He made a voyage across the sea, and was carried away by a typhoon.

After being tossed about for many days and nights he arrived at a

country where the people were hideously ugly. When these people saw Ma

they thought he was a devil and all ran screeching away. Ma was

somewhat alarmed at this, but finding that it was they who were

frightened at him, he quickly turned their fear to his own advantage.

If he came across people eating and drinking he would rush upon them,

and when they fled away for fear, he would regale himself upon what

they had left. By-and-by he went to a village among the hills, and

there the people had at any rate some facial resemblance to ordinary

men. But they were all in rags and tatters like beggars. So Ma sat

down to rest under a tree, and the villagers, not daring to come near

him, contented themselves with looking at him from a distance. They

soon found, however, that he did not want to eat them, and by degrees

approached a little closer to him. Ma, smiling, began to talk; and

although their language was different, yet he was able to make himself

tolerably intelligible, and told them whence he had come. The

villagers were much pleased, and spread the news that the stranger was

not a man-eater. Nevertheless, the very ugliest of all would only take

a look and be off again; they would not come near him. Those who did

go up to him were not very much unlike his own countrymen, the

Chinese. They brought him plenty of food and wine. Ma asked them what

they were afraid of. They replied, “We had heard from our forefathers

that 26,000 _li_ to the west there is a country called China. We had

heard that the people of that land were the most extraordinary in

appearance you can possibly imagine. Hitherto it has been hearsay; we

can now believe it.” He then asked them how it was they were so poor.

They answered, “You see, in our country everything depends, not on

literary talent, but on beauty. The most beautiful are made ministers

of state; the next handsomest are made judges and magistrates; and the

third class in looks are employed in the palace of the king. Thus

these are enabled out of their pay to provide for their wives and

families. But we, from our very birth, are regarded by our parents as

inauspicious, and are left to perish, some of us being occasionally

preserved by more humane parents to prevent the extinction of the

family.” Ma asked the name of their country, and they told him it was

Lo-ch‘a. Also that the capital city was some 30 _li_ to the north. He

begged them to take him there, and next day at cock-crow he started

thitherwards in their company, arriving just about dawn. The walls of

the city were made of black stone, as black as ink, and the city

gate-houses were about 100 feet high. Red stones were used for tiles,

and picking up a broken piece Ma found that it marked his finger-nail

like vermilion. They arrived just when the Court was rising, and saw

all the equipages of the officials. The village people pointed out

one who they said was Prime Minister. His ears drooped forward in

flaps; he had three nostrils, and his eye-lashes were just like bamboo

screens hanging in front of his eyes. Then several came out on

horseback, and they said these were the privy councillors. So they

went on, telling him the rank of all the ugly uncouth fellows he saw.

