. A notable drowsiness has settled on my brain--a

drowsiness in which thought, though slow, is a thousandfold more

fiery-vivid than ever. Oh, fair goddess of Reason, desert not me, thy

chosen child!

'_June 18_.--Ul-Jabal?--that man is _the very Devil incarnate!_

'_June 19_.--So much for my bounty, all my munificence, to this

poisonous worm. I picked him up on the heights of the Mountain of

Lebanon, a cultured savage among cultured savages, and brought him here

to be a prince of thought by my side. What though his plundered

wealth--the debt I owe him--has saved me from a sort of ruin? Have not

_I_ instructed him in the sweet secret of Reason?

'I lay back on my bed in the lonely morning watches, my soul heavy as

with the distilled essence of opiates, and in vivid vision knew that he

had entered my apartment. In the twilight gloom his glittering rows of

shark's teeth seemed impacted on my eyeball--I saw _them_, and nothing

else. I was not aware when he vanished from the room. But at daybreak I

crawled on hands and knees to the cabinet containing the chalice. The

viperous murderer! He has stolen my gem, well knowing that with it he

has stolen my life. The stone is gone--gone, my precious gem. A

weakness overtook me, and I lay for many dreamless hours naked on the

marble floor.

'Does the fool think to hide ought from my eyes? Can he imagine that I

shall not recover my precious gem, my stone of Saul?

'_June 20_.--Ah, Ul-Jabal--my brave, my noble Son of the Prophet of

God! He has replaced the stone! He would not slay an aged man. The

yellow ray of his eye, it is but the gleam of the great thinker,

not--not--the gleam of the assassin. Again, as I lay in

semi-somnolence, I saw him enter my room, this time more distinctly. He

went up to the cabinet. Shaking the chalice in the dawning, some hours

after he had left, I heard with delight the rattle of the stone. I

might have known he would replace it; I should not have doubted his

clemency to a poor man like me. But the strange being!--he has taken

the _other_ stone from the _other_ cup--a thing of little value to any

man! Is Ul-Jabal mad or I?

'_June 21_.--Merciful Lord in Heaven! he has _not_ replaced it--not

_it_--but another instead of it. To-day I actually opened the chalice,

and saw. He has put a stone there, the same in size, in cut, in

engraving, but different in colour, in quality, in value--a stone I

have never seen before. How has he obtained it--whence? I must brace

myself to probe, to watch; I must turn myself into an eye to search

this devil's-bosom. My life, this subtle, cunning Reason of mine, hangs

in the balance.

'_June 22_.--Just now he offered me a cup of wine. I almost dashed it

to the ground before him. But he looked steadfastly into my eye. I

flinched: and drank--drank.

'Years ago, when, as I remember, we were at Balbec, I saw him one day

make an almost tasteless preparation out of pure black nicotine, which

in mere wanton lust he afterwards gave to some of the dwellers by the

Caspian to drink. But the fiend would surely never dream of giving to

me that browse of hell--to me an aged man, and a thinker, a seer.

'_June 23_.--The mysterious, the unfathomable Ul-Jabal! Once again, as

I lay in heavy trance at midnight, has he invaded, calm and noiseless

as a spirit, the sanctity of my chamber. Serene on the swaying air,

which, radiant with soft beams of vermil and violet light, rocked me

into variant visions of heaven, I reclined and regarded him unmoved.

The man has replaced the valueless stone in the modern-made chalice,

and has now stolen the false stone from the other, which _he himself_

put there! In patience will I possess this my soul, and watch what

shall betide. My eyes shall know no slumber!

'_June 24_.--No more--no more shall I drink wine from the hand of

Ul-Jabal. My knees totter beneath the weight of my lean body. Daggers

of lambent fever race through my brain incessant. Some fibrillary

twitchings at the right angle of the mouth have also arrested my

attention.

