“The new Chinese ambassador in this country is a man of considerable

literary ability, and perhaps one of the few diplomatists since the

days of Matthew Prior (Lord Lytton alone excepted) who has achieved

distinction as a poet. Shortly after his arrival in this country, he

expressed a wish to become acquainted with the principal English

poets, and as Mr. Browning is more accessible and more a man of the

world than the Poet Laureate, an arrangement was made the other day by

which the two should be brought in contact with one another. After the

mutual courtesies, Mr. Browning having learnt that His Excellency was

also a poet, expressed a desire to know how much he had published.

“Only three or four volumes,” was the reply, through the interpreter.

“Then,” said Mr. Browning, “I am a greater offender than His

Excellency, and unequal to him in self-restraint. What kind of poetry

does His Excellency write: pastoral, humorous, epic or what?” There

was a pause for a short time. At length the interpreter said that His

Excellency thought his poetry would be better described as the

“enigmatic.” “Surely,” replied Mr. Browning, “there ought then to be

the deepest sympathy between us, for that is just the criticism which

is brought against my own works; and I believe it to be a just one.””

[63] One of the two celebrated but legendary rulers of China in the

golden ages of antiquity. Yao--who died B.C. 2258--nominated as his

successor a young and virtuous husbandman named Shun, giving him both

his daughters in marriage. At the death of Shun, these ladies are said

to have wept so much that their tears literally drenched the bamboos

which grew beside their husband’s grave; and the speckled bamboo is

now commonly known as the bamboo of Shun’s wives.

[64] Volumes have been written by Chinese doctors on the subject of

the pulse. They profess to distinguish as many as twenty-four

different kinds, among which is one well known to our own

practitioners--namely, the “thready” pulse; they, moreover, make a

point of feeling the pulses of _both_ wrists.

[65] The Chinese believe that wicked people are struck by the God of

Thunder, and killed in punishment for some hidden crime. They regard

lightning merely as an arrangement by which the God is enabled to see

his victim.

[66] Chinese “chess” is similar to, but not identical with, our game.

The board is divided by a river, and the king is confined to a small

square of moves on his own territory. The game _par excellence_ in

China is _wei-ch‘i_, an account of which I contributed to the _Temple

Bar_ Magazine for January, 1877.

IX.

MAGICAL ARTS.

A certain Mr. Yü was a spirited young fellow, fond of boxing and

trials of strength. He was able to take two kettles and swing them

round about with the speed of the wind. Now, during the reign of

Ch‘ung Chêng,[67] when up for the final examination at the capital,

his servant became seriously ill. Much troubled at this, he applied to

a necromancer in the market-place[68] who was skilful at determining

the various leases of life allotted to men. Before he had uttered a

word, the necromancer asked him, saying, “Is it not about your

servant, Sir, that you would consult me?” Mr. Yü was startled at this,

and replied that it was. “The sick man,” continued the necromancer,

“will come to no harm; you, Sir, are the one in danger.” Mr. Yü then

begged him to cast his nativity, which he proceeded to do, finally

saying to Mr. Yü, “You have but three days to live!” Dreadfully

frightened, he remained some time in a state of stupefaction, when the

necromancer quietly observed that he possessed the power of averting

this calamity by magic, and would exert it for the sum of ten ounces

of silver. But Mr. Yü reflected that Life and Death are already

fixed,[69] and he didn’t see how magic could save him. So he refused,

and was just going away, whereupon the necromancer said, “You grudge

this trifling outlay. I hope you will not repent it.” Mr. Yü’s friends

also urged him to pay the money, advising him rather to empty his

purse than not secure the necromancer’s compassion. Mr. Yü, however,

would not hear of it and the three days slipped quickly away. Then he

sat down calmly in his inn to see what was going to happen. Nothing

did happen all day, and at night he shut his door and trimmed the

lamp; then, with a sword at his side, he awaited the approach of

death.