The lower they got down in the official scale the less hideous the

officials were. By-and-by Ma went back, the people in the streets

marvelling very much to see him, and tumbling helter-skelter one over

another as if they had met a goblin. The villagers shouted out to

re-assure them, and then they stood at a distance to look at him. When

he got back, there was not a man, woman, or child in the whole nation

but knew that there was a strange man at the village; and the gentry

and officials became very desirous to see him. However, if he went to

any of their houses the porter always slammed the door in his face,

and the master, mistress, and family, in general, would only peep at,

and speak to him through the cracks. Not a single one dared receive

him face to face; but, finally, the village people, at a loss what to

do, bethought themselves of a man who had been sent by a former king

on official business among strange nations. “He,” said they, “having

seen many kinds of men, will not be afraid of you.” So they went to

his house, where they were received in a very friendly way. He seemed

to be about eighty or ninety years of age; his eye-balls protruded,

and his beard curled up like a hedge-hog. He said, “In my youth I was

sent by the king among many nations, but I never went to China. I am

now one hundred and twenty years of age, and that I should be

permitted to see a native of your country is a fact which it will be

my duty to report to the Throne. For ten years and more I have not

been to Court, but have remained here in seclusion; yet I will now

make an effort on your behalf.” Then followed a banquet, and when the

wine had already circulated pretty freely, some dozen singing girls

came in and sang and danced before them. The girls all wore white

embroidered turbans, and long scarlet robes which trailed on the

ground. The words they uttered were unintelligible, and the tunes they

played perfectly hideous. The host, however, seemed to enjoy it very

much, and said to Ma, “Have you music in China?” He replied that they

had, and the old man asked for a specimen. Ma hummed him a tune,

beating time on the table, with which he was very much pleased,

declaring that his guest had the voice of a phœnix and the notes of a

dragon, such as he had never heard before. The next day he presented a

memorial to the Throne, and the king at once commanded Ma to appear

before him. Several of the ministers, however, represented that his

appearance was so hideous it might frighten His Majesty, and the king

accordingly desisted from his intention. The old man returned and told

Ma, being quite upset about it. They remained together some time until

they had drunk themselves tipsy. Then Ma, seizing a sword, began to

attitudinize, smearing his face all over with coal-dust. He acted the

part of Chang Fei,[357] at which his host was so delighted that he

begged him to appear before the Prime Minister in the character of

Chang Fei. Ma replied, “I don’t mind a little amateur acting, but how

can I play the hypocrite[358] for my own personal advantage?” On being

pressed he consented, and the old man prepared a great feast, and

asked some of the high officials to be present, telling Ma to paint

himself as before. When the guests had arrived, Ma was brought out to

see them; whereupon they all exclaimed, “Ai-yah! how is it he was so

ugly before and is now so beautiful?” By-and-by, when they were all

taking wine together, Ma began to sing them a most bewitching song,

and they got so excited over it that next day they recommended him to

the king. The king sent a special summons for him to appear, and asked

him many questions about the government of China, to all of which Ma

replied in detail, eliciting sighs of admiration from His Majesty. He

was honoured with a banquet in the royal guest-pavilion, and when the

king had made himself tipsy he said to him, “I hear you are a very

skilful musician. Will you be good enough to let me hear you?” Ma then

got up and began to attitudinize, singing a plaintive air like the

girls with the turbans. The king was charmed, and at once made him a

privy councillor, giving him a private banquet, and bestowing other

marks of royal favour. As time went on his fellow-officials found out

the secret of his painted face,[359] and whenever he was among them they

were always whispering together, besides which they avoided being near

him as much as possible. Thus Ma was left to himself, and found his

position anything but pleasant in consequence. So he memorialized the

Throne, asking to be allowed to retire from office, but his request

was refused. He then said his health was bad, and got three months’

sick leave, during which he packed up his valuables and went back to

the village. The villagers on his arrival went down on their knees to

him, and he distributed gold and jewels amongst his old friends. They

were very glad to see him, and said, “Your kindness shall be repaid

when we go to the sea-market; we will bring you some pearls and

things.” Ma asked them where that was. They said it was at the bottom

of the sea, where the mermaids[360] kept their treasures, and that as

many as twelve nations were accustomed to go thither to trade. Also

that it was frequented by spirits, and that to get there it was

necessary to pass through red vapours and great waves. “Dear Sir,”

they said, “do not yourself risk this great danger, but let us take

your money and purchase these rare pearls for you. The season is now

at hand.” Ma asked them how they knew this. They said, “Whenever we

see red birds flying backwards and forwards over the sea, we know that

within seven days the market will open.” He asked when they were

going to start, that he might accompany them; but they begged him not

to think of doing so. He replied, “I am a sailor: how can I be afraid

of wind and waves?” Very soon after this people came with merchandise

to forward, and so Ma packed up and went on board the vessel that was

going.