'_June 25_.--He has dared at open mid-day to enter my room. I watched

him from an angle of the stairs pass along the corridor and open my

door. But for the terrifying, death-boding thump, thump of my heart, I

should have faced the traitor then, and told him that I knew all his

treachery. Did I say that I had strange fibrillary twitchings at the

right angle of my mouth, and a brain on fire? I have ceased to write my

book--the more the pity for the world, not for me.

'_June 26_.--Marvellous to tell, the traitor, Ul-Jabal, has now placed

_another_ stone in the Edmundsbury chalice--also identical in nearly

every respect with the original gem. This, then, was the object of his

entry into my room yesterday. So that he has first stolen the real

stone and replaced it by another; then he has stolen this other and

replaced it by yet another; he has beside stolen the valueless stone

from the modern chalice, and then replaced it. Surely a man gone rabid,

a man gone dancing, foaming, raving mad!

'_June 28_.--I have now set myself to the task of recovering my jewel.

It is here, and I shall find it. Life against life--and which is the

best life, mine or this accursed Ishmaelite's? If need be, I will do

murder--I, with this withered hand--so that I get back the heritage

which is mine.

'To-day, when I thought he was wandering in the park, I stole into his

room, locking the door on the inside. I trembled exceedingly, knowing

that his eyes are in every place. I ransacked the chamber, dived among

his clothes, but found no stone. One singular thing in a drawer I saw:

a long, white beard, and a wig of long and snow-white hair. As I passed

out of the chamber, lo, he stood face to face with me at the door in

the passage. My heart gave one bound, and then seemed wholly to cease

its travail. Oh, I must be sick unto death, weaker than a bruised reed!

When I woke from my swoon he was supporting me in his arms. "Now," he

said, grinning down at me, "now you have at last delivered all into my

hands." He left me, and I saw him go into his room and lock the door

upon himself. What is it I have delivered into the madman's hands?

'_July 1_.--Life against life--and his, the young, the stalwart, rather

than mine, the mouldering, the sere. I love life. Not _yet_ am I ready

to weigh anchor, and reeve halliard, and turn my prow over the watery

paths of the wine-brown Deeps. Oh no. Not yet. Let _him_ die. Many and

many are the days in which I shall yet see the light, walk, think. I am

averse to end the number of my years: there is even a feeling in me at

times that this worn body shall never, never taste of death. The

chalice predicts indeed that I and my house shall end when the stone is

lost--a mere fiction _at first_, an idler's dream _then_, but

now--now--that the prophecy has stood so long a part of the reality of

things, and a fact among facts--no longer fiction, but Adamant, stern

as the very word of God. Do I not feel hourly since it has gone how the

surges of life ebb, ebb ever lower in my heart? Nay, nay, but there is

hope. I have here beside me an Arab blade of subtle Damascene steel,

insinuous to pierce and to hew, with which in a street of Bethlehem I

saw a Syrian's head cleft open--a gallant stroke! The edges of this I

have made bright and white for a nuptial of blood.

'_July 2_.--I spent the whole of the last night in searching every nook

and crack of the house, using a powerful magnifying lens. At times I

thought Ul-Jabal was watching me, and would pounce out and murder me.

Convulsive tremors shook my frame like earthquake. Ah me, I fear I am

all too frail for this work. Yet dear is the love of life.

'_July 7_.--The last days I have passed in carefully searching the

grounds, with the lens as before. Ul-Jabal constantly found pretexts

for following me, and I am confident that every step I took was known

to him. No sign anywhere of the grass having been disturbed. Yet my

lands are wide, and I cannot be sure. The burden of this mighty task is

greater than I can bear. I am weaker than a bruised reed. Shall I not

slay my enemy, and make an end?

'_July_ 8.--Ul-Jabal has been in my chamber again! I watched him

through a crack in the panelling. His form was hidden by the bed, but I

could see his hand reflected in the great mirror opposite the door.