By-and-by, the clepsydra[70] shewed that two hours had already gone

without bringing him any nearer to dissolution; and he was thinking

about lying down, when he heard a scratching at the window, and then

saw a tiny little man creep through, carrying a spear on his shoulder,

who, on reaching the ground, shot up to the ordinary height. Mr. Yü

seized his sword and at once struck at it; but only succeeded in

cutting the air. His visitor instantly shrunk down small again, and

made an attempt to escape through the crevice of the window; but Yü

redoubled his blows and at last brought him to the ground. Lighting

the lamp, he found only a paper man,[71] cut right through the middle.

This made him afraid to sleep, and he sat up watching, until in a

little time he saw a horrid hobgoblin creep through the same place. No

sooner did it touch the ground than he assailed it lustily with his

sword, at length cutting it in half. Seeing, however, that both halves

kept on wriggling about, and fearing that it might get up again, he

went on hacking at it. Every blow told, giving forth a hard sound, and

when he came to examine his work, he found a clay image all knocked to

pieces. Upon this he moved his seat near to the window, and kept his

eye fixed upon the crack. After some time, he heard a noise like a

bull bellowing outside the window, and something pushed against the

window-frame with such force as to make the whole house tremble and

seem about to fall. Mr. Yü, fearing he should be buried under the

ruins, thought he could not do better than fight outside; so he

accordingly burst open the door with a crash and rushed out. There he

found a huge devil, as tall as the house, and he saw by the dim light

of the moon that its face was as black as coal. Its eyes shot forth

yellow fire: it had nothing either upon its shoulders or feet; but

held a bow in its hand and had some arrows at its waist. Mr. Yü was

terrified; and the devil discharged an arrow at him which he struck to

the ground with his sword. On Mr. Yü preparing to strike, the devil

let off another arrow which the former avoided by jumping aside, the

arrow quivering in the wall beyond with a smart crack. The devil here

got very angry, and drawing his sword flourished it like a whirlwind,

aiming a tremendous blow at Mr. Yü. Mr. Yü ducked, and the whole force

of the blow fell upon the stone wall of the house, cutting it right in

two. Mr. Yü then ran out from between the devil’s legs, and began

hacking at its back--whack!--whack! The devil now became furious, and

roared like thunder, turning round to get another blow at his

assailant. But Mr. Yü again ran between his legs, the devil’s sword

merely cutting off a piece of his coat. Once more he hacked

away--whack!--whack!--and at length the devil came tumbling down flat.

Mr. Yü cut at him right and left, each blow resounding like the

watchman’s wooden gong;[72] and then, bringing a light, he found it

was a wooden image about as tall as a man. The bow and arrows were

still there, the latter attached to its waist. Its carved and painted

features were most hideous to behold; and wherever Mr. Yü had struck

it with his sword, there was blood. Mr. Yü sat with the light in his

hand till morning, when he awaked to the fact that all these devils

had been sent by the necromancer in order to kill him, and so evidence

his own magical power. The next day, after having told the story far

and wide, he went with some others to the place where the necromancer

had his stall; but the latter, seeing them coming, vanished in the

twinkling of an eye. Some one observed that the blood of a dog would

reveal a person who had made himself invisible, and Mr. Yü immediately

procured some and went back with it. The necromancer disappeared as

before, but on the spot where he had been standing they quickly threw

down the dog’s blood. Thereupon they saw his head and face all smeared

over with the blood, his eyes glaring like a devil’s; and at once

seizing him, they handed him over to the authorities, by whom he was

put to death.

FOOTNOTES:

[67] The last emperor of the Ming dynasty. Began to reign A.D. 1628.

[68] The trade of fortune-teller is one of the most flourishing in

China. A large majority of the candidates who are unsuccessful at the

public examinations devote their energies in this direction; and in

every Chinese city there are regular establishments whither the

superstitious people repair to consult the oracle on every imaginable

subject; not to mention hosts of itinerant soothsayers, both in town

and country, whose stock-in-trade consists of a trestle-table, pen,

ink, and paper, and a few other mysterious implements of their art.