This vessel held some tens of people, was flat-bottomed with a railing

all round, and, rowed by ten men, it cut through the water like an

arrow. After a voyage of three days they saw afar off faint outlines

of towers and minarets, and crowds of trading vessels. They soon

arrived at the city, the walls of which were made of bricks as long as

a man’s body, the tops of its buildings being lost in the Milky

Way.[361] Having made fast their boat they went in, and saw laid out in

the market rare pearls and wondrous precious stones of dazzling

beauty, such as are quite unknown amongst men. Then they saw a young

man come forth riding upon a beautiful steed. The people of the market

stood back to let him pass, saying he was the third son of the king;

but when the Prince saw Ma, he exclaimed, “This is no foreigner,” and

immediately an attendant drew near and asked his name and country. Ma

made a bow, and standing at one side told his name and family. The

prince smiled, and said, “For you to have honoured our country thus is

no small piece of good luck.” He then gave him a horse and begged him

to follow. They went out of the city gate and down to the sea-shore,

whereupon their horses plunged into the water. Ma was terribly

frightened and screamed out; but the sea opened dry before them and

formed a wall of water on either side. In a little time they reached

the king’s palace, the beams of which were made of tortoise-shell and

the tiles of fishes’ scales. The four walls were of crystal, and

dazzled the eye like mirrors. They got down off their horses and went

in, and Ma was introduced to the king. The young prince said, “Sire, I

have been to the market, and have got a gentleman from China.”

Whereupon Ma made obeisance before the king, who addressed him as

follows:--“Sir, from a talented scholar like yourself I venture to ask

for a few stanzas upon our sea-market. Pray do not refuse.” Ma

thereupon made a _kot‘ow_ and undertook the king’s command. Using an

ink-slab of crystal, a brush of dragon’s beard, paper as white as

snow, and ink scented like the larkspur,[362] Ma immediately threw off

some thousand odd verses, which he laid at the feet of the king. When

His Majesty saw them, he said, “Sir, your genius does honour to these

marine nations of ours.” Then, summoning the members of the royal

family, the king gave a great feast in the Coloured Cloud pavilion;

and, when the wine had circulated freely, seizing a great goblet in

his hand, the king rose and said before all the guests, “It is a

thousand pities, Sir, that you are not married. What say you to

entering the bonds of wedlock?” Ma rose blushing, and stammered out

his thanks; upon which the king looking round spoke a few words to the

attendants, and in a few moments in came a bevy of court ladies

supporting the king’s daughter, whose ornaments went tinkle, tinkle,

as she walked along. Immediately the nuptial drums and trumpets began

to sound forth, and bride and bridegroom worshipped Heaven and Earth

together.[363] Stealing a glance Ma saw that the princess was endowed

with a fairy-like loveliness. When the ceremony was over she retired,

and by-and-by the wine-party broke up. Then came several

beautifully-dressed waiting-maids, who with painted candles escorted

Ma within. The bridal couch was made of coral adorned with eight kinds

of precious stones, and the curtains were thickly hung with pearls as

big as acorns. Next day at dawn a crowd of young slave-girls trooped

into the room to offer their services; whereupon Ma got up and went

off to Court to pay his respects to the king. He was then duly

received as royal son-in-law and made an officer of state. The fame of

his poetical talents spread far and wide, and the kings of the various

seas sent officers to congratulate him, vying with each other in their

invitations to him. Ma dressed himself in gorgeous clothes, and went

forth riding on a superb steed, with a mounted body-guard all

splendidly armed. There were musicians on horseback and musicians in

chariots, and in three days he had visited every one of the marine

kingdoms, making his name known in all directions. In the palace there

was a jade tree, about as big round as a man could clasp. Its roots

were as clear as glass, and up the middle ran, as it were, a stick of

pale yellow. The branches were the size of one’s arm; the leaves like

white jade, as thick as a copper cash. The foliage was dense, and

beneath its shade the ladies of the palace were wont to sit and sing.