First, I cannot guess why, he moved to a point in front of the mirror

the chair in which I sometimes sit. He then went to the box in which

lie my few garments--and opened it. Ah, I have the stone--safe--safe!

He fears my cunning, ancient eyes, and has hidden it in the one place

where I would be least likely to seek it--_in my own trunk_! And yet I

dread, most intensely I dread, to look.

'_July_ 9.--The stone, alas, is not there! At the last moment he must

have changed his purpose. Could his wondrous sensitiveness of intuition

have made him feel that my eyes were looking in on him?

'_July 10_.--In the dead of night I knew that a stealthy foot had gone

past my door. I rose and threw a mantle round me; I put on my head my

cap of fur; I took the tempered blade in my hands; then crept out into

the dark, and followed. Ul-Jabal carried a small lantern which revealed

him to me. My feet were bare, but he wore felted slippers, which to my

unfailing ear were not utterly noiseless. He descended the stairs to

the bottom of the house, while I crouched behind him in the deepest

gloom of the corners and walls. At the bottom he walked into the

pantry: there stopped, and turned the lantern full in the direction of

the spot where I stood; but so agilely did I slide behind a pillar,

that he could not have seen me. In the pantry he lifted the trap-door,

and descended still further into the vaults beneath the house. Ah, the

vaults,--the long, the tortuous, the darksome vaults,--how had I

forgotten them? Still I followed, rent by seismic shocks of terror. I

had not forgotten the weapon: could I creep near enough, I felt that I

might plunge it into the marrow of his back. He opened the iron door of

the first vault and passed in. If I could lock him in?--but he held the

key. On and on he wound his way, holding the lantern near the ground,

his head bent down. The thought came to me _then_, that, had I but the

courage, one swift sweep, and all were over. I crept closer, closer.

Suddenly he turned round, and made a quick step in my direction. I saw

his eyes, the murderous grin of his jaw. I know not if he saw

me--thought forsook me. The weapon fell with clatter and clangor from

my grasp, and in panic fright I fled with extended arms and the

headlong swiftness of a stripling, through the black labyrinths of the

caverns, through the vacant corridors of the house, till I reached my

chamber, the door of which I had time to fasten on myself before I

dropped, gasping, panting for very life, on the floor.

'_July 11_.--I had not the courage to see Ul-Jabal to-day. I have

remained locked in my chamber all the time without food or water. My

tongue cleaves to the roof of my mouth.

'_July 12_.--I took heart and crept downstairs. I met him in the study.

He smiled on me, and I on him, as if nothing had happened between us.

Oh, our old friendship, how it has turned into bitterest hate! I had

taken the false stone from the Edmundsbury chalice and put it in the

pocket of my brown gown, with the bold intention of showing it to him,

and asking him if he knew aught of it. But when I faced him, my courage

failed again. We drank together and ate together as in the old days of

love.

'July l3.--I cannot think that I have not again imbibed some

soporiferous drug. A great heaviness of sleep weighed on my brain till

late in the day. When I woke my thoughts were in wild distraction, and

a most peculiar condition of my skin held me fixed before the mirror.

It is dry as parchment, and brown as the leaves of autumn.

'July l4.--Ul-Jabal is gone! And I am left a lonely, a desolate old

man! He said, though I swore it was false, that I had grown to mistrust

him! that I was hiding something from him! that he could live with me

no more! No more, he said, should I see his face! The debt I owe him he

would forgive. He has taken one small parcel with him,--and is gone!

'July l5.--Gone! gone! In mazeful dream I wander with uncovered head

far and wide over my domain, seeking I know not what. The stone he has

with him--the precious stone of Saul. I feel the life-surge ebbing,

ebbing in my heart.'

Here the manuscript abruptly ended.

Prince Zaleski had listened as I read aloud, lying back on his Moorish

couch and breathing slowly from his lips a heavy reddish vapour, which

he imbibed from a very small, carved, bismuth pipette. His face, as far

as I could see in the green-grey crepuscular atmosphere of the

apartment, was expressionless. But when I had finished he turned fully

round on me, and said:

'You perceive, I hope, the sinister meaning of all this?'

