I was wrong there. It wasn't comfortable, but we stayed.

I couldn't have said at first why we stuck, and if Doc could he didn't

volunteer. Neither of us talked about it. We just went on living the

way we were used to living, a few weeks here and a few there, all

over the States.

We'd hit the Florida west coast too late for the citrus season, so I

went in for the fishing instead. I worked the fishing boats all the

way from Tampa down to Fort Myers, not signing on with any of the

commercial companies because I like to move quick when I get restless.

I picked the independent deep-water snapper runs mostly, because the

percentage is good there if you've got a strong back and tough hands.

Snapper fishing isn't the sport it seems to the one-day tourists who

flock along because the fee is cheap. You fish from a wide-beamed old

scow, usually, with hand-lines instead of regular tackle, and you use

multiple hooks that go down to the bottom where the big red ones are.

There's no real thrill to it, as the one-day anglers find out quickly.

A snapper puts up no more fight than a catfish and the biggest job is

to haul out his dead weight once you've got him surfaced.

Usually a pro like me sells his catch to the boat's owner or to some

clumsy sport who wants his picture shot with a big one, and there's

nearly always a jackpot--from a pool made up at the beginning of every

run--for the man landing the biggest fish of the day. There's a knack

to hooking the big ones, and when the jackpots were running good I

only worked a day or so a week and spent the rest of the time lying

around the trailer playing cribbage and drinking beer with Doc Shull.

Usually it was the life of Riley, but somehow it wasn't enough in this

place. We'd get about half-oiled and work up a promising argument

about what was wrong with the world. Then, just when we'd got life

looking its screwball funniest with our arguments one or the other of

us would look out the window and see Joey Pond in his wheelchair,

waiting for a one-eyed dog named Charlie to come trotting home across

the palmetto flats. He was always there, day or night, until his

mother came home from work and rolled him inside.

It wasn't right or natural for a kid to wait like that for anything

and it worried me. I even offered once to buy the kid another mutt but

Ethel Pond told me quick to mind my own business. Doc explained that

the kid didn't want another mutt because he had what Doc called a

psychological block.

"Charlie was more than just a dog to him," Doc said. "He was a sort of

symbol because he offered the kid two things that no one else in the

world could--security and independence. With Charlie keeping him

company he felt secure, and he was independent of the kids who could

run and play because he had Charlie to play with. If he took another

dog now he'd be giving up more than Charlie. He'd be giving up

everything that Charlie had meant to him, then there wouldn't be any

point in living."

I could see it when Doc put it that way. The dog had spent more time

with Joey than Ethel had, and the kid felt as safe with him as he'd

have been with a platoon of Marines. And Charlie, being a one-man dog,

had depended on Joey for the affection he wouldn't take from anybody

else. The dog needed Joey and Joey needed him. Together, they'd been a

natural.

At first I thought it was funny that Joey never complained or cried

when Charlie didn't come home, but Doc explained that it was all a

part of this psychological block business. If Joey cried he'd be

admitting that Charlie was lost. So he waited and watched, secure in

his belief that Charlie would return.

The Ponds got used to Doc and me being around, but they never got what

you'd call intimate. Joey would laugh at some of the droll things Doc

said, but his eyes always went back to the palmetto flats and the

highway, looking for Charlie. And he never let anything interfere with

his routine.

That routine started every morning when old man Cloehessey, the

postman, pedaled his bicycle out from Twin Palms to leave a handful of

mail for the trailer-court tenants. Cloehessey would always make it a

point to ride back by way of the Pond trailer and Joey would stop him

and ask if he's seen anything of a one-eyed dog on his route that day.

Old Cloehessey would lean on his bike and take off his sun helmet and

mop his bald scalp, scowling while he pretended to think.

Then he'd say, "Not today, Joey," or, "Thought so yesterday, but this

fellow had two eyes on him. 'Twasn't Charlie."

Then he'd pedal away, shaking his head. Later on the handyman would

come around to swap sanitary tanks under the trailers and Joey would

ask him the same question. Once a month the power company sent out a

man to read the electric meters and he was part of Joey's routine too.

It was hard on Ethel. Sometimes the kid would dream at night that

Charlie had come home and was scratching at the trailer ramp to be let

in, and he'd wake Ethel and beg her to go out and see. When that

happened Doc and I could hear Ethel talking to him, low and steady,

until all hours of the morning, and when he finally went back to sleep

we'd hear her open the cupboard and take out the gin bottle.

But there came a night that was more than Ethel could take, a night

that changed Joey's routine and a lot more with it. It left a mark

you've seen yourself--everybody has that's got eyes to see--though

you never knew what made it. Nobody ever knew that but Joey and Ethel

Pond and Doc and me.

Doc and I were turning in around midnight that night when the kid sang

out next door. We heard Ethel get up and go to him, and we got up too

and opened a beer because we knew neither of us would sleep any more

till she got Joey quiet again. But this night was different. Ethel

hadn't talked to the kid long when he yelled, "Charlie! _Charlie!_"

and after that we heard both of them bawling.

A little later Ethel came out into the moonlight and shut the trailer

door behind her. She looked rumpled and beaten, her hair straggling

damply on her shoulders and her eyes puffed and red from crying. The

gin she'd had hadn't helped any either.

She stood for a while without moving, then she looked up at the sky

and said something I'm not likely to forget.

"Why couldn't You give the kid a break?" she said, not railing or

anything but loud enough for us to hear. "You, up there--what's

another lousy one-eyed mutt to You?"

Doc and I looked at each other in the half-dark of our own trailer.

"She's done it, Roy," Doc said.

I knew what he meant and wished I didn't. Ethel had finally told the

kid that Charlie wasn't coming back, not ever.

That's why I was worried about Joey when I came home the next evening

and found him watching the sky instead of the palmetto flats. It meant

he'd given up waiting for Charlie. And the quiet way the kid spoke of

moving the stars around worried me more, because it sounded outright

crazy.

Not that you could blame him for going off his head. It was tough

enough to be pinned to a wheelchair without being able to wiggle so

much as a toe. But to lose his dog in the bargain....

I was on my third beer when Doc Shull rolled in with a big package

under his arm. Doc was stone sober, which surprised me, and he was hot

and tired from a shopping trip to Tampa, which surprised me more. It

was when he ripped the paper off his package, though, that I thought

he'd lost his mind.

"Books for Joey," Doc said. "Ethel and I agreed this morning that the

boy needs another interest to occupy his time now, and since he can't

go to school I'm going to teach him here."

He went on to explain that Ethel hadn't had the heart the night

before, desperate as she was, to tell the kid the whole truth. She'd

told him instead, quoting an imaginary customer at the Sea Shell

Diner, that a tourist car with Michigan license plates had picked

Charlie up on the highway and taken him away. It was a good enough

story. Joey still didn't know that Charlie was dead, but his waiting

was over because no dog could be expected to find his way home from

Michigan.

"We've got to give the boy another interest," Doc said, putting away

the books and puncturing another beer can. "Joey has a remarkable

talent for concentration--most handicapped children have--that could

be the end of him if it isn't diverted into safe channels."

To Remember Charlie By · 第 2 / 6 题