The flowers which covered the tree resembled grapes, and if a single

petal fell to the earth it made a ringing sound. Taking one up, it

would be found to be exactly like carved cornelian, very bright and

pretty to look at. From time to time a wonderful bird came and sang

there. Its feathers were of a golden hue, and its tail as long as its

body. Its notes were like the tinkling of jade, very plaintive and

touching to listen to. When Ma heard this bird sing, it called up in

him recollections of his old home, and accordingly he said to the

princess, “I have now been away from my own country for three years,

separated from my father and mother. Thinking of them my tears flow

and the perspiration runs down my back. Can you return with me?” His

wife replied, “The way of immortals is not that of men. I am unable to

do what you ask, but I cannot allow the feelings of husband and wife

to break the tie of parent and child. Let us devise some plan.” When

Ma heard this he wept bitterly, and the princess sighed and said, “We

cannot both stay or both go.” The next day the king said to him, “I

hear that you are pining after your old home. Will to-morrow suit you

for taking leave?” Ma thanked the king for his great kindness, which

he declared he could never forget, and promised to return very

shortly. That evening the princess and Ma talked over their wine of

their approaching separation. Ma said they would soon meet again; but

his wife averred that their married life was at an end. Then he wept

afresh, but the princess said, “Like a filial son you are going home

to your parents. In the meetings and separations of this life, a

hundred years seem but a single day; why, then, should we give way to

tears like children? I will be true to you; do you be faithful to me;

and then, though separated, we shall be united in spirit, a happy

pair. Is it necessary to live side by side in order to grow old

together? If you break our contract your next marriage will not be a

propitious one; but if loneliness[364] overtakes you then choose a

concubine. There is one point more of which I would speak, with

reference to our married life. I am about to become a mother, and I

pray you give me a name for your child.” To this Ma replied, “If a

girl I would have her called Lung-kung; if a boy, then name him

Fu-hai.”[365] The princess asked for some token of remembrance, and Ma

gave her a pair of jade lilies that he had got during his stay in the

marine kingdom. She added, “On the 8th of the 4th moon, three years

hence, when you once more steer your course for this country, I will

give you up your child.” She next packed a leather bag full of jewels

and handed it to Ma, saying, “Take care of this; it will be a

provision for many generations.” When the day began to break a

splendid farewell feast was given him by the king, and Ma bade them

all adieu. The princess, in a car drawn by snow-white sheep, escorted

him to the boundary of the marine kingdom, where he dismounted and

stepped ashore. “Farewell!” cried the princess, as her returning car

bore her rapidly away, and the sea, closing over her, snatched her

from her husband’s sight. Ma returned to his home across the ocean.

Some had thought him long since dead and gone; all marvelled at his

story. Happily his father and mother were yet alive, though his former

wife had married another man; and so he understood why the princess

had pledged him to constancy, for she already knew that this had taken

place. His father wished him to take another wife, but he would not.

He only took a concubine. Then, after the three years had passed away,

he started across the sea on his return journey, when lo! he beheld,

riding on the wave-crests and splashing about the water in playing,

two young children. On going near, one of them seized hold of him and

sprung into his arms; upon which the elder cried until he, too, was

taken up. They were a boy and girl, both very lovely, and wearing

embroidered caps adorned with jade lilies. On the back of one of them

was a worked case, in which Ma found the following letter:--

“I presume my father and mother-in-law are well. Three years have

passed away and destiny still keeps us apart. Across the great ocean,

the letter-bird would find no path.[366] I have been with you in my

dreams until I am quite worn out. Does the blue sky look down upon any

grief like mine? Yet Ch‘ang-ngo[367] lives solitary in the moon, and

Chih Nü[368] laments that she cannot cross the Silver River. Who am I

that I should expect happiness to be mine? Truly this thought turns my

tears into joy. Two months after your departure I had twins, who can

already prattle away in the language of childhood, at one moment

snatching a date, at another a pear. Had they no mother they would

still live. These I now send to you, with the jade lilies you gave me

in their hats, in token of the sender. When you take them upon your

knee, think that I am standing by your side. I know that you have kept

your promise to me, and I am happy. I shall take no second husband,

even unto death. All thoughts of dress and finery are gone from me; my

looking-glass sees no new fashions; my face has long been unpowdered,

my eyebrows unblacked. You are my Ulysses, I am your Penelope;[369]

