“Now, understand me,” said I; “I am not traducing velvet or Brussels or

Axminster. I admit that more beautiful effects can be found in those

goods than in the humbler fabrics of the carpet-rooms. Nothing would

delight me more than to put an unlimited credit to Marianne’s account,

and let her work out the problems of harmonious color in velvet and

damask. All I have to say is, that certain unities of color, certain

general arrangements, will secure very nearly as good general effects in

either material. A library with a neat, mossy green carpet on the floor,

harmonizing with wall-paper and furniture, looks generally as well,

whether the mossy green is made in Brussels or in ingrain. In the

carpet-stores, these two materials stand side by side in the very same

pattern, and one is often as good for the purpose as the other. A lady

of my acquaintance, some years since, employed an artist to decorate her

parlors. The walls being frescoed and tinted to suit his ideal, he

immediately issued his decree that her splendid velvet carpets must be

sent to auction, and others bought of certain colors, harmonizing with

the walls. Unable to find exactly the color and pattern he wanted, he at

last had the carpets woven in a neighboring factory, where, as yet, they

had only the art of weaving ingrains. Thus was the material sacrificed

at once to the harmony.”

I remarked, in passing, that this was before Bigelow’s mechanical genius

had unlocked for America the higher secrets of carpet-weaving, and made

it possible to have one’s desires accomplished in Brussels or velvet. In

those days, English carpet-weavers did not send to America for their

looms, as they now do.

“But now to return to my analysis of John’s rooms.

“Another thing which goes a great way towards giving them their

agreeable air is the books in them. Some people are fond of treating

books as others do children. One room in the house is selected, and

every book driven into it and kept there. Yet nothing makes a room so

home-like, so companionable, and gives it such an air of refinement, as

the presence of books. They change the aspect of a parlor from that of a

mere reception-room, where visitors perch for a transient call, and give

it the air of a room where one feels like taking off one’s things to

stay. It gives the appearance of permanence and repose and quiet

fellowship; and next to pictures on the walls, the many-colored bindings

and gildings of books are the most agreeable adornment of a room.”

“Then, Marianne,” said Bob, “we have something to start with, at all

events. There are my English Classics and English Poets, and my uniform

editions of Scott and Thackeray and Macaulay and Prescott and Irving and

Longfellow and Lowell and Hawthorne and Holmes and a host more. We

really have something pretty there.”

“You are a lucky girl,” I said, “to have so much secured. A girl brought

up in a house full of books, always able to turn to this or that author

and look for any passage or poem when she thinks of it, doesn’t know

what a blank a house without books might be.”

“Well,” said Marianne, “mamma and I were counting over my treasures the

other day. Do you know, I have one really fine old engraving, that Bob

says is quite a genuine thing; and then there is that pencil-sketch that

poor Schöne made for me the month before he died,—it is truly artistic.”

“And I have a couple of capital things of Landseer’s,” said Bob.

“There’s no danger that your rooms will not be pretty,” said I, “now you

are fairly on the right track.”

“But, papa,” said Marianne, “I am troubled about one thing. My love of

beauty runs into everything. I want pretty things for my table,—and yet,

as you say, servants are so careless, one cannot use such things freely

without great waste.”

“For my part,” said my wife, “I believe in best china, to be kept

carefully on an upper-shelf, and taken down for high-days and holidays;

it may be a superstition, but I believe in it. It must never be taken

out except when the mistress herself can see that it is safely cared

for. My mother always washed her china herself; and it was a very pretty

social ceremony, after tea was over, while she sat among us washing her

pretty cups, and wiping them on a fine damask towel.”

“With all my heart,” said I; “have your best china, and venerate it,—it

is one of the loveliest of domestic superstitions; only do not make it a

bar to hospitality, and shrink from having a friend to tea with you,

unless you feel equal to getting up to the high shelf where you keep it,

getting it down, washing, and putting it up again.