'_Has_ it a meaning?'

Zaleski smiled.

'Can you doubt it? in the shape of a cloud, the pitch of a thrush's

note, the _nuance_ of a sea-shell you would find, had you only insight

_enough_, inductive and deductive cunning _enough_, not only a meaning,

but, I am convinced, a quite endless significance. Undoubtedly, in a

human document of this kind, there is a meaning; and I may say at once

that this meaning is entirely transparent to me. Pity only that you did

not read the diary to me before.'

'Why?'

'Because we might, between us, have prevented a crime, and saved a

life. The last entry in the diary was made on the 15th of July. What

day is this?'

'This is the 20th.'

'Then I would wager a thousand to one that we are too late. There is

still, however, the one chance left. The time is now seven o'clock:

seven of the evening, I think, not of the morning; the houses of

business in London are therefore closed. But why not send my man, Ham,

with a letter by train to the private address of the person from whom

you obtained the diary, telling him to hasten immediately to Sir

Jocelin Saul, and on no consideration to leave his side for a moment?

Ham would reach this person before midnight, and understanding that the

matter was one of life and death, he would assuredly do your bidding.'

As I was writing the note suggested by Zaleski, I turned and asked him:

'From whom shall I say that the danger is to be expected--from the

Indian?'

'From Ul-Jabal, yes; but by no means Indian--Persian.'

Profoundly impressed by this knowledge of detail derived from sources

which had brought me no intelligence, I handed the note to the negro,

telling him how to proceed, and instructing him before starting from

the station to search all the procurable papers of the last few days,

and to return in case he found in any of them a notice of the death of

Sir Jocelin Saul. Then I resumed my seat by the side of Zaleski.

'As I have told you,' he said, 'I am fully convinced that our messenger

has gone on a bootless errand. I believe you will find that what has

really occurred is this: either yesterday, or the day before, Sir

Jocelin was found by his servant--I imagine he had a servant, though no

mention is made of any--lying on the marble floor of his chamber, dead.

Near him, probably by his side, will be found a gem--an oval stone,

white in colour--the same in fact which Ul-Jabal last placed in the

Edmundsbury chalice. There will be no marks of violence--no trace of

poison--the death will be found to be a perfectly natural one. Yet, in

this case, a particularly wicked murder has been committed. There are,

I assure you, to my positive knowledge forty-three--and in one island

in the South Seas, forty-four--different methods of doing murder, any

one of which would be entirely beyond the scope of the introspective

agencies at the ordinary disposal of society.