though not actually leading a married life, how can it be said that

we are not husband and wife. Your father and mother will take their

grandchildren upon their knees, though they have never set eyes upon

the bride. Alas! there is something wrong in this. Next year your

mother will enter upon the long night. I shall be there by the side of

the grave as is becoming in her daughter-in-law. From this time forth

our daughter will be well; later on she will be able to grasp her

mother’s hand. Our boy, when he grows up, may possibly be able to come

to and fro. Adieu, dear husband, adieu, though I am leaving much

unsaid.” Ma read the letter over and over again, his tears flowing all

the time. His two children clung round his neck, and begged him to

take them home. “Ah, my children,” said he, “where is your home?” Then

they all wept bitterly, and Ma, looking at the great ocean stretching

away to meet the sky, lovely and pathless, embraced his children, and

proceeded sorrowfully to return. Knowing, too, that his mother could

not last long, he prepared everything necessary for the ceremony of

interment, and planted a hundred young pine-trees at her grave.[370]

The following year the old lady did die, and her coffin was borne to

its last resting-place, when lo! there was the princess standing by

the side of the grave. The lookers-on were much alarmed, but in a

moment there was a flash of lightning, followed by a clap of thunder

and a squall of rain, and she was gone. It was then noticed that many

of the young pine-trees which had died were one and all brought to

life. Subsequently, Fu-hai went in search of the mother for whom he

pined so much, and after some days’ absence returned. Lung-kung, being

a girl, could not accompany him, but she mourned much in secret. One

dark day her mother entered and bid her dry her eyes, saying, “My

child, you must get married. Why these tears?” She then gave her a

tree of coral eight feet in height, some Baroos camphor,[371] one

hundred valuable pearls, and two boxes inlaid with gold and precious

stones, as her dowry. Ma having found out she was there, rushed in and

seizing her hand began to weep for joy, when suddenly a violent peal

of thunder rent the building, and the princess had vanished.

FOOTNOTES:

[356] The term “sea-market” is generally understood in the sense of

_mirage_, or some similar phenomenon.

[357] A famous General who played a leading part in the wars of the

Three Kingdoms. See No. XCIII., note 482.

[358] A hit at the hypocrisy of the age.

[359] Shewing that hypocrisy is bad policy in the long run.

[360] The tears of Chinese mermaids are said to be pearls.

[361] See No. XIX., note 135.

[362] Good ink of the kind miscalled “Indian,” is usually very highly

scented; and from a habit the Chinese have of sucking their

writing-brushes to a fine point, the phrase “to eat ink” has become a

synonym of “to study.”

[363] This all-important point in a Chinese marriage ceremony is the

equivalent of our own “signing in the vestry.”

[364] Literally, “if you have no one to cook your food.”

[365] “Dragon Palace” and “Happy Sea,” respectively.

[366] Alluding to an old legend of a letter conveyed by a bird.

[367] See No. V., note 49.

[368] The “Spinning Damsel,” or name of a star in Lyra, connected with

which there is a celebrated legend of its annual transit across the

Milky Way.

[369] These are of course only the equivalents of the Chinese names in

the text.

[370] To keep off the much-dreaded wind, which disturbs the rest of the

departed.

[371] For which a very high price is obtained in China.

LXIV.

THE FIGHTING CRICKET.

During the reign of Hsüan Tê,[372] cricket fighting was very much in

vogue at court, levies of crickets being exacted from the people as a

tax. On one occasion the magistrate of Hua-yin, wishing to make

friends with the Governor, presented him with a cricket which, on

being set to fight, displayed very remarkable powers; so much so that

the Governor commanded the magistrate to supply him regularly with

these insects. The latter, in his turn, ordered the beadles of his

district to provide him with crickets; and then it became a practice

for people who had nothing else to do to catch and rear them for this

purpose. Thus the price of crickets rose very high; and when the

beadle’s[373] runners came to exact even a single one, it was enough

to ruin several families.