“But in serving a table, I say, as I said of a house, beauty is a

necessity, and beauty is cheap. Because you cannot afford beauty in one

form, it does not follow that you cannot have it in another. Because one

cannot afford to keep up a perennial supply of delicate china and

crystal, subject to the accidents of raw, untrained servants, it does

not follow that the every-day table need present a sordid assortment of

articles chosen simply for cheapness, while the whole capacity of the

purse is given to the set forever locked away for state-occasions.

“A table-service, all of simple white, of graceful forms, even though

not of china, if arranged with care, with snowy, well-kept table-linen,

clear glasses, and bright American plate in place of solid silver, may

be made to look inviting; add a glass of flowers every day, and your

table may look pretty;—and it is far more important that it should look

pretty for the family every day than for company once in two weeks.”

“I tell my girls,” said my wife, “as the result of my experience, you

may have your pretty china and your lovely fanciful articles for the

table only so long as you can take all the care of them yourselves. As

soon as you get tired of doing this, and put them into the hands of the

trustiest servants, some good, well-meaning creature is sure to break

her heart and your own and your very pet darling china pitcher all in

one and the same minute; and then her frantic despair leaves you not

even the relief of scolding.”

“I have become perfectly sure,” said I, “that there are spiteful little

brownies, intent on seducing good women to sin, who mount guard over the

special idols of the china-closet. If you hear a crash, and a loud Irish

wail from the inner depths, you never think of its being a yellow

pie-plate, or that dreadful one-handled tureen that you have been

wishing were broken these five years; no, indeed,—it is sure to be the

lovely painted china bowl, wreathed with morning-glories and sweet-peas,

or the engraved glass goblet, with quaint old-English initials. China

sacrificed must be a great means of saintship to women. Pope, I think,

puts it as the crowning grace of his perfect woman, that she is

‘Mistress of herself, though china fall.’”

“I ought to be a saint by this time, then,” said mamma; “for in the

course of my days I have lost so many idols by breakage, and peculiar

accidents that seemed by a special fatality to befall my prettiest and

most irreplaceable things, that in fact it has come to be a

superstitious feeling now with which I regard anything particularly

pretty of a breakable nature.”

“Well,” said Marianne, “unless one has a great deal of money, it seems

to me that the investment in these pretty fragilities is rather a poor

one.”

“Yet,” said I, “the principle of beauty is never so captivating as when

it presides over the hour of daily meals. I would have the room where

they are served one of the pleasantest and sunniest in the house. I

would have its coloring cheerful, and there should be companionable

pictures and engravings on the walls. Of all things, I dislike a room

that seems to be kept like a restaurant, merely to eat in. I like to see

in a dining-room something that betokens a pleasant sitting-room at

other hours. I like there some books, a comfortable sofa or lounge, and

all that should make it cosey and inviting. The custom in some families,

of adopting for the daily meals one of the two parlors which a

city-house furnishes has often seemed to me a particularly happy one.

You take your meals, then, in an agreeable place, surrounded by the

little pleasant arrangements of your daily sitting-room; and after the

meal, if the lady of the house does the honors of her own pretty china

herself, the office may be a pleasant and social one.

“But in regard to your table-service I have my advice at hand. Invest in

pretty table-linen, in delicate napkins, have your vase of flowers, and

be guided by the eye of taste in the choice and arrangement of even the

every-day table-articles, and have no ugly things when you can have

pretty ones by taking a little thought. If you are sore tempted with

lovely china and crystal, too fragile to last, too expensive to be

renewed, turn away to a print-shop and comfort yourself by hanging

around the walls of your dining-room beauty that will not break or fade,

that will meet your eye from year to year, though plates, tumblers, and

tea-sets successively vanish. There is my advice for you, Marianne.”

At the same time, let me say, in parenthesis, that my wife, whose

weakness is china, informed me that night, when we were by ourselves,

that she was ordering secretly a tea-set as a bridal gift for Marianne,

every cup of which was to be exquisitely painted with the wild-flowers

of America, from designs of her own,—a thing, by the by, that can now be

very nicely executed in our country, as one may find by looking in at

our friend Briggs’s on School Street. “It will last her all her life,”

she said, “and always be such a pleasure to look at,—and a pretty

tea-table is such a pretty sight!” So spoke Mrs. Crowfield, “unweaned

from china by a thousand falls.” She spoke even with tears in her eyes.