The nature of the response, favourable or otherwise, is determined by

an inspection of the year, month, day and hour at which the applicant

was born, taken in combination with other particulars referring to the

question at issue.

[69] A firm belief in predestination is an important characteristic of

the Chinese mind. “All is destiny” is a phrase daily in the mouth of

every man, woman, and child, in the empire. Confucius himself, we are

told, objected to discourse to his disciples upon this topic; but it

is evident from many passages in the _Lun Yü_, or _Confucian Gospels_,

[Book VI. ch. 8., Book XIV. ch. 38, &c.] that he believed in a certain

pre-arrangement of human affairs, against which all efforts would be

unavailing.

[70] An appliance of very ancient date in China, now superseded by

cheap clocks and watches. A large clepsydra, consisting of four copper

jars standing on steps one above the other, is still, however, to be

seen in the city of Canton, and is in excellent working order, the

night-watches being determined by reference to its indicator in the

lower jar. By its aid, coils of “joss-stick,” or pastille, are

regulated to burn so many hours, and are sold to the poor, who use

them both for the purpose of guiding their extremely vague notions of

time, and for the oft-recurring tobacco-pipe.

[71] “Paper men” are a source of great dread to the people at large.

During the year 1876 whole provinces were convulsed by the belief that

some such superstitious agency was at work to deprive innocent persons

of their tails; and the so-called “Pope” of the Taoist religion even

went so far as to publish a charm against the machinations of the

unseen. It ran as follows:--“Ye who urge filthy devils to spy out the

people!--the Master’s spirits are at hand and will soon discover you.

With this charm anyone may travel by sunlight, moonlight, or starlight

all over the earth.” At one time popular excitement ran so high that

serious consequences were anticipated; and the mandarins in the

affected districts found it quite as much as they could do to prevent

lynch-law being carried out on harmless strangers who were unlucky

enough to give rise to the slightest suspicion.

Taoist priests are generally credited with the power of cutting out

human, animal, or other figures, of infusing vitality into them on the

spot, and of employing them for purposes of good or evil.

[72] Watchmen in China, when on their nightly rounds, keep up an

incessant beating on what, for want of a better term, we have called a

wooden gong. The object is to let thieves know they are awake and on

the look-out.

X.

JOINING THE IMMORTALS.

A Mr. Chou, of Wên-têng, had in his youth been fellow-student with a

Mr. Ch‘êng, and a firm friendship was the result. The latter was poor,

and depended very much upon Chou, who was the elder of the two. He

called Chou’s wife his “sister,” and had the run of the house just as

if he was one of the family. Now this wife happening to die in

child-bed, Chou married another named Wang; but as she was quite a

young girl, Ch‘êng did not seek to be introduced.[73] One day her

younger brother came to visit her, and was being entertained in the

“inner” apartments[74] when Ch‘êng chanced to call. The servant

announced his arrival, and Chou bade him ask Mr. Ch‘êng in. But Ch‘êng

would not enter, and took his leave. Thereupon Chou caused the

entertainment to be moved into the public part of the house, and,

sending after Ch‘êng, succeeded in bringing him back. They had hardly

sat down before some one came in to say that a former servant of the

establishment had been severely beaten at the magistrate’s yamên; the

facts of the case being that a cow-boy of the Huang family connected

with the Board of Rites had driven his cattle across the Chou family’s

land, and that words had arisen between the two servants in

consequence; upon which the Huang family’s servant had complained to

his master, who had seized the other and had sent him in to the

magistrate’s, where he had been bambooed. When Mr. Chou found out what

the matter was, he was exceedingly angry, and said, “How dares this

pig-boy fellow behave thus? Why, only a generation ago his master was

my father’s servant! He emerges a little from his obscurity, and

immediately thinks himself I don’t know what!” Swelling with rage, he

rose to go in quest of Huang, but Ch‘êng held him back, saying, “The

age is corrupt: there is no distinction between right and wrong.