Now in the village of which we are speaking there lived a man named

Ch‘êng, a student who had often failed for his bachelor’s degree; and,

being a stupid sort of fellow, his name was sent in for the post of

beadle. He did all he could to get out of it, but without success; and

by the end of the year his small patrimony was gone. Just then came a

call for crickets, and Ch‘êng, not daring to make a like call upon his

neighbours, was at his wits’ end, and in his distress determined to

commit suicide. “What’s the use of that?” cried his wife. “You’d do

better to go out and try to find some.” So off went Ch‘êng in the

early morning, with a bamboo tube and a silk net, not returning till

late at night; and he searched about in tumble-down walls, in bushes,

under stones, and in holes, but without catching more than two or

three, do what he would. Even those he did catch were weak creatures,

and of no use at all, which made the magistrate fix a limit of time,

the result of which was that in a few days Ch‘êng got one hundred

blows with the bamboo. This made him so sore that he was quite unable

to go after the crickets any more, and, as he lay tossing and turning

on the bed, he determined once again to put an end to his life.

About that time a hump-backed fortune-teller of great skill arrived at

the village, and Ch‘êng’s wife, putting together a trifle of money,

went off to seek his assistance. The door was literally blocked

up--fair young girls and white-headed dames crowding in from all

quarters. A room was darkened, and a bamboo screen hung at the door,

an altar being arranged outside at which the fortune-seekers burnt

incense in a brazier, and prostrated themselves twice, while the

soothsayer stood by the side, and, looking up into vacancy, prayed for

a response. His lips opened and shut, but nobody heard what he said,

all standing there in awe waiting for the answer. In a few moments a

piece of paper was thrown from behind the screen, and the soothsayer

said that the petitioner’s desire would be accomplished in the way he

wished. Ch‘êng’s wife now advanced, and, placing some money on the

altar, burnt her incense and prostrated herself in a similar manner.

In a few moments the screen began to move, and a piece of paper was

thrown down, on which there were no words, but only a picture. In the

middle was a building like a temple, and behind this a small hill, at

the foot of which were a number of curious stones, with the long,

spiky feelers of innumerable crickets appearing from behind. Hard by

was a frog, which seemed to be engaged in putting itself into various

kinds of attitudes. The good woman had no idea what it all meant; but

she noticed the crickets, and accordingly went off home to tell her

husband. “Ah,” said he, “this is to shew me where to hunt for

crickets;” and, on looking closely at the picture, he saw that the

building very much resembled a temple to the east of their village. So

he forced himself to get up, and, leaning on a stick, went out to seek

crickets behind the temple. Rounding an old grave, he came upon a

place where stones were lying scattered about as in the picture, and

then he set himself to watch attentively. He might as well have been

looking for a needle or a grain of mustard-seed; and by degrees he

became quite exhausted, without finding anything, when suddenly an old

frog jumped out. Ch‘êng was a little startled, but immediately pursued

the frog, which retreated into the bushes. He then saw one of the

insects he wanted sitting at the root of a bramble; but on making a

grab at it, the cricket ran into a hole, from which he was unable to

move it until he poured in some water, when out the little creature

came. It was a magnificent specimen, strong and handsome, with a fine

tail, green neck, and golden wings; and, putting it in his basket, he

returned home in high glee to receive the congratulations of his

family. He would not have taken anything for this cricket, and

proceeded to feed it up carefully in a bowl. Its belly was the colour

of a crab’s, its back that of a sweet chestnut; and Ch‘êng tended it

most lovingly, waiting for the time when the magistrate should call

upon him for a cricket.

Strange Stories from a Chinese Studio (Volumes 1 and 2) · 第 27 / 48 段