Verily, these women are harps of a thousand strings!

But to return to my subject.

“Finally and lastly,” I said, “in my analysis and explication of the

agreeableness of those same parlors, comes the crowning grace,—their

_homeliness_. By homeliness I mean not ugliness, as the word is apt to

be used, but the air that is given to a room by being _really_ at home

in it. Not the most skilful arrangement can impart this charm.

“It is said that a king of France once remarked,—‘My son, you must seem

to love your people.’

“‘Father, how shall I _seem_ to love them?’

“‘My son, you _must_ love them.’

“So to make rooms _seem_ home-like you must be at home in them. Human

light and warmth are so wanting in some rooms, it is so evident that

they are never used, that you can never be at ease there. In vain the

house-maid is taught to wheel the sofa and turn chair towards chair; in

vain it is attempted to imitate a negligent arrangement of the

centre-table.

“Books that have really been read and laid down, chairs that have really

been moved here and there in the animation of social contact, have a

sort of human vitality in them; and a room in which people really live

and enjoy is as different from a shut-up apartment as a live woman from

a wax image.

“Even rooms furnished without taste often become charming from this one

grace, that they seem to let you into the home-life and home-current.

You seem to understand in a moment that you are taken into the family,

and are moving in its inner circles, and not revolving at a distance in

some outer court of the gentiles.

“How many people do we call on from year to year and know no more of

their feelings, habits, tastes, family ideas and ways, than if they

lived in Kamtschatka! And why? Because the room which they call a

front-parlor is made expressly so that you never shall know. They sit in

a back-room,—work, talk, read, perhaps. After the servant has let you in

and opened a crack of the shutters, and while you sit waiting for them

to change their dress and come in, you speculate as to what they may be

doing. From some distant region, the laugh of a child, the song of a

canary-bird, reaches you, and then a door claps hastily to. Do they love

plants? Do they write letters, sew, embroider, crochet? Do they ever

romp and frolic? What books do they read? Do they sketch or paint? Of

all these possibilities the mute and muffled room says nothing. A sofa

and six chairs, two ottomans fresh from the upholsterer’s, a Brussels

carpet, a centre-table with four gilt Books of Beauty on it, a

mantel-clock from Paris, and two bronze vases,—all these tell you only

in frigid tones, ‘This is the best room,’—only that, and nothing

more,—and soon _she_ trips in in her best clothes, and apologizes for

keeping you waiting, asks how your mother is, and you remark that it is

a pleasant day,—and thus the acquaintance progresses from year to year.

One hour in the little back-room, where the plants and canary-bird and

children are, might have made you fast friends for life; but as it is,

you care no more for them than for the gilt clock on the mantel.

“And now, girls,” said I, pulling a paper out of my pocket, “you must

know that your father is getting to be famous by means of these ‘House

and Home Papers.’ Here is a letter I have just received:—

“‘MOST EXCELLENT MR. CROWFIELD,—Your thoughts have lighted into

our family-circle, and echoed from our fireside. We all feel the

force of them, and are delighted with the felicity of your

treatment of the topic you have chosen. You have taken hold of a

subject that lies deep in our hearts, in a genial, temperate,

and convincing spirit. All must acknowledge the power of your

sentiments upon their imaginations;—if they could only trust to

them in actual life! There is the rub.

