I nearly stumbled over the kid in the dark before I saw him.

Produced by Sankar Viswanathan, Greg Weeks, and the Online

Distributed Proofreading Team at http://www.pgdp.net

Transcriber's Note:

This etext was produced from Fantastic Universe March 1954. Extensive

research did not uncover any evidence that the U.S. copyright on this

publication was renewed.

[The history of this materialistic world is highlighted with

strange events that scientists and historians, unable to explain

logically, have dismissed with such labels as "supernatural,"

"miracle," etc. But there are those among us whose simple faith

can--and often does--alter the scheme of the universe. Even a little

child can do it....]

to remember charlie by

by ... Roger Dee

Just a one-eyed dog named Charlie and a crippled boy named

Joey--but between them they changed the face of the universe ...

perhaps.

* * * * *

I nearly stumbled over the kid in the dark before I saw him.

His wheelchair was parked as usual on the tired strip of carpet grass

that separated his mother's trailer from the one Doc Shull and I lived

in, but it wasn't exactly where I'd learned to expect it when I rolled

in at night from the fishing boats. Usually it was nearer the west end

of the strip where Joey could look across the crushed-shell square of

the Twin Palms trailer court and the palmetto flats to the Tampa

highway beyond. But this time it was pushed back into the shadows away

from the court lights.

The boy wasn't watching the flats tonight, as he usually did. Instead

he was lying back in his chair with his face turned to the sky,

staring upward with such absorbed intensity that he didn't even know I

was there until I spoke.

"Anything wrong, Joey?" I asked.

He said, "No, Roy," without taking his eyes off the sky.

For a minute I had the prickly feeling you get when you are watching a

movie and find that you know just what is going to happen next.

You're puzzled and a little spooked until you realize that the reason

you can predict the action so exactly is because you've seen the same

thing happen somewhere else a long time ago. I forgot the feeling when

I remembered why the kid wasn't watching the palmetto flats. But I

couldn't help wondering why he'd turned to watching the sky instead.

"What're you looking for up there, Joey?" I asked.

He didn't move and from the tone of his voice I got the impression

that he only half heard me.

"I'm moving some stars," he said softly.

I gave it up and went on to my own trailer without asking any more

fool questions. How can you talk to a kid like that?

Doc Shull wasn't in, but for once I didn't worry about him. I was

trying to remember just what it was about my stumbling over Joey's

wheelchair that had given me that screwy double-exposure feeling of

familiarity. I got a can of beer out of the ice-box because I think

better with something cold in my hand, and by the time I had finished

the beer I had my answer.

The business I'd gone through with Joey outside was familiar because

it _had_ happened before, about six weeks back when Doc and I first

parked our trailer at the Twin Palms court. I'd nearly stumbled over

Joey that time too, but he wasn't moving stars then. He was just

staring ahead of him, waiting.

He'd been sitting in his wheelchair at the west end of the

carpet-grass strip, staring out over the palmetto flats toward the

highway. He was practically holding his breath, as if he was waiting

for somebody special to show up, so absorbed in his watching that he

didn't know I was there until I spoke. He reminded me a little of a

ventriloquist's dummy with his skinny, knob-kneed body, thin face and

round, still eyes. Only there wasn't anything comical about him the

way there is about a dummy. Maybe that's why I spoke, because he

looked so deadly serious.

"Anything wrong, kid?" I asked.

He didn't jump or look up. His voice placed him as a cracker, either

south Georgian or native Floridian.

"I'm waiting for Charlie to come home," he said, keeping his eyes on

the highway.

Probably I'd have asked who Charlie was but just then the trailer door

opened behind him and his mother took over.

I couldn't see her too well because the lights were off inside the

trailer. But I could tell from the way she filled up the doorway that

she was big. I could make out the white blur of a cigarette in her

mouth, and when she struck a match to light it--on her thumb-nail,

like a man--I saw that she was fairly young and not bad-looking in a

tough, sullen sort of way. The wind was blowing in my direction and it

told me she'd had a drink recently, gin, by the smell of it.