Besides, the officials of the day are half of them thieves, and you

will only get yourself into hot water.” Chou, however, would not

listen to him; and it was only when tears were added to remonstrances

that he consented to let the matter drop. But his anger did not cease,

and he lay tossing and turning all night. In the morning he said to

his family, “I can stand the insults of Mr. Huang; but the magistrate

is an officer of the Government, and not the servant of influential

people. If there is a case of any kind, he should hear both plaintiff

and defendant, and not act like a dog, biting anybody he is set upon.

I will bring an action against the cow-boy, and see what the

magistrate will do to him.” As his family rather egged him on, he

accordingly proceeded to the magistrate’s and entered a formal plaint;

but that functionary tore up his petition, and would have nothing to

do with it. This roused Chou’s anger, and he told the magistrate

plainly what he thought of him, in return for which contempt of court

he was at once seized and bound. During the forenoon Mr. Ch‘êng called

at his house, where he learnt that Chou had gone into the city to

prosecute the cow-boy, and immediately hurried after him with a view

to stop proceedings. But his friend was already in the gaol, and all

he could do was to stamp his foot in anger. Now it happened that three

pirates had just been caught; and the magistrate and Huang, putting

their heads together, bribed these fellows to say that Chou was one of

their gang, whereupon the higher authorities were petitioned to

deprive him of his status as a graduate,[75] and the magistrate then

had him most unmercifully bambooed.[76] Mr. Ch‘êng gained admittance

to the gaol, and, after a painful interview, proposed that a petition

should be presented direct to the Throne. “Alas!” cried Chou, “here

am I bound and guarded, like a bird in a cage. I have indeed a young

brother, but it is as much as he can do to provide me with food.” Then

Ch‘êng stepped forward, saying, “I will perform this service. Of what

use are friends who will not assist in the hour of trouble?” So away

he went, and Chou’s son provided him with money to defray his

expenses. After a long journey he arrived at the capital, where he

found himself quite at a loss as to how he should get the petition

presented. However, hearing that the Emperor was about to set out on a

hunting tour, he concealed himself in the market-place, and when His

Majesty passed by, prostrated himself on the ground with loud cries

and gesticulations. The Emperor received his petition, and sent it to

the Board of Punishments,[77] desiring to be furnished with a report

on the case. It was then more than ten months since the beginning of

the affair, and Chou, who had been made to confess[78] to this false

charge, was already under sentence of death; so that the officers of

the Board were very much alarmed when they received the Imperial

instructions, and set to work to re-hear the case in person. Huang was

also much alarmed, and devised a plan for killing Mr. Chou by bribing

the gaolers to stop his food and drink; so that when his brother

brought provisions he was rudely thrust back and prevented from

taking them in. Mr. Ch‘êng complained of this to the Viceroy of the

province, who investigated the matter himself, and found that Chou was

in the last stage of starvation, for which the gaolers were bambooed

to death. Terrified out of his wits, Huang, by dint of bribing

heavily, succeeded in absconding and escaping a just punishment for

his crimes. The magistrate, however, was banished for perversion of

the law, and Chou was permitted to return home, his affection for

Ch‘êng being now very much increased. But ever after the prosecution

and his friend’s captivity, Mr. Ch‘êng took a dismal view of human

affairs, and one day invited Chou to retire with him from the world.

The latter, who was deeply attached to his young wife, threw cold

water on the proposition, and Mr. Ch‘êng pursued the subject no

farther, though his own mind was fully made up. Not seeing him for

some days afterwards, Mr. Chou sent to inquire about him at his house;

but there they all thought he was at Chou’s, neither family, in fact,

having seen anything of him. This looked suspicious, and Chou, aware

of his peculiarity, sent off people to look for him, bidding them

search all the temples and monasteries in the neighbourhood. He also

from time to time supplied Ch‘êng’s son with money and other

necessaries.

Strange Stories from a Chinese Studio (Volumes 1 and 2) · 第 4 / 48 段