“‘Omitting further upon these points, there is a special feature

of your articles upon which we wish to address you. You seem as

yet (we do not know, of course, what you may hereafter do) to

speak only of homes whose conduct depends upon the help of

servants. Now your principles apply, as some of us well

conceive, to nearly all classes of society; yet most people, to

take an impressive hint, must have their portraits drawn out

more exactly. We therefore hope that you will give a reasonable

share of your attention to us who do not employ servants, so

that you may ease us of some of _our_ burdens, which, in spite

of common sense, we dare not throw off. For instance, we have

company,—a friend from afar, (perhaps wealthy,) or a minister,

or some other man of note. What do we do? Sit down and receive

our visitor with all good-will and the freedom of a home? No; we

(the lady of the house) flutter about to clear up things,

apologizing about this, that, and the other condition of

unpreparedness, and, having settled the visitor in the parlor,

set about marshalling the elements of a grand dinner or supper,

such as no person but a gourmand wants to sit down to, when at

home and comfortable; and in getting up this meal, clearing

away, and washing the dishes, we use up a good half of the time

which our guest spends with us. We have spread ourselves, and

shown him what we could do; but what a paltry, heart-sickening

achievement! Now, good Mr. Crowfield, thou friend of the robbed

and despairing, wilt thou not descend into our purgatorial

circle, and tell the world what thou hast seen there of doleful

remembrance? Tell us how we, who must do and desire to do our

own work, can show forth in our homes a homely, yet genial

hospitality, and entertain our guests without making a fuss and

hurly-burly, and seeming to be anxious for their sake about many

things, and spending too much time getting meals, as if eating

were the chief social pleasure. _Won’t_ you do this, Mr.

Crowfield?

“‘Yours beseechingly,

“R. H. A.’”

“That’s a good letter,” said Jenny.

“To be sure it is,” said I.

“And shall you answer it, papa?”

“In the very next ‘Atlantic,’ you may be sure I shall. The class that do

their own work are the strongest, the most numerous, and, taking one

thing with another, quite as well cultivated a class as any other. They

are the anomaly of our country,—the distinctive feature of the new

society that we are building up here; and if we are to accomplish our

national destiny, that class must increase rather than diminish. I shall

certainly do my best to answer the very sensible and pregnant questions

of that letter.”

Here Marianne shivered and drew up a shawl, and Jenny gaped; my wife

folded up the garment in which she had set the last stitch, and the

clock struck twelve.

Bob gave a low whistle. “Who knew it was so late?”

“We have talked the fire fairly out,” said Jenny.

------------------------------------------------------------------------

VI.

THE LADY WHO DOES HER OWN WORK.

“MY dear Chris,” said my wife, “isn’t it time to be writing the next

‘House and Home Paper’?”

I was lying back in my study-chair, with my heels luxuriously propped on

an ottoman, reading for the two-hundredth time Hawthorne’s “Mosses from

an Old Manse,” or his “Twice-Told Tales,” I forget which,—I only know

that these books constitute my cloud-land, where I love to sail away in

dreamy quietude, forgetting the war, the price of coal and flour, the

rates of exchange, and the rise and fall of gold. What do all these

things matter, as seen from those enchanted gardens in Padua where the

weird Rappaccini tends his enchanted plants, and his gorgeous daughter

fills us with the light and magic of her presence, and saddens us with

the shadowy allegoric mystery of her preternatural destiny? But my wife

represents the positive forces of time, place, and number in our family,

and, having also a chronological head, she knows the day of the month,

and therefore gently reminded me that by inevitable dates the time drew

near for preparing my—which is it now, May or June number?

“Well, my dear, you are right,” I said, as by an exertion I came

head-uppermost, and laid down the fascinating volume. “Let me see, what

was I to write about?”

“Why, you remember you were to answer that letter from the lady who does

her own work.”

“Enough!” said I, seizing the pen with alacrity; “you have hit the exact

phrase:—

“‘The _lady_ who _does her own work_.’”

* * * * *

America is the only country where such a title is possible,—the only

country where there is a class of women who may be described as _ladies_

who do their own work. By a lady we mean a woman of education,

cultivation, and refinement, of liberal tastes and ideas, who, without

any very material additions or changes, would be recognized as a lady in

any circle of the Old World or the New.

What I have said is, that the existence of such a class is a fact

peculiar to American society, a clear, plain result of the new

principles involved in the doctrine of universal equality.