"This is none of your business, mister," she said. Her voice was

Southern like the boy's but with all the softness ground out of it

from living on the Florida coast where you hear a hundred different

accents every day. "Let the boy alone."

She was right about it being none of my business. I went on into the

trailer I shared with Doc Shull and left the two of them waiting for

Charlie together.

Our trailer was dark inside, which meant first that Doc had probably

gone out looking for a drink as soon as I left that morning to pick up

a job, and second that he'd probably got too tight to find his way

back. But I was wrong on at least one count, because when I switched

on the light and dumped the packages I'd brought on the sink cabinet I

saw Doc asleep in his bunk.

He'd had a drink, though. I could smell it on him when I shook him

awake, and it smelled like gin.

Doc sat up and blinked against the light, a thin, elderly little man

with bright blue eyes, a clipped brown mustache and scanty brown hair

tousled and wild from sleep. He was stripped to his shorts against the

heat, but at some time during the day he had bathed and shaved. He had

even washed and ironed a shirt; it hung on a nail over his bunk with a

crumpled pack of cigarettes in the pocket.

"Crawl out and cook supper, Rip," I said, holding him to his end of

our working agreement. "I've made a day and I'm hungry."

Doc got up and stepped into his pants. He padded barefoot across the

linoleum and poked at the packages on the sink cabinet.

"Snapper steak again," he complained. "Roy, I'm sick of fish!"

"You don't catch sirloins with a hand-line," I told him. And because

I'd never been able to stay sore at him for long I added, "But we got

beer. Where's the opener?"

"I'm sick of beer, too," Doc said. "I need a real drink."

I sniffed the air, making a business of it. "You've had one already.

Where?"

He grinned at me then with the wise-to-himself-and-the-world grin that

lit up his face like turning on a light inside and made him different

from anybody else on earth.

"The largess of Providence," he said, "is bestowed impartially upon

sot and Samaritan. I helped the little fellow next door to the

bathroom this afternoon while his mother was away at work, and my

selflessness had its just reward."

Sometimes it's hard to tell when Doc is kidding. He's an educated

man--used to teach at some Northern college, he said once, and I never

doubted it--and talks like one when he wants to. But Doc's no bum,

though he's a semi-alcoholic and lets me support him like an invalid

uncle, and he's keen enough to read my mind like a racing form.

"No, I didn't batter down the cupboard and help myself," he said. "The

lady--her name is Mrs. Ethel Pond--gave me the drink. Why else do you

suppose I'd launder a shirt?"

That was like Doc. He hadn't touched her bottle though his insides

were probably snarled up like barbed wire for the want of it. He'd

shaved and pressed a shirt instead so he'd look decent enough to rate

a shot of gin she'd offer him as a reward. It wasn't such a doubtful

gamble at that, because Doc has a way with him when he bothers to use

it; maybe that's why he bums around with me after the commercial

fishing and migratory crop work, because he's used that charm too

often in the wrong places.

"Good enough," I said and punctured a can of beer apiece for us while

Doc put the snapper steaks to cook.

He told me more about our neighbors while we killed the beer. The

Ponds were permanent residents. The kid--his name was Joey and he was

ten--was a polio case who hadn't walked for over a year, and his

mother was a waitress at a roadside joint named the Sea Shell Diner.

There wasn't any Mr. Pond. I guessed there never had been, which would

explain why Ethel acted so tough and sullen.

We were halfway through supper when I remembered something the kid had

said.

"Who's Charlie?" I asked.

Doc frowned at his plate. "The kid had a dog named Charlie, a big

shaggy mutt with only one eye and no love for anybody but the boy. The

dog isn't coming home. He was run down by a car on the highway while

Joey was hospitalized with polio."

"Tough," I said, thinking of the kid sitting out there all day in his

wheelchair, straining his eyes across the palmetto flats. "You mean

he's been waiting a _year_?"

Doc nodded, seemed to lose interest in the Ponds, so I let the subject

drop. We sat around after supper and polished off the rest of the

beer. When we turned in around midnight I figured we wouldn't be

staying long at the Twin Palms trailer court. It wasn't a very

comfortable place.

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