III.

The aged artist sat in his luxurious studio surrounded by his

masterpieces--that is, by the pictures he had never been able to sell.

The gem of the collection stood on an easel in the middle of the room;

while a connoisseur, hat in hand, inspected it closely,

enthusiastically, breathlessly. Then, coming over to where the artist

was resting, he sat down opposite to him and in a voice trembling with

emotion asked, "Tell me, how _do_ you mix your colours?"

There was a deep silence, almost painful in its intensity. A drawing-pin

fell with a deafening crash.

The venerable painter stood up with a calm and leonine expression. "I

use an ivory palette knife," he said.

Punch, or the London Charivari, Vol. 150, January 5, 1916 · 第 28 / 41 题