When the colonists first came to this country, of however mixed

ingredients their ranks might have been composed, and however imbued

with the spirit of feudal and aristocratic ideas, the discipline of the

wilderness soon brought them to a democratic level; the gentleman felled

the wood for his log-cabin side by side with the ploughman, and thews

and sinews rose in the market. “A man was deemed honorable in proportion

as he lifted his hand upon the high trees of the forest.” So in the

interior domestic circle. Mistress and maid, living in a log-cabin

together, became companions, and sometimes the maid, as the more

accomplished and stronger, took precedence of the mistress. It became

natural and unavoidable that children should begin to work as early as

they were capable of it. The result was a generation of intelligent

people brought up to labor from necessity, but turning on the problem of

labor the acuteness of a disciplined brain. The mistress, out-done in

sinews and muscles by her maid, kept her superiority by skill and

contrivance. If she could not lift a pail of water, she could invent

methods which made lifting the pail unnecessary,—if she could not take a

hundred steps without weariness, she could make twenty answer the

purpose of a hundred.

Slavery, it is true, was to some extent introduced into New England, but

it never suited the genius of the people, never struck deep root, or

spread so as to choke the good seed of self-helpfulness. Many were

opposed to it from conscientious principle,—many from far-sighted

thrift, and from a love of thoroughness and well-doing which despised

the rude, unskilled work of barbarians. People, having once felt the

thorough neatness and beauty of execution which came of free, educated,

and thoughtful labor, could not tolerate the clumsiness of slavery. Thus

it came to pass that for many years the rural population of New England,

as a general rule, did their own work, both out doors and in. If there

were a black man or black woman or bound girl, they were emphatically

only the _helps_, following humbly the steps of master and mistress, and

used by them as instruments of lightening certain portions of their

toil. The master and mistress with their children were the head workers.

Great merriment has been excited in the Old Country, because years ago

the first English travellers found that the class of persons by them

denominated servants were in America denominated _help_ or helpers. But

the term was the very best exponent of the state of society. There were

few servants, in the European sense of the word; there was a society of

educated workers, where all were practically equal, and where, if there

was a deficiency in one family and an excess in another, a _helper_, not

a servant, was hired. Mrs. Browne, who has six sons and no daughters,

enters into agreement with Mrs. Jones, who has six daughters and no

sons. She borrows a daughter, and pays her good wages to help in her

domestic toil, and sends a son to help the labors of Mr. Jones. These

two young people go into the families in which they are to be employed

in all respects as equals and companions, and so the work of the

community is equalized. Hence arose, and for many years continued, a

state of society more nearly solving than any other ever did the problem

of combining the highest culture of the mind with the highest culture of

the muscles and the physical faculties.

Then were to be seen families of daughters, handsome, strong females,

rising each day to their in-door work with cheerful alertness,—one to

sweep the room, another to make the fire, while a third prepared the

breakfast for the father and brothers who were going out to manly labor;

and they chatted meanwhile of books, studies, embroidery, discussed the

last new poem, or some historical topic started by graver reading, or

perhaps a rural ball that was to come off the next week. They spun with

the book tied to the distaff; they wove; they did all manner of fine

needlework; they made lace, painted flowers, and, in short, in the

boundless consciousness of activity, invention, and perfect health, set

themselves to any work they had ever read or thought of. A bride in

those days was married with sheets and table-cloths of her own weaving,

with counterpanes and toilet-covers wrought in divers embroidery by her

own and her sisters’ hands. The amount of fancy-work done in our days by

girls who have nothing else to do will not equal what was done by these,

who performed besides, among them, the whole work of the family.

For many years these habits of life characterized the majority of our

rural towns. They still exist among a class respectable in numbers and

position, though perhaps not as happy in perfect self-satisfaction and a

conviction of the dignity and desirableness of its lot as in former

days. Human nature is above all things—lazy. Every one confesses in the

abstract that exertion which brings out all the powers of body and mind

is the best thing for us all; but practically most people do all they

can to get rid of it, and as a general rule nobody does much more than

circumstances drive him to do. Even I would not write this article, were

not the publication-day hard on my heels. I should read Hawthorne and

Emerson and Holmes, and dream in my arm-chair, and project in the clouds

those lovely unwritten stories that curl and veer and change like

mist-wreaths in the sun. So, also, however dignified, however

invigorating, however really desirable are habits of life involving

daily physical toil, there is a constant evil demon at every one’s

elbow, seducing him to evade it, or to bear its weight with sullen,

discontented murmurs.

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