'But let us bend our minds to the details of this matter. Let us ask

first, _who_ is this Ul-Jabal? I have said that he is a Persian, and of

this there is abundant evidence in the narrative other than his mere

name. Fragmentary as the document is, and not intended by the writer to

afford the information, there is yet evidence of the religion of this

man, of the particular sect of that religion to which he belonged, of

his peculiar shade of colour, of the object of his stay at the

manor-house of Saul, of the special tribe amongst whom he formerly

lived. "What," he asks, when his greedy eyes first light on the

long-desired gem, "what is the meaning of the inscription 'Has'"--the

meaning which _he_ so well knew. "One of the lost secrets of the

world," replies the baronet. But I can hardly understand a learned

Orientalist speaking in that way about what appears to me a very patent

circumstance: it is clear that he never earnestly applied himself to

the solution of the riddle, or else--what is more likely, in spite of

his rather high-flown estimate of his own "Reason"--that his mind, and

the mind of his ancestors, never was able to go farther back in time

than the Edmundsbury Monks. But _they_ did not make the stone, nor did

they dig it from the depths of the earth in Suffolk--they got it from

some one, and it is not difficult to say with certainty from whom. The

stone, then, might have been engraved by that someone, or by the

someone from whom _he_ received it, and so on back into the dimnesses

of time. And consider the character of the engraving--it consists of _a

mythological animal_, and some words, of which the letters "Has" only

are distinguishable. But the animal, at least, is pure Persian. The

Persians, you know, were not only quite worthy competitors with the

Hebrews, the Egyptians, and later on the Greeks, for excellence in the

glyptic art, but this fact is remarkable, that in much the same way

that the figure of the _scarabaeus_ on an intaglio or cameo is a pretty

infallible indication of an Egyptian hand, so is that of a priest or a

grotesque animal a sure indication of a Persian. We may say, then, from

that evidence alone--though there is more--that this gem was certainly

Persian. And having reached that point, the mystery of "Has" vanishes:

for we at once jump at the conclusion that that too is Persian. But

Persian, you say, written in English characters? Yes, and it was

precisely this fact that made its meaning one of what the baronet

childishly calls "the lost secrets of the world": for every successive

inquirer, believing it part of an English phrase, was thus hopelessly

led astray in his investigation. "Has" is, in fact, part of the word

"Hasn-us-Sabah," and the mere circumstance that some of it has been

obliterated, while the figure of the mystic animal remains intact,

shows that it was executed by one of a nation less skilled in the art

of graving in precious stones than the Persians,--by a rude, mediaeval

Englishman, in short,--the modern revival of the art owing its origin,

of course, to the Medici of a later age. And of this Englishman--who

either graved the stone himself, or got some one else to do it for

him--do we know nothing? We know, at least, that he was certainly a

fighter, probably a Norman baron, that on his arm he bore the cross of

red, that he trod the sacred soil of Palestine. Perhaps, to prove this,

I need hardly remind you who Hasn-us-Sabah was. It is enough if I say

that he was greatly mixed up in the affairs of the Crusaders, lending

his irresistible arms now to this side, now to that. He was the chief

of the heterodox Mohammedan sect of the Assassins (this word, I

believe, is actually derived from his name); imagined himself to be an

incarnation of the Deity, and from his inaccessible rock-fortress of

Alamut in the Elburz exercised a sinister influence on the intricate

politics of the day. The Red Cross Knights called him Shaikh-ul-Jabal

--the Old Man of the Mountains, that very nickname connecting

him infallibly with the Ul-Jabal of our own times. Now three

well-known facts occur to me in connection with this stone of the House

of Saul: the first, that Saladin met in battle, and defeated, _and

plundered_, in a certain place, on a certain day, this Hasn-us-Sabah,

or one of his successors bearing the same name; the second, that about

this time there was a cordial _rapprochement_ between Saladin and

Richard the Lion, and between the Infidels and the Christians

generally, during which a free interchange of gems, then regarded as of

deep mystic importance, took place--remember "The Talisman," and the

"Lee Penny"; the third, that soon after the fighters of Richard, and

then himself, returned to England, the Loculus or coffin of St. Edmund

(as we are informed by the _Jocelini Chronica_) was _opened by the

Abbot_ at midnight, and the body of the martyr exposed. On such

occasions it was customary to place gems and relics in the coffin, when

it was again closed up. Now, the chalice with the stone was taken from

this loculus; and is it possible not to believe that some knight, to

whom it had been presented by one of Saladin's men, had in turn

presented it to the monastery, first scratching uncouthly on its

surface the name of Hasn to mark its semi-sacred origin, or perhaps

bidding the monks to do so? But the Assassins, now called, I think, "al

Hasani" or "Ismaili"--"that accursed _Ishmaelite_," the baronet

exclaims in one place--still live, are still a flourishing sect

impelled by fervid religious fanaticisms. And where think you is their

chief place of settlement? Where, but on the heights of that same

"Lebanon" on which Sir Jocelin "picked up" his too doubtful scribe and

literary helper?

Prince Zaleski · 第 3 / 7 段